Get Your Premium Membership

Best Famous Advantages Poems

Here is a collection of the all-time best famous Advantages poems. This is a select list of the best famous Advantages poetry. Reading, writing, and enjoying famous Advantages poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of advantages poems.

Search and read the best famous Advantages poems, articles about Advantages poems, poetry blogs, or anything else Advantages poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Robert Frost | Create an image from this poem

A Servant to Servants

 I didn't make you know how glad I was 
To have you come and camp here on our land. 
I promised myself to get down some day 
And see the way you lived, but I don't know! 
With a houseful of hungry men to feed 
I guess you'd find.... It seems to me 
I can't express my feelings any more 
Than I can raise my voice or want to lift 
My hand (oh, I can lift it when I have to). 
Did ever you feel so? I hope you never. 
It's got so I don't even know for sure 
Whether I am glad, sorry, or anything. 
There's nothing but a voice-like left inside 
That seems to tell me how I ought to feel, 
And would feel if I wasn't all gone wrong. 
You take the lake. I look and look at it. 
I see it's a fair, pretty sheet of water. 
I stand and make myself repeat out loud 
The advantages it has, so long and narrow, 
Like a deep piece of some old running river 
Cut short off at both ends. It lies five miles 
Straight away through the mountain notch 
From the sink window where I wash the plates, 
And all our storms come up toward the house, 
Drawing the slow waves whiter and whiter and whiter. 
It took my mind off doughnuts and soda biscuit 
To step outdoors and take the water dazzle 
A sunny morning, or take the rising wind 
About my face and body and through my wrapper, 
When a storm threatened from the Dragon's Den, 
And a cold chill shivered across the lake. 
I see it's a fair, pretty sheet of water, 
Our Willoughby! How did you hear of it? 
I expect, though, everyone's heard of it. 
In a book about ferns? Listen to that! 
You let things more like feathers regulate 
Your going and coming. And you like it here? 
I can see how you might. But I don't know! 
It would be different if more people came, 
For then there would be business. As it is, 
The cottages Len built, sometimes we rent them, 
Sometimes we don't. We've a good piece of shore 
That ought to be worth something, and may yet. 
But I don't count on it as much as Len. 
He looks on the bright side of everything, 
Including me. He thinks I'll be all right 
With doctoring. But it's not medicine-- 
Lowe is the only doctor's dared to say so-- 
It's rest I want--there, I have said it out-- 
From cooking meals for hungry hired men 
And washing dishes after them--from doing 
Things over and over that just won't stay done. 
By good rights I ought not to have so much 
Put on me, but there seems no other way. 
Len says one steady pull more ought to do it. 
He says the best way out is always through. 
And I agree to that, or in so far 
As that I can see no way out but through-- 
Leastways for me--and then they'll be convinced. 
It's not that Len don't want the best for me. 
It was his plan our moving over in 
Beside the lake from where that day I showed you 
We used to live--ten miles from anywhere. 
We didn't change without some sacrifice, 
But Len went at it to make up the loss. 
His work's a man's, of course, from sun to sun, 
But he works when he works as hard as I do-- 
Though there's small profit in comparisons. 
(Women and men will make them all the same.) 
But work ain't all. Len undertakes too much. 
He's into everything in town. This year 
It's highways, and he's got too many men 
Around him to look after that make waste. 
They take advantage of him shamefully, 
And proud, too, of themselves for doing so. 
We have four here to board, great good-for-nothings, 
Sprawling about the kitchen with their talk 
While I fry their bacon. Much they care! 
No more put out in what they do or say 
Than if I wasn't in the room at all. 
Coming and going all the time, they are: 
I don't learn what their names are, let alone 
Their characters, or whether they are safe 
To have inside the house with doors unlocked. 
I'm not afraid of them, though, if they're not 
Afraid of me. There's two can play at that. 
I have my fancies: it runs in the family. 
My father's brother wasn't right. They kept him 
Locked up for years back there at the old farm. 
I've been away once--yes, I've been away. 
The State Asylum. I was prejudiced; 
I wouldn't have sent anyone of mine there; 
You know the old idea--the only asylum 
Was the poorhouse, and those who could afford, 
Rather than send their folks to such a place, 
Kept them at home; and it does seem more human. 
But it's not so: the place is the asylum. 
There they have every means proper to do with, 
And you aren't darkening other people's lives-- 
Worse than no good to them, and they no good 
To you in your condition; you can't know 
Affection or the want of it in that state. 
I've heard too much of the old-fashioned way. 
My father's brother, he went mad quite young. 
Some thought he had been bitten by a dog, 
Because his violence took on the form 
Of carrying his pillow in his teeth; 
But it's more likely he was crossed in love, 
Or so the story goes. It was some girl. 
Anyway all he talked about was love. 
They soon saw he would do someone a mischief 
If he wa'n't kept strict watch of, and it ended 
In father's building him a sort of cage, 
Or room within a room, of hickory poles, 
Like stanchions in the barn, from floor to ceiling,-- 
A narrow passage all the way around. 
Anything they put in for furniture 
He'd tear to pieces, even a bed to lie on. 
So they made the place comfortable with straw, 
Like a beast's stall, to ease their consciences. 
Of course they had to feed him without dishes. 
They tried to keep him clothed, but he paraded 
With his clothes on his arm--all of his clothes. 
Cruel--it sounds. I 'spose they did the best 
They knew. And just when he was at the height, 
Father and mother married, and mother came, 
A bride, to help take care of such a creature, 
And accommodate her young life to his. 
That was what marrying father meant to her. 
She had to lie and hear love things made dreadful 
By his shouts in the night. He'd shout and shout 
Until the strength was shouted out of him, 
And his voice died down slowly from exhaustion. 
He'd pull his bars apart like bow and bow-string, 
And let them go and make them twang until 
His hands had worn them smooth as any ox-bow. 
And then he'd crow as if he thought that child's play-- 
The only fun he had. I've heard them say, though, 
They found a way to put a stop to it. 
He was before my time--I never saw him; 
But the pen stayed exactly as it was 
There in the upper chamber in the ell, 
A sort of catch-all full of attic clutter. 
I often think of the smooth hickory bars. 
It got so I would say--you know, half fooling-- 
"It's time I took my turn upstairs in jail"-- 
Just as you will till it becomes a habit. 
No wonder I was glad to get away. 
Mind you, I waited till Len said the word. 
I didn't want the blame if things went wrong. 
I was glad though, no end, when we moved out, 
And I looked to be happy, and I was, 
As I said, for a while--but I don't know! 
Somehow the change wore out like a prescription. 
And there's more to it than just window-views 
And living by a lake. I'm past such help-- 
Unless Len took the notion, which he won't, 
And I won't ask him--it's not sure enough. 
I 'spose I've got to go the road I'm going: 
Other folks have to, and why shouldn't I? 
I almost think if I could do like you, 
Drop everything and live out on the ground-- 
But it might be, come night, I shouldn't like it, 
Or a long rain. I should soon get enough, 
And be glad of a good roof overhead. 
I've lain awake thinking of you, I'll warrant, 
More than you have yourself, some of these nights. 
The wonder was the tents weren't snatched away 
From over you as you lay in your beds. 
I haven't courage for a risk like that. 
Bless you, of course, you're keeping me from work, 
But the thing of it is, I need to be kept. 
There's work enough to do--there's always that; 
But behind's behind. The worst that you can do 
Is set me back a little more behind. 
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.


