Written by
Sylvia Plath |
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
|
Written by
Robert Pinsky |
to Robert Hass and in memory of Elliot Gilbert
Slow dulcimer, gavotte and bow, in autumn,
Bashõ and his friends go out to view the moon;
In summer, gasoline rainbow in the gutter,
The secret courtesy that courses like ichor
Through the old form of the rude, full-scale joke,
Impossible to tell in writing. "Bashõ"
He named himself, "Banana Tree": banana
After the plant some grateful students gave him,
Maybe in appreciation of his guidance
Threading a long night through the rules and channels
Of their collaborative linking-poem
Scored in their teacher's heart: live, rigid, fluid
Like passages etched in a microscopic cicuit.
Elliot had in his memory so many jokes
They seemed to breed like microbes in a culture
Inside his brain, one so much making another
It was impossible to tell them all:
In the court-culture of jokes, a top banana.
Imagine a court of one: the queen a young mother,
Unhappy, alone all day with her firstborn child
And her new baby in a squalid apartment
Of too few rooms, a different race from her neighbors.
She tells the child she's going to kill herself.
She broods, she rages. Hoping to distract her,
The child cuts capers, he sings, he does imitations
Of different people in the building, he jokes,
He feels if he keeps her alive until the father
Gets home from work, they'll be okay till morning.
It's laughter versus the bedroom and the pills.
What is he in his efforts but a courtier?
Impossible to tell his whole delusion.
In the first months when I had moved back East
From California and had to leave a message
On Bob's machine, I used to make a habit
Of telling the tape a joke; and part-way through,
I would pretend that I forgot the punchline,
Or make believe that I was interrupted--
As though he'd be so eager to hear the end
He'd have to call me back. The joke was Elliot's,
More often than not. The doctors made the blunder
That killed him some time later that same year.
One day when I got home I found a message
On my machine from Bob. He had a story
About two rabbis, one of them tall, one short,
One day while walking along the street together
They see the corpse of a Chinese man before them,
And Bob said, sorry, he forgot the rest.
Of course he thought that his joke was a dummy,
Impossible to tell--a dead-end challenge.
But here it is, as Elliot told it to me:
The dead man's widow came to the rabbis weeping,
Begging them, if they could, to resurrect him.
Shocked, the tall rabbi said absolutely not.
But the short rabbi told her to bring the body
Into the study house, and ordered the shutters
Closed so the room was night-dark. Then he prayed
Over the body, chanting a secret blessing
Out of Kabala. "Arise and breathe," he shouted;
But nothing happened. The body lay still. So then
The little rabbi called for hundreds of candles
And danced around the body, chanting and praying
In Hebrew, then Yiddish, then Aramaic. He prayed
In Turkish and Egyptian and Old Galician
For nearly three hours, leaping about the coffin
In the candlelight so that his tiny black shoes
Seemed not to touch the floor. With one last prayer
Sobbed in the Spanish of before the Inquisition
He stopped, exhausted, and looked in the dead man's face.
Panting, he raised both arms in a mystic gesture
And said, "Arise and breathe!" And still the body
Lay as before. Impossible to tell
In words how Elliot's eyebrows flailed and snorted
Like shaggy mammoths as--the Chinese widow
Granting permission--the little rabbi sang
The blessing for performing a circumcision
And removed the dead man's foreskin, chanting blessings
In Finnish and Swahili, and bathed the corpse
From head to foot, and with a final prayer
In Babylonian, gasping with exhaustion,
He seized the dead man's head and kissed the lips
And dropped it again and leaping back commanded,
"Arise and breathe!" The corpse lay still as ever.
