Get Your Premium Membership

Best Famous Agent Poems

Here is a collection of the all-time best famous Agent poems. This is a select list of the best famous Agent poetry. Reading, writing, and enjoying famous Agent poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of agent poems.

Search and read the best famous Agent poems, articles about Agent poems, poetry blogs, or anything else Agent poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by David Lehman | Create an image from this poem

A Little History

 Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude them by running away.
They were happy just to see him run away.
The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their secret faith died.
No one would ever have known if not for the bones that turned up on the dig.
A disaster.
How could it have happened to them? They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last! They are free to marry other Jews, and divorce them, and intermarry with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else, yet in their hearts they know they're different.
In every minyan there are always two or three, hated by the others, who give life to one ugly stereotype or another: The grasping Jew with the hooked nose or the Ivy League Bolshevik who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover, anniversary of the Exodus, when all the uncles and aunts and cousins get together.
They wonder about the heritage of Judaism they are passing along to their children.
Have they done as much as they could to keep the old embers burning? Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp.
" He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody Allen.
He wonders what that means.
I'm funny? A sort of nervous intellectual type from New York? A Jew? Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the Jewish question.
" It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their children.
That is why he came to this dry place where the bones have come to life.
To live in a state of perpetual war puts a tremendous burden on the population.
As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter- terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's wives.
As a spy he has a unique mission: to get his name on the front page of the nation's newspaper of record.
Only by doing that would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but this was incredible: To talk his way into being the chief suspect in the most flamboyant murder case in years! And he was innocent! He could prove it! And what a book he would write when they free him from this prison: A novel, obliquely autobiographical, set in Vienna in the twilight of the Hapsburg Empire, in the year that his mother was born.


Written by Robert Frost | Create an image from this poem

The Star-Splitter

 `You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains, And rising on his hands, he looks in on me Busy outdoors by lantern-light with something I should have done by daylight, and indeed, After the ground is frozen, I should have done Before it froze, and a gust flings a handful Of waste leaves at my smoky lantern chimney To make fun of my way of doing things, Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights These forces are obliged to pay respect to?' So Brad McLaughlin mingled reckless talk Of heavenly stars with hugger-mugger farming, Till having failed at hugger-mugger farming He burned his house down for the fire insurance And spent the proceeds on a telescope To satisfy a lifelong curiosity About our place among the infinities.
`What do you want with one of those blame things?' I asked him well beforehand.
`Don't you get one!' `Don't call it blamed; there isn't anything More blameless in the sense of being less A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.
' There where he moved the rocks to plow the ground And plowed between the rocks he couldn't move, Few farms changed hands; so rather than spend years Trying to sell his farm and then not selling, He burned his house down for the fire insurance And bought the telescope with what it came to.
He had been heard to say by several: `The best thing that we're put here for's to see; The strongest thing that's given us to see with's A telescope.
Someone in every town Seems to me owes it to the town to keep one.
In Littleton it might as well be me.
' After such loose talk it was no surprise When he did what he did and burned his house down.
Mean laughter went about the town that day To let him know we weren't the least imposed on, And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected If one by one we counted people out For the least sin, it wouldn't take us long To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us, We don't cut off from coming to church suppers, But what we miss we go to him and ask for.
He promptly gives it back, that is if still Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad About his telescope.
Beyond the age Of being given one for Christmas gift, He had to take the best way he knew how To find himself in one.
Well, all we said was He took a strange thing to be roguish over.
Some sympathy was wasted on the house, A good old-timer dating back along; But a house isn't sentient; the house Didn't feel anything.
And if it did, Why not regard it as a sacrifice, And an old-fashioned sacrifice by fire, Instead of a new-fashioned one at auction? Out of a house and so out of a farm At one stroke (of a match), Brad had to turn To earn a living on the Concord railroad, As under-ticket-agent at a station Where his job, when he wasn't selling tickets, Was setting out, up track and down, not plants As on a farm, but planets, evening stars That varied in their hue from red to green.
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look Up the brass barrel, velvet black inside, At a star quaking in the other end.
I recollect a night of broken clouds And underfoot snow melted down to ice, And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three, Pointed our thoughts the way we pointed it, And standing at our leisure till the day broke, Said some of the best things we ever said.
That telescope was christened the Star-Splitter, Because it didn't do a thing but split A star in two or three, the way you split A globule of quicksilver in your hand With one stroke of your finger in the middle.
It's a star-splitter if there ever was one, And ought to do some good if splitting stars 'Sa thing to be compared with splitting wood.
We've looked and looked, but after all where are we? Do we know any better where we are, And how it stands between the night tonight And a man with a smoky lantern chimney? How different from the way it ever stood?
Written by Allen Ginsberg | Create an image from this poem

