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Written by Rainer Maria Rilke | Create an image from this poem

DUINO ELEGIES

The First Elegy


Who if I cried out would hear me among the angels'
hierarchies? and even if one of them pressed me 
suddenly against his heart: I would be consumed
I that overwhelming existence.
For beauty is nothing but the beginning of terror which we still are just able to endure and we are so awed because it serenely disdains to annihilate us.
Every angel is terrifying.
And so I hold myself back and swallow the call-note Of my dark sobbing.
Ah whom can we ever turn to in our need? Not angels not humans and already the knowing animals are aware that we are not really at home in our interpreted world.
Perhaps there remains for us some tree on a hillside which every day we can take into our vision; there remains for us yesterday's street and the loyalty of a habit so much at ease when it stayed with us that it moved in and never left.
Oh and night: there is night when a wind full of infinite space gnaws at out faces.
Whom would it not remain for-that longed-after mildly disillusioning presence which the solitary heart so painfully meets.
Is it any less difficult for lovers? But they keep on using each other to hide their own fate.
Don't you know yet? Fling the emptiness out of your arms Into the spaces we breathe; perhaps the birds will feel the expanded air with more passionate flying.
Yes-the springtime needed you.
Often a star was waiting for you to notice it.
A wave rolled toward you out of the distant past or as you walked under an open window a violin yielded itself to your hearing.
All this was mission.
But could you accomplish it? Weren't you always Distracted by expectation as if every event announced a beloved? (Where can you find a place to keep her with all the huge strange thoughts inside you going and coming and often staying all night.
) But when you feel longing sing of women in love; for their famous passion is still not immortal.
Sing of women abandoned and desolate (you envy them almost) who could love so much more purely than those who were gratified.
Begin again and again the never-attainable praising; remember: the hero lives on; even his downfall was merely a pretext for achieving his final birth.
But Nature spent and exhausted takes lovers back into herself as if there were not enough strength to create them a second time.
Have you imagined Gaspara Stampa intensely enough so that any girl deserted by her beloved might be inspired by that fierce example of soaring objectless love and might say to herself Perhaps I can be like her ? Shouldn't this most ancient suffering finally grow more fruitful for us? Isn't it time that we lovingly freed ourselves from the beloved and quivering endured: as the arrow endures the bowstring's tension so that gathered in the snap of release it can be more than itself.
For there is no place where we can remain.
Voices.
Voices.
Listen my heart as only Saints have listened: until the gigantic call lifted them off the ground; yet they kept on impossibly kneeling and didn't notice at all: so complete was their listening.
Not that you could endure God's voice-far from it.
But listen to the voice of the wind and the ceaseless message that forms itself out of silence.
It is murmuring toward you now from those who died young.
Didn't their fate whenever you stepped into a church In Naples or Rome quietly come to address you? Or high up some eulogy entrusted you with a mission as last year on the plaque in Santa Maria Formosa.
What they want of me is that I gently remove the appearance of injustice about their death-which at times slightly hinders their souls from proceeding onward.
Of course it is strange to inhabit the earth no longer to give up customs one barely had time to learn not to see roses and other promising Things in terms of a human future; no longer to be what one was in infinitely anxious hands; to leave even one's own first name behind forgetting it as easily as a child abandons a broken toy.
Strange to no longer desire one's desires.
Strange to see meanings that clung together once floating away in every direction.
And being dead is hard work and full of retrieval before one can gradually feel a trace of eternity.
-Though the living are wrong to believe in the too-sharp distinctions which they themselves have created.
Angels (they say) don't know whether it is the living they are moving among or the dead.
The eternal torrent whirls all ages along in it through both realms forever and their voices are drowned out in its thunderous roar.
In the end those who were carried off early no longer need us: they are weaned from earth's sorrows and joys as gently as children outgrow the soft breasts of their mothers.
But we who do need such great mysteries we for whom grief is so often the source of our spirit's growth-: could we exist without them? Is the legend meaningless that tells how in the lament for Linus the daring first notes of song pierced through the barren numbness; and then in the startled space which a youth as lovely as a god had suddenly left forever the Void felt for the first time that harmony which now enraptures and comforts and helps us.


Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies: The First Elegy

 Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror which we are barely able to endure and are awed because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back the surging call of my dark sobbing.
Oh, to whom can we turn for help? Not angels, not humans; and even the knowing animals are aware that we feel little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside daily for us to see; yesterday's street remains for us stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after, gently disenchanting night, painfully there for the solitary heart to achieve? Is it easier for lovers? Don't you know yet ? Fling out of your arms the emptiness into the spaces we breath -perhaps the birds will feel the expanded air in their more ferven flight.
Yes, the springtime were in need of you.
Often a star waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past, or as you walked below an open window, a violin gave itself to your hearing.
All this was trust.
But could you manage it? Were you not always distraught by expectation, as if all this were announcing the arrival of a beloved? (Where would you find a place to hide her, with all your great strange thoughts coming and going and often staying for the night.
) When longing overcomes you, sing of women in love; for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and desolate ones, whom you found so much more loving than those gratified.
Begin ever new again the praise you cannot attain; remember: the hero lives on and survives; even his downfall was for him only a pretext for achieving his final birth.
But nature, exhausted, takes lovers back into itself, as if such creative forces could never be achieved a second time.
Have you thought of Gaspara Stampa sufficiently: that any girl abandoned by her lover may feel from that far intenser example of loving: "Ah, might I become like her!" Should not their oldest sufferings finally become more fruitful for us? Is it not time that lovingly we freed ourselves from the beloved and, quivering, endured: as the arrow endures the bow-string's tension, and in this tense release becomes more than itself.
For staying is nowhere.
Voices, voices.
Listen my heart, as only saints have listened: until the gigantic call lifted them clear off the ground.
Yet they went on, impossibly, kneeling, completely unawares: so intense was their listening.
Not that you could endure the voice of God -far from it! But listen to the voice of the wind and the ceaseless message that forms itself out of silence.
They sweep toward you now from those who died young.
Whenever they entered a church in Rome or Naples, did not their fate quietly speak to you as recently as the tablet did in Santa Maria Formosa? What do they want of me? to quietly remove the appearance of suffered injustice that, at times, hinders a little their spirits from freely proceeding onward.
Of course, it is strange to inhabit the earth no longer, to no longer use skills on had barely time to acquire; not to observe roses and other things that promised so much in terms of a human future, no longer to be what one was in infinitely anxious hands; to even discard one's own name as easily as a child abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering so loosely in space.
And being dead is hard work and full of retrieving before one can gradually feel a trace of eternity.
-Yes, but the liviing make the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish between moving among the living or the dead.
The eternal torrent whirls all ages along with it, through both realms forever, and their voices are lost in its thunderous roar.
In the end the early departed have no longer need of us.
One is gently weaned from things of this world as a child outgrows the need of its mother's breast.
But we who have need of those great mysteries, we for whom grief is so often the source of spiritual growth, could we exist without them? Is the legend vain that tells of music's beginning in the midst of the mourning for Linos? the daring first sounds of song piercing the barren numbness, and how in that stunned space an almost godlike youth suddenly left forever, and the emptiness felt for the first time those harmonious vibrations which now enrapture and comfort and help us.
Written by Percy Bysshe Shelley | Create an image from this poem

Julian and Maddalo (excerpt)

