Written by
William Butler Yeats |
My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
My Soul. Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
My Self. Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery -
Heart's purple - and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known -
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
II
My Self. A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? -
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.
|
Written by
William Blake |
To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the Last Judgment draweth nigh.
He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them, and thou wilt grow fat.
The gnat that sings his summer's song
Poison gets from Slander's tongue.
The poison of the snake and newt
Is the sweat of Envy's foot.
The poison of the honey-bee
Is the artist's jealousy.
The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.
It is right it should be so:
Man was made for joy and woe;
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.
The babe is more than swaddling bands,
Throughout all these human lands;
Tools were made and born were hands,
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;
This is caught by females bright
And returned to its own delight.
The bleat, the bark, bellow, and roar
Are waves that beat on heaven's shore.
The babe that weeps the rod beneath
Writes Revenge! in realms of death.
The beggar's rags fluttering in air
Does to rags the heavens tear.
The soldier armed with sword and gun
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.
One mite wrung from the labourer's hands
Shall buy and sell the miser's lands,
Or if protected from on high
Does that whole nation sell and buy.
He who mocks the infant's faith
Shall be mocked in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.
He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.
The questioner who sits so sly
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.
The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.
When gold and gems adorn the plough
To peaceful arts shall Envy bow.
A riddle or the cricket's cry
Is to doubt a fit reply.
The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.
If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.
The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding sheet.
The winner's shout, the loser's curse,
Dance before dead England's hearse.
Every night and every morn
Some to misery are born.
Every morn and every night
Some are born to sweet delight.
Some are born to sweet delight,
Some are born to endless night.
We are led to believe a lie
When we see not through the eye
Which was born in a night to perish in a night,
When the soul slept in beams of light.
God appears, and God is light
To those poor souls who dwell in night,
But does a human form display
To those who dwell in realms of day.
|
Written by
John Trumbull |
In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind
That weeps the woes of human kind,
That heart by friendship's charms inspired,
That soul with sprightly fancy fired,
The air of life, the vivid eye,
The flowing wit, the keen reply--
To paint these beauties as they shine,
Might ask a nobler pen than mine.
Yet what sure strokes can draw the Fair,
Who vary, like the fleeting air,
Like willows bending to the force,
Where'er the gales direct their course,
Opposed to no misfortune's power,
And changing with the changing hour.
Now gaily sporting on the plain,
They charm the grove with pleasing strain;
Anon disturb'd, they know not why,
The sad tear trembles in their eye:
Led through vain life's uncertain dance,
The dupes of whim, the slaves of chance.
From me, not famed for much goodnature,
Expect not compliment, but satire;
To draw your picture quite unable,
Instead of fact accept a Fable.
One morn, in Æsop's noisy time,
When all things talk'd, and talk'd in rhyme,
A cloud exhaled by vernal beams
Rose curling o'er the glassy streams.
The dawn her orient blushes spread,
And tinged its lucid skirts with red,
Wide waved its folds with glitt'ring dies,
And gaily streak'd the eastern skies;
Beneath, illumed with rising day,
The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air,
Survey'd its glittering glories there,
And fancied, dress'd in gorgeous show,
Itself the brightest thing below:
For clouds could raise the vaunting strain,
And not the fair alone were vain.
Yet well it knew, howe'er array'd,
That beauty, e'en in clouds, might fade,
That nothing sure its charms could boast
Above the loveliest earthly toast;
And so, like them, in early dawn
Resolved its picture should be drawn,
That when old age with length'ning day
Should brush the vivid rose away,
The world should from the portrait own
Beyond all clouds how bright it shone.
Hard by, a painter raised his stage,
Far famed, the Copley[1] of his age.
So just a form his colours drew,
Each eye the perfect semblance knew;
Yet still on every blooming face
He pour'd the pencil's flowing grace;
Each critic praised the artist rare,
Who drew so like, and yet so fair.
To him, high floating in the sky
Th' elated Cloud advanced t' apply.
The painter soon his colours brought,
The Cloud then sat, the artist wrought;
Survey'd her form, with flatt'ring strictures,
Just as when ladies sit for pictures,
Declared "whatever art can do,
My utmost skill shall try for you:
But sure those strong and golden dies
Dipp'd in the radiance of the skies,
Those folds of gay celestial dress,
No mortal colours can express.
Not spread triumphal o'er the plain,
The rainbow boasts so fair a train,
Nor e'en the morning sun so bright,
Who robes his face in heav'nly light.
