Written by
Lascelles Abercrombie |
She
ONLY to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives
Can only come to this out of a long
Strange sundering, with the years of the world between us?
He
Shall life do more than God? for hath not God
Striven with himself, when into known delight
His unaccomplisht joy he would put forth,—
This mystery of a world sign of his striving?
Else wherefore this, a thing to break the mind
With labouring in the wonder of it, that here
Being—the world and we—is suffered to be!—
But, lying on thy breast one notable day,
Sudden exceeding agony of love
Made my mind a trance of infinite knowledge.
I was not: yet I saw the will of God
As light unfashion’d, unendurable flame,
Interminable, not to be supposed;
And there was no more creature except light,—
The dreadful burning of the lonely God’s
Unutter’d joy.
And then, past telling, came
Shuddering and division in the light:
Therein, like trembling, was desire to know
Its own perfect beauty; and it became
A cloven fire, a double flaming, each
Adorable to each; against itself
Waging a burning love, which was the world;—
A moment satisfied in that love-strife
I knew the world!—And when I fell from there,
Then knew I also what this life would do
In being twin,—in being man and woman!
For it would do even as its endless Master,
Making the world, had done; yea, with itself
Would strive, and for the strife would into sex
Be cloven, double burning, made thereby
Desirable to itself.
Contrivèd joy
Is sex in life; and by no other thing
Than by a perfect sundering, could life
Change the dark stream of unappointed joy
To perfect praise of itself, the glee that loves
And worships its own Being.
This is ours!
Yet only for that we have been so long
Sundered desire: thence is our life all praise.
—
But we, well knowing by our strength of joy
There is no sundering more, how far we love
From those sad lives that know a half-love only,
Alone thereby knowing themselves for ever
Sealed in division of love, and therefore made
To pour their strength always into their love’s
Fierceness, as green wood bleeds its hissing sap
Into red heat of a fire! Not so do we:
The cloven anger, life, hath left to wage
Its flame against itself, here turned to one
Self-adoration.
—Ah, what comes of this?
The joy falters a moment, with closed wings
Wearying in its upward journey, ere
Again it goes on high, bearing its song,
Its delight breathing and its vigour beating
The highest height of the air above the world.
She
What hast thou done to me!—I would have soul,
Before I knew thee, Love, a captive held
By flesh.
Now, inly delighted with desire,
My body knows itself to be nought else
But thy heart’s worship of me; and my soul
Therein is sunlight held by warm gold air.
Nay, all my body is become a song
Upon the breath of spirit, a love-song.
He
And mine is all like one rapt faculty,
As it were listening to the love in thee,
My whole mortality trembling to take
Thy body like heard singing of thy spirit.
She
Surely by this, Beloved, we must know
Our love is perfect here,—that not as holds
The common dullard thought, we are things lost
In an amazement that is all unware;
But wonderfully knowing what we are!
Lo, now that body is the song whereof
Spirit is mood, knoweth not our delight?
Knoweth not beautifully now our love,
That Life, here to this festival bid come
Clad in his splendour of worldly day and night,
Filled and empower’d by heavenly lust, is all
The glad imagination of the Spirit?
He
Were it not so, Love could not be at all:
Nought could be, but a yearning to fulfil
Desire of beauty, by vain reaching forth
Of sense to hold and understand the vision
Made by impassion’d body,—vision of thee!
But music mixt with music are, in love,
Bodily senses; and as flame hath light,
Spirit this nature hath imagined round it,
No way concealed therein, when love comes near,
Nor in the perfect wedding of desires
Suffering any hindrance.
She
Ah, but now,
Now am I given love’s eternal secret!
Yea, thou and I who speak, are but the joy
Of our for ever mated spirits; but now
The wisdom of my gladness even through Spirit
Looks, divinely elate.
Who hath for joy
Our Spirits? Who hath imagined them
Round him in fashion’d radiance of desire,
As into light of these exulting bodies
Flaming Spirit is uttered?