At this, as when Bashõ's disciples wind
Along the curving spine that links the renga
Across the different voices, each one adding
A transformation according to the rules
Of stasis and repetition, all in order
And yet impossible to tell beforehand,
Elliot changes for the punchline: the wee
Rabbi, still panting, like a startled boxer,
Looks at the dead one, then up at all those watching,
A kind of Mel Brooks gesture: "Hoo boy!" he says,
"Now that's what I call really dead." O mortal
Powers and princes of earth, and you immortal
Lords of the underground and afterlife,
Jehovah, Raa, Bol-Morah, Hecate, Pluto,
What has a brilliant, living soul to do with
Your harps and fires and boats, your bric-a-brac
And troughs of smoking blood? Provincial stinkers,
Our languages don't touch you, you're like that mother
Whose small child entertained her to beg her life.
Possibly he grew up to be the tall rabbi,
The one who washed his hands of all those capers
Right at the outset. Or maybe he became
The author of these lines, a one-man renga
The one for whom it seems to be impossible
To tell a story straight. It was a routine
Procedure. When it was finished the physicians
Told Sandra and the kids it had succeeded,
But Elliot wouldn't wake up for maybe an hour,
They should go eat. The two of them loved to bicker
In a way that on his side went back to Yiddish,
On Sandra's to some Sicilian dialect.
He used to scold her endlessly for smoking.
When she got back from dinner with their children
The doctors had to tell them about the mistake.
Oh swirling petals, falling leaves! The movement
Of linking renga coursing from moment to moment
Is meaning, Bob says in his Haiku book.
Oh swirling petals, all living things are contingent,
Falling leaves, and transient, and they suffer.
But the Universal is the goal of jokes,
Especially certain ethnic jokes, which taper
Down through the swirling funnel of tongues and gestures
Toward their preposterous Ithaca. There's one
A journalist told me. He heard it while a hero
Of the South African freedom movement was speaking
To elderly Jews. The speaker's own right arm
Had been blown off by right-wing letter-bombers.
He told his listeners they had to cast their ballots
For the ANC--a group the old Jews feared
As "in with the Arabs." But they started weeping
As the old one-armed fighter told them their country
Needed them to vote for what was right, their vote
Could make a country their children could return to
From London and Chicago. The moved old people
Applauded wildly, and the speaker's friend
Whispered to the journalist, "It's the Belgian Army
Joke come to life." I wish I could tell it
To Elliot. In the Belgian Army, the feud
Between the Flemings and Walloons grew vicious,
So out of hand the army could barely function.
Finally one commander assembled his men
In one great room, to deal with things directly.
They stood before him at attention. "All Flemings,"
He ordered, "to the left wall." Half the men
Clustered to the left. "Now all Walloons," he ordered,
"Move to the right." An equal number crowded
Against the right wall. Only one man remained
At attention in the middle: "What are you, soldier?"
Saluting, the man said, "Sir, I am a Belgian."
"Why, that's astonishing, Corporal--what's your name?"
Saluting again, "Rabinowitz," he answered:
A joke that seems at first to be a story
About the Jews. But as the renga describes
Religious meaning by moving in drifting petals
And brittle leaves that touch and die and suffer
The changing winds that riffle the gutter swirl,
So in the joke, just under the raucous music
Of Fleming, Jew, Walloon, a courtly allegiance
Moves to the dulcimer, gavotte and bow,
Over the banana tree the moon in autumn--
Allegiance to a state impossible to tell.
|
Written by
Les Murray |
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
|
Written by
Robert Browning |
SHORTLY AFTER THE REVIVAL OF
LEARNING IN EUROPE.
Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous calm and dead,
Borne on our shoulders.
Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather!
He, whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, ``New measures, other feet anon!
``My dance is finished?''
No, that's the world's way: (keep the mountain-side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
``What's in the scroll,'' quoth he, ``thou keepest furled?
``Show me their shaping,
``Theirs who most studied man, the bard and sage,---
``Give!''---So, he gowned him,
Straight got by heart that hook to its last page:
Learned, we found him.
Yea, but we found him bald too, eyes like lead,
Accents uncertain:
``Time to taste life,'' another would have said,
``Up with the curtain!''
This man said rather, ``Actual life comes next?
``Patience a moment!
