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Best Famous Adulterous Poems

Here is a collection of the all-time best famous Adulterous poems. This is a select list of the best famous Adulterous poetry. Reading, writing, and enjoying famous Adulterous poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of adulterous poems.

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Written by John Donne | Create an image from this poem

Elegy XVIII: Loves Progress

 Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,
The wholsomeness, the ingenuity,
From rust, from soil, from fire ever free;
But if I love it, 'tis because 'tis made
By our new nature (Use) the soul of trade.
All these in women we might think upon
(If women had them) and yet love but one.
Can men more injure women than to say
They love them for that by which they're not they?
Makes virtue woman? Must I cool my blood
Till I both be, and find one, wise and good?
May barren angels love so! But if we
Make love to woman, virtue is not she,
As beauty's not, nor wealth. He that strays thus
From her to hers is more adulterous
Than if he took her maid. Search every sphere
And firmament, our Cupid is not there;
He's an infernal god, and under ground
With Pluto dwells, where gold and fire abound:
Men to such gods their sacrificing coals
Did not in altars lay, but pits and holes.
Although we see celestial bodies move
Above the earth, the earth we till and love:
So we her airs contemplate, words and heart
And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit,
For love than this, as infinite is it.
But in attaining this desired place
How much they err that set out at the face.
The hair a forest is of ambushes,
Of springs, snares, fetters and manacles;
The brow becalms us when 'tis smooth and plain,
And when 'tis wrinkled shipwrecks us again— 
Smooth, 'tis a paradise where we would have
Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs
Not 'twixt an East and West, but 'twixt two suns;
It leaves a cheek, a rosy hemisphere,
On either side, and then directs us where
Upon the Islands Fortunate we fall,
(Not faint Canaries, but Ambrosial)
Her swelling lips; to which when we are come,
We anchor there, and think ourselves at home,
For they seem all: there Sirens' songs, and there
Wise Delphic oracles do fill the ear;
There in a creek where chosen pearls do swell,
The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin,
O'erpassed, and the straight Hellespont between
The Sestos and Abydos of her breasts,
(Not of two lovers, but two loves the nests)
Succeeds a boundless sea, but yet thine eye
Some island moles may scattered there descry;
And sailing towards her India, in that way
Shall at her fair Atlantic navel stay;
Though thence the current be thy pilot made,
Yet ere thou be where thou wouldst be embayed
Thou shalt upon another forest set,
Where many shipwreck and no further get.
When thou art there, consider what this chase
Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part
Which thou dost seek, and is thy map for that,
Lovely enough to stop, but not stay at;
Least subject to disguise and change it is— 
Men say the devil never can change his.
It is the emblem that hath figured
Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss
Which at the face began, transplanted is,
Since to the hand, since to the imperial knee,
Now at the papal foot delights to be:
If kings think that the nearer way, and do
Rise from the foot, lovers may do so too;
For as free spheres move faster far than can
Birds, whom the air resists, so may that man
Which goes this empty and ethereal way,
Than if at beauty's elements he stay.
Rich nature hath in women wisely made
Two purses, and their mouths aversely laid:
They then which to the lower tribute owe
That way which that exchequer looks must go:
He which doth not, his error is as great
As who by clyster gave the stomach meat.


Written by Alfred Lord Tennyson | Create an image from this poem

To The Queen

 O loyal to the royal in thyself, 
And loyal to thy land, as this to thee-- 
Bear witness, that rememberable day, 
When, pale as yet, and fever-worn, the Prince 
Who scarce had plucked his flickering life again 
From halfway down the shadow of the grave, 
Past with thee through thy people and their love, 
And London rolled one tide of joy through all 
Her trebled millions, and loud leagues of man 
And welcome! witness, too, the silent cry, 
The prayer of many a race and creed, and clime-- 
Thunderless lightnings striking under sea 
From sunset and sunrise of all thy realm, 
And that true North, whereof we lately heard 
A strain to shame us 'keep you to yourselves; 
So loyal is too costly! friends--your love 
Is but a burthen: loose the bond, and go.' 
Is this the tone of empire? here the faith 
That made us rulers? this, indeed, her voice 
And meaning, whom the roar of Hougoumont 
Left mightiest of all peoples under heaven? 
What shock has fooled her since, that she should speak 
So feebly? wealthier--wealthier--hour by hour! 
The voice of Britain, or a sinking land, 
Some third-rate isle half-lost among her seas? 
THERE rang her voice, when the full city pealed 
Thee and thy Prince! The loyal to their crown 
Are loyal to their own far sons, who love 
Our ocean-empire with her boundless homes 
For ever-broadening England, and her throne 
In our vast Orient, and one isle, one isle, 
That knows not her own greatness: if she knows 
And dreads it we are fallen. --But thou, my Queen, 
Not for itself, but through thy living love 
For one to whom I made it o'er his grave 
Sacred, accept this old imperfect tale, 
New-old, and shadowing Sense at war with Soul, 
Ideal manhood closed in real man, 
Rather than that gray king, whose name, a ghost, 
Streams like a cloud, man-shaped, from mountain peak, 
And cleaves to cairn and cromlech still; or him 
Of Geoffrey's book, or him of Malleor's, one 
Touched by the adulterous finger of a time 
That hovered between war and wantonness, 
And crownings and dethronements: take withal 
Thy poet's blessing, and his trust that Heaven 
Will blow the tempest in the distance back 
From thine and ours: for some are sacred, who mark, 
Or wisely or unwisely, signs of storm, 
Waverings of every vane with every wind, 
And wordy trucklings to the transient hour, 
And fierce or careless looseners of the faith, 
And Softness breeding scorn of simple life, 
Or Cowardice, the child of lust for gold, 
Or Labour, with a groan and not a voice, 
Or Art with poisonous honey stolen from France, 
And that which knows, but careful for itself, 
And that which knows not, ruling that which knows 
To its own harm: the goal of this great world 
Lies beyond sight: yet--if our slowly-grown 
And crowned Republic's crowning common-sense, 
That saved her many times, not fail--their fears 
Are morning shadows huger than the shapes 
That cast them, not those gloomier which forego 
The darkness of that battle in the West, 
Where all of high and holy dies away.
Written by Rupert Brooke | Create an image from this poem

Menelaus and Helen

 I

Hot through Troy's ruin Menelaus broke
To Priam's palace, sword in hand, to sate
On that adulterous whore a ten years' hate
And a king's honour. Through red death, and smoke,
And cries, and then by quieter ways he strode,
Till the still innermost chamber fronted him.
He swung his sword, and crashed into the dim
Luxurious bower, flaming like a god.

High sat white Helen, lonely and serene.
He had not remembered that she was so fair,
And that her neck curved down in such a way;
And he felt tired. He flung the sword away,
And kissed her feet, and knelt before her there,
The perfect Knight before the perfect Queen.


II

So far the poet. How should he behold
That journey home, the long connubial years?
He does not tell you how white Helen bears
Child on legitimate child, becomes a scold,
Haggard with virtue. Menelaus bold
Waxed garrulous, and sacked a hundred Troys
'Twixt noon and supper. And her golden voice
Got shrill as he grew deafer. And both were old.

Often he wonders why on earth he went
Troyward, or why poor Paris ever came.
Oft she weeps, gummy-eyed and impotent;
Her dry shanks twitch at Paris' mumbled name.
So Menelaus nagged; and Helen cried;
And Paris slept on by Scamander side.
Book: Radiant Verses: A Journey Through Inspiring Poetry