Written by
Philip Larkin |
Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence
Brewed God knows how long. Hatless I take off
My cylce-clips in awkward revrence
Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly. Back at the door
I sign the book donate an Irish sixpence
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do
And always end much at a loss like this
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show
Their parchment plate and pyx in locked cases
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.
A shape less recognisable each week
A purpose more obscure. I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative
Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth
It pleases me to stand in silence here;
A serious house on serious earth it is
In whose blent air all our compulsions meet
Are recognisd and robed as destinies.
And that much never can be obsolete
Since someone will forever be surprising
A hunger in himself to be more serious
And gravitating with it to this ground
Which he once heard was proper to grow wise in
If only that so many dead lie round.
1955
|
Written by
Marge Piercy |
This girlchild was born as usual
and presented dolls that did pee-pee
and miniature GE stoves and irons
and wee lipsticks the color of cherry candy.
Then in the magic of puberty, a classmate said:
You have a great big nose and fat legs.
She was healthy, tested intelligent,
possessed strong arms and back,
abundant sexual drive and manual dexterity.
She went to and fro apologizing.
Everyone saw a fat nose on thick legs.
She was advised to play coy,
exhorted to come on hearty,
exercise, diet, smile and wheedle.
Her good nature wore out
like a fan belt.
So she cut off her nose and her legs
and offered them up.
In the casket displayed on satin she lay
with the undertaker's cosmetics painted on,
a turned-up putty nose,
dressed in a pink and white nightie.
Doesn't she look pretty? everyone said.
Consummation at last.
To every woman a happy ending.
|
Written by
Allen Ginsberg |
Last nite I dreamed of T.S. Eliot
welcoming me to the land of dream
Sofas couches fog in England
Tea in his digs Chelsea rainbows
curtains on his windows, fog seeping in
the chimney but a nice warm house
and an incredibly sweet hooknosed
Eliot he loved me, put me up,
gave me a couch to sleep on,
conversed kindly, took me serious
asked my opinion on Mayakovsky
I read him Corso Creeley Kerouac
advised Burroughs Olson Huncke
the bearded lady in the Zoo, the
intelligent puma in Mexico City
6 chorus boys from Zanzibar
who chanted in wornout polygot
Swahili, and the rippling rythyms
of Ma Rainey and Vachel Lindsay.
On the Isle of the Queen
we had a long evening's conversation
Then he tucked me in my long
red underwear under a silken
blanket by the fire on the sofa
gave me English Hottie
and went off sadly to his bed,
Saying ah Ginsberg I am glad
to have met a fine young man like you.
At last, I woke ashamed of myself.
Is he that good and kind? Am I that great?
What's my motive dreaming his
manna? What English Department
would that impress? What failure
to be perfect prophet's made up here?
I dream of my kindness to T.S. Eliot
wanting to be a historical poet
and share in his finance of Imagery-
overambitious dream of eccentric boy.
God forbid my evil dreams come true.
Last nite I dreamed of Allen Ginsberg.
T.S. Eliot would've been ashamed of me.
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es. IV.
E. P. Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case ..
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr. Nixon
In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Victor Hugo |
("Il semblait grelotter.")
{XXXVI., December, 1837.}
He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot—an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there—forgotten.
Trees were around him, whipped by icy blasts—
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.
Through the dark network of their undergrowth,
Pallid his aspect; and the earth was brown.
Starless and moonless, a rough winter's night
Was letting down her lappets o'er the mist.
This—nothing more: old Faun, dull sky, dark wood.
Poor, helpless marble, how I've pitied it!
Less often man—the harder of the two.
So, then, without a word that might offend
His ear deformed—for well the marble hears
The voice of thought—I said to him: "You hail
From the gay amorous age. O Faun, what saw you
When you were happy? Were you of the Court?
"Speak to me, comely Faun, as you would speak
To tree, or zephyr, or untrodden grass.
Have you, O Greek, O mocker of old days,
Have you not sometimes with that oblique eye
Winked at the Farnese Hercules?—Alone,
Have you, O Faun, considerately turned
From side to side when counsel-seekers came,
And now advised as shepherd, now as satyr?—
Have you sometimes, upon this very bench,
Seen, at mid-day, Vincent de Paul instilling
Grace into Gondi?—Have you ever thrown
That searching glance on Louis with Fontange,
On Anne with Buckingham; and did they not
Start, with flushed cheeks, to hear your laugh ring forth
From corner of the wood?—Was your advice
As to the thyrsis or the ivy asked,
When, in grand ballet of fantastic form,
God Phoebus, or God Pan, and all his court,
Turned the fair head of the proud Montespan,
Calling her Amaryllis?—La Fontaine,
Flying the courtiers' ears of stone, came he,
Tears on his eyelids, to reveal to you
The sorrows of his nymphs of Vaux?—What said
Boileau to you—to you—O lettered Faun,
Who once with Virgil, in the Eclogue, held
That charming dialogue?—Say, have you seen
Young beauties sporting on the sward?—Have you
Been honored with a sight of Molière
In dreamy mood?—Has he perchance, at eve,
When here the thinker homeward went, has he,
Who—seeing souls all naked—could not fear
Your nudity, in his inquiring mind,
Confronted you with Man?"
Under the thickly-tangled branches, thus
Did I speak to him; he no answer gave.
I shook my head, and moved myself away;
Then, from the copses, and from secret caves
Hid in the wood, methought a ghostly voice
Came forth and woke an echo in my souls
As in the hollow of an amphora.