Homework

 Homage Kenneth Koch


If I were doing my Laundry I'd wash my dirty Iran
I'd throw in my United States, and pour on the Ivory Soap,
 scrub up Africa, put all the birds and elephants back in
 the jungle,
I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico,
Rub that smog off the North Pole, wipe up all the pipelines in Alaska,
Rub a dub dub for Rocky Flats and Los Alamos, Flush that sparkly
 Cesium out of Love Canal
Rinse down the Acid Rain over the Parthenon & Sphinx, Drain the Sludge
 out of the Mediterranean basin & make it azure again,
Put some blueing back into the sky over the Rhine, bleach the little
 Clouds so snow return white as snow,
Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie
Then I'd throw big Asia in one giant Load & wash out the blood &
 Agent Orange,
Dump the whole mess of Russia and China in the wringer, squeeze out
 the tattletail Gray of U.
S.
Central American police state, & put the planet in the drier & let it sit 20 minutes or an Aeon till it came out clean
Written by Les Murray | Create an image from this poem

Travels With John Hunter

 We who travel between worlds 
lose our muscle and bone.
I was wheeling a barrow of earth when agony bayoneted me.
I could not sit, or lie down, or stand, in Casualty.
Stomach-calming clay caked my lips, I turned yellow as the moon and slid inside a CAT-scan wheel in a hospital where I met no one so much was my liver now my dire preoccupation.
I was sped down a road.
of treetops and fishing-rod lightpoles towards the three persons of God and the three persons of John Hunter Hospital.
Who said We might lose this one.
Twenty days or to the heat-death of the Universe have the same duration: vaguely half a hour.
I awoke giggling over a joke about Paul Kruger in Johannesburg and missed the white court stockings I half remembered from my prone still voyage beyond flesh and bone.
I asked my friend who got new lungs How long were you crazy, coming back? Five days, he said.
Violent and mad.
Fictive Afrikaner police were at him, not unworldly Oom Paul Kruger.
Valerie, who had sat the twenty days beside me, now gently told me tales of my time-warp.
The operative canyon stretched, stapled, with dry roseate walls down my belly.
Seaweed gel plugged views of my pluck and offal.
The only poet whose liver damage hadn't been self-inflicted, grinned my agent.
A momentarily holed bowel had released flora who live in us and will eat us when we stop feeding them the earth.
I had, it did seem, rehearsed the private office of the grave, ceased excreting, made corpse gases all while liana'd in tubes and overseen by cockpit instruments that beeped or struck up Beethoven's Fifth at behests of fluid.
I also hear when I lay lipless and far away I was anointed first by a mild metaphoric church then by the Church of no metaphors.
Now I said, signing a Dutch contract in a hand I couldn't recognise, let's go and eat Chinese soup and drive to Lake Macquarie.
Was I not renewed as we are in Heaven? In fact I could hardly endure Earth gravity, and stayed weak and cranky till the soup came, squid and vegetables, pure Yang.
And was sane thereafter.
It seemed I'd also travelled in a Spring-in-Winter love-barque of cards, of flowers and phone calls and letters, concern I'd never dreamed was there when black kelp boiled in my head.
I'd awoken amid my State funeral, nevermore to eat my liver or feed it to the Black Dog, depression which the three Johns Hunter seem to have killed with their scalpels: it hasn't found its way home, where I now dodder and mend in thanks for devotion, for the ambulance this time, for the hospital fork lift, for pethidine, and this face of deity: not the foreknowledge of death but the project of seeing conscious life rescued from death defines and will atone for the human.
Written by William Carlos (WCW) Williams | Create an image from this poem

