Written by
Allen Ginsberg |
America I've given you all and now I'm nothing.
America two dollars and twentyseven cents January
17, 1956.
I can't stand my own mind.
America when will we end the human war?
Go **** yourself with your atom bomb.
I don't feel good don't bother me.
I won't write my poem till I'm in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I'm sick of your insane demands.
When can I go into the supermarket and buy what I
need with my good looks?
America after all it is you and I who are perfect not
the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don't think he'll come back
it's sinister.
Are you being sinister or is this some form of practical
joke?
I'm trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I'm doing.
America the plum blossoms are falling.
I haven't read the newspapers for months, everyday
somebody goes on trial for murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid
I'm not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses
in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there's going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I'm perfectly right.
I won't say the Lord's Prayer.
I have mystical visions and cosmic vibrations.
America I still haven't told you what you did to Uncle
Max after he came over from Russia.
I'm addressing you.
Are you going to let your emotional life be run by
Time Magazine?
I'm obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner
candystore.
I read it in the basement of the Berkeley Public Library.
It's always telling me about responsibility.
Business-
men are serious.
Movie producers are serious.
Everybody's serious but me.
It occurs to me that I am America.
I am talking to myself again.
Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources consist of two joints of
marijuana millions of genitals an unpublishable
private literature that goes 1400 miles an hour
and twenty-five-thousand mental institutions.
I say nothing about my prisons nor the millions of
underprivileged who live in my flowerpots
under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers
is the next to go.
My ambition is to be President despite the fact that
I'm a Catholic.
America how can I write a holy litany in your silly
mood?
I will continue like Henry Ford my strophes are as
individual as his automobiles more so they're
all different sexes.
America I will sell you strophes $2500 apiece $500
down on your old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & Vanzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Com-
munist Cell meetings they sold us garbanzos a
handful per ticket a ticket costs a nickel and the
speeches were free everybody was angelic and
sentimental about the workers it was all so sin-
cere you have no idea what a good thing the
party was in 1835 Scott Nearing was a grand
old man a real mensch Mother Bloor made me
cry I once saw Israel Amter plain.
Everybody
must have been a spy.
America you don't really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen.
And them Russians.
The Russia wants to eat us alive.
The Russia's power
mad.
She wants to take our cars from out our
garages.
Her wants to grab Chicago.
Her needs a Red Readers'
Digest.
Her wants our auto plants in Siberia.
Him big bureaucracy running our fillingsta-
tions.
That no good.
Ugh.
Him make Indians learn read.
Him need big black niggers.
Hah.
Her make us
all work sixteen hours a day.
Help.
America this is quite serious.
America this is the impression I get from looking in
the television set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes
in precision parts factories, I'm nearsighted and
psychopathic anyway.
America I'm putting my ***** shoulder to the wheel.
Berkeley, January 17, 1956
|
Written by
Billy Collins |
In most self-portraits it is the face that dominates:
Cezanne is a pair of eyes swimming in brushstrokes,
Van Gogh stares out of a halo of swirling darkness,
Rembrant looks relieved as if he were taking a breather
from painting The Blinding of Sampson.
But in this one Goya stands well back from the mirror
and is seen posed in the clutter of his studio
addressing a canvas tilted back on a tall easel.
He appears to be smiling out at us as if he knew
we would be amused by the extraordinary hat on his head
which is fitted around the brim with candle holders,
a device that allowed him to work into the night.
You can only wonder what it would be like
to be wearing such a chandelier on your head
as if you were a walking dining room or concert hall.
But once you see this hat there is no need to read
any biography of Goya or to memorize his dates.
To understand Goya you only have to imagine him
lighting the candles one by one, then placing
the hat on his head, ready for a night of work.
Imagine him surprising his wife with his new invention,
the laughing like a birthday cake when she saw the glow.
Imagine him flickering through the rooms of his house
with all the shadows flying across the walls.
Imagine a lost traveler knocking on his door
one dark night in the hill country of Spain.
"Come in, " he would say, "I was just painting myself,"
as he stood in the doorway holding up the wand of a brush,
illuminated in the blaze of his famous candle hat.
|
Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly.
