Written by
Barry Tebb |
Give me life at its most garish
Friday night in the Square, pink sequins dazzle
And dance on clubbers bare to the midriff
Young men in crisp shirts and pressed pants
‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’
And sing along its lyrics to the throng of which I’m one
My shorts, shoulder bag and white beard
Making me stand out in the teeming swarm
Of teens and twenties this foetid Friday night
On my way from the ward where our son paces
And fulminates I throw myself into the drowning
Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously
"Are you on your own? Come and join us
What’s your name?" Age has driven my shyness away
As I join the crowd beneath the turning purple screens
Bannered ‘****** lasts for ever’ and sip unending
Halves of bitter, as I circulate among the crowd,
Being complete in itself and out for a good night out,
A relief from factory, shop floor and market stall
Running from the reality of the ward where my son
Pounds the ledge with his fist and seems out to blast
My very existence with words like bullets.
The need to anaesthetise the pain resurfaces
Again and again.
In Leeds City Square where
Pugin’s church, the Black Prince and the Central Post Office
In its Edwardian grandeur are startled by the arching spumes
Or white water fountains and the steel barricades of Novotel
Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew
From Keighley and Dewsbury’s mills, hesitating
At the thought of being told I’m past my
Sell-by-date and turned away by the West Indian
Bouncers, black-suited and city-council badged
Who checked my bag but smiled at ‘The Lights of
Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms-
Was it guns or drugs they were after
I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played,
Where the crowd was thickest, the noise drowned out the pain
‘Sex Bomb, Sex Bomb’ the chorus rang
The girls joined in but the young men knew
The words no more than me.
Dancing as we knew it
In the sixties has gone, you do your own thing
And follow the beat, hampered by my bag
I just kept going, letting the music and the crowd
Hold me, my camera eye moving in search, in search…
What I’m searching for I don’t know
Searching’s a way of life that has to grow
"All of us who are patients here are searchers after truth"
My son kept saying, his legs shaking from the side effects
Of God-knows- what, pacing the tiny ward kitchen cum smoking room,
Denouncing his ‘illegal section’ and ‘poisonous medication’
To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me:
I was beyond unravelling Meltzer on differentiation
Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’
Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’
So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used
To acute wards or worse where chairs fly across rooms,
Windows disintegrate and double doors are triple locked
And every nurse carries a white panic button and black pager
To pinpoint the moment’s crisis.
Normality was a bit of adrenaline,
A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us"
People kept asking if I was alright and why
I had that damned great shoulder bag.
I was introduced
To three young men about to tie the knot, a handsome lothario
In his midforties winked at me constantly,
Dancing with practised ease with sixteen year olds
Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds
Disappeared to catch the last bus home.
The young aren’t
As black as they are painted, one I danced with reminded me
Of how Margaret would have been at sixteen
With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon
I’d tried to leave in the raftered lofts of City Square
But failed to.
Girls from sixteen to twenty six kept grabbing me
And making me dance and I found my teenage inhibitions
Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’
Egged on by the throng by the fruit machine and continuous
Thumbs-up signs from passing men.
I had to forgo
A cheerful group of Aussies were intent on taking me clubbing
"I’d get killed or turned into a pumpkin
If I get home after midnight" I quipped to their delight
But being there had somehow put things right.
|
Written by
Langston Hughes |
Fine living .
.
.
a la carte?
Come to the Waldorf-Astoria!
LISTEN HUNGRY ONES!
Look! See what Vanity Fair says about the
new Waldorf-Astoria:
"All the luxuries of private home.
.
.
.
"
Now, won't that be charming when the last flop-house
has turned you down this winter?
Furthermore:
"It is far beyond anything hitherto attempted in the hotel
world.
.
.
.
" It cost twenty-eight million dollars.
The fa-
mous Oscar Tschirky is in charge of banqueting.
Alexandre Gastaud is chef.
It will be a distinguished
background for society.
So when you've no place else to go, homeless and hungry
ones, choose the Waldorf as a background for your rags--
(Or do you still consider the subway after midnight good
enough?)
ROOMERS
Take a room at the new Waldorf, you down-and-outers--
sleepers in charity's flop-houses where God pulls a
long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria.
