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Best Famous Adjusting Poems

Here is a collection of the all-time best famous Adjusting poems. This is a select list of the best famous Adjusting poetry. Reading, writing, and enjoying famous Adjusting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of adjusting poems.

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Written by Walt Whitman | Create an image from this poem

Song of the Redwood-Tree

 1
A CALIFORNIA song! 
A prophecy and indirection—a thought impalpable, to breathe, as air; 
A chorus of dryads, fading, departing—or hamadryads departing; 
A murmuring, fateful, giant voice, out of the earth and sky, 
Voice of a mighty dying tree in the Redwood forest dense.

Farewell, my brethren, 
Farewell, O earth and sky—farewell, ye neighboring waters; 
My time has ended, my term has come. 

2
Along the northern coast, 
Just back from the rock-bound shore, and the caves,
In the saline air from the sea, in the Mendocino country, 
With the surge for bass and accompaniment low and hoarse, 
With crackling blows of axes, sounding musically, driven by strong arms, 
Riven deep by the sharp tongues of the axes—there in the Redwood forest dense, 
I heard the mighty tree its death-chant chanting.

The choppers heard not—the camp shanties echoed not; 
The quick-ear’d teamsters, and chain and jack-screw men, heard not, 
As the wood-spirits came from their haunts of a thousand years, to join the refrain; 
But in my soul I plainly heard. 

Murmuring out of its myriad leaves,
Down from its lofty top, rising two hundred feet high, 
Out of its stalwart trunk and limbs—out of its foot-thick bark, 
That chant of the seasons and time—chant, not of the past only, but the future. 

3
You untold life of me, 
And all you venerable and innocent joys,
Perennial, hardy life of me, with joys, ’mid rain, and many a summer sun, 
And the white snows, and night, and the wild winds; 
O the great patient, rugged joys! my soul’s strong joys, unreck’d by man; 
(For know I bear the soul befitting me—I too have consciousness, identity, 
And all the rocks and mountains have—and all the earth;)
Joys of the life befitting me and brothers mine, 
Our time, our term has come. 

Nor yield we mournfully, majestic brothers, 
We who have grandly fill’d our time; 
With Nature’s calm content, and tacit, huge delight,
We welcome what we wrought for through the past, 
And leave the field for them. 

For them predicted long, 
For a superber Race—they too to grandly fill their time, 
For them we abdicate—in them ourselves, ye forest kings!
In them these skies and airs—these mountain peaks—Shasta—Nevadas, 
These huge, precipitous cliffs—this amplitude—these valleys grand—Yosemite, 
To be in them absorb’d, assimilated. 

4
Then to a loftier strain, 
Still prouder, more ecstatic, rose the chant,
As if the heirs, the Deities of the West, 
Joining, with master-tongue, bore part. 

Not wan from Asia’s fetishes, 
Nor red from Europe’s old dynastic slaughter-house, 
(Area of murder-plots of thrones, with scent left yet of wars and scaffolds every
 where,)
But come from Nature’s long and harmless throes—peacefully builded thence, 
These virgin lands—Lands of the Western Shore, 
To the new Culminating Man—to you, the Empire New, 
You, promis’d long, we pledge, we dedicate. 

You occult, deep volitions,
You average Spiritual Manhood, purpose of all, pois’d on yourself—giving, not taking
 law, 
You Womanhood divine, mistress and source of all, whence life and love, and aught that
 comes
 from life and love, 
You unseen Moral Essence of all the vast materials of America, (age upon age,
 working
 in Death the same as Life,) 
You that, sometimes known, oftener unknown, really shape and mould the New World,
 adjusting
 it to Time and Space, 
You hidden National Will, lying in your abysms, conceal’d, but ever alert,
You past and present purposes, tenaciously pursued, may-be unconscious of
 yourselves, 
Unswerv’d by all the passing errors, perturbations of the surface; 
You vital, universal, deathless germs, beneath all creeds, arts, statutes,
 literatures,

Here build your homes for good—establish here—These areas entire, Lands of the Western
 Shore, 
We pledge, we dedicate to you.

