Rise, brothers, rise; the wakening skies pray to the morning light, The wind lies asleep in the arms of the dawn like a child that has cried all night. Come, let us gather our nets from the shore and set our catamarans free, To capture the leaping wealth of the tide, for we are the kings of the sea! No longer delay, let us hasten away in the track of the sea gull's call, The sea is our mother, the cloud is our brother, the waves are our comrades all. What though we toss at the fall of the sun where the hand of the sea-god drives? He who holds the storm by the hair, will hide in his breast our lives. Sweet is the shade of the cocoanut glade, and the scent of the mango grove, And sweet are the sands at the full o' the moon with the sound of the voices we love; But sweeter, O brothers, the kiss of the spray and the dance of the wild foam's glee; Row, brothers, row to the edge of the verge, where the low sky mates with the sea.
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If then a practical end must be assigned to a University course, I say it is that of training good members of society. Its art is the art of social life, and its end is fitness for the world. It neither confines its views to particular professions on the one hand, nor creates heroes or inspires genius on the other. Works indeed of genius fall under no art; heroic minds come under no rule; a University is not a birthplace of poets or of immortal authors, of founders of schools, leaders of colonies, or conquerors of nations. It does not promise a generation of Aristotles or Newtons, of Napoleons or Washingtons, of Raphaels or Shakespeares, though such miracles of nature it has before now contained within its precincts. Nor is it content on the other hand with forming the critic or the experimentalist, the economist or the engineer, though such too it includes within its scope. But a University training is the great ordinary means to an great but ordinary end; it aims at raising the intellectual tone of society, at cultivating the public mind, at purifying the national taste, at supplying true principles to popular enthusiasm and fixed aims to popular aspiration, at giving enlargement and sobriety to the ideas of the age, at facilitating the exercise of political power, and refining the intercourse of private life. It is the education which gives a man a clear conscious view of his own opinions and judgments, a truth in developing them, an eloquence in expressing them, and a force in urging them.
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Said the little boy, Sometimes I drop my spoon. Said the little old man, I do that too. The little boy whispered, I wet my pants. I do too, laughed the old man. Said the little boy, I often cry. The old man nodded. So do I. But worst of all, said the boy, it seems Grown-ups don't pay attention to me. And he felt the warmth of a wrinkled old hand. I know what you mean, said the little old man.
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Fair flower, that dost so comely grow, Hid in this silent, dull retreat, Untouched thy honied blossoms blow, Unseen thy little branches greet; ...No roving foot shall crush thee here, ...No busy hand provoke a tear. By Nature's self in white arrayed, She bade thee shun the vulgar eye, And planted here the gaurdian shade, And sent soft waters murmuring by; ...Thus quietly thy summer goes, ...Thy days declinging to repose. Smit with those charms, that must decay, I grieve to see your future doom; They died--nor were those flowers more gay, The flowers that did in Eden bloom; ...Unpitying frosts, and Autumn's power ...Shall leave no vestige of this flower. From morning suns and evenign dews At first thy little being came: If nothing once, you nothing lose, For when you die you are the same; ...The space between, is but an hour, ...The frail duration of a flower.
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Pretty women wonder where my secret lies. I'm not cute or built to suit a fashion model's size But when I start to tell them, They think I'm telling lies. I say, It's in the reach of my arms The span of my hips, The stride of my step, The curl of my lips. I'm a woman Phenomenally. Phenomenal woman, That's me.
I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. I say, It's the fire in my eyes, And the flash of my teeth, The swing in my waist, And the joy in my feet. I'm a woman Phenomenally. Phenomenal woman, That's me.
Men themselves have wondered What they see in me. They try so much But they can't touch My inner mystery. When I try to show them They say they still can't see. I say, It's in the arch of my back, The sun of my smile, The ride of my breasts, The grace of my style. I'm a woman
Phenomenally. Phenomenal woman, That's me.
Now you understand Just why my head's not bowed. I don't shout or jump about Or have to talk real loud. When you see me passing It ought to make you proud. I say, It's in the click of my heels, The bend of my hair, the palm of my hand, The need of my care, 'Cause I'm a woman Phenomenally. Phenomenal woman, That's me.