Written by Wystan Hugh (W H) Auden | Create an image from this poem

The Unknown Citizen

He was found by the Bureau of Statistics to beOne against whom there was no official complaint,And all the reports on his conduct agreeThat, in the modern sense of an old-fashioned word, he was asaint,For in everything he did he served the Greater Community.Except for the War till the day he retiredHe worked in a factory and never got fired,But satisfied his employers, Fudge Motors Inc.Yet he wasn't a scab or odd in his views,For his Union reports that he paid his dues,(Our report on his Union shows it was sound)And our Social Psychology workers foundThat he was popular with his mates and liked a drink.The Press are convinced that he bought a paper every dayAnd that his reactions to advertisements were normal in every way.Policies taken out in his name prove that he was fully insured,And his Health-card shows he was once in hospital but left it cured.Both Producers Research and High-Grade Living declareHe was fully sensible to the advantages of the Instalment PlanAnd had everything necessary to the Modern Man,A phonograph, a radio, a car and a frigidaire.Our researchers into Public Opinion are contentThat he held the proper opinions for the time of year;When there was peace, he was for peace: when there was war, he went.He was married and added five children to the population,Which our Eugenist says was the right number for a parent of hisgeneration.And our teachers report that he never interfered with theireducation.Was he free? Was he happy? The question is absurd:Had anything been wrong, we should certainly have heard.
Written by Anthony Hecht | Create an image from this poem

