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Best Famous Absurdity Poems

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Written by Lawrence Ferlinghetti | Create an image from this poem

Constantly Risking Absurdity

 Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of the day
performing entrachats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence


Written by Bertolt Brecht | Create an image from this poem

To Posterity

 Indeed I live in the dark ages!
A guileless word is an absurdity. A smooth forehead betokens
A hard heart. He who laughs
Has not yet heard
The terrible tidings.

Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!
And he who walks calmly across the street,
Is he not out of reach of his friends
In trouble?

It is true: I earn my living
But, believe me, it is only an accident.
Nothing that I do entitles me to eat my fill.
By chance I was spared. (If my luck leaves me
I am lost.)

They tell me: eat and drink. Be glad you have it!
But how can I eat and drink
When my food is snatched from the hungry
And my glass of water belongs to the thirsty?
And yet I eat and drink.

I would gladly be wise.
The old books tell us what wisdom is:
Avoid the strife of the world
Live out your little time
Fearing no one
Using no violence
Returning good for evil --
Not fulfillment of desire but forgetfulness
Passes for wisdom.
I can do none of this:
Indeed I live in the dark ages!

2.

I came to the cities in a time of disorder
When hunger ruled.
I came among men in a time of uprising
And I revolted with them.
So the time passed away
Which on earth was given me.

I ate my food between massacres.
The shadow of murder lay upon my sleep.
And when I loved, I loved with indifference.
I looked upon nature with impatience.
So the time passed away
Which on earth was given me.

In my time streets led to the quicksand.
Speech betrayed me to the slaughterer.
There was little I could do. But without me
The rulers would have been more secure. This was my hope.
So the time passed away
Which on earth was given me.

3.

You, who shall emerge from the flood
In which we are sinking,
Think --
When you speak of our weaknesses,
Also of the dark time
That brought them forth.

For we went,changing our country more often than our shoes.
In the class war, despairing
When there was only injustice and no resistance.

For we knew only too well:
Even the hatred of squalor
Makes the brow grow stern.
Even anger against injustice
Makes the voice grow harsh. Alas, we
Who wished to lay the foundations of kindness
Could not ourselves be kind.

But you, when at last it comes to pass
That man can help his fellow man,
Do no judge us
Too harshly.

translated by H. R. Hays
Written by William Butler Yeats | Create an image from this poem

Supernatural Songs

 I. Ribh at the Tomb of Baile and Aillinn

Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.

The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.

Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.

II. Ribh denounces Patrick

An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child 
 (daughter or son),
That's how all natural or supernatural stories run.

Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets 
 Godhead,
For things below are copies, the Great Smaragdine Tablet said.

Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the 
 body or the mind,
That juggling nature mounts, her coil in their embraces 
 twined.

The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.

III. Ribh in Ecstasy

What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.

IV. There

There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.

V. Ribh considers Christian Love insufficient

Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.

Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.

Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.

At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!

VI. He and She

As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".

She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.

VII. What Magic Drum?

He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer 
 rest,
Drinking joy as it were milk upon his breast.

Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move 
 his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?

VIII. Whence had they come?

Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?

IX. The Four Ages of Man

He with body waged a fight,
But body won; it walks upright.

Then he struggled with the heart;
Innocence and peace depart.

Then he struggled with the mind;
His proud heart he left behind.

Now his wars on God begin;
At stroke of midnight God shall win.

X. Conjunctions

If Jupiter and Saturn meet,
What a cop of mummy wheat!

The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.

XI. A Needle's Eye

All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.

XII. Meru

Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
Written by William Butler Yeats | Create an image from this poem

The Tower

 I

What shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
 Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.

 II

I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.

Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.

Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.

And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.

Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.

And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:

Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -

O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.

Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.

As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.

Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.

Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;

Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

 III

It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.

As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.

I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.

Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
Written by Charles Bukowski | Create an image from this poem

The Genius Of The Crowd

 there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day

and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace

those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love

beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average

but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect

like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock

their finest art


Written by Charles Baudelaire | Create an image from this poem

The Seven Old Men

 O SWARMING city, city full of dreams, 
Where in a full day the spectre walks and speaks; 
Mighty colossus, in your narrow veins 
My story flows as flows the rising sap. 

One morn, disputing with my tired soul, 
And like a hero stiffening all my nerves, 
I trod a suburb shaken by the jar 
Of rolling wheels, where the fog magnified 
The houses either side of that sad street, 
So they seemed like two wharves the ebbing flood 
Leaves desolate by the river-side. A mist, 
Unclean and yellow, inundated space-- 
A scene that would have pleased an actor's soul. 
Then suddenly an aged man, whose rags 
Were yellow as the rainy sky, whose looks 
Should have brought alms in floods upon his head, 
Without the misery gleaming in his eye, 
Appeared before me; and his pupils seemed 
To have been washed with gall; the bitter frost 
Sharpened his glance; and from his chin a beard 
Sword-stiff and ragged, Judas-like stuck forth. 
He was not bent but broken: his backbone 
Made a so true right angle with his legs, 
That, as he walked, the tapping stick which gave 
The finish to the picture, made him seem 
Like some infirm and stumbling quadruped 
Or a three-legged Jew. Through snow and mud 
He walked with troubled and uncertain gait, 
As though his sabots trod upon the dead, 
Indifferent and hostile to the world. 