To view that form of angel make,
Again Ixion would mistake,[2]
And justly deem so fair a prize,
The sovereign Mistress of the skies,"
He said, and drew a mazy line,
With crimson touch his pencils shine,
The mingling colours sweetly fade,
And justly temper light and shade.
He look'd; the swelling Cloud on high
With wider circuit spread the sky,
Stretch'd to the sun an ampler train,
And pour'd new glories on the main.
As quick, effacing every ground,
His pencil swept the canvas round,
And o'er its field, with magic art,
Call'd forth new forms in every part.
But now the sun, with rising ray,
Advanced with speed his early way;
Each colour takes a differing die,
The orange glows, the purples fly.
The artist views the alter'd sight,
And varies with the varying light;
In vain! a sudden gust arose,
New folds ascend, new shades disclose,
And sailing on with swifter pace,
The Cloud displays another face.
In vain the painter, vex'd at heart,
Tried all the wonders of his art;
In vain he begg'd, her form to grace,
One moment she would keep her place:
For, "changing thus with every gale,
Now gay with light, with gloom now pale,
Now high in air with gorgeous train,
Now settling on the darken'd main,
With looks more various than the moon;
A French coquette were drawn as soon."
He spoke; again the air was mild,
The Cloud with opening radiance smiled;
With canvas new his art he tries,
Anew he joins the glitt'ring dies;
Th' admiring Cloud with pride beheld
Her image deck the pictured field,
And colours half-complete adorn
The splendor of the painted morn.
When lo, the stormy winds arise,
Deep gloom invests the changing skies;
The sounding tempest shakes the plain,
And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade,
Its folds condense in thicker shade,
And borne by rushing blasts, its form
With lowering vapour joins the storm.
|
Written by
Percy Bysshe Shelley |
Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.
This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!
|
Written by
Walt Whitman |
1
BROTHER of all, with generous hand,
Of thee, pondering on thee, as o’er thy tomb, I and my Soul,
A thought to launch in memory of thee,
A burial verse for thee.
What may we chant, O thou within this tomb?
What tablets, pictures, hang for thee, O millionaire?
—The life thou lived’st we know not,
But that thou walk’dst thy years in barter, ’mid the haunts of brokers;
Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine,
If not thy past we chant, we chant the future,
Select, adorn the future.
2
Lo, Soul, the graves of heroes!
The pride of lands—the gratitudes of men,
The statues of the manifold famous dead, Old World and New,
The kings, inventors, generals, poets, (stretch wide thy vision, Soul,)
The excellent rulers of the races, great discoverers, sailors,
Marble and brass select from them, with pictures, scenes,
(The histories of the lands, the races, bodied there,
In what they’ve built for, graced and graved,
Monuments to their heroes.)
3
Silent, my Soul,
With drooping lids, as waiting, ponder’d,
Turning from all the samples, all the monuments of heroes.
While through the interior vistas,
Noiseless uprose, phantasmic (as, by night, Auroras of the North,)
Lambent tableaux, prophetic, bodiless scenes,
Spiritual projections.
In one, among the city streets, a laborer’s home appear’d,
After his day’s work done, cleanly, sweet-air’d, the gaslight burning,
The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene,
A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal,
Sat peaceful parents, with contented sons.
In one, by twos and threes, young people,
Hundreds concentering, walk’d the paths and streets and roads,
Toward a tall-domed school.
In one a trio, beautiful,
Grandmother, loving daughter, loving daughter’s daughter, sat,
Chatting and sewing.
In one, along a suite of noble rooms,
’Mid plenteous books and journals, paintings on the walls, fine statuettes,
Were groups of friendly journeymen, mechanics, young and old,
Reading, conversing.
All, all the shows of laboring life,
City and country, women’s, men’s and children’s,
Their wants provided for, hued in the sun, and tinged for once with joy,
Marriage, the street, the factory, farm, the house-room, lodging-room,
Labor and toil, the bath, gymnasium, play-ground, library, college,
The student, boy or girl, led forward to be taught;
The sick cared for, the shoeless shod—the orphan father’d and mother’d,
The hungry fed, the houseless housed;
(The intentions perfect and divine,
The workings, details, haply human.)
