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Best Famous Affords Poems

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Written by Richard Brautigan | Create an image from this poem

Coffee

 Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee
affords.
I once read something about coffee.
The thing said that coffee is good for you; it stimulates all the organs.
I thought at first this was a strange way to put it, and not altogether pleasant, but as time goes by I have found out that it makes sense in its own limited way.
I'll tell you what I mean.
Yesterday morning I went over to see a girl.
I like her.
Whatever we had going for us is gone now.
She does not care for me.
I blew it and wish I hadn't.
I rang the door bell and waited on the stairs.
I could hear her moving around upstairs.
The way she moved I could tell that she was getting up.
I had awakened her.
Then she came down the stairs.
I could feel her approach in my stomach.
Every step she took stirred my feelings and lead indirectly to her opening the door.
She saw me and it did not please her.
Once upon a time it pleased her very much, last week.
I wonder where it went, pretending to be naive.
"I feel strange now," she said.
"I don't want to talk.
" "I want a cup of coffee," I said, because it was the last thing in the world that I wanted.
I said it in such a way that it sounded as if I were reading her a telegram from somebody else, a person who really wanted a cup of coffee, who cared about nothing else.
"All right," she said.
I followed her up the stairs.
It was ridiculous.
She had just put some clothes on.
They had not quite adjusted themselves to her body.
I could tell you about her ass.
We went into the kitchen.
She took a jar of instant coffee off the shelf and put it on the table.
She placed a cup next to it, and a spoon.
I looked at them.
She put a pan full of water on the stove and turned the gas on under it.
All this time she did not say a word.
Her clothes adjusted themselves to her body.
I won't.
She left the kitchen.
Then she went down the stairs and outside to see if she had any mail.
I didn't remember seeing any.
She came back up the stairs and went into another room.
She closed the door after her.
I looked at the pan full of water on the stove.
I knew that it would take a year before the water started to boil.
It was now October and there was too much water in the pan.
That was the problem.
I threw half of the water into the sink.
The water would boil faster now.
It would take only six months.
The house was quiet.
I looked out the back porch.
There were sacks of garbage there.
I stared at the garbage and tried to figure out what she had been eating lately by studying the containers and peelings and stuff.
I couldn't tell a thing.
It was now March.
The water started to boil.
I was pleased by this.
I looked at the table.
There was the jar of instant coffee, the empty cup and the spoon all laid out like a funeral service.
These are the things that you need to make a cup of coffee.
When I left the house ten minutes later, the cup of coffee safely inside me like a grave, I said, "Thank you for the cup of coffee.
" "You're welcome," she said.
Her voice came from behind a closed door.
Her voice sounded like another telegram.
It was really time for me to leave.
I spent the rest of the day not making coffee.
It was a comfort.
And evening came, I had dinner in a restaurant and went to a bar.
I had some drinks and talked to some people.
We were bar people and said bar things.
None of them remembered, and the bar closed.
It was two o'clock in the morning.
I had to go outside.
It was foggy and cold in San Francisco.
I wondered about the fog and felt very human and exposed.
I decided to go visit another girl.
We had not been friends for over a year.
Once we were very close.
I wondered what she was thinking about now.
I went to her house.
She didn't have a door bell.
That was a small victory.
One must keep track of all the small victories.
I do, anyway.
She answered the door.
She was holding a robe in front of her.
She didn't believe that she was seeing me.
"What do you want?" she said, believing now that she was seeing me.
I walked right into the house.
She turned and closed the door in such a way that I could see her profile.
She had not bothered to wrap the robe completely around herself.
She was just holding the robe in front of herself.
I could see an unbroken line of body running from her head to her feet.
It looked kind of strange.
Perhaps because it was so late at night.
"What do you want?" she said.
"I want a cup of coffee," I said.
What a funny thing to say, to say again for a cup of coffee was not what I really wanted.
She looked at me and wheeled slightly on the profile.
She was not pleased to see me.
Let the AMA tell us that time heals.
I looked at the unbroken line of her body.
"Why don't you have a cup of coffee with me?" I said.
"I feel like talking to you.
We haven't talked for a long time.
" She looked at me and wheeled slightly on the profile.
I stared at the unbroken line of her body.
This was not good.
"It's too late," she said.
"I have to get up in the morning.
If you want a cup of coffee, there's instant in the kitchen.
I have to go to bed.
" The kitchen light was on.
I looked down the hall into the kitchen.
I didn't feel like going into the kitchen and having another cup of coffee by myself.
I didn't feel like going to anybody else's house and asking them for a cup of coffee.
I realized that the day had been committed to a very strange pilgrimage, and I had not planned it that way.
At least the jar of instant coffee was not on the table, beside an empty white cup and a spoon.
They say in the spring a young man's fancy turns to thoughts of love.
Perhaps if he has enough time left over, his fancy can even make room for a cup of coffee.
-from Revenge of the Lawn


