Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those we have personality and emotion know what it means to want to escape from these things.
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Her eyes beginning to water, she went on, So I would like you all to make me a promise. From now on, on your way to school, or on your way home, find something beautiful to notice. It doesn't have to be something you see it could be a scent - perhaps of freshly baked bread wafting out of someone's house, or it could be the sound of the breeze slightly rustling the leaves in the trees, or the way the morning light catches the autumn leaf as it falls gently to the ground. Please look for these things, and cherish them. For, although it may sound trite to some, these things are the stuff of life. The little things we are put here on earth to enjoy. The things we often take for granted. We must make it important to notice them, for at any time...it can all be taken away. The class was completely quiet. We all picked up our books and filed out of the room silently. That afternoon, I noticed more things on my way home from school than I had that whole semester. Every once in a while, I think of that teacher and remember what an impression she made on all of us, and I try to appreciate all of those things that sometimes we all overlook. Take notice of something special you see on your lunch hour today. Go barefoot. Or walk on the beach at sunset. Stop off on the way home tonight to get a double-dip ice cream cone. For as we get older, it is not the things we did that we often regret, but the things we didn't do. Life is not measured by the number of breaths we take, but by the moments that take our breath away.
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Oh! Pilot! 'tis a fearful night, There's danger on the deep, I'll come and pace the deck with thee, I do not dare to sleep. Go down, the sailor cried, go down, This is no place for thee; Fear not! but trust in Providence, Wherever thou mayst be. Ah! Pilot, dangers often met We all are apt to slight, And thou hast known these raging waves But to subdue their might. It is not apathy, he cried, That gives this strength to me, Fear not but trust in Providence, Wherever thou mayst be. On such a night the sea engulphed My father's lifeless form; My only brother's boat went down In just so wild a storm; And such, perhaps, may be my fate, But still I say to thee, Fear not but trust in Providence, Wherever thou mayst be.
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The pure, the bright, The beautiful that stirred our hearts in youth, The impulses to wordless prayer, The streams of love and truth, The longing after something lost, The spirit's yearning cry, The striving after better hopes; These things can never die. The timid hand stretched forth to aid a brother in his need, A kindly word in grief's dark hour that proves a friend indeed; The plea for mercy softly breathed, When justice threatens high, The sorrow of a contrite heart; These things shall never die, shall never die. Let nothing pass, For every hand must find some work to do, Lose not a chance to waken love. Be firm and just and true, So shall a light that cannot fade beam on thee from on high, And angel voices say to thee; These things can never die.
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Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!"
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I see great things in baseball. It's our game--the American game. It will take our people out-of-doors, fill them with oxygen, give them a larger physical stoicism. Tend to relieve us from being a nervous, dyspeptic set. Repair these losses, and be a blessing to us.
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Somewhere in the bible it say Jesus hair was like lamb's wool, I say. Well, say Shug, if he came to any of these churches we talking bout he'd have to have it conked before anybody paid him any attention. The last thing niggers want to think about they God is that his hair kinky.
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The ordinary reverence, the reverence defined and explained by the dictionary, costs nothing. Reverence for one's own sacred things--parents, religion, flag, laws and respect for one's own beliefs--these are feelings which we cannot even help. They come natural to us; they are involuntary, like breathing. There is no personal merit in breathing. But the reverence which is difficult, and which has personal merit in it, is the respect which you pay, without compulsion, to the political or religious attitude of a man whose beliefs are not yours. You can't revere his gods or his politics, and no one expects you to do that, but you could respect his belief in them if you tried hard enough; and you could respect him, too, if you tried hard enough. But it is very, very difficult; it is next to impossible, and so we hardly ever try. If the man doesn't believe as we do, we say he is a crank, and that settles it. I mean it does nowadays, because we can't burn him.
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Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. 'Keep, ancient lands, your storied pomp!' cries she With silent lips. 'Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!'
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The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the symmetrical growth of the bodily frame, by all these attitudes and exertions --an end of the first importance, which could not be trusted to any care less perfect than her own.
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My sorrow, when she's here with me, thinks these dark days of autumn rain are beautiful as days can be; she loves the bare, the withered tree; she walks the sodden pasture lane.