4
O thou within this tomb,
From thee, such scenes—thou stintless, lavish Giver,
Tallying the gifts of Earth—large as the Earth,
Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers,
By you, your banks, Connecticut,
By you, and all your teeming life, Old Thames,
By you, Potomac, laving the ground Washington trod—by you Patapsco,
You, Hudson—you, endless Mississippi—not by you alone,
But to the high seas launch, my thought, his memory.
5
Lo, Soul, by this tomb’s lambency,
The darkness of the arrogant standards of the world,
With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws,
The rich, the gay, the supercilious, smiled at long,
Now, piercing to the marrow in my bones,
Fused with each drop my heart’s blood jets,
Swim in ineffable meaning.)
Lo, Soul, the sphere requireth, portioneth,
To each his share, his measure,
The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun,
The only real wealth of wealth in generosity,
The only life of life in goodness?
|
Written by
Victor Hugo |
("Nous emmenions en esclavage.")
{VIII., March, 1828.}
We're bearing fivescore Christian dogs
To serve the cruel drivers:
Some are fair beauties gently born,
And some rough coral-divers.
We hardy skimmers of the sea
Are lucky in each sally,
And, eighty strong, we send along
The dreaded Pirate Galley.
A nunnery was spied ashore,
We lowered away the cutter,
And, landing, seized the youngest nun
Ere she a cry could utter;
Beside the creek, deaf to our oars,
She slumbered in green alley,
As, eighty strong, we sent along
The dreaded Pirate Galley.
"Be silent, darling, you must come—
The wind is off shore blowing;
You only change your prison dull
For one that's splendid, glowing!
His Highness doats on milky cheeks,
So do not make us dally"—
We, eighty strong, who send along
The dreaded Pirate Galley.
She sought to flee back to her cell,
And called us each a devil!
We dare do aught becomes Old Scratch,
But like a treatment civil,
So, spite of buffet, prayers, and calls—
Too late her friends to rally—
We, eighty strong, bore her along
Unto the Pirate Galley.
The fairer for her tears profuse,
As dews refresh the flower,
She is well worth three purses full,
And will adorn the bower—
For vain her vow to pine and die
Thus torn from her dear valley:
She reigns, and we still row along
The dreaded Pirate Galley.
|
Written by
Rudyard Kipling |
(A. D. 1200)
Of all the trees that grow so fair,
Old England to adorn,
Greater are none beneath the Sun,
Than Oak, and Ash, and Thorn.
Sing Oak, and Ash, and Thorn, good sirs,
(All of a Midsummer morn!)
Surely we sing no little thing,
In Oak, and Ash, and Thorn!
Oak of the Clay lived many a day,
Or ever AEneas began.
Ash of the Loam was a lady at home,
When Brut was an outlaw man.
Thorn of the Down saw New Troy Town
(From which was London born);
Witness hereby the ancientry
Of Oak, and Ash, and Thorn!
Yew that is old in churchyard-mould,
He breedeth a mighty bow.
Alder for shoes do wise men choose,
And beech for cups also.
But when ye have killed, and your bowl is spilled,
And your shoes are clean outworn,
Back ye must speed for all that ye need,
To Oak, and Ash, and Thorn!
Ellum she hateth mankind, and waiteth
Till every gust be laid,
To drop a limb on the head of him
That anyway trusts her shade:
But whether a lad be sober or sad,
Or mellow with ale from the horn,
He will take no wrong when he lieth along
'Neath Oak, and Ash, and Thorn!
Oh, do not tell the Priest our plight,
Or he would call it a sin;
But--we have been out in the woods all night,
A-conjuring Summer in!
And we bring you news by word of mouth-
Good news for cattle and corn--
Now is the Sun come up from the South,
With Oak, and Ash, and Thorn!
Sing Oak, and Ash, and Thorn, good sirs
(All of a Midsummer morn):
England shall bide ti11 Judgment Tide,
By Oak, and Ash, and Thorn!
|
Written by
Phillis Wheatley |
HAIL, happy day, when, smiling like the morn,
Fair Freedom rose New-England to adorn:
The northern clime beneath her genial ray,
Dartmouth, congratulates thy blissful sway:
Elate with hope her race no longer mourns,
Each soul expands, each grateful bosom burns,
While in thine hand with pleasure we behold
The silken reins, and Freedom's charms unfold.
Long lost to realms beneath the northern skies
She shines supreme, while hated faction dies:
Soon as appear'd the Goddess long desir'd,
Sick at the view, she languish'd and expir'd;
Thus from the splendors of the morning light
The owl in sadness seeks the caves of night.
