Written by
Henry Van Dyke |
A tale that the poet Rückert told
To German children, in days of old;
Disguised in a random, rollicking rhyme
Like a merry mummer of ancient time,
And sent, in its English dress, to please
The little folk of the Christmas trees.
A little fir grew in the midst of the wood
Contented and happy, as young trees should.
His body was straight and his boughs were clean;
And summer and winter the bountiful sheen
Of his needles bedecked him, from top to root,
In a beautiful, all-the-year, evergreen suit.
But a trouble came into his heart one day,
When he saw that the other trees were gay
In the wonderful raiment that summer weaves
Of manifold shapes and kinds of leaves:
He looked at his needles so stiff and small,
And thought that his dress was the poorest of all.
Then jealousy clouded the little tree's mind,
And he said to himself, "It was not very kind
"To give such an ugly old dress to a tree!
"If the fays of the forest would only ask me,
"I'd tell them how I should like to be dressed,—
"In a garment of gold, to bedazzle the rest!"
So he fell asleep, but his dreams were bad.
When he woke in the morning, his heart was glad;
For every leaf that his boughs could hold
Was made of the brightest beaten gold.
I tell you, children, the tree was proud;
He was something above the common crowd;
And he tinkled his leaves, as if he would say
To a pedlar who happened to pass that way,
"Just look at me! don't you think I am fine?
"And wouldn't you like such a dress as mine?"
"Oh, yes!" said the man, "and I really guess
I must fill my pack with your beautiful dress.
"
So he picked the golden leaves with care,
And left the little tree shivering there.
"Oh, why did I wish for golden leaves?"
The fir-tree said, "I forgot that thieves
"Would be sure to rob me in passing by.
"If the fairies would give me another try,
"I'd wish for something that cost much less,
"And be satisfied with glass for my dress!"
Then he fell asleep; and, just as before,
The fairies granted his wish once more.
When the night was gone, and the sun rose clear,
The tree was a crystal chandelier;
And it seemed, as he stood in the morning light,
That his branches were covered with jewels bright.
"Aha!" said the tree.
"This is something great!"
And he held himself up, very proud and straight;
But a rude young wind through the forest dashed,
In a reckless temper, and quickly smashed
The delicate leaves.
With a clashing sound
They broke into pieces and fell on the ground,
Like a silvery, shimmering shower of hail,
And the tree stood naked and bare to the gale.
Then his heart was sad; and he cried, "Alas
"For my beautiful leaves of shining glass!
"Perhaps I have made another mistake
"In choosing a dress so easy to break.
"If the fairies only would hear me again
"I'd ask them for something both pretty and plain:
"It wouldn't cost much to grant my request,—
"In leaves of green lettuce I'd like to be dressed!"
By this time the fairies were laughing, I know;
But they gave him his wish in a second; and so
With leaves of green lettuce, all tender and sweet,
The tree was arrayed, from his head to his feet.
"I knew it!" he cried, "I was sure I could find
"The sort of a suit that would be to my mind.
"There's none of the trees has a prettier dress,
"And none as attractive as I am, I guess.
"
But a goat, who was taking an afternoon walk,
By chance overheard the fir-tree's talk.
So he came up close for a nearer view;—
"My salad!" he bleated, "I think so too!
"You're the most attractive kind of a tree,
"And I want your leaves for my five-o'clock tea.
"
So he ate them all without saying grace,
And walked away with a grin on his face;
While the little tree stood in the twilight dim,
With never a leaf on a single limb.
Then he sighed and groaned; but his voice was weak—
He was so ashamed that he could not speak.
He knew at last that he had been a fool,
To think of breaking the forest rule,
And choosing a dress himself to please,
Because he envied the other trees.
But it couldn't be helped, it was now too late,
He must make up his mind to a leafless fate!
So he let himself sink in a slumber deep,
But he moaned and he tossed in his troubled sleep,
Till the morning touched him with joyful beam,
And he woke to find it was all a dream.
For there in his evergreen dress he stood,
A pointed fir in the midst of the wood!