.
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks.
Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat.
.
.
.
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.
Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete.
It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Edward Taylor |
The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship,
very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak
beginning in just a few minutes, and if you'd care
to join us we'd be most honored.
However, I understand
you have your obligations and responsibilities,
and if you would prefer to simply visit with us
from time to time, between patients, our invitation
is nothing if not flexible.
And, we shan't be the least slighted
or offended in any way if, due to your heavy load,
we are altogether deprived of the pleasure
of exchanging a few anecdotes, regarding the mentally ill,
depraved, diseased, the purely knavish, you in your bughouse,
if you'll pardon my vernacular, O yes, and we in our crackbrain
daily rounds, there are so many gone potty everywhere we roam,
not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare
if you could find the time to join us after your injections.
"
My invitation was spoken in the evenest tones,
but midway though it I began to suspect I was addressing
an imposter.
I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind,
be doing with a cordscrew in his pocket?
This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously,
and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses
down by the duck pond, and my grip on the situation
was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps,
I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this?
But, then again, what's a picnic without pathos?
Lacking a way home, I adjusted the flap in my head and duck-walked
down to the pond and into the pond and began gliding
around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began
recycling like a sorry whim, sincerest regrets
are always best.
|
Written by
Heather McHugh |
Too volatile, am I?too voluble?too much a word-person?
I blame the soup:I'm a primordially
stirred person.
Two pronouns and a vehicle was Icarus with wings.
The apparatus of his selves made an ab-
surd person.
The sound I make is sympathy's:sad dogs are tied afar.
But howling I become an ever more un-
heard person.
I need a hundred more of you to make a likelihood.
The mirror's not convincing-- that at-best in-
ferred person.
As time's revealing gets revolting, I start looking out.
Look in and what you see is one unholy
blurred person.
The only cure for birth one doesn't love to contemplate.
Better to be an unsung song, an unoc-
curred person.
McHugh, you'll be the death of me -- each self and second studied!
Addressing you like this, I'm halfway to the
third person.
|
Written by
Kahlil Gibran |
A prince stood on the balcony of his palace addressing a great multitude summoned for the occasion and said, "Let me offer you and this whole fortunate country my congratulations upon the birth of a new prince who will carry the name of my noble family, and of whom you will be justly proud.
He is the new bearer of a great and illustrious ancestry, and upon him depends the brilliant future of this realm.
Sing and be merry!" The voices of the throngs, full of joy and thankfulness, flooded the sky with exhilarating song, welcoming the new tyrant who would affix the yoke of oppression to their necks by ruling the weak with bitter authority, and exploiting their bodies and killing their souls.
For that destiny, the people were singing and drinking ecstatically to the heady of the new Emir.
Another child entered life and that kingdom at the same time.
While the crowds were glorifying the strong and belittling themselves by singing praise to a potential despot, and while the angels of heaven were weeping over the people's weakness and servitude, a sick woman was thinking.
She lived in an old, deserted hovel and, lying in her hard bed beside her newly born infant wrapped with ragged swaddles, was starving to death.
She was a penurious and miserable young wife neglected by humanity; her husband had fallen into the trap of death set by the prince's oppression, leaving a solitary woman to whom God had sent, that night, a tiny companion to prevent her from working and sustaining life.
As the mass dispersed and silence was restored to the vicinity, the wretched woman placed the infant on her lap and looked into his face and wept as if she were to baptize him with tears.
And with a hunger weakened voice she spoke to the child saying, "Why have you left the spiritual world and come to share with me the bitterness of earthly life? Why have you deserted the angels and the spacious firmament and come to this miserable land of humans, filled with agony, oppression, and heartlessness? I have nothing to give you except tears; will you be nourished on tears instead of milk? I have no silk clothes to put on you; will my naked, shivering arms give you warmth? The little animals graze in the pasture and return safely to their shed; and the small birds pick the seeds and sleep placidly between the branches.
But you, my beloved, have naught save a loving but destitute mother.
"
Then she took the infant to her withered breast and clasped her arms around him as if wanting to join the two bodies in one, as before.
She lifted her burning eyes slowly toward heaven and cried, "God! Have mercy on my unfortunate countrymen!"