He
Yea, here the end
Of love’s astonishment! Now know we Spirit,
And Who, for ease of joy, contriveth Spirit.
Now all life’s loveliness and power we have
Dissolved in this one moment, and our burning
Carries all shining upward, till in us
Life is not life, but the desire of God,
Himself desiring and himself accepting.
Now what was prophecy in us is made
Fulfilment: we are the hour and we are the joy,
We in our marvellousness of single knowledge,
Of Spirit breaking down the room of fate
And drawing into his light the greeting fire
Of God,—God known in ecstasy of love
Wedding himself to utterance of himself
|
Written by
Walt Whitman |
1
AS a strong bird on pinions free,
Joyous, the amplest spaces heavenward cleaving,
Such be the thought I’d think to-day of thee, America,
Such be the recitative I’d bring to-day for thee.
The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long,
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library;
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
breath
of an Illinois prairie,
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
Florida’s glades,
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound,
That endlessly sounds from the two great seas of the world.
And for thy subtler sense, subtler refrains, O Union!
Preludes of intellect tallying these and thee—mind-formulas fitted for
thee—real, and
sane, and large as these and thee;
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought;
Thought of Man justified—blended with God:
Through thy Idea—lo! the immortal Reality!
Through thy Reality—lo! the immortal Idea!
2
Brain of the New World! what a task is thine!
To formulate the Modern.
.
.
.
.
Out of the peerless grandeur of the modern,
Out of Thyself—comprising Science—to recast Poems, Churches, Art,
(Recast—may-be discard them, end them—May-be their work is done—who knows?)
By vision, hand, conception, on the background of the mighty past, the dead,
To limn, with absolute faith, the mighty living present.
(And yet, thou living, present brain! heir of the dead, the Old World brain!
Thou that lay folded, like an unborn babe, within its folds so long!
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
it;
It to eventuate in thee—the essence of the by-gone time contain’d in thee;
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.
)
3
Sail—sail thy best, ship of Democracy!
Of value is thy freight—’tis not the Present only,
The Past is also stored in thee!
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
steadied by
thy spars;
With thee Time voyages in trust—the antecedent nations sink or swim with thee;
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
other
continents;
Theirs, theirs as much as thine, the destination-port triumphant:
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
companions,
Venerable, priestly Asia sails this day with thee,
And royal, feudal Europe sails with thee.
4
Beautiful World of new, superber Birth, that rises to my eyes,
Like a limitless golden cloud, filling the western sky;
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons;
Out of thy teeming womb, thy giant babes in ceaseless procession issuing,
Acceding from such gestation, taking and giving continual strength and life;
World of the Real! world of the twain in one!
World of the Soul—born by the world of the real alone—led to identity, body, by
it
alone;
Yet in beginning only—incalculable masses of composite, precious materials,
By history’s cycles forwarded—by every nation, language, hither sent,
Ready, collected here—a freer, vast, electric World, to be constructed here,
(The true New World—the world of orbic Science, Morals, Literatures to come,)
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future?
I feel thy ominous greatness, evil as well as good;
I watch thee, advancing, absorbing the present, transcending the past;
I see thy light lighting and thy shadow shadowing, as if the entire globe;
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now!
I merely thee ejaculate!
Thee in thy future;
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
spirit;
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
fructifying
all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity!
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
mind
of man,
The doubt, suspicion, dread, of gradual, certain decadence of man;)
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
spiritual,
South, North, West, East,
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
forever
equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain;
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
civilization must remain in vain;)
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
merely,
Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
equal
to any, divine as any;
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
lecturers,
preachers;
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
foundations
tied,)
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
and
godlike aspiration,
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
bards—kosmic savans,
These! these in thee, (certain to come,) to-day I prophecy.
5
Land tolerating all—accepting all—not for the good alone—all good for thee;
Land in the realms of God to be a realm unto thyself;
Under the rule of God to be a rule unto thyself.
