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three issues are at stake in poetry writing at present: first, whether or not we can write an emotionally charged (subjective) material/topic such as love (loving, not loving, not being loved), freedom, and justice effectively with artistic objectivity. This is more complicated by the notions of choices (and voices,) individual self-determinism, self-sufficiency, and individual sanctity over collectivism. Voices say this: Humankind have Choices, Choices have Consequences, Consequences have Risk or Reward! It is those Voices (heard or unheard) and Choices (risk or reward) that make lines or volumes and make us who we are as Poets--living and dying with our Choices!* Second, we poets are of a tender-heart, vulnerable, and victims to violent shifts of response and emotions that relationships bring to us. We are sensitive, however, so being, we are beneficiary of human benign neglect and gross oblivion around. We do a great deal out of something ignored as trivia! Third, whether we poets are misfit in a misshapen society or we are misshapen at a misfit time, really I am not quite sure myself! But one thing I am certain about is this: the poet struggles with SOMETHING more than his/her own myth: to be able to see the relations of the unrelated, to curve out a creative originality, and to muse about if pleasurable pain (painful joy) is bearable and if living and loving truly is ever possible of to date! For no wrong life can be lived rightly! Poet, Less than that, what good is Poetry for? *Listen to the Poet and Folksinger Leonard Cohen's "Choices" https://www.youtube.com/watch?v=nBDKKFJuXos
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