His double followed him: tatters and stick 
And back and eye and beard, all were the same; 
Out of the same Hell, indistinguishable, 
These centenarian twins, these spectres odd, 
Trod the same pace toward some end unknown. 
To what fell complot was I then exposed? 
Humiliated by what evil chance? 
For as the minutes one by one went by 
Seven times I saw this sinister old man 
Repeat his image there before my eyes! 

Let him who smiles at my inquietude, 
Who never trembled at a fear like mine, 
Know that in their decrepitude's despite 
These seven old hideous monsters had the mien 
Of beings immortal. 

Then, I thought, must I, 
Undying, contemplate the awful eighth; 
Inexorable, fatal, and ironic double; 
Disgusting Phoenix, father of himself 
And his own son? In terror then I turned 
My back upon the infernal band, and fled 
To my own place, and closed my door; distraught 
And like a drunkard who sees all things twice, 
With feverish troubled spirit, chilly and sick, 
Wounded by mystery and absurdity! 

In vain my reason tried to cross the bar, 
The whirling storm but drove her back again; 
And my soul tossed, and tossed, an outworn wreck, 
Mastless, upon a monstrous, shoreless sea.
Written by Isaac Watts | Create an image from this poem

Hymn 33

 Absurdity of infidelity.

1 Cor. 1:26-31. 

Shall atheists dare insult the cross
Of our Redeemer, God?
Shall infidels reproach his laws,
Or trample on his blood?

What if he choose mysterious ways
To cleanse us from our faults?
May not the works of sovereign grace
Transcend our feeble thoughts?

What if his gospel bids us fight
With flesh, and self, and sin,
The prize is most divinely bright
That we are called to win.

What if the foolish and the poor
His glorious grace partake,
This but confirms his truth the more,
For so the prophets spake.

Do some that own his sacred name
Indulge their souls in sin?
Jesus should never bear the blame,
His laws are pure and clean.

Then let our faith grow firm and strong,
Our lips profess his word;
Nor blush nor fear to walk among
The men that love the Lord.
Written by Barry Tebb | Create an image from this poem

Inspiration From A Visitation Of My Muse

 Memories bursting like tears or waves

On some lonely Adriatic shore

Beating again and again

Threshings of green sea foam

Flecked like the marble Leonardo

Chipped for his ‘Moses’.

And my tears came as suddenly

In that dream, criss-crossed

With memory and desire.

Grandad Nicky had worked

Down the pits for a pittance

To bring up his six children

But nothing left over for more

Than a few nuts and an orange

For six Christmas stockings

So hopefully hung, weighted by pennies,

Stretched across the black mantle.

So Lawrence-like and yet not, grandad

A strict Methodist who read only a vast Bible

Hunched in his fireside chair insisting

On chapel three times on Sundays.

Only in retirement did joy and wisdom

Enter him, abandoning chapel he took

To the Friends or Quakers as they called them then

And somehow at seventy the inner light

Consumed him.

Gruff but kind was my impression:

He would take me for walks

Along abandoned railways to the shutdown

Pipeworks where my three uncles

Worked their early manhood through.

It would have delighted Auden and perhaps

That was the bridge between us

Though we were of different generations

And by the time I began to write he had died.

All are gone except some few who may live still

But in their dotage.After my mother’s funeral

None wanted contact: I had been judged in my absence

And found wanting.

Durham was not my county,

Hardly my country, memories from childhood

Of Hunwick Village with its single cobbled street

Of squat stone cottages and paved yards

With earth closets and stacks of sawn logs

Perfuming the air with their sap

In a way only French poets could say

And that is why we have no word but clich?

‘Reflect’ or ‘make come alive’ or other earthbound

Anglicanisms; yet it is there in Valery Larbaud

‘J’ai senti pour la premiere fois toute la douceur de vivre’-

I experienced for the first time all the joy of living.

I quote of their plenitude to mock the absurdity

Of English poets who have no time for Francophiles

Better the ‘O altitudo’ of earlier generations –

Wallace Stevens’ "French and English

Are one language indivisible."

That scent of sawdust, the milkcart the pony pulled

Each morning over the cobbles, the earthenware jug

I carried to be filled, ladle by shining ladle,

From the great churns and there were birds singing

In the still blue over the fields beyond the village

But because I was city-bred I could not name them.

I write to please myself: ‘Only other poets read poems’
Written by Edwin Arlington Robinson | Create an image from this poem

Doctor of Billiards

 Of all among the fallen from on high, 
We count you last and leave you to regain 
Your born dominion of a life made vain 
By three spheres of insidious ivory. 
You dwindle to the lesser tragedy—
Content, you say. We call, but you remain. 
Nothing alive gone wrong could be so plain, 
Or quite so blasted with absurdity. 

You click away the kingdom that is yours, 
And you click off your crown for cap and bells;
You smile, who are still master of the feast, 
And for your smile we credit you the least; 
But when your false, unhallowed laugh occurs, 
We seem to think there may be something else.
Written by Amy Levy | Create an image from this poem

Contradictions

 Now, even, I cannot think it true,
My friend, that there is no more you.
Almost as soon were no more I,
Which were, of course, absurdity!
Your place is bare, you are not seen,
Your grave, I'm told, is growing green;
And both for you and me, you know,
There's no Above and no Below.
That you are dead must be inferred,
And yet my thought rejects the word.

Book: Radiant Verses: A Journey Through Inspiring Poetry