``Grant I have mastered learning's crabbed text,
``Still there's the comment.
``Let me know all! Prate not of most or least,
``Painful or easy!
``Even to the crumbs I'd fain eat up the feast,
``Ay, nor feel queasy.''
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts---
Fancy the fabric
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!
(Here's the town-gate reached: there's the market-place
Gaping before us.)
Yea, this in him was the peculiar grace
(Hearten our chorus!)
That before living he'd learn how to live---
No end to learning:
Earn the means first---God surely will contrive
Use for our earning.
Others mistrust and say, ``But time escapes:
``Live now or never!''
He said, ``What's time? Leave Now for dogs and apes!
``Man has Forever.''
Back to his book then: deeper drooped his head
_Calculus_ racked him:
Leaden before, his eyes grew dross of lead:
_Tussis_ attacked him.
``Now, master, take a little rest!''---not he!
(Caution redoubled,
Step two abreast, the way winds narrowly!)
Not a whit troubled
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.
Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain!
Was it not great? did not he throw on God,
(He loves the burthen)---
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here,
Paid by instalment.
He ventured neck or nothing---heaven's success
Found, or earth's failure:
``Wilt thou trust death or not?'' He answered ``Yes:
``Hence with life's pale lure!''
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding nine to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit.
That, has the world here---should he need the next,
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, thro' the rattle, parts of speech were rife:
While he could stammer
He settled _Hoti's_ business---let it be!---
Properly based _Oun_---
Gave us the doctrine of the enclitic _De_,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know---
Bury this man there?
Here---here's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects
Loftily lying,
Leave him---still loftier than the world suspects,
Living and dying.
|
Written by
Joseph Brodsky |
All the huskies are eaten. There is no space
left in the diary And the beads of quick
words scatter over his spouse's sepia-shaded face
adding the date in question like a mole to her lovely cheek.
Next the snapshot of his sister. He doesn't spare his kin:
what's been reached is the highest possible latitude!
And like the silk stocking of a burlesque half-nude
queen it climbs up his thigh: gangrene.
|
Written by
Patrick Kavanagh |
Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib
To pray unselfconsciously with overflowing speech
For this soul needs to be honoured with a new dress woven
From green and blue things and arguments that cannot be proven.
|
Written by
Phillis Wheatley |
SAMUEL, Chap. xvii.
YE martial pow'rs, and all ye tuneful nine,
Inspire my song, and aid my high design.
The dreadful scenes and toils of war I write,
The ardent warriors, and the fields of fight:
You best remember, and you best can sing
The acts of heroes to the vocal string:
Resume the lays with which your sacred lyre,
Did then the poet and the sage inspire.
Now front to front the armies were display'd,
Here Israel rang'd, and there the foes array'd;
The hosts on two opposing mountains stood,
Thick as the foliage of the waving wood;
Between them an extensive valley lay,
O'er which the gleaming armour pour'd the day,
When from the camp of the Philistine foes,
Dreadful to view, a mighty warrior rose;
In the dire deeds of bleeding battle skill'd,
The monster stalks the terror of the field.
From Gath he sprung, Goliath was his name,
Of fierce deportment, and gigantic frame:
A brazen helmet on his head was plac'd,
A coat of mail his form terrific grac'd,
The greaves his legs, the targe his shoulders prest:
Dreadful in arms high-tow'ring o'er the rest
A spear he proudly wav'd, whose iron head,
Strange to relate, six hundred shekels weigh'd;
He strode along, and shook the ample field,
While Phoebus blaz'd refulgent on his shield:
Through Jacob's race a chilling horror ran,
When thus the huge, enormous chief began:
"Say, what the cause that in this proud array
"You set your battle in the face of day?
"One hero find in all your vaunting train,
"Then see who loses, and who wins the plain;
"For he who wins, in triumph may demand
"Perpetual service from the vanquish'd land:
"Your armies I defy, your force despise,
"By far inferior in Philistia's eyes:
"Produce a man, and let us try the fight,
"Decide the contest, and the victor's right."
