Written by
Sarah Fuller Flower Adams |
O Love! thou makest all things even
In earth or heaven;
Finding thy way through prison-bars
Up to the stars;
Or, true to the Almighty plan,
That out of dust created man,
Thou lookest in a grave,--to see
Thine immortality!
|
Written by
Robert Hayden |
I
Jesús, Estrella, Esperanza, Mercy:
Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.
Middle Passage:
voyage through death
to life upon these shores.
"10 April 1800--
Blacks rebellious.
Crew uneasy.
Our linguist says
their moaning is a prayer for death,
our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter
to the waiting sharks, sang as they went under.
"
Desire, Adventure, Tartar, Ann:
Standing to America, bringing home
black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones
New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me
Over Life's Tempestuous Sea
We pray that Thou wilt grant, O Lord,
safe passage to our vessels bringing
heathen souls unto Thy chastening.
Jesus Saviour
"8 bells.
I cannot sleep, for I am sick
with fear, but writing eases fear a little
since still my eyes can see these words take shape
upon the page & so I write, as one
would turn to exorcism.
4 days scudding,
but now the sea is calm again.
Misfortune
follows in our wake like sharks (our grinning
tutelary gods).
Which one of us
has killed an albatross? A plague among
our blacks--Ophthalmia: blindness--& we
have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes
& there is blindness in the fo'c'sle
& we must sail 3 weeks before we come
to port.
"
What port awaits us, Davy Jones' or home? I've
heard of slavers drifting, drifting, playthings of wind and storm and
chance, their crews gone blind, the jungle hatred crawling
up on deck.
Thou Who Walked On Galilee
"Deponent further sayeth The Bella J
left the Guinea Coast
with cargo of five hundred blacks and odd
for the barracoons of Florida:
"That there was hardly room 'tween-decks for half
the sweltering cattle stowed spoon-fashion there;
that some went mad of thirst and tore their flesh
and sucked the blood:
"That Crew and Captain lusted with the comeliest
of the savage girls kept naked in the cabins;
that there was one they called The Guinea Rose
and they cast lots and fought to lie with her:
"That when the Bo's'n piped all hands, the flames
spreading from starboard already were beyond
control, the ******* howling and their chains
entangled with the flames:
"That the burning blacks could not be reached,
that the Crew abandoned ship,
leaving their shrieking negresses behind,
that the Captain perished drunken with the wenches:
"Further Deponent sayeth not.
"
Pilot Oh Pilot Me
II
Aye, lad, and I have seen those factories,
Gambia, Rio Pongo, Calabar;
have watched the artful mongos baiting traps
of war wherein the victor and the vanquished
Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity
and greed turned wild black hides of Fellatah,
Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him--
fetish face beneath French parasols
of brass and orange velvet, impudent mouth
whose cups were carven skulls of enemies:
He'd honor us with drum and feast and conjo
and palm-oil-glistening wenches deft in love,
and for tin crowns that shone with paste,
red calico and German-silver trinkets
Would have the drums talk war and send
his warriors to burn the sleeping villages
and kill the sick and old and lead the young
in coffles to our factories.
Twenty years a trader, twenty years,
for there was wealth aplenty to be harvested
from those black fields, and I'd be trading still
but for the fevers melting down my bones.
III
Shuttles in the rocking loom of history,
the dark ships move, the dark ships move,
their bright ironical names
like jests of kindness on a murderer's mouth;
plough through thrashing glister toward
fata morgana's lucent melting shore,
weave toward New World littorals that are
mirage and myth and actual shore.
Voyage through death,
voyage whose chartings are unlove.
A charnel stench, effluvium of living death
spreads outward from the hold,
where the living and the dead, the horribly dying,
lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy
rots with him, rats eat love's rotten gelid eyes.
But, oh, the
living look at you with human eyes whose suffering accuses you, whose
hatred reaches through the swill of dark to strike you like a leper's
claw.
You cannot stare that hatred down or chain the fear that stalks
the watches and breathes on you its fetid scorching breath; cannot
kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers
of wind and wave, The Amistad, señores,
would have reached the port of Príncipe in two,
three days at most; but for the storm we should
have been prepared for what befell.
Swift as a puma's leap it came.
