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From The Heart To The Cross

The burden to carry on a journey slated,
Weighs heavily on an outcome known fated.
When faith is the belief in hope for deliverance
Where humanity’s destiny hangs in the balance.
In mirrors dwell prisoners angst desperate rot,
To lay their heads in the bosom of Madonna.
One way leads to the Saviour, the other does not.
Be it by choice, from the heart to the cross.
Comfort and joy. God will provide sanctuary:
The God of Abraham, Isaac, and Jacob.
Though Mary mourns, her anguish is temporary.
Unbelievers throw stones, yet His Word lives on.
His last hour on Golgotha shook civilization.
Angels triumphantly trumpeted The Lord’s salvation.

A madman with hammer thrashes the Pietà 1
To eradicate the sculpture from history,
That Michelangelo chiseled out of Carrara marble, 2
Seating the Madonna larger and profanely stronger,
Cradling Jesus, whose appearance projects frailty.
As if having been chastised for allowing crucifixion.
A mollification for theological credence,
Unreinforced nor inspired by biblical writings.
By appeasement, the sculptor admits conspiracy
With dogma, misrepresenting Christ to the living.
Mary’s demure as she looks upon the contorted figure,
Supports the illusion of her lordly stature.
                            ***

Notes:
1) Pietà: The ‘Pietà’ is a sculpture by Michelangelo (1475-1564) depicting the Madonna cradling Jesus after His crucifixion. The sculpture was completed in 1500 and is housed in St. Peter’s Basilica, Vatican City, Italy.
   On May 21, 1972, an Australian citizen vandalized the Pietà with a geologist’s hammer. The individual was not charged with any criminal offence but was hospitalized in Italy for two years; and then released and deported back to Australia.

2) Carrara marble: Carrara marble is stone quarried in Carrara, Tuscany, Italy. The three most common types of Italian marble are Carrara, Calcutta, and Statuary (aka Statuario). Michelangelo is reported to have said that this was the most ‘perfect’ block of stone he ever used.
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