Written by
David Lehman |
The old war is over the new one has begun
between drivers and pedestrians on a Friday
in New York light is the variable and structure
the content according to Rodrigo Moynihan's
self-portraits at the Robert Miller Gallery where
the painter is serially pictured holding a canvas,
painting his mirror image, shirtless in summer,
with a nude, etc.
, it's two o'clock and I'm walking
at top speed from the huddled tourists yearning to be
a mass to Les Halles on Park and 28th for a Salade
Niçoise I've just watched The Singing Detective all
six hours of it and can't get it out of my mind,
the scarecrow that turns into Hitler, the sad-eyed
father wearing a black arm-band, the yellow umbrellas
as Bing Crosby's voice comes out of Michael Gambon's
mouth, "you've got to ac-cent-tchu-ate the positive,
e-lim-inate the negative" advice as sound today
as in 1945 though it also remains true that
the only thing to do with good advice is pass it on
|
Written by
James Whitcomb Riley |
You better not fool with a Bumblebee! --
Ef you don't think they can sting -- you'll see!
They're lazy to look at, an' kind o' go
Buzzin' an' bummin' aroun' so slow,
An' ac' so slouchy an' all fagged out,
Danglin' their legs as they drone about
The hollyhawks 'at they can't climb in
'Ithout ist a-tumble-un out ag'in!
Wunst I watched one climb clean 'way
In a jimson-blossom, I did, one day, --
An' I ist grabbed it -- an' nen let go --
An' "Ooh-ooh! Honey! I told ye so!"
Says The Raggedy Man; an' he ist run
An' pullt out the stinger, an' don't laugh none,
An' says: "They has be'n folks, I guess,
'At thought I wuz predjudust, more er less, --
Yit I still muntain 'at a Bumblebee
Wears out his welcome too quick fer me!"
|
Written by
Marianne Moore |
wade
through black jade.
Of the crow-blue mussel-shells, one keeps
adjusting the ash-heaps;
opening and shutting itself like
an
injured fan.
The barnacles which encrust the side
of the wave, cannot hide
there for the submerged shafts of the
sun,
split like spun
glass, move themselves with spotlight swiftness
into the crevices—
in and out, illuminating
the
turquoise sea
of bodies.
The water drives a wedge
of iron throught the iron edge
of the cliff; whereupon the stars,
pink
rice-grains, ink-
bespattered jelly fish, crabs like green
lilies, and submarine
toadstools, slide each on the other.
All
external
marks of abuse are present on this
defiant edifice—
all the physical features of
ac-
cident—lack
of cornice, dynamite grooves, burns, and
hatchet strokes, these things stand
out on it; the chasm-side is
dead.
Repeated
evidence ahs proved that it can live
on what can not revive
its youth.
The sea grows old in it.
|
Written by
Carl Sandburg |
IT’S going to come out all right—do you know?
The sun, the birds, the grass—they know.
They get along—and we’ll get along.
Some days will be rainy and you will sit waiting
And the letter you wait for won’t come,
And I will sit watching the sky tear off gray and gray
And the letter I wait for won’t come.
There will be ac-ci-dents.
I know ac-ci-dents are coming.
Smash-ups, signals wrong, washouts, trestles rotten,
Red and yellow ac-ci-dents.
But somehow and somewhere the end of the run
The train gets put together again
And the caboose and the green tail lights
Fade down the right of way like a new white hope.
I never heard a mockingbird in Kentucky
Spilling its heart in the morning.
I never saw the snow on Chimborazo.
It’s a high white Mexican hat, I hear.
I never had supper with Abe Lincoln.
Nor a dish of soup with Jim Hill.
But I’ve been around.
I know some of the boys here who can go a little.
I know girls good for a burst of speed any time.
I heard Williams and Walker
Before Walker died in the bughouse.
I knew a mandolin player
Working in a barber shop in an Indiana town,
And he thought he had a million dollars.
I knew a hotel girl in Des Moines.
She had eyes; I saw her and said to myself
The sun rises and the sun sets in her eyes.
I was her steady and her heart went pit-a-pat.
We took away the money for a prize waltz at a Brotherhood dance.
She had eyes; she was safe as the bridge over the Mississippi at Burlington; I married her.
Last summer we took the cushions going west.
Pike’s Peak is a big old stone, believe me.
It’s fastened down; something you can count on.
It’s going to come out all right—do you know?
The sun, the birds, the grass—they know.
They get along—and we’ll get along.
|
Written by
Algernon Charles Swinburne |
In a vision Liberty stood
By the childless charm-stricken bed
Where, barren of glory and good,
Knowing nought if she would not or would,
England slept with her dead.
Her face that the foam had whitened,
Her hands that were strong to strive,
Her eyes whence battle had lightened,
Over all was a drawn shroud tightened
To bind her asleep and alive.
She turned and laughed in her dream
With grey lips arid and cold;
She saw not the face as a beam
Burn on her, but only a gleam
Through her sleep as of new-stamped gold.
