Written by
Jack Gilbert |
The Poles rode out from Warsaw against the German
Tanks on horses.
Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day.
Question
The bravery.
Say it's not courage.
Call it a passion.
Would say courage isn't that.
Not at its best.
It was impossib1e, and with form.
They rode in sunlight,
Were mangled.
But I say courage is not the abnormal.
Not the marvelous act.
Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.
It is too near the whore's heart: the bounty of impulse,
And the failure to sustain even small kindness.
Not the marvelous act, but the evident conclusion of being.
Not strangeness, but a leap forward of the same quality.
Accomplishment.
The even loyalty.
But fresh.
Not the Prodigal Son, nor Faustus.
But Penelope.
The thing steady and clear.
Then the crescendo.
The real form.
The culmination.
And the exceeding.
Not the surprise.
The amazed understanding.
The marriage,
Not the month's rapture.
Not the exception.
The beauty
That is of many days.
Steady and clear.
It is the normal excellence, of long accomplishment.
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Written by
Marilyn Hacker |
for Audre Lorde and Sonny Wainwright
Twice in my quickly disappearing forties
someone called while someone I loved and I were
making love to tell me another woman had died of cancer.
Seven years apart, and two different lovers:
underneath the numbers, how lives are braided,
how those women's death and lives, lived and died, were
interleaved also.
Does lip touch on lip a memento mori?
Does the blood-thrust nipple against its eager
mate recall, through lust, a breast's transformations
sometimes are lethal?
Now or later, what's the enormous difference?
If one day is good, is a day sufficient?
Is it fear of death with which I'm so eager
to live my life out
now and in its possible permutations
with the one I love? (Only four days later,
she was on a plane headed west across the
Atlantic, work-bound.
)
Men and women, mortally wounded where we
love and nourish, dying at thirty, forty,
fifty, not on barricades, but in beds of
unfulfilled promise:
tell me, senators, what you call abnormal?
Each day's obits read as if there's a war on.
Fifty-eight-year-old poet dead of cancer:
warrior woman
laid down with the other warrior women.
Both times when the telephone rang, I answered,
wanting not to, knowing I had to answer,
go from two bodies'
infinite approach to a crest of pleasure
through the disembodied voice from a distance
saying one loved body was clay, one wave of
mind burst and broken.
Each time we went back to each other's hands and
mouths as to a requiem where the chorus
sings death with irrelevant and amazing
bodily music.
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Written by
Nick Flynn |
Bees may be trusted, always,
to discover the best, nay, the only
human, solution.
Let me cite
an instance; an event, that,
though occurring in nature, is still
in itself wholly abnormal.
I refer
to the manner in which the bees
will dispose of a mouse
or a slug
that may happen to have found its way
into the hive.
The intruder killed,
they have to deal with
the body,
which will very soon poison
their dwelling.
If it be impossible
for them to expel or dismember it,
they will proceed methodically
& hermetically
to enclose it in a veritable sepulcher
of propolis & wax,
which will tower fantastically
above the ordinary monuments
of the city.
*
When we die
our bodies powder, our bodies
the vessel & the vessel
empties.
Our dying does not fill
the hive with the stench
of dying.
But outside
the world hungers.
A cockroach, stung,
can be dragged back out.
A careless child
forced a snail inside with a stick once.
We waxed over the orifice of its shell
sealing the creature in.
And here,
the bottom of the comb,
a mouse,
driven in by winter & lack.
Its pawing woke us.
We stung it
dead.
Even before it died it reeked - worse
the moment it ceased
twitching.
Now everyday
we crawl over it
to pass outside,
the wax form of what was
staring out, its airless sleep,
the mouse we built
to warn the rest from us.
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