Look at the menu, will
you:
GUMBO CREOLE
CRABMEAT IN CASSOLETTE
BOILED BRISKET OF BEEF
SMALL ONIONS IN CREAM
WATERCRESS SALAD
PEACH MELBA
Have luncheon there this afternoon, all you jobless.
Why not?
Dine with some of the men and women who got rich off of
your labor, who clip coupons with clean white fingers
because your hands dug coal, drilled stone, sewed gar-
ments, poured steel to let other people draw dividends
and live easy.
(Or haven't you had enough yet of the soup-lines and the bit-
ter bread of charity?)
Walk through Peacock Alley tonight before dinner, and get
warm, anyway.
You've got nothing else to do.
|
Written by
Walt Whitman |
A MARCH in the ranks hard-prest, and the road unknown;
A route through a heavy wood, with muffled steps in the darkness;
Our army foil’d with loss severe, and the sullen remnant retreating;
Till after midnight glimmer upon us, the lights of a dim-lighted building;
We come to an open space in the woods, and halt by the dim-lighted building;
’Tis a large old church at the crossing roads—’tis now an impromptu
hospital;
—Entering but for a minute, I see a sight beyond all the pictures and poems ever
made:
Shadows of deepest, deepest black, just lit by moving candles and lamps,
And by one great pitchy torch, stationary, with wild red flame, and clouds of smoke;
By these, crowds, groups of forms, vaguely I see, on the floor, some in the pews laid
down;
At my feet more distinctly, a soldier, a mere lad, in danger of bleeding to death, (he is
shot
in
the abdomen;)
I staunch the blood temporarily, (the youngster’s face is white as a lily;)
Then before I depart I sweep my eyes o’er the scene, fain to absorb it all;
Faces, varieties, postures beyond description, most in obscurity, some of them dead;
Surgeons operating, attendants holding lights, the smell of ether, the odor of blood;
The crowd, O the crowd of the bloody forms of soldiers—the yard outside also
fill’d;
Some on the bare ground, some on planks or stretchers, some in the death-spasm sweating;
An occasional scream or cry, the doctor’s shouted orders or calls;
The glisten of the little steel instruments catching the glint of the torches;
These I resume as I chant—I see again the forms, I smell the odor;
Then hear outside the orders given, Fall in, my men, Fall in;
But first I bend to the dying lad—his eyes open—a half-smile gives he me;
Then the eyes close, calmly close, and I speed forth to the darkness,
Resuming, marching, ever in darkness marching, on in the ranks,
The unknown road still marching.
|
Written by
Adrienne Rich |
I dreamed I called you on the telephone
to say: Be kinder to yourself
but you were sick and would not answer
The waste of my love goes on this way
trying to save you from yourself
I have always wondered about the left-over
energy, the way water goes rushing down a hill
long after the rains have stopped
or the fire you want to go to bed from
but cannot leave, burning-down but not burnt-down
the red coals more extreme, more curious
in their flashing and dying
than you wish they were
sitting long after midnight
|
Written by
Edna St Vincent Millay |
Before she has her floor swept
Or her dishes done,
Any day you'll find her
A-sunning in the sun!
It's long after midnight
Her key's in the lock,
And you never see her chimney smoke
Til past ten o'clock!
She digs in her garden
With a shovel and a spoon,
She weeds her lazy lettuce
By the light of the moon,
She walks up the walk
Like a woman in a dream,
She forgets she borrowed butter
Any pays you back in cream!
Her lawn looks like a meadow,
And if she mows the place
She leaves the clover standing
And the Queen Anne's lace!
|
Written by
William Topaz McGonagall |
Twas in the year of 1842 and on the 27th of May
That six Companies of the 91st Regiment with spirits light and gay,
And forming the Second Battalion, left Naas without delay,
Commanded by Captain Bertie Gordon, to proceed to the Cape straightaway.
And on the second of June they sailed for the Cape of Good Hope
On board the "Abercrombie Robinson," a vessel with which few vessels could cope;
And in August the 25th they reached Table Bay,
Where a battalion of the 91st was warned for service without delay.
To relieve the 91st, which was to be stationed at Cape Town,
An order which the 91st obeyed without a single frown;
And all the officers not on duty obtained leave to go ashore,
Leaving only six aboard, in grief to deplore.