(Lo! where arise three peerless stars,
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.
)
Land of unprecedented faith—God’s faith!
Thy soil, thy very subsoil, all upheav’d;
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
boldly laid bare,
Open’d by thee to heaven’s light, for benefit or bale.
Not for success alone;
Not to fair-sail unintermitted always;
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
all
over;
(Wert capable of war—its tug and trials? Be capable of peace, its trials;
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
swelter;
The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
thee
deep within;
Consumption of the worst—moral consumption—shall rouge thy face with hectic:
But thou shalt face thy fortunes, thy diseases, and surmount them all,
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee;
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
fusing,
Equable, natural, mystical Union thou—(the mortal with immortal blent,)
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind,
The Soul—its destinies.
The Soul, its destinies—the real real,
(Purport of all these apparitions of the real;)
In thee, America, the Soul, its destinies;
Thou globe of globes! thou wonder nebulous!
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World!
The Present holds thee not—for such vast growth as thine—for such
unparallel’d
flight as thine,
The Future only holds thee, and can hold thee.
|
Written by
T S (Thomas Stearns) Eliot |
I
Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden.
My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
Other echoes
Inhabit the garden.
Shall we follow?
Quick, said the bird, find them, find them,
Round the corner.
Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.
II
Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.
At the still point of the turning world.
Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement.
And do not call it fixity,
Where past and future are gathered.
Neither movement from nor towards,
Neither ascent nor decline.
Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.
III
Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy.
Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate.
Not here
Not here the darkness, in this twittering world.
Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.
IV
Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?
Chill
Fingers of yew be curled
Down on us? After the kingfisher's wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.
V
Words move, music moves
Only in time; but that which is only living
Can only die.
Words, after speech, reach
Into the silence.
Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now.
Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still.
Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them.
The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.
The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.
|
Written by
Rudyard Kipling |
1902
When the darkened Fifties dip to the North,
And frost and the fog divide the air,
And the day is dead at his breaking-forth,
Sirs, it is bitter beneath the Bear!
Far to Southward they wheel and glance,
The million molten spears of morn --
The spears of our deliverance
That shine on the house where we were born.
Flying-fish about our bows,
Flying sea-fires in our wake:
This is the road to our Father's House,
Whither we go for our souls' sake!
We have forfeited our birthright,
We have forsaken all things meet;
We have forgotten the look of light,
We have forgotten the scent of heart.
They that walk with shaded brows,
Year by year in a shining land,
They be men of our Father's House,
They shall receive us and understand.
We shall go back by the boltless doors,
To the life unaltered our childhood knew --
To the naked feet on the cool, dark floors,
And the high-ceiled rooms that the Trade blows through:
To the trumpet-flowers and the moon beyond,
And the tree-toad's chorus drowning all --
And the lisp of the split banana-frond
That talked us to sleep when we were small.
The wayside magic, the threshold spells,
Shall soon undo what the North has done --
Because of the sights and the sounds and the smells
That ran with our youth in the eye of the sun.
And Earth accepting shall ask no vows,
Nor the Sea our love, nor our lover the Sky.
When we return to our Father's House
Only the English shall wonder why!
|
Written by
Eugene Field |
I'd not complain of Sister Jane, for she was good and kind,
Combining with rare comeliness distinctive gifts of mind;
Nay, I'll admit it were most fit that, worn by social cares,
She'd crave a change from parlor life to that below the stairs,
And that, eschewing needlework and music, she should take
Herself to the substantial art of manufacturing cake.
At breakfast, then, it would befall that Sister Jane would say:
"Mother, if you have got the things, I'll make some cake to-day!"
Poor mother'd cast a timid glance at father, like as not--
For father hinted sister's cooking cost a frightful lot--
But neither she nor he presumed to signify dissent,
Accepting it for gospel truth that what she wanted went!