But the goddess, with terrible tears
In the light of her down-drawn eyes,
Spake fire in the dull sealed ears;
"Thou, sick with slumbers and fears,
Wilt thou sleep now indeed or arise?
"With dreams and with words and with light
Memories and empty desires
Thou hast wrapped thyself round all night;
Thou hast shut up thine heart from the right,
And warmed thee at burnt-out fires.
"Yet once if I smote at thy gate,
Thy sons would sleep not, but heard;
O thou that wast found so great,
Art thou smitten with folly or fate
That thy sons have forgotten my word?
O Cromwell's mother, O breast
That suckled Milton! thy name
That was beautiful then, that was blest,
Is it wholly discrowned and deprest,
Trodden under by sloth into shame?
"Why wilt thou hate me and die?
For none can hate me and live.
What ill have I done to thee? why
Wilt thou turn from me fighting, and fly,
Who would follow thy feet and forgive?
"Thou hast seen me stricken, and said,
What is it to me? I am strong:
Thou hast seen me bowed down on my dead
And laughed and lifted thine head,
And washed thine hands of my wrong.
"Thou hast put out the soul of thy sight;
Thou hast sought to my foemen as friend,
To my traitors that kiss me and smite,
To the kingdoms and empires of night
That begin with the darkness, and end.
"Turn thee, awaken, arise,
With the light that is risen on the lands,
With the change of the fresh-coloured skies;
Set thine eyes on mine eyes,
Lay thy hands in my hands.
"
She moved and mourned as she heard,
Sighed and shifted her place,
As the wells of her slumber were stirred
By the music and wind of the word,
Then turned and covered her face.
"Ah," she said in her sleep,
"Is my work not done with and done?
Is there corn for my sickle to reap?
And strange is the pathway, and steep,
And sharp overhead is the sun.
"I have done thee service enough,
Loved thee enough in my day;
Now nor hatred nor love
Nor hardly remembrance thereof
Lives in me to lighten my way.
"And is it not well with us here?
Is change as good as is rest?
What hope should move me, or fear,
That eye should open or ear,
Who have long since won what is best?
"Where among us are such things
As turn men's hearts into hell?
Have we not queens without stings,
Scotched princes, and fangless kings?
Yea," she said, "we are well.
"We have filed the teeth of the snake
Monarchy, how should it bite?
Should the slippery slow thing wake,
It will not sting for my sake;
Yea," she said, "I do right.
"
So spake she, drunken with dreams,
Mad; but again in her ears
A voice as of storm-swelled streams
Spake; "No brave shame then redeems
Thy lusts of sloth and thy fears?
"Thy poor lie slain of thine hands,
Their starved limbs rot in thy sight;
As a shadow the ghost of thee stands
Among men living and lands,
And stirs not leftward or right.
"Freeman he is not, but slave,
Who stands not out on my side;
His own hand hollows his grave,
Nor strength is in me to save
Where strength is none to abide.
"Time shall tread on his name
That was written for honour of old,
Who hath taken in change for fame
Dust, and silver, and shame,
Ashes, and iron, and gold.
"
|
Written by
Paul Laurence Dunbar |
Little lady at de do',
W'y you stan' dey knockin'?
Nevah seen you ac' befo'
In er way so shockin'.
Don' you know de sin it is
Fu' to git my temper riz
Wen I 's got de rheumatiz
An' my jints is lockin'?
No, ol' Miss ain't sont you down,
Don' you tell no story;
I been seed you hangin' 'roun'
Dis hyeah te'itory.
You des come fu' me to tell
You a tale, an' I ain'—well—
Look hyeah, what is dat I smell?
Steamin' victuals? Glory!
Come in, Missy, how you do?
Come up by de fiah,
I was jokin', chile, wid you;
Bring dat basket nighah.
Huh uh, ain't dat lak ol' Miss,
Sen'in' me a feas' lak dis?
Rheumatiz cain't stop my bliss,
Case I's feelin' spryah.
Chicken meat an' gravy, too,
Hot an' still a-heatin';
Good ol' sweet pertater stew;
Missy b'lieves in treatin'.
[Pg 178]Des set down, you blessed chile,
Daddy got to t'ink a while,
Den a story mek you smile
Wen he git thoo eatin'.
|
Written by
Paul Laurence Dunbar |
Lucy done gone back on me,
Dat's de way wif life.
Evaht'ing was movin' free,
T'ought I had my wife.
Den some dahky comes along,
Sings my gal a little song,
Since den, evaht'ing's gone wrong,
Evah day dey 's strife.
Did n't answeh me to-day,
Wen I called huh name,
Would you t'ink she 'd ac' dat way
Wen I ain't to blame?
Dat 's de way dese women do,
Wen dey fin's a fellow true,
Den dey 'buse him thoo an' thoo;
Well, hit 's all de same.
Somep'n's wrong erbout my lung,
An' I 's glad hit 's so.
Doctah says 'at I 'll die young,
Well, I wants to go!
Whut 's de use o' livin' hyeah,
Wen de gal you loves so deah,
Goes back on you clean an' cleah—
I sh'd like to know?
|