There was
that interval of moonless calm filled only
with the water's and the rigging's usual sounds,
then sudden movement, blows and snarling cries
and they had fallen on us with machete
and marlinspike.
It was as though the very
air, the night itself were striking us.
Exhausted by the rigors of the storm,
we were no match for them.
Our men went down
before the murderous Africans.
Our loyal
Celestino ran from below with gun
and lantern and I saw, before the cane-
knife's wounding flash, Cinquez,
that surly brute who calls himself a prince,
directing, urging on the ghastly work.
He hacked the poor mulatto down, and then
he turned on me.
The decks were slippery
when daylight finally came.
It sickens me
to think of what I saw, of how these apes
threw overboard the butchered bodies of
our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told:
Cinquez was forced to spare the two of us
you see to steer the ship to Africa,
and we like phantoms doomed to rove the sea
voyaged east by day and west by night,
deceiving them, hoping for rescue,
prisoners on our own vessel, till
at length we drifted to the shores of this
your land, America, where we were freed
from our unspeakable misery.
Now we
demand, good sirs, the extradition of
Cinquez and his accomplices to La
Havana.
And it distresses us to know
there are so many here who seem inclined
to justify the mutiny of these blacks.
We find it paradoxical indeed
that you whose wealth, whose tree of liberty
are rooted in the labor of your slaves
should suffer the august John Quincey Adams
to speak with so much passion of the right
of chattel slaves to kill their lawful masters
and with his Roman rhetoric weave a hero's
garland for Cinquez.
I tell you that
we are determined to return to Cuba
with our slaves and there see justice done.
Cinquez--
or let us say 'the Prince'--Cinquez shall die.
"
The deep immortal human wish,
the timeless will:
Cinquez its deathless primaveral image,
life that transfigures many lives.
Voyage through death
to life upon these shores.
|
Written by
Sarah Fuller Flower Adams |
He sendeth sun, he sendeth shower,
Alike they're needful for the flower:
And joys and tears alike are sent
To give the soul fit nourishment.
As comes to me or cloud or sun,
Father! thy will, not mine, be done!
Can loving children e'er reprove
With murmurs whom they trust and love?
Creator! I would ever be
A trusting, loving child to thee:
As comes to me or cloud or sun,
Father! thy will, not mine, be done!
Oh, ne'er will I at life repine:
Enough that thou hast made it mine.
When falls the shadow cold of death
I yet will sing, with parting breath,
As comes to me or shade or sun,
Father! thy will, not mine, be done!
|
Written by
Sarah Fuller Flower Adams |
Nearer, my God, to Thee,
Nearer to Thee!
E'en though it be a cross
That raiseth me;
Still all my song would be,
Nearer, my God, to Thee,
Nearer to Thee!
Though like the wanderer,
The sun gone down,
Darkness be over me,
My rest alone.
Yet in my dreams I'd be
Nearer, my God, to Thee,
Nearer to Thee!
There let the way appear
Steps unto heav'n;
All that Thou sendest me
In mercy giv'n;
Angels to beckon me
Nearer, my God, to Thee,
Nearer to Thee!
Bright with Thy praise,
Out of my stony griefs
Bethel I'll raise;
So by my woes to be
Nearer, my God, to Thee,
Nearer to Thee!
Or if on joyful wing,
Cleaving the sky,
Sun, moon, and stars forgot,
Upwards I fly,
Still all my song shall be,
Nearer, my God, to Thee,
Nearer to Thee!
|
Written by
Sarah Fuller Flower Adams |
Part in peace: is day before us?
Praise His Name for life and light;
Are the shadows lengthening o’er us?
Bless His care Who guards the night.
Part in peace: with deep thanksgiving,
Rendering, as we homeward tread,
Gracious service to the living,
Tranquil memory to the dead.
Part in peace: such are the praises
God our Maker loveth best;
Such the worship that upraises
Human hearts to heavenly rest.
|
Written by
Sarah Fuller Flower Adams |
O Love! thou makest all things even
In earth or heaven;
Finding thy way through prison-bars
Up to the stars;
Or, true to the Almighty plan,
That out of dust created man,
Thou lookest in a grave,--to see
Thine immortality!
|
Written by
Vachel Lindsay |
(Note: — Pocahontas is buried at Gravesend, England.
)
"Pocahontas' body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May — did she wonder? does she remember — in the dust — in the cool tombs?"