The Transparent Man

 I'm mighty glad to see you, Mrs. Curtis,
And thank you very kindly for this visit--
Especially now when all the others here
Are having holiday visitors, and I feel
A little conspicuous and in the way.
It's mainly because of Thanksgiving. All these mothers
And wives and husbands gaze at me soulfully
And feel they should break up their box of chocolates
For a donation, or hand me a chunk of fruitcake. 
What they don't understand and never guess
Is that it's better for me without a family;
It's a great blessing. Though I mean no harm.
And as for visitors, why, I have you,
All cheerful, brisk and punctual every Sunday,
Like church, even if the aisles smell of phenol.
And you always bring even better gifts than any 
On your book-trolley. Though they mean only good,
Families can become a sort of burden.
I've only got my father, and he won't come,
Poor man, because it would be too much for him.
And for me, too, so it's best the way it is. 
He knows, you see, that I will predecease him,
Which is hard enough. It would take a callous man
To come and stand around and watch me failing.
(Now don't you fuss; we both know the plain facts.)
But for him it's even harder. He loved my mother.
They say she looked like me; I suppose she may have.
Or rather, as I grew older I came to look
More and more like she must one time have looked,
And so the prospect for my father now
Of losing me is like having to lose her twice.
I know he frets about me. Dr. Frazer
Tells me he phones in every single day,
Hoping that things will take a turn for the better.
But with leukemia things don't improve.
It's like a sort of blizzard in the bloodstream,
A deep, severe, unseasonable winter,
Burying everything. The white blood cells
Multiply crazily and storm around,
Out of control. The chemotherapy
Hasn't helped much, and it makes my hair fall out.
I know I look a sight, but I don't care.
I care about fewer things; I'm more selective.
It's got so I can't even bring myself
To read through any of your books these days.
It's partly weariness, and partly the fact
That I seem not to care much about the endings,
How things work out, or whether they even do.
What I do instead is sit here by this window
And look out at the trees across the way.
You wouldn't think that was much, but let me tell you,
It keeps me quite intent and occupied.
Now all the leaves are down, you can see the spare,
Delicate structures of the sycamores,
The fine articulation of the beeches.
I have sat here for days studying them,
And I have only just begun to see
What it is that they resemble. One by one,
They stand there like magnificent enlargements
Of the vascular system of the human brain.
I see them there like huge discarnate minds,
Lost in their meditative silences.
The trunks, branches and twigs compose the vessels
That feed and nourish vast immortal thoughts.
So I've assigned them names. There, near the path,
Is the great brain of Beethoven, and Kepler
Haunts the wide spaces of that mountain ash.
This view, you see, has become my Hall of Fame,
It came to me one day when I remembered 
Mary Beth Finley who used to play with me
When we were girls. One year her parents gave her
A birthday toy called "The Transparent Man."
It was made of plastic, with different colored organs,
And the circulatory system all mapped out
In rivers of red and blue. She'd ask me over
And the two of us would sit and study him
Together, and do a powerful lot of giggling.
I figure he's most likely the only man
Either of us would ever get to know
Intimately, because Mary Beth became
A Sister of Mercy when she was old enough.
She must be thirty-one; she was a year 
Older than I, and about four inches taller.
I used to envy both those advantages
Back in those days. Anyway, I was struck
Right from the start by the sea-weed intricacy,
The fine-haired, silken-threaded filiations
That wove, like Belgian lace, throughout the head.
But this last week it seems I have found myself
Looking beyond, or through, individual trees
At the dense, clustered woodland just behind them,
Where those great, nameless crowds patiently stand.
It's become a sort of complex, ultimate puzzle
And keeps me fascinated. My eyes are twenty-twenty,
Or used to be, but of course I can't unravel
The tousled snarl of intersecting limbs,
That mackled, cinder grayness. It's a riddle
Beyond the eye's solution. Impenetrable.
If there is order in all that anarchy
Of granite mezzotint, that wilderness,
It takes a better eye than mine to see it.
It set me on to wondering how to deal
With such a thickness of particulars,
Deal with it faithfully, you understand,
Without blurring the issue. Of course I know
That within a month the sleeving snows will come
With cold, selective emphases, with massings
And arbitrary contrasts, rendering things
Deceptively simple, thickening the twigs
To frosty veins, bestowing epaulets
And decorations on every birch and aspen.
And the eye, self-satisfied, will be misled,
Thinking the puzzle solved, supposing at last
It can look forth and comprehend the world.
That's when you have to really watch yourself.
So I hope that you won't think me plain ungrateful
For not selecting one of your fine books,
And I take it very kindly that you came
And sat here and let me rattle on this way.
Written by Sylvia Plath | Create an image from this poem