No matter what the rest of 'em might chance to have in hand,
The whole machinery of the house came to a sudden stand;
The pots were hustled off the stove, the fire built up anew,
With every damper set just so to heat the oven through;
The kitchen-table was relieved of everything, to make
That ample space which Jane required when she compounded cake.
And, oh! the bustling here and there, the flying to and fro;
The click of forks that whipped the eggs to lather white as snow--
And what a wealth of sugar melted swiftly out of sight--
And butter? Mother said such waste would ruin father, quite!
But Sister Jane preserved a mien no pleading could confound
As she utilized the raisins and the citron by the pound.
Oh, hours of chaos, tumult, heat, vexatious din, and whirl!
Of deep humiliation for the sullen hired-girl;
Of grief for mother, hating to see things wasted so,
And of fortune for that little boy who pined to taste that dough!
It looked so sweet and yellow--sure, to taste it were no sin--
But, oh! how sister scolded if he stuck his finger in!
The chances were as ten to one, before the job was through,
That sister'd think of something else she'd great deal rather do!
So, then, she'd softly steal away, as Arabs in the night,
Leaving the girl and ma to finish up as best they might;
These tactics (artful Sister Jane) enabled her to take
Or shift the credit or the blame of that too-treacherous cake!
And yet, unhappy is the man who has no Sister Jane--
For he who has no sister seems to me to live in vain.
I never had a sister--may be that is why today
I'm wizened and dyspeptic, instead of blithe and gay;
A boy who's only forty should be full of romp and mirth,
But I (because I'm sisterless) am the oldest man on earth!
Had I a little sister--oh, how happy I should be!
I'd never let her cast her eyes on any chap but me;
I'd love her and I'd cherish her for better and for worse--
I'd buy her gowns and bonnets, and sing her praise in verse;
And--yes, what's more and vastly more--I tell you what I'd do:
I'd let her make her wondrous cake, and I would eat it, too!
I have a high opinion of the sisters, as you see--
Another fellow's sister is so very dear to me!
I love to work anear her when she's making over frocks,
When she patches little trousers or darns prosaic socks;
But I draw the line at one thing--yes, I don my hat and take
A three hours' walk when she is moved to try her hand at cake!
|
Written by
Stephen Vincent Benet |
After the whipping he crawled into bed,
Accepting the harsh fact with no great weeping.
How funny uncle's hat had looked striped red!
He chuckled silently.
The moon came, sweeping
A black, frayed rag of tattered cloud before
In scorning; very pure and pale she seemed,
Flooding his bed with radiance.
On the floor
Fat motes danced.
He sobbed, closed his eyes and dreamed.
Warm sand flowed round him.
Blurts of crimson light
Splashed the white grains like blood.
Past the cave's mouth
Shone with a large, fierce splendor, wildly bright,
The crooked constellations of the South;
Here the Cross swung; and there, affronting Mars,
The Centaur stormed aside a froth of stars.
Within, great casks, like wattled aldermen,
Sighed of enormous feasts, and cloth of gold
Glowed on the walls like hot desire.
Again,
Beside webbed purples from some galleon's hold,
A black chest bore the skull and bones in white
Above a scrawled "Gunpowder!" By the flames,
Decked out in crimson, gemmed with syenite,
Hailing their fellows with outrageous names,
The pirates sat and diced.
Their eyes were moons.
"Doubloons!" they said.
The words crashed gold.
"Doubloons!"
|
Written by
John Betjeman |
A man on his own in a car
Is revenging himself on his wife;
He open the throttle and bubbles with dottle
and puffs at his pitiful life
She's losing her looks very fast,
she loses her temper all day;
that lorry won't let me get past,
this Mini is blocking my way.
"Why can't you step on it and shift her!
I can't go on crawling like this!
At breakfast she said that she wished I was dead-
Thank heavens we don't have to kiss.
"I'ld like a nice blonde on my knee
And one who won't argue or nag.