Written by John Dryden | Create an image from this poem

Mac Flecknoe

 All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace, And blest with issue of a large increase, Worn out with business, did at length debate To settle the succession of the State: And pond'ring which of all his sons was fit To reign, and wage immortal war with wit; Cry'd, 'tis resolv'd; for nature pleads that he Should only rule, who most resembles me: Shadwell alone my perfect image bears, Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence, But Shadwell never deviates into sense.
Some beams of wit on other souls may fall, Strike through and make a lucid interval; But Shadwell's genuine night admits no ray, His rising fogs prevail upon the day: Besides his goodly fabric fills the eye, And seems design'd for thoughtless majesty: Thoughtless as monarch oaks, that shade the plain, And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee, Thou last great prophet of tautology: Even I, a dunce of more renown than they, Was sent before but to prepare thy way; And coarsely clad in Norwich drugget came To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung When to King John of Portugal I sung, Was but the prelude to that glorious day, When thou on silver Thames did'st cut thy way, With well tim'd oars before the royal barge, Swell'd with the pride of thy celestial charge; And big with hymn, commander of an host, The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail, The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore The treble squeaks for fear, the basses roar: Echoes from Pissing-Alley, Shadwell call, And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng, As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band Thou wield'st thy papers in thy threshing hand.
St.
Andre's feet ne'er kept more equal time, Not ev'n the feet of thy own Psyche's rhyme: Though they in number as in sense excel; So just, so like tautology they fell, That, pale with envy, Singleton forswore The lute and sword which he in triumph bore And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade, That for anointed dullness he was made.
Close to the walls which fair Augusta bind, (The fair Augusta much to fears inclin'd) An ancient fabric, rais'd t'inform the sight, There stood of yore, and Barbican it hight: A watch tower once; but now, so fate ordains, Of all the pile an empty name remains.
From its old ruins brothel-houses rise, Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep, And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head, Where queens are form'd, and future heroes bred; Where unfledg'd actors learn to laugh and cry, Where infant punks their tender voices try, And little Maximins the gods defy.
Great Fletcher never treads in buskins here, Nor greater Jonson dares in socks appear; But gentle Simkin just reception finds Amidst this monument of vanish'd minds: Pure clinches, the suburbian muse affords; And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known, Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since, That in this pile should reign a mighty prince, Born for a scourge of wit, and flail of sense: To whom true dullness should some Psyches owe, But worlds of Misers from his pen should flow; Humorists and hypocrites it should produce, Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown, Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet, From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way, But scatter'd limbs of mangled poets lay: From dusty shops neglected authors come, Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay, But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd, And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd, High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace, And lambent dullness play'd around his face.
As Hannibal did to the altars come, Sworn by his sire a mortal foe to Rome; So Shadwell swore, nor should his vow be vain, That he till death true dullness would maintain; And in his father's right, and realm's defence, Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made, As king by office, and as priest by trade: In his sinister hand, instead of ball, He plac'd a mighty mug of potent ale; Love's kingdom to his right he did convey, At once his sceptre and his rule of sway; Whose righteous lore the prince had practis'd young, And from whose loins recorded Psyche sprung, His temples last with poppies were o'er spread, That nodding seem'd to consecrate his head: Just at that point of time, if fame not lie, On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook, Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make, And omens of his future empire take.
The sire then shook the honours of his head, And from his brows damps of oblivion shed Full on the filial dullness: long he stood, Repelling from his breast the raging god; At length burst out in this prophetic mood: Heavens bless my son, from Ireland let him reign To far Barbadoes on the Western main; Of his dominion may no end be known, And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen; He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance Still in new impudence, new ignorance.
Success let other teach, learn thou from me Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ; Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage, Make Dorimant betray, and Loveit rage; Let Cully, Cockwood, Fopling, charm the pit, And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence, And justify their author's want of sense.
Let 'em be all by thy own model made Of dullness, and desire no foreign aid: That they to future ages may be known, Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same, All full of thee, and differing but in name; But let no alien Sedley interpose To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull, Trust Nature, do not labour to be dull; But write thy best, and top; and in each line, Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill, And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame, By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise, And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part; What share have we in Nature or in Art? Where did his wit on learning fix a brand, And rail at arts he did not understand? Where made he love in Prince Nicander's vein, Or swept the dust in Psyche's humble strain? Where sold he bargains, whip-stitch, kiss my ****, Promis'd a play and dwindled to a farce? When did his muse from Fletcher scenes purloin, As thou whole Eth'ridge dost transfuse to thine? But so transfus'd as oil on waters flow, His always floats above, thine sinks below.
This is thy province, this thy wondrous way, New humours to invent for each new play: This is that boasted bias of thy mind, By which one way, to dullness, 'tis inclin'd, Which makes thy writings lean on one side still, And in all changes that way bends thy will.
Nor let thy mountain belly make pretence Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ, But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep, Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write, Thy inoffensive satires never bite.
In thy felonious heart, though venom lies, It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame In keen iambics, but mild anagram: Leave writing plays, and choose for thy command Some peaceful province in acrostic land.
There thou may'st wings display and altars raise, And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit, Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard, For Bruce and Longvil had a trap prepar'd, And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind, Born upwards by a subterranean wind.
The mantle fell to the young prophet's part, With double portion of his father's art.
Written by Marianne Moore | Create an image from this poem