Thus challeng'd he: all Israel stood amaz'd,
And ev'ry chief in consternation gaz'd;
But Jesse's son in youthful bloom appears,
And warlike courage far beyond his years:
He left the folds, he left the flow'ry meads,
And soft recesses of the sylvan shades.
Now Israel's monarch, and his troops arise,
With peals of shouts ascending to the skies;
In Elah's vale the scene of combat lies.
When the fair morning blush'd with orient red,
What David's fire enjoin'd the son obey'd,
And swift of foot towards the trench he came,
Where glow'd each bosom with the martial flame.
He leaves his carriage to another's care,
And runs to greet his brethren of the war.
While yet they spake the giant-chief arose,
Repeats the challenge, and insults his foes:
Struck with the sound, and trembling at the view,
Affrighted Israel from its post withdrew.
"Observe ye this tremendous foe, they cry'd,
"Who in proud vaunts our armies hath defy'd:
"Whoever lays him prostrate on the plain,
"Freedom in Israel for his house shall gain;
"And on him wealth unknown the king will pour,
"And give his royal daughter for his dow'r."
Then Jesse's youngest hope: "My brethren say,
"What shall be done for him who takes away
"Reproach from Jacob, who destroys the chief.
"And puts a period to his country's grief.
"He vaunts the honours of his arms abroad,
"And scorns the armies of the living God."
Thus spoke the youth, th' attentive people ey'd
The wond'rous hero, and again reply'd:
"Such the rewards our monarch will bestow,
"On him who conquers, and destroys his foe."
Eliab heard, and kindled into ire
To hear his shepherd brother thus inquire,
And thus begun: "What errand brought thee? say
"Who keeps thy flock? or does it go astray?
"I know the base ambition of thine heart,
"But back in safety from the field depart."
Eliab thus to Jesse's youngest heir,
Express'd his wrath in accents most severe.
When to his brother mildly he reply'd.
"What have I done? or what the cause to chide?
The words were told before the king, who sent
For the young hero to his royal tent:
Before the monarch dauntless he began,
"For this Philistine fail no heart of man:
"I'll take the vale, and with the giant fight:
"I dread not all his boasts, nor all his might."
When thus the king: "Dar'st thou a stripling go,
"And venture combat with so great a foe?
"Who all his days has been inur'd to fight,
"And made its deeds his study and delight:
"Battles and bloodshed brought the monster forth,
"And clouds and whirlwinds usher'd in his birth."
When David thus: "I kept the fleecy care,
"And out there rush'd a lion and a bear;
"A tender lamb the hungry lion took,
"And with no other weapon than my crook
"Bold I pursu'd, and chas d him o'er the field,
"The prey deliver'd, and the felon kill'd:
"As thus the lion and the bear I slew,
"So shall Goliath fall, and all his crew:
"The God, who sav'd me from these beasts of prey,
"By me this monster in the dust shall lay."
So David spoke. The wond'ring king reply'd;
"Go thou with heav'n and victory on thy side:
"This coat of mail, this sword gird on," he said,
And plac'd a mighty helmet on his head:
The coat, the sword, the helm he laid aside,
Nor chose to venture with those arms untry'd,
Then took his staff, and to the neighb'ring brook
Instant he ran, and thence five pebbles took.
Mean time descended to Philistia's son
A radiant cherub, and he thus begun:
"Goliath, well thou know'st thou hast defy'd
"Yon Hebrew armies, and their God deny'd:
"Rebellious wretch! audacious worm! forbear,
"Nor tempt the vengeance of their God too far:
"Them, who with his Omnipotence contend,
"No eye shall pity, and no arm defend:
"Proud as thou art, in short liv'd glory great,
"I come to tell thee thine approaching fate.
"Regard my words. The Judge of all the gods,
"Beneath whose steps the tow'ring mountain nods,
"Will give thine armies to the savage brood,
"That cut the liquid air, or range the wood.