In Plaster

 I shall never get out of this! There are two of me now:
This new absolutely white person and the old yellow one,
And the white person is certainly the superior one.
She doesn't need food, she is one of the real saints.
At the beginning I hated her, she had no personality --
She lay in bed with me like a dead body
And I was scared, because she was shaped just the way I was

Only much whiter and unbreakable and with no complaints.
I couldn't sleep for a week, she was so cold.
I blamed her for everything, but she didn't answer.
I couldn't understand her stupid behavior!
When I hit her she held still, like a true pacifist.
Then I realized what she wanted was for me to love her:
She began to warm up, and I saw her advantages.

Without me, she wouldn't exist, so of course she was grateful.
I gave her a soul, I bloomed out of her as a rose
Blooms out of a vase of not very valuable porcelain,
And it was I who attracted everybody's attention,
Not her whiteness and beauty, as I had at first supposed.
I patronized her a little, and she lapped it up --
You could tell almost at once she had a slave mentality.

I didn't mind her waiting on me, and she adored it.
In the morning she woke me early, reflecting the sun
From her amazingly white torso, and I couldn't help but notice
Her tidiness and her calmness and her patience:
She humored my weakness like the best of nurses,
Holding my bones in place so they would mend properly.
In time our relationship grew more intense.

She stopped fitting me so closely and seemed offish.
I felt her criticizing me in spite of herself,
As if my habits offended her in some way.
She let in the drafts and became more and more absent-minded.
And my skin itched and flaked away in soft pieces
Simply because she looked after me so badly.
Then I saw what the trouble was: she thought she was immortal.

She wanted to leave me, she thought she was superior,
And I'd been keeping her in the dark, and she was resentful --
Wasting her days waiting on a half-corpse!
And secretly she began to hope I'd die.
Then she could cover my mouth and eyes, cover me entirely,
And wear my painted face the way a mummy-case
Wears the face of a pharaoh, though it's made of mud and water.

I wasn't in any position to get rid of her.
She'd supported me for so long I was quite limp --
I had forgotten how to walk or sit,
So I was careful not to upset her in any way
Or brag ahead of time how I'd avenge myself.
Living with her was like living with my own coffin:
Yet I still depended on her, though I did it regretfully.

I used to think we might make a go of it together --
After all, it was a kind of marriage, being so close.
Now I see it must be one or the other of us.
She may be a saint, and I may be ugly and hairy,
But she'll soon find out that that doesn't matter a bit.
I'm collecting my strength; one day I shall manage without her,
And she'll perish with emptiness then, and begin to miss me.
Written by Pam Ayres | Create an image from this poem

Yes, I’ll marry you, my dear

Yes, I’ll marry you, my dear.
And here’s the reason why.
So I can push you out of bed
When the baby starts to cry.
And if we hear a knocking
And it’s creepy and it’s late,
I hand you the torch you see,
And you investigate.

Yes I’ll marry you, my dear,
You may not apprehend it,
But when the tumble-drier goes
It’s you that has to mend it.
You have to face the neighbour
Should our labrador attack him,
And if a drunkard fondles me
It’s you that has to whack him.

Yes, I’ll marry you,
You’re virile and you’re lean,
My house is like a pigsty
You can help to keep it clean.
That sexy little dinner
Which you served by candlelight,
As I do chipolatas,
You can cook it every night!!!

It’s you who has to work the drill
And put up curtain track,
And when I’ve got PMT it’s you who gets the flak,
I do see great advantages,
But none of them for you,
And so before you see the light,
I DO, I DO, I DO!!

© Pam Ayres 2012
Official Website
http://pamayres.com/


Written by Elizabeth Jennings | Create an image from this poem

A Performance Of Henry V At Stratford-Upon-Avon

 Nature teaches us our tongue again
And the swift sentences came pat. I came
Into cool night rescued from rainy dawn.
And I seethed with language - Henry at
Harfleur and Agincourt came apt for war
In Ireland and the Middle East. Here was
The riddling and right tongue, the feeling words
Solid and dutiful. Aspiring hope
Met purpose in "advantages" and "He
That fights with me today shall be my brother."
Say this is patriotic, out of date.
But you are wrong. It never is too late

For nights of stars and feet that move to an
Iambic measure; all who clapped were linked,
The theatre is our treasury and too,
Our study, school-room, house where mercy is