The Past is the Present

 If external action is effete
and rhyme is outmoded,
I shall revert to you,
Habakkuk, as when in a Bible class
the teacher was speaking of unrhymed verse.
He said - and I think I repeat his exact words - "Hebrew poetry is prose with a sort of heightened consciousness.
" Ecstasy affords the occasion and expediency determines the form.
Written by Sir Philip Sidney | Create an image from this poem

Sonnet VI: Some Lovers Speak

 Some lovers speak when they their Muses entertain, 
Of hopes begot by fear, of wot not what desires: 
Of force of heav'nly beams, infusing hellish pain: 
Of living deaths, dear wounds, fair storms, and freezing fires.
Some one his song in Jove, and Jove's strange tales attires, Broidered with bulls and swans, powdered with golden rain; Another humbler wit to shepherd's pipe retires, Yet hiding royal blood full oft in rural vein.
To some a sweetest plaint a sweetest style affords, While tears pour out his ink, and sighs breathe out his words: His paper pale despair, and pain his pen doth move.
I can speak what I feel, and feel as much as they, But think that all the map of my state I display, When trembling voice brings forth that I do Stella love.
Written by Emily Dickinson | Create an image from this poem

I measure every grief I meet

I measure every grief I meet
   With analytic eyes;
I wonder if it weighs like mine,
   Or has an easier size.
I wonder if they bore it long, Or did it just begin? I could not tell the date of mine, It feels so old a pain.
I wonder if it hurts to live, And if they have to try, And whether, could they choose between, They would not rather die.
I wonder if when years have piled-- Some thousands--on the cause Of early hurt, if such a lapse Could give them any pause; Or would they go on aching still Through centuries above, Enlightened to a larger pain By contrast with the love.
The grieved are many, I am told; The reason deeper lies,-- Death is but one and comes but once And only nails the eyes.
There's grief of want, and grief of cold,-- A sort they call 'despair,' There's banishment from native eyes, In sight of native air.
And though I may not guess the kind Correctly yet to me A piercing comfort it affords In passing Calvary, To note the fashions of the cross Of those that stand alone Still fascinated to presume That some are like my own.