"Imprudent poet," thus it seemed to say,
"What dost thou here? Leave the forsaken Fauns
In peace beneath their trees! Dost thou not know,
Poet, that ever it is impious deemed,
In desert spots where drowsy shades repose—
Though love itself might prompt thee—to shake down
The moss that hangs from ruined centuries,
And, with the vain noise of throe ill-timed words,
To mar the recollections of the dead?"
Then to the gardens all enwrapped in mist
I hurried, dreaming of the vanished days,
And still behind me—hieroglyph obscure
Of antique alphabet—the lonely Faun
Held to his laughter, through the falling night.
I went my way; but yet—in saddened spirit
Pondering on all that had my vision crossed,
Leaves of old summers, fair ones of old time—
Through all, at distance, would my fancy see,
In the woods, statues; shadows in the past!
WILLIAM YOUNG
A LOVE FOR WINGED THINGS.
{XXXVII., April 12, 1840.}
My love flowed e'er for things with wings.
When boy I sought for forest fowl,
And caged them in rude rushes' mesh,
And fed them with my breakfast roll;
So that, though fragile were the door,
They rarely fled, and even then
Would flutter back at faintest call!
Man-grown, I charm for men.
|
Written by
William Topaz McGonagall |
Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.
No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.
Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.
The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.
Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,
And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.
Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.
And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.
We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"
A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.
But when he saw George Barnwell was to be hung
The dread of murdering his uncle tenaciously to him clung,
That he couldn't murder and rob his uncle dear,
Because the play he saw enacted filled his heart with fear.
And, in conclusion, I will say without dismay,
Visit the theatre without delay,
Because the theatre is a school of morality,
And hasn't the least tendency to lead to prodigality.
|
Written by
Lewis Carroll |
The Landing
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese"
"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark."
He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.
He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.
The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once.
He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only kill Beavers. The Bellman looked scared,
And was almost too frightened to speak:
But at length he explained, in a tremulous tone,
There was only one Beaver on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.
The Beaver, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!
It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:
Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.
The Beaver's best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note:
This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail.
Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The Beaver kept looking the opposite way,
And appeared unaccountably shy.
|
Written by
William Topaz McGonagall |
Alas! England now mourns for her poet that's gone-
The late and the good Lord Tennyson.
I hope his soul has fled to heaven above,
Where there is everlasting joy and love.
He was a man that didn't care for company,
Because company interfered with his study,
And confused the bright ideas in his brain,
And for that reason from company he liked to abstain.
He has written some fine pieces of poetry in his time,
Especially the May Queen, which is really sublime;
Also the gallant charge of the Light Brigade-
A most heroic poem, and beautifully made.
He believed in the Bible, also in Shakspeare,
Which he advised young men to read without any fear;
And by following the advice of both works therein,
They would seldom or never commit any sin.
Lord Tennyson's works are full of the scenery of his boyhood,
And during his life all his actions were good;
And Lincolnshire was closely associated with his history,
And he has done what Wordsworth did for the Lake Country.
His remains now rest in Westminster Abbey,
And his funeral was very impressive to see;
It was a very touching sight, I must confess,
Every class, from the Queen, paying a tribute to the poet's greatness.
The pall-bearers on the right of the coffin were Mr W. E. H. Lecky,
And Professor Butler, Master of Trinity, and the Earl of Rosebery;
And on the left were Mr J. A. Froude and the Marquis of Salisbury,
Also Lord Selborne, which was an imposing sight to see.
There were also on the left Professor Jowett,
Besides Mr Henry Whyte and Sir James Paget,
And the Marquis of DufFerin and the Duke of Argyll,
And Lord Salisbury, who seemed melancholy all the while.
The chief mourners were all of the Tennyson family,
Including the Hon. Mr and Mrs Hallam Tennyson, and Masters Lionel and Aubrey,
And Mr Arthur Tennyson, and Mr and Mrs Horatio Tennyson;
Also Sir Andrew dark, who was looking woe begone.
The bottom of the grave was thickly strewn with white roses,
And for such a grave kings will sigh where the poet now reposes;
And many of the wreaths were much observed and commented upon,
And conspicuous amongst them was one from Mrs Gladstone.
The Gordon boys were there looking solemn and serene,
Also Sir Henry Ponsonby to represent the Queen;
Likewise Henry Irving, the great tragedian,
With a solemn aspect, and driving his brougham.
And, in conclusion, I most earnestly pray,
That the people will erect a monument for him without delay,
To commemorate the good work he has done,
And his name in gold letters written thereon!
|
Written by
William Blake |
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the horse, the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces. Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
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Written by
William Blake |
In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich, ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
All wholesome food is caught without a net or a trap.
Bring out number, weight and measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloak of knavery.
Shame is Pride's cloke.
Prisons are built with stones of law, brothels with bricks of religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword, are portions of
eternity, too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that they may be a rod.
What is now proved was once only imagin'd.
The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tyger, the horse, the elephant watch the fruits.
The cistern contains: the fountain overflows.
One thought fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time as when he submitted to learn of the crow.
The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him, knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fool's reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow; nor the lion, the horse, how he shall take his prey.
The thankful receiver bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight can never be defil'd.
When thou seest an eagle, thou seest a portion of genius; lift up thy head!
As the caterpiller chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn braces. Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!
The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet Proportion.
As the air to a bird or the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads; but the crooked roads without improvement are roads of genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not, nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or too much.
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