Written by
Walt Whitman |
AS I walk these broad, majestic days of peace,
(For the war, the struggle of blood finish’d, wherein, O terrific Ideal!
Against vast odds, having gloriously won,
Now thou stridest on—yet perhaps in time toward denser wars,
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others;
—As I walk solitary, unattended,
Around me I hear that eclat of the world—politics, produce,
The announcements of recognized things—science,
The approved growth of cities, and the spread of inventions.
I see the ships, (they will last a few years,)
The vast factories, with their foremen and workmen,
And here the indorsement of all, and do not object to it.
But I too announce solid things;
Science, ships, politics, cities, factories, are not nothing—I watch them,
Like a grand procession, to music of distant bugles, pouring, triumphantly moving—and
grander heaving in sight;
They stand for realities—all is as it should be.
Then my realities;
What else is so real as mine?
Libertad, and the divine average—Freedom to every slave on the face of the earth,
The rapt promises and luminé of seers—the spiritual world—these centuries
lasting songs,
And our visions, the visions of poets, the most solid announcements of any.
For we support all, fuse all,
After the rest is done and gone, we remain;
There is no final reliance but upon us;
Democracy rests finally upon us (I, my brethren, begin it,)
And our visions sweep through eternity.
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Written by
Aleister Crowley |
How many million galaxies there are
Who knows? and each has countless stars in it,
And each rolls through eternities afar
Beneath the threshold of the Infinite.
How is it that will all that space to roam
I should have found this mote that spins and leaps
In what unutterable sunlight, foam
Of what unfathomable starry deeps
Who knows!? And how this thousand million souls
And half a thousand million souls of earth
That swarm, all bound for unimagined goals,
All pioneers of death enrolled at birth,
How were they swept away before my sight,
That I might stand upon the single prick
Of infinite space and time as infinite,
Who knows? Yet here I stand, climacteric,
Having found you. Was it by fall of chance?
Then what a stake against what odds I have won!
Was it determined in God's ordinance?
Then wondrous love and pity for His son!
Or was it part of an eternal law?
Then how ineffably beneficent!
Each thought excites an ecstasy of awe,
A rapture rending the mind's firmament.
Infinity -yet you and I have met.
Eternity -yet hand in hand we run.
All odds that I should lose you or forget,
But, soul and spirit and body, we are one.
Is this the child of Chance, or Law, or Will?
Is None or All or One to thank for this?
It will not matter if thanksgiving fill
The endless empyrean with a kiss.
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Written by
Adrienne Rich |
The autumn feels slowed down,
summer still holds on here, even the light
seems to last longer than it should
or maybe I'm using it to the thin edge.
The moon rolls in the air. I didn't want this child.
You're the only one I've told.
I want a child maybe, someday, but not now.
Otto has a calm, complacent way
of following me with his eyes, as if to say
Soon you'll have your hands full!
And yes, I will; this child will be mine
not his, the failures, if I fail
will all be mine. We're not good, Clara,
at learning to prevent these things,
and once we have a child it is ours.
But lately I feel beyond Otto or anyone.
I know now the kind of work I have to do.
It takes such energy! I have the feeling I'm
moving somewhere, patiently, impatiently,
in my loneliness. I'm looking everywhere in nature
for new forms, old forms in new places,
the planes of an antique mouth, let's say, among the leaves.
I know and do not know
what I am searching for.
Remember those months in the studio together,
you up to your strong forearms in wet clay,
I trying to make something of the strange impressions
assailing me--the Japanese
flowers and birds on silk, the drunks
sheltering in the Louvre, that river-light,
those faces...Did we know exactly
why we were there? Paris unnerved you,
you found it too much, yet you went on
with your work...and later we met there again,
both married then, and I thought you and Rilke
both seemed unnerved. I felt a kind of joylessness
between you. Of course he and I
have had our difficulties. Maybe I was jealous
of him, to begin with, taking you from me,
maybe I married Otto to fill up
my loneliness for you.
Rainer, of course, knows more than Otto knows,
he believes in women. But he feeds on us,
like all of them. His whole life, his art
is protected by women. Which of us could say that?
Which of us, Clara, hasn't had to take that leap
out beyond our being women
to save our work? or is it to save ourselves?
Marriage is lonelier than solitude.
Do you know: I was dreaming I had died
giving birth to the child.
I couldn't paint or speak or even move.
My child--I think--survived me. But what was funny
in the dream was, Rainer had written my requiem--
a long, beautiful poem, and calling me his friend.
I was your friend
but in the dream you didn't say a word.
In the dream his poem was like a letter
to someone who has no right
to be there but must be treated gently, like a guest
who comes on the wrong day. Clara, why don't I dream of you?
That photo of the two of us--I have it still,
you and I looking hard into each other
and my painting behind us. How we used to work
side by side! And how I've worked since then
trying to create according to our plan
that we'd bring, against all odds, our full power
to every subject. Hold back nothing
because we were women. Clara, our strength still lies
in the things we used to talk about:
how life and death take one another's hands,
the struggle for truth, our old pledge against guilt.
And now I feel dawn and the coming day.
I love waking in my studio, seeing my pictures
come alive in the light. Sometimes I feel
it is myself that kicks inside me,
myself I must give suck to, love...
I wish we could have done this for each other
all our lives, but we can't...
They say a pregnant woman
dreams her own death. But life and death
take one another's hands. Clara, I feel so full
of work, the life I see ahead, and love
for you, who of all people
however badly I say this
will hear all I say and cannot say.
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Written by
Algernon Charles Swinburne |
SOFT, small, and sweet as sunniest flowers
That bask in heavenly heat
When bud by bud breaks, breathes, and cowers,
Soft, small, and sweet.
A babe's hands open as to greet
The tender touch of ours
And mock with motion faint and fleet
The minutes of the new strange hours
That earth, not heaven, must mete;
Buds fragrant still from heaven's own bowers,
Soft, small, and sweet.
A velvet vice with springs of steel
That fasten in a trice
And clench the fingers fast that feel
A velvet viceÑ
What man would risk the danger twice,
Nor quake from head to heel?
Whom would not one such test suffice?
Well may we tremble as we kneel
In sight of Paradise,
If both a babe's closed fists conceal
A velvet vice.
Two flower-soft fists of conquering clutch,
Two creased and dimpled wrists,
That match, if mottled overmuch,
Two flower-soft fists---
What heart of man dare hold the lists
Against such odds and such
Sweet vantage as no strength resists?
Our strength is all a broken crutch,
Our eyes are dim with mists,
Our hearts are prisoners as we touch
Two flower-soft fists.
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