 I rode one evening with Count Maddalo 
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight.
I love all waste And solitary places; where we taste The pleasure of believing what we see Is boundless, as we wish our souls to be: And such was this wide ocean, and this shore More barren than its billows; and yet more Than all, with a remember'd friend I love To ride as then I rode; for the winds drove The living spray along the sunny air Into our faces; the blue heavens were bare, Stripp'd to their depths by the awakening north; And, from the waves, sound like delight broke forth Harmonizing with solitude, and sent Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought, Winging itself with laughter, linger'd not, But flew from brain to brain--such glee was ours, Charg'd with light memories of remember'd hours, None slow enough for sadness: till we came Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be Talk interrupted with such raillery As mocks itself, because it cannot scorn The thoughts it would extinguish: 'twas forlorn, Yet pleasing, such as once, so poets tell, The devils held within the dales of Hell Concerning God, freewill and destiny: Of all that earth has been or yet may be, All that vain men imagine or believe, Or hope can paint or suffering may achieve, We descanted, and I (for ever still Is it not wise to make the best of ill?) Argu'd against despondency, but pride Made my companion take the darker side.
The sense that he was greater than his kind Had struck, methinks, his eagle spirit blind By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight, Over the horizon of the mountains--Oh, How beautiful is sunset, when the glow Of Heaven descends upon a land like thee, Thou Paradise of exiles, Italy! Thy mountains, seas, and vineyards, and the towers Of cities they encircle! It was ours To stand on thee, beholding it: and then, Just where we had dismounted, the Count's men Were waiting for us with the gondola.
As those who pause on some delightful way Though bent on pleasant pilgrimage, we stood Looking upon the evening, and the flood Which lay between the city and the shore, Pav'd with the image of the sky.
.
.
.
The hoar And aëry Alps towards the North appear'd Through mist, an heaven-sustaining bulwark rear'd Between the East and West; and half the sky Was roof'd with clouds of rich emblazonry Dark purple at the zenith, which still grew Down the steep West into a wondrous hue Brighter than burning gold, even to the rent Where the swift sun yet paus'd in his descent Among the many-folded hills: they were Those famous Euganean hills, which bear, As seen from Lido thro' the harbour piles, The likeness of a clump of peakèd isles-- And then--as if the Earth and Sea had been Dissolv'd into one lake of fire, were seen Those mountains towering as from waves of flame Around the vaporous sun, from which there came The inmost purple spirit of light, and made Their very peaks transparent.
"Ere it fade," Said my companion, "I will show you soon A better station"--so, o'er the lagune We glided; and from that funereal bark I lean'd, and saw the city, and could mark How from their many isles, in evening's gleam, Its temples and its palaces did seem Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even Now at the point I meant," said Maddalo, And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well If you hear not a deep and heavy bell.
" I look'd, and saw between us and the sun A building on an island; such a one As age to age might add, for uses vile, A windowless, deform'd and dreary pile; And on the top an open tower, where hung A bell, which in the radiance sway'd and swung; We could just hear its hoarse and iron tongue: The broad sun sunk behind it, and it toll'd In strong and black relief.
"What we behold Shall be the madhouse and its belfry tower," Said Maddalo, "and ever at this hour Those who may cross the water, hear that bell Which calls the maniacs, each one from his cell, To vespers.
" "As much skill as need to pray In thanks or hope for their dark lot have they To their stern Maker," I replied.
"O ho! You talk as in years past," said Maddalo.
" 'Tis strange men change not.
You were ever still Among Christ's flock a perilous infidel, A wolf for the meek lambs--if you can't swim Beware of Providence.
" I look'd on him, But the gay smile had faded in his eye.
"And such," he cried, "is our mortality, And this must be the emblem and the sign Of what should be eternal and divine! And like that black and dreary bell, the soul, Hung in a heaven-illumin'd tower, must toll Our thoughts and our desires to meet below Round the rent heart and pray--as madmen do For what? they know not--till the night of death, As sunset that strange vision, severeth Our memory from itself, and us from all We sought and yet were baffled.
" I recall The sense of what he said, although I mar The force of his expressions.
The broad star Of day meanwhile had sunk behind the hill, And the black bell became invisible, And the red tower look'd gray, and all between The churches, ships and palaces were seen Huddled in gloom;--into the purple sea The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola Convey'd me to my lodgings by the way.
The following morn was rainy, cold and dim: Ere Maddalo arose, I call'd on him, And whilst I waited with his child I play'd; A lovelier toy sweet Nature never made, A serious, subtle, wild, yet gentle being, Graceful without design and unforeseeing, With eyes--Oh speak not of her eyes!--which seem Twin mirrors of Italian Heaven, yet gleam With such deep meaning, as we never see But in the human countenance: with me She was a special favourite: I had nurs'd Her fine and feeble limbs when she came first To this bleak world; and she yet seem'd to know On second sight her ancient playfellow, Less chang'd than she was by six months or so; For after her first shyness was worn out We sate there, rolling billiard balls about, When the Count enter'd.
Salutations past-- "The word you spoke last night might well have cast A darkness on my spirit--if man be The passive thing you say, I should not see Much harm in the religions and old saws (Though I may never own such leaden laws) Which break a teachless nature to the yoke: Mine is another faith"--thus much I spoke And noting he replied not, added: "See This lovely child, blithe, innocent and free; She spends a happy time with little care, While we to such sick thoughts subjected are As came on you last night.
It is our will That thus enchains us to permitted ill.
We might be otherwise.
We might be all We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek But in our mind? and if we were not weak Should we be less in deed than in desire?" "Ay, if we were not weak--and we aspire How vainly to be strong!" said Maddalo: "You talk Utopia.
" "It remains to know," I then rejoin'd, "and those who try may find How strong the chains are which our spirit bind; Brittle perchance as straw.
.
.
.
We are assur'd Much may be conquer'd, much may be endur'd, Of what degrades and crushes us.
We know That we have power over ourselves to do And suffer--what, we know not till we try; But something nobler than to live and die: So taught those kings of old philosophy Who reign'd, before Religion made men blind; And those who suffer with their suffering kind Yet feel their faith, religion.
" "My dear friend," Said Maddalo, "my judgement will not bend To your opinion, though I think you might Make such a system refutation-tight As far as words go.
I knew one like you Who to this city came some months ago, With whom I argu'd in this sort, and he Is now gone mad--and so he answer'd me-- Poor fellow! but if you would like to go We'll visit him, and his wild talk will show How vain are such aspiring theories.
" "I hope to prove the induction otherwise, And that a want of that true theory, still, Which seeks a 'soul of goodness' in things ill Or in himself or others, has thus bow'd His being.
There are some by nature proud, Who patient in all else demand but this-- To love and be belov'd with gentleness; And being scorn'd, what wonder if they die Some living death? this is not destiny But man's own wilful ill.
" As thus I spoke Servants announc'd the gondola, and we Through the fast-falling rain and high-wrought sea Sail'd to the island where the madhouse stands.
Written by Yehuda Amichai | Create an image from this poem