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The pure, the bright, The beautiful that stirred our hearts in youth, The impulses to wordless prayer, The streams of love and truth, The longing after something lost, The spirit's yearning cry, The striving after better hopes; These things can never die. The timid hand stretched forth to aid a brother in his need, A kindly word in grief's dark hour that proves a friend indeed; The plea for mercy softly breathed, When justice threatens high, The sorrow of a contrite heart; These things shall never die, shall never die. Let nothing pass, For every hand must find some work to do, Lose not a chance to waken love. Be firm and just and true, So shall a light that cannot fade beam on thee from on high, And angel voices say to thee; These things can never die.
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The glory of friendship is not in the outstretched hand, nor the kindly smile, nor the joy of companionship; it is in the spiritual inspiration that comes to one when he discovers that someone else believes in him and is willing to trust him.
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Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!"
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Grow old along with me The best is yet to be, The last of life, for which the first was made Our times are in his hand who saith, A whole I planned, Youth shows but half trust God See all, nor be afraid
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Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. 'Keep, ancient lands, your storied pomp!' cries she With silent lips. 'Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!'
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He yaf me al the bridel in myn hand, To han the governance of hous and land, And of his tonge and his hand also;
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Never strike a child in anger. When could I strike him? When he is kissing me on my birthday? When he is recuperating from the measles? Do I slap the Bible out of his hand on Sunday.
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How the old mountains drip with sunset, And the brake of dun! How the hemlocks are tipped in tinsel By the wizard sun! How the old steeples hand the scarlet, Till the ball is full, -- Have I the lip of the flamingo That I dare to tell? Then, how the fire ebbs like billows, Touching all the grass With a departing, sapphire feature, As if a duchess pass! How a small dusk crawls on the village Till the houses blot; And the odd flambeaux no men carry Glimmer on the spot! Now it is night in nest and kennel, And where was the wood, Just a dome of abyss is nodding Into solitude! -- These are the visions baffled Guido; Titian never told; Domenichino dropped the pencil, Powerless to unfold.
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I am obnoxious to each carping tongue Who says my hand a needle better fits,...
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Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth, And I know that the hand of God is the promise of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love.
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The mystic prophets of the absolute cannot save us. Sustained by our history and traditions, we must save ourselves, at whatever risk of heresy or blasphemy. We can find solace in the memorable representation of the human struggle against the absolute in the finest scene in the greatest of American novels. I refer of course to the scene when Huckleberry Finn decides that the '' plain hand of Providence '' requires him to tell Miss Watson where her runaway slave Jim is to be found. Huck writes his letter of betrayal to Miss Watson and feels '' all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. '' He sits there for a while thinking '' how good it was all this happened so, and how near I come to being lost and going to hell .'' Then Huck begins to think about Jim and the rush of the great river and the talking and the singing and the laughing and friendship. '' Then I happened to look around and see that paper. . . . I took it up, and held it in my hand. I was a-trembling because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: 'All right, then, I'll go to hell' - and tore it up .''
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Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee is not to lift an impious hand to the Crown of Thorns.
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A tyrant must put on the appearance of uncommon devotion to religion. Subjects are less apprehensive of illegal treatment from a ruler whom they consider god-fearing and pious. On the other hand, they do less easily move against him, believing that he has the gods on his side.
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A mind all logic is like a knife all blade. It makes the hand bleed that uses it.
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The glory of friendship is not the outstreched hand, nor the kindly smile, nor the joy of companionship; it is the spiritual inspiration that comes to one when he discovers that someone else believes in him and is willing to trust him.