To Elsie

 The pure products of America
go crazy—
mountain folk from Kentucky

or the ribbed north end of
Jersey
with its isolate lakes and

valleys, its deaf-mutes, thieves
old names
and promiscuity between

devil-may-care men who have taken
to railroading
out of sheer lust of adventure—

and young slatterns, bathed
in filth
from Monday to Saturday

to be tricked out that night
with gauds
from imaginations which have no

peasant traditions to give them
character
but flutter and flaunt

sheer rags-succumbing without
emotion
save numbed terror

under some hedge of choke-cherry
or viburnum-
which they cannot express—

Unless it be that marriage
perhaps
with a dash of Indian blood

will throw up a girl so desolate
so hemmed round
with disease or murder

that she'll be rescued by an
agent—
reared by the state and

sent out at fifteen to work in
some hard-pressed
house in the suburbs—

some doctor's family, some Elsie—
voluptuous water
expressing with broken

brain the truth about us—
her great
ungainly hips and flopping breasts

addressed to cheap
jewelry
and rich young men with fine eyes

as if the earth under our feet
were
an excrement of some sky

and we degraded prisoners
destined
to hunger until we eat filth

while the imagination strains
after deer
going by fields of goldenrod in

the stifling heat of September
Somehow
it seems to destroy us

It is only in isolate flecks that
something
is given off

No one
to witness
and adjust, no one to drive the car


Written by Sylvia Plath | Create an image from this poem

The Bee Meeting

 Who are these people at the bridge to meet me? They are the villagers----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection, And they are all gloved and covered, why did nobody tell me? They are smiling and taking out veils tacked to ancient hats.
I am nude as a chicken neck, does nobody love me? Yes, here is the secretary of bees with her white shop smock, Buttoning the cuffs at my wrists and the slit from my neck to my knees.
Now I am milkweed silk, the bees will not notice.
They will not smell my fear, my fear, my fear.
Which is the rector now, is it that man in black? Which is the midwife, is that her blue coat? Everybody is nodding a square black head, they are knights in visors, Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voces are changing.
I am led through a beanfield.
Strips of tinfoil winking like people, Feather dusters fanning their hands in a sea of bean flowers, Creamy bean flowers with black eyes and leaves like bored hearts.
Is it blood clots the tendrils are dragging up that string? No, no, it is scarlet flowers that will one day be edible.
Now they are giving me a fashionable white straw Italian hat And a black veil that molds to my face, they are making me one of them.
They are leading me to the shorn grove, the circle of hives.
Is it the hawthorn that smells so sick? The barren body of hawthon, etherizing its children.
Is it some operation that is taking place? It is the surgeon my neighbors are waiting for, This apparition in a green helmet, Shining gloves and white suit.
Is it the butcher, the grocer, the postman, someone I know? I cannot run, I am rooted, and the gorse hurts me With its yellow purses, its spiky armory.
I could not run without having to run forever.
The white hive is snug as a virgin, Sealing off her brood cells, her honey, and quietly humming.
Smoke rolls and scarves in the grove.
The mind of the hive thinks this is the end of everything.
Here they come, the outriders, on their hysterical elastics.
If I stand very still, they will think I am cow-parsley, A gullible head untouched by their animosity, Not even nodding, a personage in a hedgerow.
The villagers open the chambers, they are hunting the queen.
Is she hiding, is she eating honey? She is very clever.
She is old, old, old, she must live another year, and she knows it.
While in their fingerjoint cells the new virgins Dream of a duel they will win inevitably, A curtain of wax dividing them from the bride flight, The upflight of the murderess into a heaven that loves her.
The villagers are moving the virgins, there will be no killing.
The old queen does not show herself, is she so ungrateful? I am exhausted, I am exhausted ---- Pillar of white in a blackout of knives.
I am the magician's girl who does not flinch.
The villagers are untying their disguises, they are shaking hands.
Whose is that long white box in the grove, what have they accomplished, why am I cold.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

