The Mists Of Barovia


In a land beneath the sky that does not open with the daylight,
surrounded by the mountain peaks clutching the clouds of silence,
lies the hamlet of Barovia in mystique valley of perpetual twilight,
mantled at the vale’s edge by impenetrable wall of fog, the Mists.

The people live cautious lives in the shadow of monolithic misery
with faces bearing the expression of endurance shaped by suspicion.
They speak of bells that ring when no hand they see touch them,
in every conversation there’s the same unspoken topic, the castle.

Castle Ravenloft rises from its pillars of stone-like scars on the sky,
with the towers driven upward like charred ribs against the drifting fog.
Enclosed within its walls of malice the air is saturated with memories,
thoughts coil in corridors with footsteps echo even when no one walks.

Every stone of the castle is loyal to its master, Count Strahd von Zarovich,
who exists as a paradox, immortal yet decaying, powerful yet imprisoned,
moving through the castle like a steadfast notion that cannot be dismissed,
for shadows lengthen in his reverence, as if Ravenloft is his body, not home.

He is a polymath of cruelty, an epitome of endless pain that never wanes.
When he rides as the mist through the valley the Barovian hearts freeze,
and yet, he isn’t sustained by fear alone, at the core of his timeless longing
lies his love, Tatyana, who slipped through his fingers, to be a curse to the land.

Yet, Barovia endures the plight, as in secret moments fragile hope still flickers,
for the story remains unfinished, waiting at the edge of the day yet to dawn.
The tragedy of Barovia is in its replication, for every time a Tatyana is born,
a Strahd claims her, but the Mists take her away for the cycle to begin anew.

fantasyimaginationfree verse

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