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'In the bad old days reference to Blacks/women/Jews/others were in negative language which perpetuated poor treatment/ abuse/ exploitation of these people. Animals have suffered more from negative language stereotyping than all the others, and demeans them so constantly that they created an environment that allows all sorts of cruelties, many too horrendous to describe! An animal is 'it' instead of 'he' or 'she', this perpetuates our view of them as 'things' rather than individuals and is a major first step towards cutting them up for meat and leather, testing drugs/cosmetics/ household products on their bodies, and tearing off their coats for furs!!! Those who have pets are referred to as 'owners' rather than guardians/care givers/companions, reinforcing the idea that they are property much as slaves were considered property. Let's avoid these references: Dirty rat; filthy pig; acting like an ass; dirty dog; she's a bitch; ugly duckling; there's more than one way to skin a cat; behaving like an animal; making a monkey out of someone; killing 2 birds with one stone; working like a horse, you're chicken ... There are many more! Please think before uttering them and tell others. Thank you!'
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There is a terrible war coming, and these young men who have never seen war cannot wait for it to happen, but I tell you, I wish that I owned every slave in the South, for I would free them all to avoid this war.
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These lovers cry, O ho they die! Yet that which seems the wound to kill...
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It seems to me curious, not to say obscene and thoroughly terrifying, that it could occur to an association of human beings drawn together through need and chance and for profit into a company, an organ of journalism, to pry intimately into the lives of an undefended and appallingly damaged group of human beings, an ignorant and helpless rural family, for the purpose of parading the nakedness, disadvantage and humiliation of these lives before another group of human beings, in the name of science, of
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The paradox of our time in history is that we have taller buildings but shorter tempers, wider freeways, but narrower viewpoints. We spend more, but have less; we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete.
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There sighs, lamentations and loud wailings resounded through the starless air, so that at first it made me weep; strange tongues, horrible language, words of pain, tones of anger, voices loud and hoarse, and with these the sound of hands, made a tumult which is whirling through that air forever dark, and sand eddies in a whirlwind.
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I never thought that heav'n would lose its blue And sullen storm-clouds mask the gentle sky; I never thought the rose's velvet hue Would pale and sicken, though we said good-by. I never dreamed the lark would hush its note As day succeeded ever-drearier day, Nor knew the song that swelled the robin's throat Would fade to silence, when you went away. I never knew the sun's irradiant beams Upon the brooding earth no more would shine, Nor thought that only in my mocking dreams Would happiness that once I knew be mine. I never thought the slim moon, mournfully, Would shroud her pallid self in murky night. Dear heart, I never thought these things would be- I never thought they would, and I was right.
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How the old mountains drip with sunset, And the brake of dun! How the hemlocks are tipped in tinsel By the wizard sun! How the old steeples hand the scarlet, Till the ball is full, -- Have I the lip of the flamingo That I dare to tell? Then, how the fire ebbs like billows, Touching all the grass With a departing, sapphire feature, As if a duchess pass! How a small dusk crawls on the village Till the houses blot; And the odd flambeaux no men carry Glimmer on the spot! Now it is night in nest and kennel, And where was the wood, Just a dome of abyss is nodding Into solitude! -- These are the visions baffled Guido; Titian never told; Domenichino dropped the pencil, Powerless to unfold.
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I went to a party, Mom, I remembered what you said, You told me not you drink and drive, Mom, So i drank sprit instead I felt really proud inside, Mom, The way you said I would. I didn?t drink and drive, Mom, Even though the others said i should I know i did the right thing, Mom I know you are always right. Now the party is finally ending, Mom, As everyone drives out of sight. As i got into my car, Mom, I knew i would get home in one piece Because of the way you raised me, Mom, So responsible and sweet. I started to drive away, Mom, But as I pulled onto the road The other car didn?t see me, Mom, And it hit me like a load. As I lie here on the pavement, Mom, I hear the police say, The other guy was drunk, Mom, And now I?m the one who will pay. I?m laying here dying, Mom, I wish you would get here soon. How come this happened to me, Mom? My life bursted like a ballon. There is blood all around me, Mom, Most of it is mine. I here the paramedics say, Mom, I?ll be dead in a short time. I just wanted to tell you, Mom, I swear i didn?t drink It was the others, Mom, The others didn?t think He didn?t know where he was going, Mom, He was parably at the same party as I, the only difference is, Mom He drank and I will die. Why do people drink, Mom? It can ruin my whole life. I?m feeling sharp pains now, Mom, Pains just like a knife. The guy who hit me is walking, Mom, I don?t think it?s fair. I?m lying here dying, Mom, While all he can do is stare. Tell my brother not to cry, Mom, Tell daddy to be brave. And when I get to heaven, Mom, Write ?Daddy?s Little Girl? on my grave. Someone should have told him, Mom, Not to drink and drive. If only they have taken the time, Mom I would still be alive. My breath is getting shorter, Mom I?m becoming very scared. Please don?t cry for me, Mom Because when i needed you, you were always there. I have one last question, Mom, before i say good-bye. I didnt ever drink, Mom So why am I do die? This is the end, Mom, I wish I could look you in the eyes, To say these final words, Mom, I love you, and Good-bye.