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So if I asked you about art you could give me the skinny on every art book ever written...Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But you couldn't tell me what it smells like in the Sistine Chapel. You've never stood there and looked up at that beautiful ceiling. And if I asked you about women I'm sure you could give me a syllabus of your personal favorites, and maybe you've been laid a few times too. But you couldn't tell me how it feels to wake up next to a woman and be truly happy. If I asked you about war you could refer me to a bevy of fictional and non-fictional material, but you've never been in one. You've never held your best friend's head in your lap and watched him draw his last breath, looking to you for help. And if I asked you about love I'd get a sonnet, but you've never looked at a woman and been truly vulnerable. Known that someone could kill you with a look. That someone could rescue you from grief. That God had put an angel on Earth just for you. And you wouldn't know how it felt to be her angel. To have the love be there for her forever. Through anything, through cancer. You wouldn't know about sleeping sitting up in a hospital room for two months holding her hand and not leaving because the doctors could see in your eyes that the term 'visiting hours' didn't apply to you. And you wouldn't know about real loss, because that only occurs when you lose something you love more than yourself, and you've never dared to love anything that much. I look at you and I don't see an intelligent confident man, I don't see a peer, and I don't see my equal. I see a boy. Nobody could possibly understand you, right Will? Yet you presume to know so much about me because of a painting you saw. You must know everything about me. You're an orphan, right? Do you think I would presume to know the first thing about who you are because I read 'Oliver Twist?' And I don't buy the argument that you don't want to be here, because I think you like all the attention you're getting. Personally, I don't care. There's nothing you can tell me that I can't read somewhere else. Unless we talk about your life. But you won't do that. Maybe you're afraid of what you might say.
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When we honestly ask ourselves which person in our lives mean the most to us, we often find that it is those who, instead of giving advice, solutions, or cures, have chosen rather to share our pain and touch our wounds with a warm and tender hand. The friend who can be silent with us in a moment of despair or confusion, who can stay with us in an hour of grief and bereavement, who can tolerate not knowing, not curing, not healing and face with us the reality of our powerlessness, that is a friend who cares.
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Remember, if you ever need a helping hand, you'll find one at the end of your arm. . . . As you grow older you will discover that you have two hands. One for helping yourself, the other for helping others.
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Bigotry tries to keep truth safe in its hand with a grip that kills it.
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As long as I can remember I feel I have had this great creative and spiritual force within me that is greater than faith, greater than ambition, greater than confidence, greater than determination, greater than vision. It is all these combined. My brain becomes magnetized with this dominating force which I hold in my hand.
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Do you know what friendship is... it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.
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Fråga: Vad tror det är som driver människan framåt? Själv är jag böjd till att tro att girigheten är den ultima drivkraften. Då menar jag girighet i både psykiskt och fysiskt plan. D.v.s en girighet i mental och materiell åtrå. Jag tror då följdaktligen att girighet är det som formar vårt samhälle. Inte så direkt upplyftande eller hur? (Samuel Sannsell)
Svar: Borgare brukar säga att människan drivs av egennyttan. Gunnar Adler Karlsson skrev att vi drivs framåt av vår lathet (därav alla tids och människobesparande uppfinningar). En del tror att de kan hitta den genetiska koden som förklarar artens vilja att växa och utvecklas, andra att det är svårt att se nån utveckling överhuvudtaget. Själv tror jag at vi drivs framåt av vår kultur. Vårt sociala vara. Poängen med den tesen är att en kultur kan fyllas med olika gemensamma drivkrafter. I ett samhälle som premierar egennyttan, får den större betydelse. I ett samhälle som premierar samarbete får det beteendet större betydelse. Visst föder din tanke deppiga dagar. Men jag läste en gång några rader om mänsklighetens märkliga förmåga att sätta sig själv inför hotet om utplåning (genom kärnvapenkriget). Det märkliga stod det, är inte att människan har detta terrorvapen i sin hand. Det fantastiska är att man trots fingrarna på knappen under femtio år, ännu inte tryckt av.
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Baseball happens to be a game of cumulative tension but football, basketball and hockey are played with hand grenades and machine guns.
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Whenever any affliction assails me, I have the keys of my prison in mine own hand, and no remedy presents it selfe so soone to my heart, as mine own sword. Often meditation of this hath wonne me to a charitable interpretation of their action, who dy so: and provoked me a little to watch and exagitate their reasons, which pronounce so peremptory judgments upon them.
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When clouds are seen, wise men put on their cloaks; When great leaves fall, then winter is at hand;...
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