At that moment the clouds floated from the face of the moon, whose beams penetrated the transom of that poor home and fell upon two corpses.
|
Written by
Edna St Vincent Millay |
I dreamed I moved among the Elysian fields,
In converse with sweet women long since dead;
And out of blossoms which that meadow yields
I wove a garland for your living head.
Danai, that was the vessel for a day
Of golden Jove, I saw, and at her side,
Whom Jove the Bull desired and bore away,
Europa stood, and the Swan's featherless bride.
All these were mortal women, yet all these
Above the ground had had a god for guest;
Freely I walked beside them and at ease,
Addressing them, by them again addressed,
And marvelled nothing, for remembering you,
Wherefore I was among them well I knew.
|
Written by
James Tate |
The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch
and the lunatics were stacked up on their shelves,
quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they
should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew
he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship,
very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak
beginning in just a few minutes, and if you'd care
to join us we'd be most honored.
However, I understand
you have your obligations and responsibilities,
and if you would prefer to simply visit with us
from time to time, between patients, our invitation
is nothing if not flexible.
And, we shan't be the least slighted
or offended in any way if, due to your heavy load,
we are altogether deprived of the pleasure
of exchanging a few anecdotes, regarding the mentally ill,
depraved, diseased, the purely knavish, you in your bughouse,
if you'll pardon my vernacular, O yes, and we in our crackbrain
daily rounds, there are so many gone potty everywhere we roam,
not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare
if you could find the time to join us after your injections.
"
My invitation was spoken in the evenest tones,
but midway though it I began to suspect I was addressing
an imposter.
I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind,
be doing with a cordscrew in his pocket?
This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously,
and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses
down by the duck pond, and my grip on the situation
was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps,
I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this?
But, then again, what's a picnic without pathos?
Lacking a way home, I adjusted the flap in my head and duck-walked
down to the pond and into the pond and began gliding
around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began
recycling like a sorry whim, sincerest regrets
are always best.
|
Written by
Philip Levine |
In Lake Forest, a suburb of Chicago,
a woman sits at her desk to write
me a letter.
She holds a photograph
of me up to the light, one taken
17 years ago in a high school class
in Providence.
She sighs, and the sigh
smells of mouthwash and tobacco.
If she were writing by candlelight
she would now be in the dark, for
a living flame would refuse to be fed
by such pure exhaustion.
Actually
she is in the dark, for the man
she's about to address in her odd prose
had a life span of one 125th of a second
in the eye of a Nikon, and then he
politely asked the photographer to
get lost, whispering the request so as
not to offend the teacher presiding.
Those students are now in their thirties,
the Episcopal girls in their plaid skirts
and bright crested blazers have gone
unprepared, though French-speaking, into
a world of liars, pimps, and brokers.
2.
7% have died by their own hands,
and all the others have considered
the act at least once.
Not one now
remembers my name, not one recalls
the reading I gave of César Vallejo's
great "memoriam" to his brother Miguel,
not even the girl who sobbed and
had to be escorted to the school nurse,
calmed, and sent home in a cab.
Evenings
in Lake Forest in mid-December drop
suddenly; one moment the distant sky
is a great purple canvas, and then it's
gone, and no stars emerge; however,
not the least hint of the stockyards
or slaughterhouses is allowed to drift
out to the suburbs, so it's a deathless
darkness with no more perfume than
cellophane.
"Our souls are mingling
now somewhere in the open spaces
between Illinois and you," she writes.
When I read the letter, two weeks
from now, forwarded by my publisher,
I will suddenly discover a truth
of our lives on earth, and I'll bless
Mrs.
William Settle of Lake Forest
for giving me more than I gave
her, for addressing me as Mr.
Levine,
the name my father bore, a name
a man could take with courage
and pride into the empire of death.
I'll read even unto the second page,
unstartled by the phrase "By now
you must have guessed, I am
a dancer.
" Soon snow will fall
on the Tudor houses of the suburbs,
turning the elegant parked sedans
into anonymous mounds; the winds
will sweep in over the Rockies
and across the great freezing plains
where America first died, winds
so fierce boys and men turn their backs
to them and simply weep, and yet
in all that air the soul of Mrs.