"Thee too a well-aim'd pebble shall destroy,
"And thou shalt perish by a beardless boy:
"Such is the mandate from the realms above,
"And should I try the vengeance to remove,
"Myself a rebel to my king would prove.
"Goliath say, shall grace to him be shown,
"Who dares heav'ns Monarch, and insults his throne?"
"Your words are lost on me," the giant cries,
While fear and wrath contended in his eyes,
When thus the messenger from heav'n replies:
"Provoke no more Jehovah's awful hand
"To hurl its vengeance on thy guilty land:
"He grasps the thunder, and, he wings the storm,
"Servants their sov'reign's orders to perform."
The angel spoke, and turn'd his eyes away,
Adding new radiance to the rising day.
Now David comes: the fatal stones demand
His left, the staff engag'd his better hand:
The giant mov'd, and from his tow'ring height
Survey'd the stripling, and disdain'd the fight,
And thus began: "Am I a dog with thee?
"Bring'st thou no armour, but a staff to me?
"The gods on thee their vollied curses pour,
"And beasts and birds of prey thy flesh devour."
David undaunted thus, "Thy spear and shield
"Shall no protection to thy body yield:
"Jehovah's name------no other arms I bear,
"I ask no other in this glorious war.
"To-day the Lord of Hosts to me will give
"Vict'ry, to-day thy doom thou shalt receive;
"The fate you threaten shall your own become,
"And beasts shall be your animated tomb,
"That all the earth's inhabitants may know
"That there's a God, who governs all below:
"This great assembly too shall witness stand,
"That needs nor sword, nor spear, th' Almighty's
hand:
"The battle his, the conquest he bestows,
"And to our pow'r consigns our hated foes."
Thus David spoke; Goliath heard and came
To meet the hero in the field of fame.
Ah! fatal meeting to thy troops and thee,
But thou wast deaf to the divine decree;
Young David meets thee, meets thee not in vain;
'Tis thine to perish on th' ensanguin'd plain.
And now the youth the forceful pebble slung
Philistia trembled as it whizz'd along:
In his dread forehead, where the helmet ends,
Just o'er the brows the well-aim'd stone descends,
It pierc'd the skull, and shatter'd all the brain,
Prone on his face he tumbled to the plain:
Goliath's fall no smaller terror yields
Than riving thunders in aerial fields:
The soul still ling'red in its lov'd abode,
Till conq'ring David o'er the giant strode:
Goliath's sword then laid its master dead,
And from the body hew'd the ghastly head;
The blood in gushing torrents drench'd the plains,
The soul found passage through the spouting veins.
And now aloud th' illustrious victor said,
"Where are your boastings now your champion's
"dead?"
Scarce had he spoke, when the Philistines fled:
But fled in vain; the conqu'ror swift pursu'd:
What scenes of slaughter! and what seas of blood!
There Saul thy thousands grasp'd th' impurpled sand
In pangs of death the conquest of thine hand;
And David there were thy ten thousands laid:
Thus Israel's damsels musically play'd.
Near Gath and Edron many an hero lay,
Breath'd out their souls, and curs'd the light of day:
Their fury, quench'd by death, no longer burns,
And David with Goliath's head returns,
To Salem brought, but in his tent he plac'd
The load of armour which the giant grac'd.
His monarch saw him coming from the war,
And thus demanded of the son of Ner.
"Say, who is this amazing youth?" he cry'd,
When thus the leader of the host reply'd;
"As lives thy soul I know not whence he sprung,
"So great in prowess though in years so young:"
"Inquire whose son is he," the sov'reign said,
"Before whose conq'ring arm Philistia fled."
Before the king behold the stripling stand,
Goliath's head depending from his hand:
To him the king: "Say of what martial line
"Art thou, young hero, and what sire was thine?"
He humbly thus; "The son of Jesse I:
"I came the glories of the field to try.
"Small is my tribe, but valiant in the fight;
"Small is my city, but thy royal right."