Dispensed with justice. Shakespeare has the mood
And draws the music from the dullest heart.
This is our birthright, speeches for the dumb
And unaccomplished. Henry has the words
For grief and we learn how to tell of death
With dignity. "All was as cold" she said
"As any stone" and so, we who lacked scope
For big or little deaths, increase, grow up
To purposes and means to face events
Of cruelty, stupidity. I walked
Fast under stars. The Avon wandered on
"Tomorrow and tomorrow". Words aren't worn
Out in this place but can renew our tongue,
Flesh out our feeling, make us apt for life.
Written by George (Lord) Byron | Create an image from this poem

Lines On Hearing That Lady Byron Was Ill

 And thou wert sad—yet I was not with thee!
And thou wert sick, and yet I was not near;
Methought that joy and health alone could be
Where I was not—and pain and sorrow here.
And is it thus?—it is as I foretold,
And shall be more so; for the mind recoils
Upon itself, and the wrecked heart lies cold,
While heaviness collects the shattered spoils.
It is not in the storm nor in the strife
We feel benumbed, and wish to be no more,
But in the after-silence on the shore,
When all is lost, except a little life.

I am too well avenged!—but 'twas my right;
Whate'er my sins might be, thou wert not sent
To be the Nemesis who should requite— 
Nor did heaven choose so near an instrument.
Mercy is for the merciful!—if thou
Hast been of such, 'twill be accorded now.
Thy nights are banished from the realms of sleep!— 
Yes! they may flatter thee, but thou shalt feel
A hollow agony which will not heal,
For thou art pillowed on a curse too deep;
Thou hast sown in my sorrow, and must reap
The bitter harvest in a woe as real!
I have had many foes, but none like thee;
For 'gainst the rest myself I could defend,
And be avenged, or turn them into friend;
But thou in safe implacability
Hadst nought to dread—in thy own weakness shielded,
And in my love which hath but too much yielded,
And spared, for thy sake, some I should not spare— 
And thus upon the world—trust in thy truth— 
And the wild fame of my ungoverned youth— 
On things that were not, and on things that are— 
Even upon such a basis hast thou built
A monument whose cement hath been guilt!
The moral Clytemnestra of thy lord,
And hewed down, with an unsuspected sword,
Fame, peace, and hope—and all the better life
Which, but for this cold treason of thy heart,
Might still have risen from out the grave of strife,
And found a nobler duty than to part.
But of thy virtues didst thou make a vice,
Trafficking with them in a purpose cold,
For present anger, and for future gold— 
And buying other's grief at any price.
And thus once entered into crooked ways,
The early truth, which was thy proper praise,
Did not still walk beside thee—but at times,
And with a breast unknowing its own crimes,
Deceit, averments incompatible,
Equivocations, and the thoughts which dwell
In Janus-spirits—the significant eye
Which learns to lie with silence—the pretext
Of Prudence, with advantages annexed— 
The acquiescence in all things which tend,
No matter how, to the desired end— 
All found a place in thy philosophy.
The means were worthy, and the end is won— 
I would not do by thee as thou hast done!
Written by Anne Kingsmill Finch | Create an image from this poem

A Tale of the Miser and the Poet

 A WIT, transported with Inditing, 
Unpay'd, unprais'd, yet ever Writing; 
Who, for all Fights and Fav'rite Friends, 
Had Poems at his Fingers Ends; 
For new Events was still providing; 
Yet now desirous to be riding, 
He pack'd-up ev'ry Ode and Ditty 
And in Vacation left the City; 
So rapt with Figures, and Allusions, 
With secret Passions, sweet Confusions; 
With Sentences from Plays well-known, 
And thousand Couplets of his own; 
That ev'n the chalky Road look'd gay, 
And seem'd to him the Milky Way. 
But Fortune, who the Ball is tossing, 
And Poets ever will be crossing, 
Misled the Steed, which ill he guided, 
Where several gloomy Paths divided. 
The steepest in Descent he follow'd, 
Enclos'd by Rocks, which Time had hollow'd; 
Till, he believ'd, alive and booted, 
He'd reach'd the Shades by Homer quoted. 
But all, that he cou'd there discover, 
Was, in a Pit with Thorns grown over, 
Old Mammon digging, straining, sweating, 
As Bags of Gold he thence was getting; 
Who, when reprov'd for such Dejections 
By him, who liv'd on high Reflections, 
Reply'd; Brave Sir, your Time is ended, 
And Poetry no more befriended. 