God Has Pity On Kindergarten Children

 God has pity on kindergarten children,
He pities school children -- less.
But adults he pities not at all.
He abandons them, And sometimes they have to crawl on all fours In the scorching sand To reach the dressing station, Streaming with blood.
But perhaps He will have pity on those who love truly And take care of them And shade them Like a tree over the sleeper on the public bench.
Perhaps even we will spend on them Our last pennies of kindness Inherited from mother, So that their own happiness will protect us Now and on other days.
Written by Francesco Petrarch | Create an image from this poem

CANZONE II

CANZONE II.

Amor, se vuoi ch' i' torni al giogo antico.

UNLESS LOVE CAN RESTORE HER TO LIFE, HE WILL NEVER AGAIN BE HIS SLAVE.

If thou wouldst have me, Love, thy slave again,
One other proof, miraculous and new,
Must yet be wrought by you,
Ere, conquer'd, I resume my ancient chain—
Lift my dear love from earth which hides her now,
For whose sad loss thus beggar'd I remain;
Once more with warmth endow
That wise chaste heart where wont my life to dwell;
And if as some divine, thy influence so,
From highest heaven unto the depths of hell,
Prevail in sooth—for what its scope below,
'Mid us of common race,
Methinks each gentle breast may answer well—
Rob Death of his late triumph, and replace
Thy conquering ensign in her lovely face!
Relume on that fair brow the living light,
Which was my honour'd guide, and the sweet flame.
Though spent, which still the same
Kindles me now as when it burn'd most bright;
For thirsty hind with such desire did ne'er
Long for green pastures or the crystal brook,
As I for the dear look,
Whence I have borne so much, and—if aright
I read myself and passion—more must bear:
This makes me to one theme my thoughts thus bind,
An aimless wanderer where is pathway none,
With weak and wearied mind
[Pg 237]Pursuing hopes which never can be won.
Hence to thy summons answer I disdain,
Thine is no power beyond thy proper reign.
Give me again that gentle voice to hear,
As in my heart are heard its echoes still,
Which had in song the skill
Hate to disarm, rage soften, sorrow cheer,
To tranquillize each tempest of the mind,
And from dark lowering clouds to keep it clear;
Which sweetly then refined
And raised my verse where now it may not soar.
And, with desire that hope may equal vie,
Since now my mind is waked in strength, restore
Their proper business to my ear and eye,
Awanting which life must
All tasteless be and harder than to die.
Vainly with me to your old power you trust,
While my first love is shrouded still in dust.
Give her dear glance again to bless my sight,
Which, as the sun on snow, beam'd still for me;
Open each window bright
Where pass'd my heart whence no return can be;
Resume thy golden shafts, prepare thy bow,
And let me once more drink with old delight
Of that dear voice the sound,
Whence what love is I first was taught to know.
And, for the lures, which still I covet so,
Were rifest, richest there my soul that bound,
Waken to life her tongue, and on the breeze
Let her light silken hair,
Loosen'd by Love's own fingers, float at ease;
Do this, and I thy willing yoke will bear,
Else thy hope faileth my free will to snare.
Oh! never my gone heart those links of gold,
Artlessly negligent, or curl'd with grace,
Nor her enchanting face,
Sweetly severe, can captive cease to hold;
These, night and day, the amorous wish in me
Kept, more than laurel or than myrtle, green,
When, doff'd or donn'd, we see
Of fields the grass, of woods their leafy screen.
[Pg 238]And since that Death so haughty stands and stern
The bond now broken whence I fear'd to flee,
Nor thine the art, howe'er the world may turn,
To bind anew the chain,
What boots it, Love, old arts to try again?
Their day is pass'd: thy power, since lost the arms
Which were my terror once, no longer harms.
Thy arms were then her eyes, unrivall'd, whence
Live darts were freely shot of viewless flame;
No help from reason came,
For against Heaven avails not man's defence;
Thought, Silence, Feeling, Gaiety, Wit, Sense,
Modest demeanour, affable discourse,
In words of sweetest force
Whence every grosser nature gentle grew,
That angel air, humble to all and kind,
Whose praise, it needs not mine, from all we find;
Stood she, or sat, a grace which often threw
Doubt on the gazer's mind
To which the meed of highest praise was due—
O'er hardest hearts thy victory was sure,
With arms like these, which lost I am secure.
The minds which Heaven abandons to thy reign,
Haply are bound in many times and ways,
But mine one only chain,
Its wisdom shielding me from more, obeys;
Yet freedom brings no joy, though that he burst.
Rather I mournful ask, "Sweet pilgrim mine,
Alas! what doom divine
Me earliest bound to life yet frees thee first:
God, who has snatch'd thee from the world so soon,
Only to kindle our desires, the boon
Of virtue, so complete and lofty, gave
Now, Love, I may deride
Thy future wounds, nor fear to be thy slave;
In vain thy bow is bent, its bolts fall wide,
When closed her brilliant eyes their virtue died.
"Death from thy every law my heart has freed;
She who my lady was is pass'd on high,
Leaving me free to count dull hours drag by,
To solitude and sorrow still decreed.
"
Macgregor.