His branches were sweet with the balsam smell,
His needles were green when the white snow fell.
And always contented and happy was he,—
The very best kind of a Christmas tree.
|
Written by
Geoffrey Chaucer |
THE PROLOGUE.
THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.
* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk.
*trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city.
"
Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play.
"
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.
* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit.
"<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.
Notes to the Prologue to the Cook's Tale
1.
Jack of Dover: an article of cookery.
(Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)
2.
Sooth play quad play: true jest is no jest.
3.
It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.
4.
Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.
THE TALE.
A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.
* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.
* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy.
*although
For theft and riot they be convertible,
All can they play on *gitern or ribible.
* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see.
*at variance
This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place.
*corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*.
*refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance.
*prostituted herself
.
.
.
.
.
.
.
<4>
Notes to the Cook's Tale
1.
Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.
2.
His paper: his certificate of completion of his apprenticeship.
3.
Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".
4.
The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded.
The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales.
It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry.
"
|
Written by
Lewis Carroll |
"AND did you really walk," said I,
"On such a wretched night?
I always fancied Ghosts could fly -
If not exactly in the sky,
Yet at a fairish height.
"
"It's very well," said he, "for Kings
To soar above the earth:
But Phantoms often find that wings -
Like many other pleasant things -
Cost more than they are worth.
"Spectres of course are rich, and so
Can buy them from the Elves:
But WE prefer to keep below -
They're stupid company, you know,
For any but themselves:
"For, though they claim to be exempt
From pride, they treat a Phantom
As something quite beneath contempt -
Just as no Turkey ever dreamt
Of noticing a Bantam.
"
"They seem too proud," said I, "to go
To houses such as mine.
Pray, how did they contrive to know
So quickly that 'the place was low,'
And that I 'kept bad wine'?"
"Inspector Kobold came to you - "
The little Ghost began.
Here I broke in - "Inspector who?
Inspecting Ghosts is something new!
Explain yourself, my man!"
"His name is Kobold," said my guest:
"One of the Spectre order:
You'll very often see him dressed
In a yellow gown, a crimson vest,
And a night-cap with a border.
"He tried the Brocken business first,
But caught a sort of chill ;
So came to England to be nursed,
And here it took the form of THIRST,
Which he complains of still.
"Port-wine, he says, when rich and sound,
Warms his old bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the INN-SPECTRE.
"
I bore it - bore it like a man -
This agonizing witticism!
And nothing could be sweeter than
My temper, till the Ghost began
Some most provoking criticism.
"Cooks need not be indulged in waste;
Yet still you'd better teach them
Dishes should have SOME SORT of taste.
Pray, why are all the cruets placed
Where nobody can reach them?
"That man of yours will never earn
His living as a waiter!
Is that ***** THING supposed to burn?
(It's far too dismal a concern
To call a Moderator).
"The duck was tender, but the peas
Were very much too old:
And just remember, if you please,
The NEXT time you have toasted cheese,
Don't let them send it cold.
"You'd find the bread improved, I think,
By getting better flour:
And have you anything to drink
That looks a LITTLE less like ink,
And isn't QUITE so sour?"
Then, peering round with curious eyes,
He muttered "Goodness gracious!"
And so went on to criticise -
"Your room's an inconvenient size:
It's neither snug nor spacious.
"That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!"
"I don't care who he was, Sir, or
On whom he pinned his faith!
Constructed by whatever law,
So poor a job I never saw,
As I'm a living Wraith!
"What a re-markable cigar!
How much are they a dozen?"
I growled "No matter what they are!
You're getting as familiar
As if you were my cousin!
"Now that's a thing I WILL NOT STAND,
And so I tell you flat.
"
"Aha," said he, "we're getting grand!"
(Taking a bottle in his hand)
"I'll soon arrange for THAT!"
And here he took a careful aim,
And gaily cried "Here goes!"
I tried to dodge it as it came,
But somehow caught it, all the same,
Exactly on my nose.
And I remember nothing more
That I can clearly fix,
Till I was sitting on the floor,
Repeating "Two and five are four,
But FIVE AND TWO are six.
