Our nation was born in genocide when it embraced the doctrine that the original American, the Indian, was an inferior race. Even before there were large numbers of Negroes on our shore, the scar of our racial hatred had already disfigured colonial society. From the sixteenth century forward, blood flowed in battles over racial supremacy. We are perhaps the only nation which tried as a matter of national policy to wipe out its indigenous population. Moreover, we elevated that tragic experience into a noble crusade. Indeed, even today we have not permitted ourselves to reject or feel remorse for this shameful episode. Our literature, our films, our drama, our folklore all exalt it. Our children are still taught to respect the violence which reduced a red-skinned people of an earlier culture into a few fragmented groups herded into impoverished reservations.
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Drama is based on the Mistake. I think someone is my friend when he really is my enemy, that I am free to marry a woman when in fact she is my mother, that this person is a chambermaid when it is a young nobleman in disguise, that this well-dressed young man is rich when he is really a penniless adventurer, or that if I do this such and such a result will follow when in fact it results in something very different. All good drama has two movements, first the making of the mistake, then the discovery that it was a mistake.
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I made some mistakes in drama. I thought the drama was when the actors cried. But drama is when the audience cries.
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As soon as I realized that I didn't need meat to survive or to be in good health, I began to see how forlorn it all is. If only we had a different mentality about the drama of the cowboy and the range and all the rest of it. It's a very romantic notion, an entrenched part of American culture, but I've seen, for example, pigs waiting to be slaughtered, and their hysteria and panic was something I shall never forget.
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The ode lives upon the ideal, the epic upon the grandiose, the drama upon the real.
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I've watched a lot of mid-career people, and Yogi Berra says you can observe a lot just by watching. I've concluded that most people enjoy learning and growing. And many are dearly troubled by the self-assessments of mid-career. Such self-assessments are no great problem at your age. You're young and moving up. The drama of your own rise is enough. But when you reach middle age, when your energies aren't what they used to be, then you'll begin to wonder what it all added up to; you'll begin to look for the figure in the carpet of your life. I have some simple advice for you when you begin that process. Don't be too hard on yourself. Look ahead. Someone said that Life is the art of drawing without an eraser. And above all don't imagine that the story is over. Life has a lot of chapters.
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The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.
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I trained for three years at drama school to be an actor - not a celebrity.
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The few little years we spend on earth are only the first scene in a Divine Drama that extends into Eternity.
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The motive of the drama of human life is the necessity, laid upon every man who comes into the world, of discovering the mean between self-ass...
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Any campaign—like any good drama—will have its stylized performances. So too will it have one final dramatic element—a plot. The classic...
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Life is like an overlong drama through which we sit being nagged by the vague memories of having read the reviews.
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A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status -- all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).
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Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
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War is the supreme drama of a completely mechanized society.
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We respond to a drama to that extent to which it corresponds to our dream life.
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Drama is life with the dull parts cut out of it.
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He who has never envied the vegetable has missed the human drama.
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We have institutions that work, we have pressed ahead with enlargement which will take place on May 1, ... There is no drama or crisis with a capital 'C'.
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Life is funny. Life isn't categorized into comedy, drama, action, is it?So I don't know why they try to categorize everything. It drives me crazy-why it would have to be just a romantic comedy or...I want to have a little integrity, a little story, you know.
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Film music should have the same relationship to the film drama that somebody's piano playing in my living room has to the book I am reading.
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Show me one thing here on earth which has begun well and not ended badly. The proudest palpitations are engulfed in a sewer, where they cease throbbing, as though having reached their natural term: this downfall constitutes the heart's drama and the negative meaning of history.
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The moment one accosts a stranger or is accosted by him is above all in this life the moment of drama... Whoever we meet watches us intently at the quick, strange moment of meeting, to see whether we are disposed to be friendly.
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And so faith is closing your eyes and following the breath of your soul down to the bottom of life, where existence and nonexistence have merged into irrelevance. All that matters is the little part you play in the vast drama.
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Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.
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Where there is no belief in the soul, there is very little drama . . . . Either one is serious about salvation or one is not. And it is well to realize that the maximum amount of seriousness admits the maximum amount of comedy. Only if we are secure in our beliefs can we see the comical side of the universe.
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It doesn't seem to me that this fantastically marvelous universe, this tremendous range in time and space and different kinds of animals, and all the different plants, and all these atoms with all their motions and so on, all this complicated thing can merely be a stage so that God can watch human beings struggle for good and evil - which is the view that religion has. The stage is too big for the drama. So I believe its not the right picture.
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In the marriage ceremony, that moment when falling in love is replaced by the arduous drama of staying in love, the words 'for richer, for poo...
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Without a measureless and perpetual uncertainty, the drama of human life would be destroyed.
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It was a fluke that between Christmas and New Year's of 1945 and 1946, I put my books down, turned on the radio and heard the worst drama I had ever heard, ever. It got my dander up because I had done some speaking and a little bit of acting.
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