Rise, brothers, rise; the wakening skies pray to the morning light, The wind lies asleep in the arms of the dawn like a child that has cried all night. Come, let us gather our nets from the shore and set our catamarans free, To capture the leaping wealth of the tide, for we are the kings of the sea! No longer delay, let us hasten away in the track of the sea gull's call, The sea is our mother, the cloud is our brother, the waves are our comrades all. What though we toss at the fall of the sun where the hand of the sea-god drives? He who holds the storm by the hair, will hide in his breast our lives. Sweet is the shade of the cocoanut glade, and the scent of the mango grove, And sweet are the sands at the full o' the moon with the sound of the voices we love; But sweeter, O brothers, the kiss of the spray and the dance of the wild foam's glee; Row, brothers, row to the edge of the verge, where the low sky mates with the sea.

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On life's journey faith is nourishment, virtuous deeds are a shelter, wisdom is the light by day and right mindfulness is the protection by night. If a man lives a pure life, nothing can destroy him.

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Take this kiss upon the brow And, in parting from you now,Thus much let me avow--You are not wrong who deemThat my days have been a dreamYet if hope has flown awayIn a night, or in a day,In a vision, or in none,Is it therefore the less goneAll that we see or seemIs but a dream within a dream.

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My skin is kind of sort of brownish Pinkish yellowish white. My eyes are greyish blueish green, But I'm told they look orange in the night. My hair is reddish blondish brown, But it's silver when it's wet. And all the colors I am inside Have not been invented yet.

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Those who dream by day are cognizant of many things that escape those who dream only at night.

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Morning Is Yellow Like A Desk Is Square
He always wanted to explain things. But no one cared. So he drew. Sometimes he would draw and it wasn't anything. He wanted to carve it in stone or write it in the sky. He would lie out on the grass and look up in the sky. And it would be only him and the sky and the things inside him that needed saying. And it was after that he drew the picture. It was a beautiful picture. He kept it under his pillow and would let no one see it. And he would look at it every night and think about it. And when it was dark, and his eyes were closed, he could still see it. And it was all of him. And he loved it. When he started school he brought it with him. Not to show anyone, but just to have with him like a friend. It was funny about school. He sat in a square brown desk Like all the other square brown desks And he thought it should be red And his room was a square brown room. Like all the other rooms. And it was tight and close. And stiff. He hated to hold the pencil and chalk, With his arm stiff and his feet flat on the floor. Stiff. With the teacher watching and watching. The teacher came and spoke to him. She told him to wear a tie like all the other boys. He said he didn't like them. And she said it didn't matter. After that they drew. And he drew all yellow and it was the way he felt about morning. And it was beautiful. The teacher came and smiled at him. 'What's this?' she said. 'Why don't you draw something like Ken's drawing? Isn't it beatiful?' After that his mother bought him a tie. And he always drew airplanes and rocket ships like everyone else. And he threw the old picture away. And when he lay alone looking at the sky, It was big and blue and all of everything, But he wasn't anymore. He was square inside. And brown. And his hands were stiff. And he was like everyone else. And the things inside him that needed saying didn't need it anymore. It had stopped pushing. It was crushed. Stiff. Like everything else.

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Hope, like the gleaming taper's light, Adorns and cheers our way And still, as darker grows the night, Emits a brighter ray.

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Behind him lay the gray Azores, Behind the gates of Hercules; Before him not the ghost of shores, Before him only shorless seas. The good Mate said, Now we must pray, For lo! the very stars are gone. Brave Admiral, speak, what shall I say? Why say, 'Sail on! sail on! and on! My men grow mutinous day by day; My men grow ghastly wan and weak! The stout Mate thought of home; a spray Of salt wavewashed his swarthy cheek. What shall I say, brave Admiral, say, If we sight naught but seas at dawn? Why, you shall say at break of day, 'Sail on! sail on! sail on! and on!' They sailed. They sailed. Then spake the Mate; This mad sea shows its teeth tonight. He curls his lip, he lies in wait, With lifted teeth, as if to bite! Brave Admiral, say but one good word; What shall we do when hope is gone? The words leapt like a leaping sword; Sail on! sail on! sail on! and on! Then, pale and worn, he kept his deck And peered through darkness. Ah! that night Of all dark nights! And then a speck -- A light! A light! A light! A light! It grew, a starlit flag unfurled! It grew to be Time's burst of dawn. He gained a world; he gave that world Its greatest lesson: On! sail on!

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Those who dream by day are cognizant of many things which escape those who dream only by night.

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To be nobody but yourself, in a world which is doing its best, night and day, to make you everybody else, means to fight the hardest battle which any human being can fight; and never stop fighting.

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The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers. It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow. I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.

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How did it get so late so soon? It's night before it's afternoon. December is here before it's June. My goodness how the time has flewn. How did it get so late so soon?

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Oh! Pilot! 'tis a fearful night, There's danger on the deep, I'll come and pace the deck with thee, I do not dare to sleep. Go down, the sailor cried, go down, This is no place for thee; Fear not! but trust in Providence, Wherever thou mayst be. Ah! Pilot, dangers often met We all are apt to slight, And thou hast known these raging waves But to subdue their might. It is not apathy, he cried, That gives this strength to me, Fear not but trust in Providence, Wherever thou mayst be. On such a night the sea engulphed My father's lifeless form; My only brother's boat went down In just so wild a storm; And such, perhaps, may be my fate, But still I say to thee, Fear not but trust in Providence, Wherever thou mayst be.

