Long Snyder Poems

Long Snyder Poems. Below are the most popular long Snyder by PoetrySoup Members. You can search for long Snyder poems by poem length and keyword.


Atrocity

Whether the Indigenous People,
robed in leathers, head dressed in feathers,
who had their own sovereign nations,
wanted it or not,
June 2nd 1924,
U.S. President Calvin Coolidge
condescendingly signed the Snyder Act,
a.k.a., the Indian Citizenship Act, into law,
thereby conferring American citizenship
on American Indians.

He had it backwards,
it was no more than an affront
as, whether the Indigenous People
wanted them or not,
it was American Indians who,
altho' they made no claim to own Mother Earth,
should have conferred American citizenship
on the Paleface People,
who were mere trespassers on tribal territory.

And Woody Guthrie
(1912 – 1967),
another white man,
was not referring
to Native Americans
when he wrote,
'This land is your land.'


Premium Member Haiku 49

rainy season 
	grief, white hydrangeas 
	hungry caterpillar



In part, The Haiku Society of America’s definition of a haiku reads, “Usually a haiku in English is written in three unrhymed lines of seventeen or fewer syllables.” Further, Japanese scholar Shigehisa Kuriyama states, “The 5-7-5 pattern by itself does not make a haiku.” (Gurga, p. 1). Contemporary English language haiku have departed radically from the 5-7-5 convention, including the Beat haiku of Jack Kerouac, Allen Ginsberg, and Gary Snyder, the latter awarded the Masaoka Shiki International Haiku Grand Prize in 2004. The haiku of Robert Spiess are especially experimental.

I recommend two sources for further study of haiku: “Haiku: A Poet’s Guide,” by Lee Gurga, addresses haiku in it’s traditional form; “Haiku Poetics in Twentieth-Century Avant-Garde Poetry,” by Jeffery Johnson discusses haiku as realized by modernist poets.  

Speaking personally, it is most important for me to enjoy writing a haiku, correct form or not, and for my haiku to be enjoyed by the reader.
Form: Haiku

Premium Member THE BEAT POETS BEAT

THE BEAT POETS BEAT
In the heart of San Francisco, Beat poet and publisher, Lawrence Ferlinghetti's City Lights bookstore shines bright, where words dance like shadows and the Beat poets ignite the night/
October 7, 1955 history takes a breath and five souls step onto the stage at Gallery Six, defying convention, flirting with death/
Allen Ginsberg, with fire in his eyes, unleashes “Howl” with a thunderous cry, a manifesto of madness and a rebellion against the lie/
Philip LaMantia, haunted, reads to his dead friend, his poetry, weeping, echoing a voice that refuses to bend/
Michael McClure paints images, Gary Snyder sings with the trees and Philip Whalen whispers wisdom, each line a gust of the breeze/
Jack Kerouac, a slick cat, the pulse on the side, cheering from the sidelines at the Six, his heart a drum, a ride, his “Beatitude” was full of pride/
Man, he was having a poet’s blast and wrote about that first gig of Beat poets at Gallery Six in The Dharma Bums/
Dig it people, Kerouac was a hipster and juicehead all rolled into one, his words will last into the beat of a new jazz thing/
The rhythm of jazz where poetry flows and grows, drunk poetry fans are lost in the haze, sipping inspiration, caught in the craze/
So, dig the jazz of Charlie ‘Bird’ Parker, Miles, Diz, and Monk where each note is a heartbeat, each beat a junkie’s funk/
Bebop intertwines a new vision in the structure of their poet dreams, crazed improvisational jazz solos are a tapestry of spoken word screams/
So let us raise a glass to words unchained, to the Beat Generation, where poetry reigned/
The echoes of City Lights, let their legacy shine bright, for in the lines of their verses we find our voice, our fight/
© Tony Adamo  Create an image from this poem.

Premium Member I Saw You Today

I Saw You Today

In Loving Memory
Of Tate Snyder.

Doing the things that needed done I went along my way.
I must admit I was unprepared when I saw you today.
Was it something in my memory from an unfamiliar place?
That caused my heart to break in two I saw you in a strangers face.

He had your big bright shining eyes and he had your smile too.
I could not contain my tears today when I saw you.
He looked just like a pirate and the thing I found so weird.
Were the tattoos on his arms and your big bushy beard.