Written by Constantine P Cavafy | Create an image from this poem

The God Abandons Antony

 When suddenly, at midnight, you hear
an invisible procession going by
with exquisite music, voices,
don't mourn your luck that's failing now,
work gone wrong, your plans
all proving deceptive -- don't mourn them uselessly.
As one long prepared, and graced with courage, say goodbye to her, the Alexandria that is leaving.
Above all, don't fool yourself, don't say it was a dream, your ears deceived you: don't degrade yourself with empty hopes like these.
As one long prepared, and graced with courage, as is right for you who were given this kind of city, go firmly to the window And listen with deep emotion, but not with whining, the pleas of a coward; listen -- your final delectation -- to the voices, to the exquisite music of that strange procession, and say goodbye to her, to the Alexandria you are losing.
Written by Francesco Petrarch | Create an image from this poem

SONNET CIX

SONNET CIX.

Amor che nel pensier mio vive e regna.

THE COURAGE AND TIMIDITY OF LOVE.

The long Love that in my thought I harbour,
And in my heart doth keep his residence,
Into my face pressèth with bold pretence,
And there campèth displaying his bannèr.
She that me learns to love and to suffèr,
And wills that my trust, and lust's negligence
Be rein'd by reason, shame, and reverence,
With his hardiness takes displeasure.
Wherewith Love to the heart's forest he fleeth,
Leaving his enterprise with pain and cry,
And there him hideth, and not appearèth.
What may I do, when my master fearèth,
But in the field with him to live and die?
For good is the life, ending faithfully.
Wyatt.
Love, that liveth and reigneth in my thought,
That built its seat within my captive breast;
[Pg 139]Clad in the arms wherein with me he fought,
Oft in my face he doth his banner rest.
She, that me taught to love, and suffer pain;
My doubtful hope, and eke my hot desire
With shamefaced cloak to shadow and restrain,
Her smiling grace converteth straight to ire.
And coward love then to the heart apace
Taketh his flight; whereas he lurks, and plains
His purpose lost, and dare not show his face.
For my lord's guilt thus faultless bide I pains.
Yet from my lord shall not my foot remove:
Sweet is his death, that takes his end by love.
Surrey.
Love in my thought who ever lives and reigns,
And in my heart still holds the upper place,
At times come forward boldly in my face,
There plants his ensign and his post maintains:
She, who in love instructs us and its pains,
Would fain that reason, shame, respect should chase
Presumptuous hope and high desire abase,
And at our daring scarce herself restrains,
Love thereon to my heart retires dismay'd,
Abandons his attempt, and weeps and fears,
And hiding there, no more my friend appears.
What can the liege whose lord is thus afraid,
More than with him, till life's last gasp, to dwell?
For who well loving dies at least dies well.
Macgregor.

Book: Shattered Sighs