There were 460 men of the 91st seemingly all content,
Besides a draft of the Cape Mounted Rides and a draft of the 27th Regiment;
But, alas an hour after midnight on the same night
A strong gale was blowing, which filled the passengers' hearts with fright.
The ship pitched heavily and could be felt touching the ground,
Then Captain Gordon warned the Sergeant-Major and officers all round,
That they might expect a storm, to him it seemed plain;
And, as he predicted, it blew a terrific hurricane.
And the passengers' hearts were filled with dismay,
And a little after three o'clock in the morning the cable broke away,
Then the ship drifted helplessly before the merciless storm,
While the women and children looked sad, pale and forlorn.
Then the thunder roared and the lightning dashed in bright array,
And was one of the greatest storms ever raged over Table Bay,
And the ill-fated vessel drove in towards the shore,
While the Storm Fiend did laugh and loudly did roar.
And the ship rolled and heaved with the raging tide,
While the seas poured down the hatchways and broke over her side,
And the ship wrought for herself a bed in the sand;
Still Captain Bertie hoped all might get safely to land.
'Twas about seven o'clock when daylight did appear,
And when the storm ceases the passengers gave a cheer,
Who had been kept below during the awful night,
Then in small groups they came on deck, a most pitiful sight.
Alas! sad and dejected, sickly looking, pale and forlorn,
Owing to the close confinement during the storm;
And for a time attempts were made to send a rope ashore,
But these proved futile owing to the raging billows which loudly did roar.
Then one of the ship's cutters was carefully lowered over the side,
And her crew towards the shore merrily did glide,
And succeeded in reaching the shore with a leading line,
And two boats were conveyed to the sinking ship just in time.
And to save the women and children from being drowned,
Captain Gordon gave orders to the 91st all round
For the women and children to disembark immediately,
Who to God were crying for help most, frantically.
And the 91st made a most determined stand,
While lowering the women and children it was awful and grand,
As they lowered them gently into the boats over the ship's side,
Regardless of their own lives whatever would betide.
Then the sick were to disembark after the women and children,
And next the 27th Regiment and Cape Mounted Riflemen;
And from half-past eight till ten o'clock the disembarkation went on,
While the women and children looked ghastly pale and woe begone.
The disembarkation of the 91st came at last,
And as there were only two boats available they stood aghast,
Because the boats only carried each time thirty;
Still, the work went on for four hours most manfully.
And at half-past three the last boat left the ship's side,
And o'er the raging billows the small boats did glide,
Containing the officers and crew who remained to the last,
To see the women and children saved and all danger past.
And after a night of great danger and through a raging sea
Seven hundred souls were carried from a sinking ship providentially
And among them were trembling children and nervous women also
And sick men who were dying with their hearts full of woe.
But thank Cod they were all saved and brought to land,
All through Colonel Bertie Gordon, who wisely did command
The 91st to see to the women and children's safety,
An order which they obeyed right manfully;
And all honour is due to the 91st for their gallantry,
Likewise Captain Bertie Gordon, who behaved so heroically.
|
Written by
Edwin Arlington Robinson |
Whenever I go by there nowadays
And look at the rank weeds and the strange grass,
The torn blue curtains and the broken glass,
I seem to be afraid of the old place;
And something stiffens up and down my face,
For all the world as if I saw the ghost
Of old Ham Amory, the murdered host,
With his dead eyes turned on me all aglaze.
The Tavern has a story, but no man
Can tell us what it is.
We only know
That once long after midnight, years ago,
A stranger galloped up from Tilbury Town,
Who brushed, and scared, and all but overran
That skirt-crazed reprobate, John Evereldown.
|
Written by
Edna St Vincent Millay |
Before she has her floor swept
Or her dishes done,
Any day you'll find her
A-sunning in the sun!
It's long after midnight
Her key's in the lock,
And you never see her chimney smoke
Til past ten o'clock!
She digs in her garden
With a shovel and a spoon,
She weeds her lazy lettuce
By the light of the moon,
She walks up the walk
Like a woman in a dream,
She forgets she borrowed butter
Any pays you back in cream!
Her lawn looks like a meadow,
And if she mows the place
She leaves the clover standing
And the Queen Anne's lace!
|