Dressed the way you always dressed a biker plain to see.
But not just any biker he looked like you to me.
You've been gone away from me for all of these past years.
I looked at him and I saw you looking at him through my tears.

I told him I was sorry and that I didn't mean to stare.
My God it looked like you! He even had your hair.
I hated to but I had to leave there was no way I could stay.
With a brand new broken heart because I saw you today.

Edwin C Hofert
Form: Rhyme

Premium Member P S It's Poetry Write On Write On Congrats To My Fellow Poetry Soupers Part 12

P S ITS POETRY WRITE ON  WRITE ON CONGRATS TO MY FELLOW POETRY SOUPERS PART 12
This anthology is a collection of the work of various poets from all over the world. By reading these diverse works, we hope that people will become more understanding, compassionate, and empathetic towards all people Founded in February of 2005 PoetrySoup Internet Poetry resource and community.  Encourages the writing of poetry through community involvement and support. This Free online poetry of professional and amateur poets
Of sharing your whispers from God,
 tho you didn’t know it; 
Each letters and each word;
Reads so very dear and well; Joys of your souls cheers; Covenants of choice, reading your voice; Blessing peace be still; Please keep writing your skills; Rhyming verses blessings of course it’s… P.S. Congrats and thank-U my fellow Soupers
•	Joselito B. Asperin                     330
•	Joseph C Ogbonna                   457
•	Joseph Mugo                              408
•	Joseph Spence Sr                     119, 145
•	Joseph Szalinski                        353
•	Joyce Johnson                           222, 36
•	Judy Bagwell                              147, 160, 341
•	Julia A. Keirns                            254, 435
•	Julie Little                                    316
•	Kaa Na Kalyanasundaram       383
•	Kate Copeland                           299
•	Katharine L. Sparrow                171
•	Keith Trestrail                              212, 214, 412
•	Kelley Snyder                             246
•	Kelli White                                   110, 113, 193
•	Kelly Deschler                            50
•	Ken Duddle                                 213, 323
•	Kenneth Cheney                        285
•	Kenyugi Kent                              442
•	Kevin Cummings                       209, 324
•	Khalid Albudoor                         166
•	Khashayar Salehi Nobandegani               463
•	Kim Edward Morrison                136, 90
•	Kim Marie Rodrigues                113, 247
•	Kim Robin Edwards                   242
•	Kimberly A Sikorski                   315
•	Kimberly J Merryman                180, 268, 87
•	Kinsey Adriano                           454
•	Kudzai Mhangwa                       439



12/15/20
Written words by James Edward Lee Sr. 2020©


Premium Member SUNFLOWERS AND THE BUDDHA JAZZ LIGHT

SUNFLOWERS AND THE BUDDHA JAZZ LIGHT
Inner peace, mindfulness, compassion, word sculpturing, and the painting of visual jazz word speak
Ingredients to make your soul Buddha talk/
Herbie Hancock, Charles Lloyd, the Beat poets/
notably Jack Kerouac, Allen Ginsberg, and Gary Snyder, the Dharma Bums, Eastern philosophy/
The Beats were heavily influenced by Zen Buddhism, focusing on direct experience, meditation,
and the transcendence of structured thought/
Some jazz musicians of the 1950's fused the spontaneous energy of bebop jazz with the philosophical tenets of Buddhism/
The spontaneity of Charlie "Bird" Parker's playing merged with Buddhist notions of the "void" or "shunyata," where the improviser
pierces through the silence/ 
Buddha's breath in petals bright, whispers of mindful light, interconnected, yet free from grasp. a dance of seeds in a cosmic clasp/
Sowing happiness, in the earth's embrace, manifestation's gentle trace, yet in the void, where silence lies, non-existence softly flies/
Modern art, a visual jazz, words sculpted like spiritual pizzazz, inner peace to Eddie Gale,
Compassion spun, a tapestry of the soul begun/
Herbie's keys, a sacred tune, Charlie's sax, a fleeting moon, the Beat poet's rhythmic breath, Zen's deep silence beneath the depth/
Spontaneous, raw, unbound, in the void's embrace, profound, where improvisational jazz is born anew/
Sunflowers and the Jazz Buddha, in harmony's dance, a sacred union of chance and meditative trance/
In every seed, a universe, in every breath, the universe's verse
© Tony Adamo  Create an image from this poem.

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