Who dares to come hooting at me?
I only give way to a Jag.
"You're barmy or plastered, I'll pass you, you bastard-
I will overtake you.
I will!"
As he clenches his pipe, his moment is ripe
And the corner's accepting its kill.
|
Written by
Randall Jarrell |
About suffering, about adoration, the old masters
Disagree.
When someone suffers, no one else eats
Or walks or opens the window--no one breathes
As the sufferers watch the sufferer.
In St.
Sebastian Mourned by St.
Irene
The flame of one torch is the only light.
All the eyes except the maidservant's (she weeps
And covers them with a cloth) are fixed on the shaft
Set in his chest like a column; St.
Irene's
Hands are spread in the gesture of the Madonna,
Revealing, accepting, what she does not understand.
Her hands say: "Lo! Behold!"
Beside her a monk's hooded head is bowed, his hands
Are put together in the work of mourning.
It is as if they were still looking at the lance
Piercing the side of Christ, nailed on his cross.
The same nails pierce all their hands and feet, the same
Thin blood, mixed with water, trickles from their sides.
The taste of vinegar is on every tongue
That gasps, "My God, my God, why hast Thou forsaken me?"
They watch, they are, the one thing in the world.
So, earlier, everything is pointed
In van der Goes' Nativity, toward the naked
Shining baby, like the needle of a compass.
The different orders and sizes of the world:
The angels like Little People, perched in the rafters
Or hovering in mid-air like hummingbirds;
The shepherds, so big and crude, so plainly adoring;
The medium-sized donor, his little family,
And their big patron saints; the Virgin who kneels
Before her child in worship; the Magi out in the hills
With their camels--they ask directions, and have pointed out
By a man kneeling, the true way; the ox
And the donkey, two heads in the manger
So much greater than a human head, who also adore;
Even the offerings, a sheaf of wheat,
A jar and a glass of flowers, are absolutely still
In natural concentration, as they take their part
In the salvation of the natural world.
The time of the world concentrates
On this one instant: far off in the rocks
You can see Mary and Joseph and their donkey
Coming to Bethlehem; on the grassy hillside
Where their flocks are grazing, the shepherds gesticulate
In wonder at the star; and so many hundreds
Of years in the future, the donor, his wife,
And their children are kneeling, looking: everything
That was or will be in the world is fixed
On its small, helpless, human center.
After a while the masters show the crucifixion
In one corner of the canvas: the men come to see
What is important, see that it is not important.
The new masters paint a subject as they please,
And Veronese is prosecuted by the Inquisition
For the dogs playing at the feet of Christ,
The earth is a planet among galaxies.
Later Christ disappears, the dogs disappear: in abstract
Understanding, without adoration, the last master puts
Colors on canvas, a picture of the universe
In which a bright spot somewhere in the corner
Is the small radioactive planet men called Earth.
|
Written by
Derek Walcott |
Koening knew now there was no one on the river.
Entering its brown mouth choking with lilies
and curtained with midges, Koenig poled the shallop
past the abandoned ferry and the ferry piles
coated with coal dust.
Staying aboard, he saw, up
in a thick meadow, a sand-colored mule,
untethered, with no harness, and no signs
of habitation round the ruined factory wheel
locked hard in rust, and through whose spokes the vines
of wild yam leaves leant from overweight;
the wild bananas in the yellowish sunlight
were dugged like aching cows with unmilked fruit.
This was the last of the productive mines.
Only the vegetation here looked right.
A crab of pain scuttled shooting up his foot
and fastened on his neck, at the brain's root.
He felt his reason curling back like parchment
in this fierce torpor.
Well, he no longer taxed
and tired what was left of his memory;
he should thank heaven he had escaped the sea,
and anyway, he had demanded to be sent
here with the others - why get this river vexed
with his complaints? Koenig wanted to sing,
suddenly, if only to keep the river company -
this was a river, and Koenig, his name meant King.