No more, America, in mournful strain
Of wrongs, and grievance unredress'd complain,
No longer shalt thou dread the iron chain,
Which wanton Tyranny with lawless hand
Had made, and with it meant t' enslave the land.
Should you, my lord, while you peruse my song,
Wonder from whence my love of Freedom sprung,
Whence flow these wishes for the common good,
By feeling hearts alone best understood,
I, young in life, by seeming cruel fate
Was snatch'd from Afric's fancy'd happy seat:
What pangs excruciating must molest,
What sorrows labour in my parent's breast?
Steel'd was that soul and by no misery mov'd
That from a father seiz'd his babe belov'd:
Such, such my case. And can I then but pray
Others may never feel tyrannic sway?
For favours past, great Sir, our thanks are due,
And thee we ask thy favours to renew,
Since in thy pow'r, as in thy will before,
To sooth the griefs, which thou did'st once deplore.
May heav'nly grace the sacred sanction give
To all thy works, and thou for ever live
Not only on the wings of fleeting Fame,
Though praise immortal crowns the patriot's name,
But to conduct to heav'ns refulgent fane,
May fiery coursers sweep th' ethereal plain,
And bear thee upwards to that blest abode,
Where, like the prophet, thou shalt find thy God.
|
Written by
Mary Darby Robinson |
Come, bright-eyed maid,
Pure offspring of the tranquil mind,
Haste, my fev'rish temples bind
With olive wreaths of em'rald hue
Steep'd in morn's ethereal dew,
Where in mild HELVETIA's shade,
Blushing summer round her flings
Warm gales and sunny show'rs that hang upon her wings.
I'll seek thee in ITALIA's bow'rs,
Where supine on beds of flow'rs
Melody's soul-touching throng
Strike the soft lute or trill the melting song:
Where blithe FANCY, queen of pleasure,
Pours each rich luxuriant treasure.
For thee I'll climb the breezy hill,
While the balmy dews distill
Odours from the budding thorn,
Drop'd from the lust'rous lids of morn;
Who, starting from her shad'wy bed,
Binds her gold fillet round the mountain's head.
There I'll press from herbs and flow'rs
Juices bless'd with opiate pow'rs,
Whose magic potency can heal
The throb of agonizing pain,
And thro' the purple swelling vein
With subtle influence steal:
Heav'n opes for thee its aromatic store
To bathe each languid gasping pore;
But where, O where, shall cherish'd sorrow find
The lenient balm to soothe the feeling mind.
O, mem'ry! busy barb'rous foe,
At thy fell touch I wake to woe:
Alas! the flatt'ring dream is o'er,
From thee the bright illusions fly,
Thou bidst the glitt'ring phantoms die,
And hope, and youth, and fancy, charm no more.
No more for me the tip-toe SPRING
Drops flowrets from her infant wing;
For me in vain the wild thymes bloom
Thro' the forest flings perfume;
In vain I climb th'embroider'd hill
To breathe the clear autumnal air;
In vain I quaff the lucid rill
Since jocund HEALTH delights not there
To greet my heart:no more I view,
With sparkling eye, the silv'ry dew
Sprinkling May's tears upon the folded rose,
As low it droops its young and blushing head,
Press'd by grey twilight to its mossy bed:
No more I lave amidst the tide,
Or bound along the tufted grove,
Or o'er enamel'd meadows rove,
Where, on Zephyr's pinions, glide
Salubrious airs that waft the nymph repose.
Lightly o'er the yellow heath
Steals thy soft and fragrant breath,
Breath inhal'd from musky flow'rs
Newly bath'd in perfum'd show'rs.
See the rosy-finger'd morn
Opes her bright refulgent eye,
Hills and valleys to adorn,
While from her burning glance the scatter'd vapours fly.
Soon, ah soon! the painted scene,
The hill's blue top, the valley's green,
Midst clouds of snow, and whirlwinds drear,
Shall cold and comfortless appear:
The howling blast shall strip the plain,
And bid my pensive bosom learn,
Tho' NATURE's face shall smile again,
And, on the glowing breast of Spring
Creation all her gems shall fling,
YOUTH's April morn shall ne'er return.
Then come, Oh quickly come, Hygeian Maid!
Each throbbing pulse, each quiv'ring nerve pervade.
Flash thy bright fires across my languid eye,
Tint my pale visage with thy roseate die,
Bid my heart's current own a temp'rate glow,
And from its crimson source in tepid channels flow.