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Rough wind, that moanest loudGrief too sad for songWild wind, when sullen cloudKnells all the night longSad storm, whose tears are vain,Bare woods, whose branches strain,Deep caves and dreary main, - Wail, for the world's wrong

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The Night in Isla Negra

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The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the symmetrical growth of the bodily frame, by all these attitudes and exertions --an end of the first importance, which could not be trusted to any care less perfect than her own.

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We held hands on the last night on earth. Our mouths filled with dust, we kissed in the fields and under trees, screaming like dogs, bleeding dark into the leaves. It was empty on the edge of town but we knew everyone floated along the bottom of the river. So we walked through the waste where the road curved into the sea and the shattered seasons lay, and the bitter smell of burning was on you like a disease.In our cancer of passion you said, 'Death is a midnight runner.' The sky had come crashing down like the news of an intimate suicide. We picked up the shards and formed them into shapes of stars that wore like an antique wedding dress. The echoes of the past broke the hearts of the unborn as the ferris wheel silently slowed to a stop. The few insects skidded away in hopes of a better pastime. I kissed you at the apexof the maelstrom and asked if you would accompany me ina quick fall, but you made me realize that my ticket wasn't good for two. I rode alone. You said,'The cinders are falling like snow.' There is poetry in despair, and we sang with unrivaled beauty, bitter elegies of savagery and eloquence.Of blue and grey. Strange, we ran down desperate streets and carvedour names in the flesh of the city. The sun has stagnated somewhere beyond the rim of the horizon and the darkness is a mystery of curves and line.Still, we lay under the emptiness and drifted slowly outward,and somewhere in the wilderness we foundsalvation scratched into the earth like a message. the untitled poem--afi

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I never thought that heav'n would lose its blue And sullen storm-clouds mask the gentle sky; I never thought the rose's velvet hue Would pale and sicken, though we said good-by. I never dreamed the lark would hush its note As day succeeded ever-drearier day, Nor knew the song that swelled the robin's throat Would fade to silence, when you went away. I never knew the sun's irradiant beams Upon the brooding earth no more would shine, Nor thought that only in my mocking dreams Would happiness that once I knew be mine. I never thought the slim moon, mournfully, Would shroud her pallid self in murky night. Dear heart, I never thought these things would be- I never thought they would, and I was right.

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Once on a yellow piece of paper with green lines he wrote a poem And he called if 'Chops' because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it 'Autumn' because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it Once on a paper torn from his notebook he wrote a poem And he called it 'Innocence: A Question' because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it 'Absolutely Nothing' Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen

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How the old mountains drip with sunset, And the brake of dun! How the hemlocks are tipped in tinsel By the wizard sun! How the old steeples hand the scarlet, Till the ball is full, -- Have I the lip of the flamingo That I dare to tell? Then, how the fire ebbs like billows, Touching all the grass With a departing, sapphire feature, As if a duchess pass! How a small dusk crawls on the village Till the houses blot; And the odd flambeaux no men carry Glimmer on the spot! Now it is night in nest and kennel, And where was the wood, Just a dome of abyss is nodding Into solitude! -- These are the visions baffled Guido; Titian never told; Domenichino dropped the pencil, Powerless to unfold.

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Love is agrowing, to full constant light; and his first minute, after noon, is night

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The shades of night were falling fast,As though an Alpine village passedA youth, who bore, 'mid snow and ice,A banner with the strange device,ExcelsiorHis brow was sad his eye beneath,Flashed like a falchion from its sheath,And like a silver clarion rungThe accents of that unknown tongue,Excelsior

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To be nobody but yourself, in a world which is doing its best, night and day, to make you everybody else, means to fight the hardest battle which any human being can fight; and never stop fighting.

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I wonder if I've been changed in the night? Let me think: was I the same when I got up this morning? I almost think I can remember feeling a l...

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We are reformers in the spring and summer, but in autumn we stand by the old. Reformers in the morning, and conservers at night.

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Surely your gladness need not be the less for the thought that you will one day see a brighter dawn than this - when lovelier sights will meet your eyes than any waving trees or rippling waters - when angel-hands shall undraw your curtains, and sweeter tones than ever loving Mother breathed shall wake you to a new and glorious day - and when all the sadness, and the sin, that darkened life on this little earth, shall be forgotten like the dreams of a night that is past!

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'Against his better judgment, the big game hunter is talked into taking both his wife AND her mother along on one of his expeditions. It does not go well. The mother-in-law is, if anything, harder to get along with in the wilds than she was in the city. And to make matters worse, she won't even abide by the simple camp rules designed to keep the safari safe. One night after dinner, the hunter's wife realizes her mother is missing. Panicked, she rushes to her husband and begs him to institute a search. He sighs, and together they set out. But before they've gone far, they hear throaty growling. Soon they come upon a small clearing in which the mother-in-law stands, backed up against thick, seemingly impenetrable jungle brush, and facing a huge male lion. The wife whispers urgently, 'What are we going to do?' 'Nothing,' responds her husband. 'The lion got himself into this mess, now let him get himself out of it.''

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Both read the Bible day and night, But thou read'st black where I read white

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The paradox of our time in history is that we have taller buildings but shorter tempers, wider freeways, but narrower viewpoints. We spend more, but have less; we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete.

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Not a single star will be left in the night. The night will not be left. I will die and, with me, the weight of the intolerable universe. I shall erase the pyramids, the medallions, the continents and faces. I shall erase the accumulated past. I shall make dust of history, dust of dust. Now I am looking on the final sunset. I am hearing the last bird. I bequeath nothingness to no one.

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