"
What really passed I never learned,
Nor guessed: I only know
That, when at last my sense returned,
The lamp, neglected, dimly burned -
The fire was getting low -
Through driving mists I seemed to see
A Thing that smirked and smiled:
And found that he was giving me
A lesson in Biography,
As if I were a child.
|
Written by
Denise Duhamel |
We must have clamored for the same mother, hurried for
the same womb.
I know it now as I read that my birthday is his.
Since the first time I saw his picture, I sensed something—
and with a fierce bonding and animosity
began following his career.
Look where I am and look where he is!
There is a book documenting his every haircut
while all my image-building attempts go unnoticed, even
by my friends.
I'm too wimpy to just dye my curls red
or get them straightened.
I, sickeningly moral,
talked about chemicals when I should have been
hanging out with George's pal, Marilyn.
He would have set me right:
Stop your whining and put on this feather tuxedo.
Look,
do you want to be famous or not?
In the latest articles, Boy George is claiming he's not
really happy.
Hmm, I think, just like me.
When he comes to New York and stays in hotels in
Gramercy Park
maybe he feels a pull to the Lower East Side,
wanders towards places where I am, but not knowing me,
doesn't know why.
One interviewer asks if he wishes he were a woman.
Aha! I read on with passion: and a poet?—I bet you'd like
that—
You wouldn't have to sing anymore, do those tiring tours.
George, we could switch.
You could come live at my place,
have some privacy, regain your sense of self.
So I begin my letter.
Dear Boy George,
Do you ever sit and wonder what's gone wrong?
If there's been some initial mistake?
Well, don't be alarmed, but there
has been.
|
Written by
Eugene Field |
Who should come up the road one day
But the doctor-man in his two-wheel shay!
And he whoaed his horse and he cried "Ahoy!
I have brought you folks a bow-leg boy!
Such a cute little boy!
Such a funny little boy!
Such a dear little bow-leg boy!"
He took out his box and he opened it wide,
And there was the bow-leg boy inside!
And when they saw that cunning little mite,
They cried in a chorus expressive of delight:
"What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!"
Observing a strict geometrical law,
They cut out his panties with a circular saw;
Which gave such a stress to his oval stride
That the people he met invariably cried:
"What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!"
They gave him a wheel and away he went
Speeding along to his heart's content;
And he sits so straight and he pedals so strong
That the folks all say as he bowls along:
"What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!"
With his eyes aflame and his cheeks aglow,
He laughs "aha" and he laughs "oho";
And the world is filled and thrilled with the joy
Of that jolly little human, the bow-leg boy--
The cute little boy!
The funny little boy!
The dear little bow-leg boy!
If ever the doctor-man comes my way
With his wonderful box in his two-wheel shay,
I 'll ask for the treasure I'd fain possess--
Now, honest Injun! can't you guess?
Why, a cute little boy--
A funny little boy--
A dear little bow-leg boy!
|
Written by
Edgar Lee Masters |
If a man could bite the giant hand
That catchs and destroys him,
As I was bitten by a rat
While demonstrating my patent trap,
In my hardware store that day.
But a man can never avenge himself
On the monstrous ogre Life.
You enter the room—that's being born;
And then you must live—work out your soul,
Aha! the bait that you crave is in view:
A woman with money you want to marry,
Presitge, place, or power in the world.
But there's work to do and things to conquer—
Oh, yes! the wires that screen the bait.
At last you get in—but you hear a step:
The ogre, Life, comes into the room,
(He was waiting and heard the clang of the spring)
To watch you nibble the wondrous cheese,
And stare with his burning eyes at you,
And scowl and laugh, and mock and curse you,
Running up and down in the trap,
Until your misery bores him.
|
Written by
Robert Browning |
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews -- sons mine -- ah God, I know not! Well --
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
"Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine.
I fought
With tooth and nail to save my niche, ye know:
-- Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam's sure to lurk:
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
-- Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
-- What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find -- Ah God, I know not, I! --
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black --
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables -- but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me -- all of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world --
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
-- That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line --
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
-- Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To death -- ye wish it -- God, ye wish it! Stone --
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through --
And no more lapis to delight the world!