Written by William Shakespeare | Create an image from this poem

Sonnet 105: Let not my love be called idolatry

 Let not my love be called idolatry,
Nor my belovèd as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love today, tomorrow kind, Still constant in a wondrous excellence; Therefore my verse to constancy confined, One thing expressing, leaves out difference.
"Fair, kind, and true" is all my argument, "Fair, kind, and true" varying to other words; And in this change is my invention spent, Three themes in one, which wondrous scope affords.
Fair, kind, and true, have often lived alone.
Which three till now never kept seat in one.
Written by Jane Austen | Create an image from this poem

When Stretchd on Ones Bed

 When stretch'd on one's bed 
With a fierce-throbbing head, 
Which preculdes alike thought or repose, 
How little one cares 
For the grandest affairs 
That may busy the world as it goes!

How little one feels 
For the waltzes and reels 
Of our Dance-loving friends at a Ball! 
How slight one's concern 
To conjecture or learn 
What their flounces or hearts may befall.
How little one minds If a company dines On the best that the Season affords! How short is one's muse O'er the Sauces and Stews, Or the Guests, be they Beggars or Lords.
How little the Bells, Ring they Peels, toll they Knells, Can attract our attention or Ears! The Bride may be married, The Corse may be carried And touch nor our hopes nor our fears.
Our own bodily pains Ev'ry faculty chains; We can feel on no subject besides.
Tis in health and in ease We the power must seize For our friends and our souls to provide.
Written by Anne Kingsmill Finch | Create an image from this poem

An Apology for my fearfull temper

 Tis true of courage I'm no mistress
No Boadicia nor Thalestriss
Nor shall I e'er be famed hereafter
For such a Soul as Cato's Daughter
Nor active valour nor enduring 
Nor leading troops nor forts securing
Like Teckley's wife or Pucell valiant
Will e'er be reckonded for my talent
Who all things fear whilst day is shining
And my own shadow light declining 
And from the Spleen's prolifick fountain
Can of a mole hill make a mountain
And if a Coach that was invented
Since Bess on Palfrey rode contented
Threatens to tumble topsy turvy 
With screeches loud and faces scurvey
I break discourse whilst some are laughing
Some fall to chear me some to chaffing
As secretly the driver curses
And whips my fault upon the horses 
These and ten thousand are the errours
Arising from tumultuous terrours
Yet can't I understand the merit
In Female's of a daring spirit
Since to them never was imparted 
In manly strengh tho' manly hearted
Nor need that sex be self defending
Who charm the most when most depending
And by sweet plaints and soft distresses
First gain asistance then adresses 
As our fourth Edward (beauty suing)
From but releiving fell to wooing
Who by Heroick speech or ranting
Had ne'er been melted to galanting
Nor had th'Egyptian Queen defying 
Drawn off that fleet she led by flying
Whilst Cesar and his ships crew hollow'd
To see how Tony row'd and follow'd
Oh Action triumph of the Ladies
And plea for her who most afraid is 
Then let my conduct work no wonder
When fame who cleaves the air asunder
And every thing in time discovers
Nor council keeps for Kings or Lovers
Yet stoops when tired with States and battles 
To Gossips chats and idler tattles
When she I say has given no knowledge
Of what has happen'd at Wye College
Think it not strange to save my Person
I gave the family diversion 
'Twas at an hour when most were sleeping
Some chimnies clean some wanted sweeping
Mine thro' good fires maintain'd this winter
(Of which no FINCH was e'er a stinter)
Pour'd down such flakes not Etna bigger 
Throws up as did my fancy figure
Nor does a Cannon ram'd with Powder
To others seem to Bellow louder
All that I thought or spoke or acted
Can't in a letter be compacted 
Nor how I threatn'd those with burning
Who thoughtless on their beds were turning
As Shakespear says they serv'd old Prium
When that the Greeks were got too nigh'em
And such th'effect in spite of weather 
Our Hecuba's all rose together
I at their head half cloath'd and shaking
Was instantly the house forsaking
And told them 'twas no time for talking
But who'd be safe had best be walking 
This hasty councel and conclusion
Seem'd harsh to those who had no shoes on
And saw no flames and heard no clatter
But as I had rehears'd the matter
And wildly talk't of fire and water 
For sooner then 'thas took to tell it
Right applications did repell it
And now my fear our mirth creating
Affords still subject for repeating
Whilst some deplore th'unusual folly 
Some (kinder) call it melancholy
Tho' certainly the spirits sinking
Comes not from want of wit or thinking
Since Rochester all dangers hated
And left to those were harder pated.
Written by William Cowper | Create an image from this poem