I hid this Coin, when Charles was swaying; 
When all was Riot, Masking, Playing; 
When witty Beggars were in fashion, 
And Learning had o'er-run the Nation, 
But, since Mankind is so much wiser, 
That none is valued like the Miser, 
I draw it hence, and now these Sums 
In proper Soil grow up to {1} Plumbs;
Which gather'd once, from that rich Minute 
We rule the World, and all that's in it. 

But, quoth the Poet,can you raise, 
As well as Plumb-trees, Groves of Bays? 
Where you, which I wou'd chuse much rather, 
May Fruits of Reputation gather? 
Will Men of Quality, and Spirit, 
Regard you for intrinsick Merit? 
And seek you out, before your Betters, 
For Conversation, Wit, and Letters? 

Fool, quoth the Churl, who knew no Breeding; 
Have these been Times for such Proceeding? 
Instead of Honour'd, and Rewarded, 
Are you not Slighted, or Discarded? 
What have you met with, but Disgraces? 
Your PRIOR cou'd not keep in Places; 
And your VAN-BRUG had found no Quarter, 
But for his dabbling in the Morter. 
ROWE no Advantages cou'd hit on, 
Till Verse he left, to write North-Briton. 
PHILIPS, who's by the Shilling known, 
Ne'er saw a Shilling of his own. 
Meets {2} PHILOMELA, in the Town 
Her due Proportion of Renown? 
What Pref'rence has ARDELIA seen, 
T'expel, tho' she cou'd write the Spleen? 
Of Coach, or Tables, can you brag, 
Or better Cloaths than Poet RAG? 
Do wealthy Kindred, when they meet you, 
With Kindness, or Distinction, greet you? 

Or have your lately flatter'd Heroes 
Enrich'd you like the Roman Maroes? 

No–quoth the Man of broken Slumbers: 
Yet we have Patrons for our Numbers; 
There are Mecænas's among 'em. 

Quoth Mammon,pray Sir, do not wrong 'em; 
But in your Censures use a Conscience, 
Nor charge Great Men with thriftless Nonsense: 
Since they, as your own Poets sing, 
Now grant no Worth in any thing 
But so much Money as 'twill bring. 
Then, never more from your Endeavours 
Expect Preferment, or less Favours. 
But if you'll 'scape Contempt, or worse, 
Be sure, put Money in your Purse; 
Money! which only can relieve you 
When Fame and Friendship will deceive you. 

Sir, (quoth the Poet humbly bowing, 
And all that he had said allowing) 
Behold me and my airy Fancies 
Subdu'd, like Giants in Romances. 
I here submit to your Discourses; 
Which since Experience too enforces, 
I, in that solitary Pit, 
Your Gold withdrawn, will hide my Wit: 
Till Time, which hastily advances, 
And gives to all new Turns and Chances, 
Again may bring it into use; 
Roscommons may again produce; 
New Augustean Days revive, 
When Wit shall please, and Poets thrive. 
Till when, let those converse in private, 
Who taste what others don't arrive at; 
Yielding that Mammonists surpass us; 
And let the Bank out-swell Parnassus.
Written by Rudyard Kipling | Create an image from this poem

When the Great Ark

 When the Great Ark, in Vigo Bay,
 Rode stately through the half-manned fleet,
From every ship about her way 
 She heard the mariners entreat--
Before we take the seas again
Let down your boats and send us men!

"We have no lack of victual here
 With work--God knows!--enough for all,
To hand and reef and watch and steer,
 Because our present strength is small.
While your three decks are crowded so
Your crews can scarcely stand or go.

"In war, your numbers do but raise
 Confusion and divided will;
In storm, the mindless deep obeys
 Not multitudes but single skills.
In calm, your numbers, closely pressed,
Must breed a mutiny or pest.

"We even on unchallenged seas,
 Dare not adventure where we would,
But forfeit brave advantages
 For lack of men to make 'em good;
Whereby, to England's double cost,
Honour and profit both are lost!"
Written by Ambrose Bierce | Create an image from this poem

Weather

 Once I dipt into the future far as human eye could see,
And I saw the Chief Forecaster, dead as any one can be--
Dead and damned and shut in Hades as a liar from his birth,
With a record of unreason seldome paralleled on earth.
While I looked he reared him solemnly, that incandescent youth,
From the coals that he'd preferred to the advantages of truth.
He cast his eyes about him and above him; then he wrote
On a slab of thin asbestos what I venture here to quote--
For I read it in the rose-light of the everlasting glow:
"Cloudy; variable winds, with local showers; cooler; snow."

Book: Reflection on the Important Things