CARL SANDBURG.
I
Powhatan was conqueror,
Powhatan was emperor.
He was akin to wolf and bee,
Brother of the hickory tree.
Son of the red lightning stroke
And the lightning-shivered oak.
His panther-grace bloomed in the maid
Who laughed among the winds and played
In excellence of savage pride,
Wooing the forest, open-eyed,
In the springtime,
In Virginia,
Our Mother, Pocahontas.
Her skin was rosy copper-red.
And high she held her beauteous head.
Her step was like a rustling leaf:
Her heart a nest, untouched of grief.
She dreamed of sons like Powhatan,
And through her blood the lightning ran.
Love-cries with the birds she sung,
Birdlike
In the grape-vine swung.
The Forest, arching low and wide
Gloried in its Indian bride.
Rolfe, that dim adventurer
Had not come a courtier.
John Rolfe is not our ancestor.
We rise from out the soul of her
Held in native wonderland,
While the sun's rays kissed her hand,
In the springtime,
In Virginia,
Our Mother, Pocahontas.
II
She heard the forest talking,
Across the sea came walking,
And traced the paths of Daniel Boone,
Then westward chased the painted moon.
She passed with wild young feet
On to Kansas wheat,
On to the miners' west,
The echoing cañons' guest,
Then the Pacific sand,
Waking,
Thrilling,
The midnight land.
.
.
.
On Adams street and Jefferson —
Flames coming up from the ground!
On Jackson street and Washington —
Flames coming up from the ground!
And why, until the dawning sun
Are flames coming up from the ground?
Because, through drowsy Springfield sped
This red-skin queen, with feathered head,
With winds and stars, that pay her court
And leaping beasts, that make her sport;
Because, gray Europe's rags august
She tramples in the dust;
Because we are her fields of corn;
Because our fires are all reborn
From her bosom's deathless embers,
Flaming
As she remembers
The springtime
And Virginia,
Our Mother, Pocahontas.
III
We here renounce our Saxon blood.
Tomorrow's hopes, an April flood
Come roaring in.
The newest race
Is born of her resilient grace.
We here renounce our Teuton pride:
Our Norse and Slavic boasts have died:
Italian dreams are swept away,
And Celtic feuds are lost today.
.
.
.
She sings of lilacs, maples, wheat,
Her own soil sings beneath her feet,
Of springtime
And Virginia,
Our Mother, Pocahontas.
|
Written by
Denise Levertov |
Some people,
no matter what you give them,
still want the moon.
The bread,
the salt,
white meat and dark,
still hungry.
The marriage bed
and the cradle,
still empty arms.
You give them land,
their own earth under their feet,
still they take to the roads.
And water: dig them the deepest well,
still it's not deep enough
to drink the moon from.
|
Written by
William Butler Yeats |
We sat together at one summer's end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, 'A line will take us hours maybe;
Yet if it does not seem a moment's thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.
'
And thereupon
That beautiful mild woman for whose sake
There's many a one shall find out all heartache
On finding that her voice is sweet and low
Replied: 'To be born woman is to know--
Although they do not talk of it at school--
That we must labour to be beautiful.
'
I said, 'It's certain there is no fine thing
Since Adam's fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
Precedents out of beautiful old books;
Yet now it seems an idle trade enough.
'
We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by time's waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no one's but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet we'd grown
As weary-hearted as that hollow moon.
|
Written by
David Lehman |
Come on in and stay a while
I'll photograph you emerging from the revolving door
like Frank O'Hara dating the muse of modern art
Talking about the big Pollock show is better
than going to it on a dismal Saturday afternoon
when my luncheon partner is either the author or the subject
of The Education of Henry Adams at a hard-to-get-
a-table-at restaurant on Cornelia Street
just what is chaos theory anyway
I'm not sure but it helps explain "Autumn Rhythm"
the closest thing to chaos without crossing the border
I think you should write that book on Eakins and also the one
on nineteenth century hats the higher the hat the sweller the toff
and together we will come up with Mondrian in the grid of Manhattan
Gerald Murphy's "Still Life with Wasp" and the best Caravaggio in the country
in Kansas City well it's been swell, see you in Cleveland April 23
The reason time goes faster as you grow older is that each day
is a tinier proportion of the totality of days in your life
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