Welcome to the Table

 This is the feast of heavenly wine,
And God invites to sup;
The juices of the living Vine
Were press'd to fill the cup.
Oh! bless the Saviour, ye that eat, With royal dainties fed; Not heaven affords a costlier treat, For Jesus is the bread.
The vile, the lost, He calls to them; Ye trembling souls, appear! The righteous in their own esteem Have no acceptance here.
Approach, ye poor, nor dare refuse The banquet spread for you; Dear Saviour, this is welcome news, Then I may venture too.
If guilt and sin afford a plea, And may obtain a place, Surely the Lord will welcome me, And I shall see his face.
Written by Percy Bysshe Shelley | Create an image from this poem

Queen Mab: Part VI (excerpts)

 "Throughout these infinite orbs of mingling light, 
Of which yon earth is one, is wide diffus'd
A Spirit of activity and life,
That knows no term, cessation, or decay;
That fades not when the lamp of earthly life,
Extinguish'd in the dampness of the grave,
Awhile there slumbers, more than when the babe
In the dim newness of its being feels
The impulses of sublunary things,
And all is wonder to unpractis'd sense:
But, active, steadfast and eternal, still
Guides the fierce whirlwind, in the tempest roars,
Cheers in the day, breathes in the balmy groves,
Strengthens in health, and poisons in disease;
And in the storm of change, that ceaselessly
Rolls round the eternal universe and shakes
Its undecaying battlement, presides,
Apportioning with irresistible law
The place each spring of its machine shall fill;
So that when waves on waves tumultuous heap
Confusion to the clouds, and fiercely driven
Heaven's lightnings scorch the uprooted ocean-fords,
Whilst, to the eye of shipwreck'd mariner,
Lone sitting on the bare and shuddering rock,
All seems unlink'd contingency and chance,
No atom of this turbulence fulfils
A vague and unnecessitated task,
Or acts but as it must and ought to act.
Even the minutest molecule of light, That in an April sunbeam's fleeting glow Fulfils its destin'd, though invisible work, The universal Spirit guides; nor less, When merciless ambition, or mad zeal, Has led two hosts of dupes to battlefield, That, blind, they there may dig each other's graves, And call the sad work glory, does it rule All passions: not a thought, a will, an act, No working of the tyrant's moody mind, Nor one misgiving of the slaves who boast Their servitude to hide the shame they feel, Nor the events enchaining every will, That from the depths of unrecorded time Have drawn all-influencing virtue, pass Unrecogniz'd or unforeseen by thee, Soul of the Universe! eternal spring Of life and death, of happiness and woe, Of all that chequers the phantasmal scene That floats before our eyes in wavering light, Which gleams but on the darkness of our prison, Whose chains and massy walls We feel, but cannot see.
"Spirit of Nature! all-sufficing Power, Necessity! thou mother of the world! Unlike the God of human error, thou Requir'st no prayers or praises; the caprice Of man's weak will belongs no more to thee Than do the changeful passions of his breast To thy unvarying harmony: the slave, Whose horrible lusts spread misery o'er the world, And the good man, who lifts with virtuous pride His being in the sight of happiness That springs from his own works; the poison-tree, Beneath whose shade all life is wither'd up, And the fair oak, whose leafy dome affords A temple where the vows of happy love Are register'd, are equal in thy sight: No love, no hate thou cherishest; revenge And favouritism, and worst desire of fame Thou know'st not: all that the wide world contains Are but thy passive instruments, and thou Regard'st them all with an impartial eye, Whose joy or pain thy nature cannot feel, Because thou hast not human sense, Because thou art not human mind.
"Yes! when the sweeping storm of time Has sung its death-dirge o'er the ruin'd fanes And broken altars of the almighty Fiend Whose name usurps thy honours, and the blood Through centuries clotted there has floated down The tainted flood of ages, shalt thou live Unchangeable! A shrine is rais'd to thee, Which, nor the tempest-breath of time, Nor the interminable flood Over earth's slight pageant rolling, Availeth to destroy-- The sensitive extension of the world.
That wondrous and eternal fane, Where pain and pleasure, good and evil join, To do the will of strong necessity, And life, in multitudinous shapes, Still pressing forward where no term can be, Like hungry and unresting flame Curls round the eternal columns of its strength.
"

Book: Shattered Sighs