They had all caught the missionary fever:
they were prepared to expiate the sins
os savages, to tame them as he would tame this river
subtly, as it flowed, accepting its bends;
he had seen how other missionaries met their ends -
swinging in the wind, like a dead clapper when
a bell is broken, if that sky was a bell -
for treating savages as if they were men,
and frightening them with talk of Heaven and Hell.
But I have forgotten our journey's origins,
mused Koenig, and our purpose.
He knew it was noble,
based on some phrase, forgotten, from the Bible,
but he felt bodiless, like a man stumbling from
the pages of a novel, not a forest,
written a hundred years ago.
He stroked his uniform,
clogged with the hooked burrs that had tried
to pull him, like the other drowning hands whom
his panic abandoned.
The others had died,
like real men, by death.
I, Koenig, am a ghost,
ghost-king of rivers.
Well, even ghosts must rest.
If he knew he was lost he was not lost.
It was when you pretended that you were a fool.
He banked and leaned tiredly on the pole.
If I'm a character called Koenig, then I
shall dominate my future like a fiction
in which there is a real river and real sky,
so I'm not really tired, and should push on.
The lights between the leaves were beautiful,
and, as in that far life, now he was grateful
for any pool of light between the dull, usual
clouds of life: a sunspot haloed his tonsure;
silver and copper coins danced on the river;
his head felt warm - the light danced on his skull
like a benediction.
Koenig closed his eyes,
and he felt blessed.
It made direction sure.
He leant on the pole.
He must push on some more.
He said his name.
His voice sounded German,
then he said "river", but what was German
if he alone could hear it? Ich spreche Deutsch
sounded as genuine as his name in English,
Koenig in Deutsch, and, in English, King.
Did the river want to be called anything?
He asked the river.
The river said nothing.
Around the bend the river poured its silver
like some remorseful mine, giving and giving
everything green and white: white sky, white
water, and the dull green like a drumbeat
of the slow-sliding forest, the green heat;
then, on some sandbar, a mirage ahead:
fabric of muslin sails, spiderweb rigging,
a schooner, foundered on black river mud,
was rising slowly up from the riverbed,
and a top-hatted native reading an inverted
newspaper.
"Where's our Queen?" Koenig shouted.
"Where's our Kaiser?"
The ****** disappeared.
Koenig felt that he himself was being read
like the newspaper or a hundred-year-old novel.
"The Queen dead! Kaiser dead!" the voices shouted.
And it flashed through him those trunks were not wood
but that the ghosts of slaughtered Indians stood
there in the mangrroves, their eyes like fireflies
in the green dark, and that like hummingbirds
they sailed rather than ran between the trees.
The river carried him past his shouted words.
The schooner had gone down without a trace.
"There was a time when we ruled everything,"
Koenig sang to his corrugated white reflection.
"The German Eagle and the British Lion,
we ruled worlds wider than this river flows,
worlds with dyed elephants, with tassled howdahs,
tigers that carried the striped shade when they rose
from their palm coverts; men shall not see these days
again; our flags sank with the sunset on the dhows
of Egypt; we ruled rivers as huge as the Nile,
the Ganges, and the Congo, we tamed, we ruled
you when our empires reached their blazing peak.
"
This was a small creek somewhere in the world,
never mind where - victory was in sight.
Koenig laughed and spat in the brown creek.
The mosquitoes now were singing to the night
that rose up from the river, the fog uncurled
under the mangroves.
Koenig clenched each fist
around his barge-pole scepter, as a mist
rises from the river and the page goes white.
|
Written by
John Montague |
My love, while we talked
They removed the roof.
Then
They started on the walls,
Panes of glass uprooting
From timber, like teeth.
But you spoke calmly on,
Your example of courtesy
Compelling me to reply.
When we reached the last
Syllable, nearly accepting
Our positions, I saw that
The floorboards were gone:
It was clay we stood upon.
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