It is worth remembering that every writer begins with a naively physical notion of what art is. A book for him or her is not an expression or a series of expressions, but literally a volume, a prism with six rectangular sides made of thin sheets of papers which should include a cover, an inside cover, an epigraph in italics, a preface, nine or ten parts with some verses at the beginning, a table of contents, an ex libris with an hourglass and a Latin phrase, a brief list of errata, some blank pages, a colophon and a publication notice: objects that are known to constitute the art of writing.
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If a man knows the law, find out, though he live in a pine shanty, and resort to him. And if a man can pipe or sing, so as to wrap the imprisoned soul in an elysium; or can paint a landscape, and convey into souls and ochres all the enchantments of Spring or Autumn; or can liberate and intoxicate all people who hear him with delicious songs and verses; it is certain that the secret cannot be kept; the first witness tells it to a second, and men go by fives and tens and fifties to his doors.
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Our actions are like the terminations of verses, which we rhyme as we please.
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What would you have me do? Search out some powerful patronage, and be Like crawling ivy clinging to a tree? No thank you. Dedicate, like all the others, Verses to plutocrats, while caution smothers Whatever might offend my lord and master? No thank you. Kneel until my knee-caps fester, Bend my back until I crack my spine, And scratch another’s back if he’ll scratch mine? No thank you. Dining out to curry favour, Meeting the influential till I slaver, Suiting my style to what the critics want With slavish copy of the latest can’t? No thanks! Ready to jump through any hoop To be the great man of a little group? Be blown off course, with madrigals for sails, By the old women sighing through their veils? Labouring to write a line of such good breeding Its only fault is that it’s not worth reading? To ingratiate myself, abject with fear, And fawn and flatter to avoid a sneer? No thanks, no thanks, no thanks! But just to sing, Dream, laugh, and take my tilt of wing, To cock a snook whenever I shall choose, To fight for yes and no, come win or lose, To travel without thought of fame or fortune Wherever I care to go to under the moon! Never to write a line that hasn’t come Directly from my heart: and so, with some Modesty, to tell myself: My boy, Be satisfied with a flower, a fruit, the joy Of a single leaf, so long as it was grown In your own garden. Then, if success is won By any chance, you have nothing to render to A hollow Caesar: the merit belongs to you. In short, I won’t be a parasite; I’ll be My own intention, stand alone and free, And suit my voice to what my own eyes see!
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It is a fact often observed, that men have written good verses under the inspiration of passion, who cannot write well under other circumstances.
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Youth is the time to go flashing from one end of the world to the other to try the manners of different nations; to hear the chimes at midnight; to see the sunrise in town and country; to be converted at a revival; to circumnavigate the metaphysics, write halting verses, run a mile to see a fire, and wait all day long in the theatre to applaud Hernani.
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A Book of Verses undeneath the Bough, A Jug of Wine, a Loaf of Bread and Thou Beside me singing in the Wilderness- Oh, Wilderness were Paradise enow
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But respect yourself most of all.
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To declaim freedom verses seems like a poem within a poem; freedom requires guns, it requires arms, but no feet.
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The man is either mad, or he is making verses.
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Verses which do not teach men new and moving truths do not deserve to be read.
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