Written by
John Betjeman |
Cocooned in Time, at this inhuman height,
The packaged food tastes neutrally of clay,
We never seem to catch the running day
But travel on in everlasting night
With all the chic accoutrements of flight:
Lotions and essences in neat array
And yet another plastic cup and tray.
"Thank you so much. Oh no, I'm quite all right".
At home in Cornwall hurrying autumn skies
Leave Bray Hill barren, Stepper jutting bare,
And hold the moon above the sea-wet sand.
The very last of late September dies
In frosty silence and the hills declare
How vast the sky is, looked at from the land.
|
Written by
D. H. Lawrence |
I
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death. Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
|
Written by
Walt Whitman |
1
FIRST, O songs, for a prelude,
Lightly strike on the stretch’d tympanum, pride and joy in my city,
How she led the rest to arms—how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!)
How you sprang! how you threw off the costumes of peace with indifferent hand;
How your soft opera-music changed, and the drum and fife were heard in their stead;
How you led to the war, (that shall serve for our prelude, songs of soldiers,)
How Manhattan drum-taps led.
2
Forty years had I in my city seen soldiers parading;
Forty years as a pageant—till unawares, the Lady of this teeming and turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her—suddenly,
At dead of night, at news from the south,
Incens’d, struck with clench’d hand the pavement.
A shock electric—the night sustain’d it;
Till with ominous hum, our hive at day-break pour’d out its myriads.
From the houses then, and the workshops, and through all the doorways,
Leapt they tumultuous—and lo! Manhattan arming.
3
To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost
aside
with
precipitation;)
The lawyer leaving his office, and arming—the judge leaving the court;
The driver deserting his wagon in the street, jumping down, throwing the reins abruptly
down on
the
horses’ backs;
The salesman leaving the store—the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent, and arm;
The new recruits, even boys—the old men show them how to wear their
accoutrements—they
buckle the straps carefully;
Outdoors arming—indoors arming—the flash of the musket-barrels;
The white tents cluster in camps—the arm’d sentries around—the sunrise
cannon,
and
again at sunset;
Arm’d regiments arrive every day, pass through the city, and embark from the wharves;
(How good they look, as they tramp down to the river, sweaty, with their guns on their
shoulders!
How I love them! how I could hug them, with their brown faces, and their clothes and
knapsacks
cover’d with dust!)
The blood of the city up—arm’d! arm’d! the cry everywhere;
The flags flung out from the steeples of churches, and from all the public buildings and
stores;
The tearful parting—the mother kisses her son—the son kisses his mother;
(Loth is the mother to part—yet not a word does she speak to detain him;)
The tumultuous escort—the ranks of policemen preceding, clearing the way;
The unpent enthusiasm—the wild cheers of the crowd for their favorites;
The artillery—the silent cannons, bright as gold, drawn along, rumble lightly over
the
stones;
(Silent cannons—soon to cease your silence!
Soon, unlimber’d, to begin the red business;)
All the mutter of preparation—all the determin’d arming;
The hospital service—the lint, bandages, and medicines;
The women volunteering for nurses—the work begun for, in earnest—no mere parade
now;
War! an arm’d race is advancing!—the welcome for battle—no turning away;
War! be it weeks, months, or years—an arm’d race is advancing to welcome it.
4
Mannahatta a-march!—and it’s O to sing it well!
It’s O for a manly life in the camp!
And the sturdy artillery!
The guns, bright as gold—the work for giants—to serve well the guns:
Unlimber them! no more, as the past forty years, for salutes for courtesies merely;
Put in something else now besides powder and wadding.
5
And you, Lady of Ships! you Mannahatta!
Old matron of this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frown’d amid all your
children;
But now you smile with joy, exulting old Mannahatta!
|
Written by
Robert Browning |
I.
My heart sank with our Claret-flask,
Just now, beneath the heavy sedges
That serve this Pond's black face for mask
And still at yonder broken edges
O' the hole, where up the bubbles glisten,
After my heart I look and listen.
II.
Our laughing little flask, compelled
Thro' depth to depth more bleak and shady;
As when, both arms beside her held,
Feet straightened out, some gay French lady
Is caught up from life's light and motion,
And dropped into death's silent ocean!
---
Up jumped Tokay on our table,
Like a pygmy castle-warder,
Dwarfish to see, but stout and able,
Arms and accoutrements all in order;
And fierce he looked North, then, wheeling South,
Blew with his bugle a challenge to Drouth,
Cocked his flap-hat with the tosspot-feather,
Twisted his thumb in his red moustache,
Jingled his huge brass spurs together,
Tightened his waist with its Buda sash,
And then, with an impudence nought could abash,
Shrugged his hump-shoulder, to tell the beholder,
For twenty such knaves he should laugh but the bolder:
And so, with his sword-hilt gallantly jutting,
And dexter-hand on his haunch abutting,
Went the little man, Sir Ausbruch, strutting!
---
Here's to Nelson's memory!
'Tis the second time that I, at sea,
Right off Cape Trafalgar here,
Have drunk it deep in British Beer.
Nelson for ever---any time
Am I his to command in prose or rhyme!
Give me of Nelson only a touch,
And I save it, be it little or much:
Here's one our Captain gives, and so
Down at the word, by George, shall it go!
He says that at Greenwich they point the beholder
To Nelson's coat, ``still with tar on the shoulder:
``For he used to lean with one shoulder digging,
``Jigging, as it were, and zig-zag-zigging
``Up against the mizen-rigging!''
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