"Then take the promis'd gifts," the monarch cry'd,
Conferring riches and the royal bride:
"Knit to my soul for ever thou remain
"With me, nor quit my regal roof again."
|
Written by
Ralph Waldo Emerson |
I
Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smile the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned hood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs' cave.
Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
"Pass in, pass in," the angels say,
"In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise."
Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song's sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.
By Sybarites beguiled,
He shall no task decline;
Merlin's mighty line
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mold the year to fair increase,
And bring in poetic peace.
He shall nor seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir's floor
To the zenith's top can soar,
The roaring orbit of the muse exceeds that journey's length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the God's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved, fly-to the doors,
Nor sword of angels could reveal
What they conceal.
II
The rhyme of the poet
Modulates the king's affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed:
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light's far furnace shines,
Smelting balls and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.
Like the dancers' ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and ire,
Most like to bachelors,
Or an ungiven maid,
Nor ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle's wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.
Subtle rhymes, with ruin rife
Murmur in the hour of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.
|
Written by
Anne Kingsmill Finch |
A Greedy Heir long waited to fulfill,
As his Executor, a Kinsman's Will;
And to himself his Age repeated o'er,
To his Infirmities still adding more;
And nicely kept th' Account of the expected Store:
When Death, at last, to either gave Release,
Making One's Pains, the Other's Longings cease:
Who to the Grave must decently convey,
Ere he Possession takes the kindred Clay,
Which in a Coach was plac'd, wherein he rides,
And so no Hearse, or following Train provides;
Rejecting Russel, who wou'd make the Charge
Of one dull tedious Day, so vastly Large.
When, at his Death, the humble Man declar'd,
He wished thus privately to be Interr'd.
And now, the Luggage moves in solemn State,
And what it wants in Number, gains in Weight.
The happy Heir can scarce contain his Joy,
Whilst sundry Musings do his Thoughts employ,
How he shalt act, now Every thing's his Own,
Where his Revenge, or Favour shall be shown;
Then recollecting, draws a counterfeited Groan.
The Avenues, and Gardens shall be chang'd,
Already he the Furniture has ranged.
To ransack secret Draw'rs his Phancy flies,
Nor can th' appearing Wealth his Mind suffice.
Thus he an Age runs o'er betwixt the Porch
Of his Friend's House, and the adjacent Church:
Whilst the slow Driver, who no reck'ning kept
Of what was left, indulging Nature, slept;
Till on a Bank, so high, the Wheel was borne
That in a Moment All must overturn:
Whilst the rich Heir now finds the giving Dead
Less weighty in his Gold, than in his Lead;
Which falling just on his contriving Breast,
Expell'd the Soul, leaving the corpse to rest
In the same Grave, intended for his Friend.
Then why shou'd We our Days in Wishes spend,
Which, e'er we see fulfill'd, are often at an End?
|
Written by
Henry David Thoreau |
Within the circuit of this plodding life
There enter moments of an azure hue,
Untarnished fair as is the violet
Or anemone, when the spring strews them
By some meandering rivulet, which make
The best philosophy untrue that aims
But to console man for his grievances
I have remembered when the winter came,
High in my chamber in the frosty nights,
When in the still light of the cheerful moon,
On every twig and rail and jutting spout,
The icy spears were adding to their length
Against the arrows of the coming sun,
How in the shimmering noon of summer past
Some unrecorded beam slanted across
The upland pastures where the Johnswort grew;
Or heard, amid the verdure of my mind,
The bee's long smothered hum, on the blue flag
Loitering amidst the mead; or busy rill,
Which now through all its course stands still and dumb
Its own memorial,—purling at its play
Along the slopes, and through the meadows next,
Until its youthful sound was hushed at last
In the staid current of the lowland stream;
Or seen the furrows shine but late upturned,
And where the fieldfare followed in the rear,
When all the fields around lay bound and hoar
Beneath a thick integument of snow.
So by God's cheap economy made rich
To go upon my winter's task again.
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