Voltaire at Ferney

Perfectly happy now, he looked at his estate.
An exile making watches glanced up as he passed And went on working; where a hospital was rising fast, A joiner touched his cap; an agent came to tell Some of the trees he'd planted were progressing well.
The white alps glittered.
It was summer.
He was very great.
Far off in Paris where his enemies Whsipered that he was wicked, in an upright chair A blind old woman longed for death and letters.
He would write, "Nothing is better than life.
" But was it? Yes, the fight Against the false and the unfair Was always worth it.
So was gardening.
Civilize.
Cajoling, scolding, screaming, cleverest of them all, He'd had the other children in a holy war Against the infamous grown-ups; and, like a child, been sly And humble, when there was occassion for The two-faced answer or the plain protective lie, But, patient like a peasant, waited for their fall.
And never doubted, like D'Alembert, he would win: Only Pascal was a great enemy, the rest Were rats already poisoned; there was much, though, to be done, And only himself to count upon.
Dear Diderot was dull but did his best; Rousseau, he'd always known, would blubber and give in.
Night fell and made him think of women: Lust Was one of the great teachers; Pascal was a fool.
How Emilie had loved astronomy and bed; Pimpette had loved him too, like scandal; he was glad.
He'd done his share of weeping for Jerusalem: As a rule, It was the pleasure-haters who became unjust.
Yet, like a sentinel, he could not sleep.
The night was full of wrong, Earthquakes and executions: soon he would be dead, And still all over Europe stood the horrible nurses Itching to boil their children.
Only his verses Perhaps could stop them: He must go on working: Overhead, The uncomplaining stars composed their lucid song.
Written by Oodgeroo Noonuccal | Create an image from this poem

We Are Going

 They came in to the little town 
A semi-naked band subdued and silent 
All that remained of their tribe.
They came here to the place of their old bora ground Where now the many white men hurry about like ants.
Notice of the estate agent reads: 'Rubbish May Be Tipped Here'.
Now it half covers the traces of the old bora ring.
'We are as strangers here now, but the white tribe are the strangers.
We belong here, we are of the old ways.
We are the corroboree and the bora ground, We are the old ceremonies, the laws of the elders.
We are the wonder tales of Dream Time, the tribal legends told.
We are the past, the hunts and the laughing games, the wandering camp fires.
We are the lightening bolt over Gaphembah Hill Quick and terrible, And the Thunderer after him, that loud fellow.
We are the quiet daybreak paling the dark lagoon.
We are the shadow-ghosts creeping back as the camp fires burn low.
We are nature and the past, all the old ways Gone now and scattered.
The scrubs are gone, the hunting and the laughter.
The eagle is gone, the emu and the kangaroo are gone from this place.
The bora ring is gone.
The corroboree is gone.
And we are going.
'
Written by Andrew Barton Paterson | Create an image from this poem

The Silent Shearer

 Weary and listless, sad and slow, 
Without any conversation, 
Was a man that worked on The Overflow, 
The butt of the shed and the station.
The shearers christened him Noisy Ned, With an alias "Silent Waters", But never a needless word he said In the hut or the shearers' quarters.
Which caused annoyance to Big Barcoo, The shed's unquestioned ringer, Whose name was famous Australia through As a dancer, fighter and singer.
He was fit for the ring, if he'd had his rights As an agent of devastation; And the number of men he had killed in fights Was his principal conversation.
"I have known blokes go to their doom," said he, "Through actin' with haste and rashness: But the style that this Noisy Ned assumes, It's nothing but silent flashness.
"We may just be dirt, from his point of view, Unworthy a word in season; But I'll make him talk like a cockatoo Or I'll get him to show the reason.
" Was it chance or fate, that King Condamine, A king who had turned a black tracker, Had captured a baby purcupine, Which he swapped for a "fig tobacker"? With the porcupine in the Silent's bed The shearers were quite elated, And the things to be done, and the words to be said, Were anxiously awaited.
With a screech and a howl and an eldritch cry That nearly deafened his hearers He sprang from his bunk, and his fishy eye Looked over the laughing shearers.
He looked them over and he looked them through As a cook might look through a larder; "Now, Big Barcoo, I must pick on you, You're big, but you'll fall the harder.
" Now, the silent man was but slight and thin And of middleweight conformation, But he hung one punch on the Barcoo's chin And it ended the altercation.
"You've heard of the One-round Kid," said he, "That hunted 'em all to shelter? The One-round Finisher -- that was me, When I fought as the Champion Welter.
"And this Barcoo bloke on his back reclines For being a bit too clever, For snakes and wombats and porcupines Are nothing to me whatever.
"But the golden rule that I've had to learn In the ring, and for years I've tried it, Is only to talk when it comes your turn, And never to talk outside it.
"
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO IV ( Hys Nouryture )