Well, go! I bless ye.
Fewer tapers there,
But in a row: and, going, turn your backs
-- Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers --
Old Gandolf -- at me, from his onion-stone,
As still he envied me, so fair she was!
|
Written by
Eugene Field |
(FOR THE FELLOWSHIP CLU
Lyman and Frederick and Jim, one day,
Set out in a great big ship--
Steamed to the ocean adown the bay
Out of a New York slip.
"Where are you going and what is your game?"
The people asked those three.
"Darned if we know; but all the same
Happy as larks are we;
And happier still we're going to be!"
Said Lyman
And Frederick
And Jim.
The people laughed "Aha, oho!
Oho, aha!" laughed they;
And while those three went sailing so
Some pirates steered that way.
The pirates they were laughing, too--
The prospect made them glad;
But by the time the job was through
Each of them pirates, bold and bad,
Had been done out of all he had
By Lyman
And Frederick
And Jim.
Days and weeks and months they sped,
Painting that foreign clime
A beautiful, bright vermilion red--
And having a ---- of a time!
'T was all so gaudy a lark, it seemed
As if it could not be,
And some folks thought it a dream they dreamed
Of sailing that foreign sea,
But I 'll identify you these three--
Lyman
And Frederick
And Jim.
Lyman and Frederick are bankers and sich
And Jim is an editor kind;
The first two named are awfully rich
And Jim ain't far behind!
So keep your eyes open and mind your tricks,
Or you are like to be
In quite as much of a Tartar fix
As the pirates that sailed the sea
And monkeyed with the pardners three,
Lyman
And Frederick
And Jim!
|
Written by
Eugene Field |
Aha! a traitor in the camp,
A rebel strangely bold,--
A lisping, laughing, toddling scamp,
Not more than four years old!
To think that I, who've ruled alone
So proudly in the past,
Should be ejected from my throne
By my own son at last!
He trots his treason to and fro,
As only babies can,
And says he'll be his mamma's beau
When he's a "gweat, big man"!
You stingy boy! you've always had
A share in mamma's heart;
Would you begrudge your poor old dad
The tiniest little part?
That mamma, I regret to see,
Inclines to take your part,--
As if a dual monarchy
Should rule her gentle heart!
But when the years of youth have sped,
The bearded man, I trow,
Will quite forget he ever said
He'd be his mamma's beau.
Renounce your treason, little son,
Leave mamma's heart to me;
For there will come another one
To claim your loyalty.
And when that other comes to you,
God grant her love may shine
Through all your life, as fair and true
As mamma's does through mine!
1885.
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Written by
John Davidson |
I hang about the streets all day,
At night I hang about;
I sleep a little when I may,
But rise betimes the morning's scout;
For through the year I always hear
Afar, aloft, a ghostly shout.
My clothes are worn to threads and loops;
My skin shows here and there ;
About my face like seaweed droops
My tangled beard, my tangled hair;
From cavernous and shaggy brows
My stony eyes untroubled stare.
I move from eastern wretchedness
Through Fleet Street and the Strand;
And as the pleasant people press
I touch them softly with my hand,
Perhaps I know that still I go
Alive about a living land.
For far in front the clouds are riven
I hear the ghostly cry,
As if a still voice fell from heaven
To where sea-whelmed the drowned folk lie
In sepulchres no tempest stirs
And only eyeless things pass by.
In Piccadilly spirits pass:
Oh, eyes and cheeks that glow!
Oh, strength and comeliness! Alas,
The lustrous health is earth I know
From shrinking eyes that recognise
No brother in my rags and woe.
I know no handicraft, no art,
But I have conquered fate;
For I have chosen the better part,
And neither hope, nor fear, nor hate.
With placid breath on pain and death,
My certain alms, alone I wait.
And daily, nightly comes the call,
The pale unechoing note,
The faint "Aha!" sent from the wall
Of heaven, but from no ruddy throat
Of human breed or seraph's seed,
A phantom voice that cries by rote.
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