William
Settle will not release me, not even
for one second.
Male and female,
aged and middle-aged, we ride it out
blown eastward toward our origins,
one impure being become wind.
Above
the Middle West, truth and beauty
are one though never meant to be.
|
Written by
William Topaz McGonagall |
I dreamt a dream the other night
That an Angel appeared to me, clothed in white.
Oh! it was a beautiful sight,
Such as filled my heart with delight.
And in her hand she held a flaming brand,
Which she waved above her head most grand;
And on me she glared with love-beaming eyes,
Then she commanded me from my bed to arise.
And in a sweet voice she said, "You must follow me,
And in a short time you shall see
The destruction of all the public-houses in the city,
Which is, my friend, the God of Heaven's decree.
"
Then from my bed in fear I arose,
And quickly donned on my clothes;
And when that was done she said, " Follow me
Direct to the High Street, fearlessly.
"
So with the beautiful Angel away I did go,
And when we arrived at the High Street, Oh! what a show,
I suppose there were about five thousand men there,
All vowing vengeance against the publicans, I do declare.
Then the Angel cried with a solemn voice aloud
To that vast end Godly assembled crowd,
"Gentlemen belonging the fair City of Dundee,
Remember I have been sent here by God to warn ye.
"That by God's decree ye must take up arms and follow me
And wreck all the public-houses in this fair City,
Because God cannot countenance such dens of iniquity.
Therefore, friends of God, come, follow me.
"Because God has said there's no use preaching against strong drink,
Therefore, by taking up arms against it, God does think,
That is the only and the effectual cure
To banish it from the land, He is quite sure.
"Besides, it has been denounced in Dundee for fifty years
By the friends of Temperance, while oft they have shed tears.
Therefore, God thinks there's no use denouncing it any longer,
Because the more that's said against it seemingly it grows stronger.
"
And while the Angel was thus addressing the people,
The Devil seemed to be standing on the Townhouse Steeple,
Foaming at the mouth with rage, and seemingly much annoyed,
And kicking the Steeple because the public-houses wore going to be destroyed.
Then the Angel cried, " Satan, avaunt! begone!"
Then he vanished in the flame, to the amazement of everyone;
And waving aloft the flaming brand,
That she carried in her right hand
She cried, "Now, friends of the Temperance cause, follow me:
For remember if's God's high decree
To destroy all the public-houses in this fair City;
Therefore, friends of God, let's commence this war immediately.
"
Then from the High Street we all did retire,
As the Angel, sent by God, did desire;
And along the Perth Road we all did go,
While the Angel set fire to the public-houses along that row.
And when the Perth Road public-houses were fired, she cried, " Follow me,
And next I'll fire the Hawkhill public-houses instantly.
"
Then away we went with the Angel, without dread or woe,
And she fired the IEawkhill public-houses as onward we did go.
Then she cried, "Let's on to the Scouringburn, in God's name.
"
And away to the Scouringburn we went, with our hearts aflame,
As the destroying Angel did command.
And when there she fired the public-houses, which looked very grand.
And when the public-houses there were blazing like a kiln,
She cried, " Now, my friends, we'll march to the Bonnet Hill,
And we'll fire the dens of iniquity without dismay,
Therefore let's march on, my friends, without delay.
"
And when we arrived at the Bonnet Hill,
The Angel fired the public-houses, as she did well.
Then she cried, "We'll leave them now to their fate,
And march on to the Murraygate.
"
Then we marched on to the Murraygate,
And the Angel fired the public-houses there, a most deserving fate.
Then to the High Street we marched and fired them there,
Which was a most beautiful blaze, I do declare.
And on the High Street, old men and women were gathered there,
And as the flames ascended upwards, in amazement they did stare
When they saw the public-houses in a blaze,
But they clapped their hands with joy and to God gave praise.
Then the Angel cried, "Thank God, Christ's Kingdom's near at hand,
And there will soon be peace and plenty throughout the land,
And the ravages of the demon Drink no more will be seen.
"
But, alas, I started up in bed, and behold it was a dream!
|