O HEALTH, celestial Nymph! without thy aid
Creation sickens in oblivions shade:
Along the drear and solitary gloom
We steal on thorny footsteps to the tomb;
Youth, age, wealth, poverty alike agree
To live is anguish, when depriv'd of Thee.
To THEE indulgent Heav'n benignly gave
The touch to heal, the extacy to save.
The balmy incense of thy fost'ring breath
Wafts the wan victim from the fangs of Death,
Robs the grim Tyrant of his trembling prize,
Cheers the faint soul, and lifts it to the skies.
Let not the gentle rose thy bounty drest
To meet the rising son with od'rous breast,
Which glow'd with artless tints at noon-tide hour,
And shed soft tears upon each drooping flower,
With with'ring anguish mourn the parting Day,
Shrink to the Earth, and sorrowing fade away.
|
Written by
Henry Wadsworth Longfellow |
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.
And leave my burden at this minster gate,
.
Kneeling in prayer, and not ashamed to pray,
.
The tumult of the time disconsolate
.
To inarticulate murmurs dies away,
.
While the eternal ages watch and wait.II.2.
How strange the sculptures that adorn these towers!
.
This crowd of statues, in whose folded sleeves
.
Birds build their nests; while canopied with leaves
.
Parvis and portal bloom like trellised bowers,
.
And the vast minster seems a cross of flowers!
.
But fiends and dragons on the gargoyled eaves
.
Watch the dead Christ between the living thieves,
.
And, underneath, the traitor Judas lowers!
.
Ah! from what agonies of heart and brain,
.
What exultations trampling on despair,
.
What tenderness, what tears, what hate of wrong,
.
What passionate outcry of a soul in pain,
.
Uprose this poem of the earth and air,
.
This medi?val miracle of song!
III.Written December 22, 1865.3.
I enter, and I see thee in the gloom
.
Of the long aisles, O poet saturnine!
.
And strive to make my steps keep pace with thine.
.
The air is filled with some unknown perfume;
.
The congregation of the dead make room
.
For thee to pass; the votive tapers shine;
.
Like rooks that haunt Ravenna's groves of pine
.
The hovering echoes fly from tomb to tomb.
.
From the confessionals I hear arise
.
Rehearsals of forgotten tragedies,
.
And lamentations from the crypts below;
.
And then a voice celestial that begins
.
With the pathetic words, "Although your sins
.
As scarlet be," and ends with "as the snow."
IV.Written May 5, 1867.4.
With snow-white veil and garments as of flame,
.
She stands before thee, who so long ago
.
Filled thy young heart with passion and the woe
.
From which thy song and all its splendors came;
.
And while with stern rebuke she speaks thy name,
.
The ice about thy heart melts as the snow
.
On mountain heights, and in swift overflow
.
Comes gushing from thy lips in sobs of shame.
.
Thou makest full confession; and a gleam,
.
As of the dawn on some dark forest cast,
.
Seems on thy lifted forehead to increase;
.
Lethe and Euno? -- the remembered dream
.
And the forgotten sorrow -- bring at last
.
That perfect pardon which is perfect peace.
V.Written January 16, 1866.5.
I lift mine eyes, and all the windows blaze
.
With forms of Saints and holy men who died,
.
Here martyred and hereafter glorified;
.
And the great Rose upon its leaves displays
.
Christ's Triumph, and the angelic roundelays,
.
With splendor upon splendor multiplied;
.
And Beatrice again at Dante's side
.
No more rebukes, but smiles her words of praise.
.
And then the organ sounds, and unseen choirs
.
Sing the old Latin hymns of peace and love
.
And benedictions of the Holy Ghost;
.
And the melodious bells among the spires
.
O'er all the house-tops and through heaven above
.
Proclaim the elevation of the Host!
VI.Written March 7, 1866.6.
O star of morning and of liberty!
.
O bringer of the light, whose splendor shines
.
Above the darkness of the Apennines,
.
Forerunner of the day that is to be!
.
The voices of the city and the sea,
.
The voices of the mountains and the pines,
.
Repeat thy song, till the familiar lines
.
Are footpaths for the thought of Italy!
.
Thy fame is blown abroad from all the heights,
.
Through all the nations, and a sound is heard,
.
As of a mighty wind, and men devout,
.
Strangers of Rome, and the new proselytes,
.
In their own language hear thy wondrous word,
.
And many are amazed and many doubt.
|