For man of you—your characteristic Race, 
Here may be hardy, sweet, gigantic grow—here tower, proportionate to Nature, 
Here climb the vast, pure spaces, unconfined, uncheck’d by wall or roof, 
Here laugh with storm or sun—here joy—here patiently inure, 
Here heed himself, unfold himself (not others’ formulas heed)—here fill
 his time,
To duly fall, to aid, unreck’d at last, 
To disappear, to serve. 

Thus, on the northern coast, 
In the echo of teamsters’ calls, and the clinking chains, and the music of choppers’ axes,

The falling trunk and limbs, the crash, the muffled shriek, the groan,
Such words combined from the Redwood-tree—as of wood-spirits’ voices ecstatic, ancient and
 rustling, 
The century-lasting, unseen dryads, singing, withdrawing, 
All their recesses of forests and mountains leaving, 
From the Cascade range to the Wasatch—or Idaho far, or Utah, 
To the deities of the Modern henceforth yielding,
The chorus and indications, the vistas of coming humanity—the settlements, features all, 
In the Mendocino woods I caught. 

5
The flashing and golden pageant of California! 
The sudden and gorgeous drama—the sunny and ample lands; 
The long and varied stretch from Puget Sound to Colorado south;
Lands bathed in sweeter, rarer, healthier air—valleys and mountain cliffs; 
The fields of Nature long prepared and fallow—the silent, cyclic chemistry; 
The slow and steady ages plodding—the unoccupied surface ripening—the rich ores forming
 beneath; 
At last the New arriving, assuming, taking possession, 
A swarming and busy race settling and organizing every where;
Ships coming in from the whole round world, and going out to the whole world, 
To India and China and Australia, and the thousand island paradises of the Pacific; 
Populous cities—the latest inventions—the steamers on the rivers—the railroads—with
 many a thrifty farm, with machinery, 
And wool, and wheat, and the grape—and diggings of yellow gold. 

6
But more in you than these, Lands of the Western Shore!
(These but the means, the implements, the standing-ground,) 
I see in you, certain to come, the promise of thousands of years, till now deferr’d, 
Promis’d, to be fulfill’d, our common kind, the Race. 

The New Society at last, proportionate to Nature, 
In Man of you, more than your mountain peaks, or stalwart trees imperial,
In Woman more, far more, than all your gold, or vines, or even vital air. 

Fresh come, to a New World indeed, yet long prepared, 
I see the Genius of the Modern, child of the Real and Ideal, 
Clearing the ground for broad humanity, the true America, heir of the past so grand, 
To build a grander future.


Written by Marianne Moore | Create an image from this poem

The Fish

 wade
through black jade.
 Of the crow-blue mussel-shells, one keeps
 adjusting the ash-heaps;
 opening and shutting itself like

an
injured fan.
 The barnacles which encrust the side
 of the wave, cannot hide
 there for the submerged shafts of the

sun,
split like spun
 glass, move themselves with spotlight swiftness
 into the crevices—
 in and out, illuminating

the
turquoise sea
 of bodies. The water drives a wedge
 of iron throught the iron edge
 of the cliff; whereupon the stars,

pink
rice-grains, ink-
 bespattered jelly fish, crabs like green
 lilies, and submarine
 toadstools, slide each on the other.

All
external
 marks of abuse are present on this
 defiant edifice—
 all the physical features of

ac-
cident—lack
 of cornice, dynamite grooves, burns, and
 hatchet strokes, these things stand
 out on it; the chasm-side is

dead.
Repeated
 evidence ahs proved that it can live
 on what can not revive
 its youth. The sea grows old in it.
Written by Adrian Green | Create an image from this poem

The Tenor Man

 Pottering around the stage,
a hyperactive ancient in his own backyard -
independent of the band it seems.

Disrhythmic shuffling of ashtray,
beer, a pack of cigarettes,
adjusting microphones,

then in the middle eight
he draws, exhales, and catches breath,
stoops forward to the mouthpiece

and blows,
  a tumbling counterpoint,
scales soaring from his horn.

The melody flows

until the break,
and then he shoulders arms,
a truce between the music and his ailing lungs.

Between choruses he sits apart
to light another cigarette,
a sideman counting out the bars
until he rises for the coda -
this Lazarus of swing.

Book: Radiant Verses: A Journey Through Inspiring Poetry