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Under the general name of Commodity, I rank all those advantages which our senses owe to nature. This, of course, is a benefit which is temporary and mediate, not ultimate, like its service to the soul. Yet although low, it is perfect in its kind, and is the only use of nature which all men apprehend. The misery of man appears like childish petulance, when we explore the steady and prodigal provision that has been made for his support and delight on this green ball which floats him through the heavens. What angels invented these splendid ornaments, these rich conveniences, this ocean of air above, this ocean of water beneath, this firmament of earth between? this zodiac of lights, this tent of dropping clouds, this striped coat of climates, this fourfold year? Beasts, fire, water, stones, and corn serve him. The field is at once his floor, his work-yard, his play-ground, his garden, and his bed.
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Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adults themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence.... When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man, I put away childish things, including the fear of childishness and the desire to be very grown up.
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In bestowing charity, the main consideration: should be to help those who will help themselves; to provide part of the means by which those who desire to improve may do so; to give those who desire to rise the aids by which they may rise; to assist, but rarely or never to do all. Neither the individual nor the race is improved by almsgiving. Those worthy of assistance, except in rare cases, seldom require assistance. The really valuable men of the race never do, except in case of accident or sudden change. Every one has, of course, cases of individuals brought to his own knowledge where temporary assistance can do genuine good, and these he will not overlook. But the amount which can be wisely given by the individual for individuals is necessarily limited by his lack of knowledge of the circumstances connected with each. He is the only true reformer who is as care ful and as anxious not to aid the unworthy as he is to aid the worthy, and, perhaps, even more so, for in almsgiving more injury is probably done by rewarding vice than by relieving virtue. The rich man is thus almost restricted to following the examples of...others, who know that the best means of benefiting the community is to place within its reach the ladders upon which the aspiring can rise: free libraries, parks, and means of recreation, by which men are helped in body and mind; works of art, certain to give pleasure and improve the public taste; and public institutions of various kinds, which will improve the general condition of the people; in this manner returning their surplus wealth to the mass of their fellows in the forms best calculated to do them lasting good.
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The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.
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Let me tell you a story. The day after Columbine, I was interviewed for the Tom Brokaw news program. The reporter had been assigned a theory and was seeking sound bites to support it. Wouldn't you say, she asked, that killings like this are influenced by violent movies? No, I said, I wouldn't say that. But what about 'Basketball Diaries'? She asked. Doesn't that have a scene of a boy walking into a school with a machine gun? The obscure 1995 Leonardo Di Caprio movie did indeed have a brief fantasy scene of that nature, I said, but the movie failed at the box office, and it's unlikely the Columbine killers saw it. The reporter looked disappointed, so I offered her my theory. Events like this, I said, if they are influenced by anything, are influenced by news programs like your own. When an unbalanced kid walks into a school and starts shooting, it becomes a major media event. Cable news drops ordinary programming and goes around the clock with it. The story is assigned a logo and a theme song; These two kids were packaged as the Trench Coat Mafia. The message is clear to other disturbed kids around the country: If I shoot up my school, I can be famous. The TV will talk about nothing else but me. Experts will try to figure out what I was thinking. The kids and teachers at school will see they shouldn't have messed with me. I'll go out in a blaze of glory.
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There is more treasure in books than in all the pirates loot on Treasure Island and best of all, you can enjoy these riches every day of your life.
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You know a dream is like a river, ever changing as it flows. And a dreamer's just a vessel that must follow where it goes. Trying to learn from what's behind you and never knowing what's in store makes each day a constant battle just to stay between the shores. And I will sail my vessel 'til the river runs dry. Like a bird upon the wind, these waters are my sky. I'll never reach my destination if I never try, So I will sail my vessel 'til the river runs dry. Too many times we stand aside and let the water slip away. To what we put off 'til tomorrow has now become today. So don't you sit upon the shore and say you're satisfied. Choose to chance the rapids and dare to dance the tides.
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Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up. You build up all these defenses, you build up a whole suit of armor, so that nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life...You give them a piece of you. They didn't ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn't your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like 'maybe we should be just friends' turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It's a soul-hurt, a real gets-inside-you-and-rips-you-apart pain. I hate love.
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These be three silent things: The Falling snow... the hour before the dawn... the mouth of one just dead.
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We see but dimly through the mists and vapors Amid these earthly damps What seem to us but sad, funeral tapers May be heaven's distant lamps.
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