 "OH, when I was a little Ghost, 
A merry time had we! 
Each seated on his favourite post, 
We chumped and chawed the buttered toast 
They gave us for our tea.
" "That story is in print!" I cried.
"Don't say it's not, because It's known as well as Bradshaw's Guide!" (The Ghost uneasily replied He hardly thought it was).
"It's not in Nursery Rhymes? And yet I almost think it is - 'Three little Ghosteses' were set 'On posteses,' you know, and ate Their 'buttered toasteses.
' "I have the book; so if you doubt it - " I turned to search the shelf.
"Don't stir!" he cried.
"We'll do without it: I now remember all about it; I wrote the thing myself.
"It came out in a 'Monthly,' or At least my agent said it did: Some literary swell, who saw It, thought it seemed adapted for The Magazine he edited.
"My father was a Brownie, Sir; My mother was a Fairy.
The notion had occurred to her, The children would be happier, If they were taught to vary.
"The notion soon became a craze; And, when it once began, she Brought us all out in different ways - One was a Pixy, two were Fays, Another was a Banshee; "The Fetch and Kelpie went to school And gave a lot of trouble; Next came a Poltergeist and Ghoul, And then two Trolls (which broke the rule), A Goblin, and a Double - "(If that's a snuff-box on the shelf," He added with a yawn, "I'll take a pinch) - next came an Elf, And then a Phantom (that's myself), And last, a Leprechaun.
"One day, some Spectres chanced to call, Dressed in the usual white: I stood and watched them in the hall, And couldn't make them out at all, They seemed so strange a sight.
"I wondered what on earth they were, That looked all head and sack; But Mother told me not to stare, And then she twitched me by the hair, And punched me in the back.
"Since then I've often wished that I Had been a Spectre born.
But what's the use?" (He heaved a sigh.
) "THEY are the ghost-nobility, And look on US with scorn.
"My phantom-life was soon begun: When I was barely six, I went out with an older one - And just at first I thought it fun, And learned a lot of tricks.
"I've haunted dungeons, castles, towers - Wherever I was sent: I've often sat and howled for hours, Drenched to the skin with driving showers, Upon a battlement.
"It's quite old-fashioned now to groan When you begin to speak: This is the newest thing in tone - " And here (it chilled me to the bone) He gave an AWFUL squeak.
"Perhaps," he added, "to YOUR ear That sounds an easy thing? Try it yourself, my little dear! It took ME something like a year, With constant practising.
"And when you've learned to squeak, my man, And caught the double sob, You're pretty much where you began: Just try and gibber if you can! That's something LIKE a job! "I'VE tried it, and can only say I'm sure you couldn't do it, e- ven if you practised night and day, Unless you have a turn that way, And natural ingenuity.
"Shakspeare I think it is who treats Of Ghosts, in days of old, Who 'gibbered in the Roman streets,' Dressed, if you recollect, in sheets - They must have found it cold.
"I've often spent ten pounds on stuff, In dressing as a Double; But, though it answers as a puff, It never has effect enough To make it worth the trouble.
"Long bills soon quenched the little thirst I had for being funny.
The setting-up is always worst: Such heaps of things you want at first, One must be made of money! "For instance, take a Haunted Tower, With skull, cross-bones, and sheet; Blue lights to burn (say) two an hour, Condensing lens of extra power, And set of chains complete: "What with the things you have to hire - The fitting on the robe - And testing all the coloured fire - The outfit of itself would tire The patience of a Job! "And then they're so fastidious, The Haunted-House Committee: I've often known them make a fuss Because a Ghost was French, or Russ, Or even from the City! "Some dialects are objected to - For one, the IRISH brogue is: And then, for all you have to do, One pound a week they offer you, And find yourself in Bogies!

Book: Reflection on the Important Things