Gerald Dillenbeck | + Follow Poet |
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Primal Operas

All conversations,
like harmonic music,
practice rhetoric's resonant reconnection
with communicating hope,
spirited intent,
re-ligioning faith;
panentheistic love.

All revolutionary integral spirals 
practice nurturing naturally healthy trends
with spirited hope, 
mindful intent, 
embodied creolizing faith;
and within Great EarthSystemic climaxing devolutions,
still small voiced sad-theistic love.

All divinely humane re-creators
nurture open-loop polyculturing re-ligions,
emerging local healthy
through global wealthy hope
reweaving positive empowering intent,
economic enlightened faith;
and, inter-religiously,
nurturing nature-spirited indigenous love
of organically sentient root systems 
panentheistically savoring landscape re-development networks,
both on- and off-line,
with arts and craftsy non-ZeroEgo EcoCommunion Zones.

All verbal discernment practice
LeftBrain dominant language communion
with re-ligioning mind hope 
for active body climaxing love,
faith in Gandhian nonviolent communion wealth 
of nondually co-arising win/win healthy outcomes.

All reiterative information strings 
within communication networks 
organic and/or digital
practice co-arising/co-gravitating flow
Positive synergeticMind/synapticBody 
AND DoubleNegative dipolar aptic,
with hope for less felt dissonance
and pathological absence 
of primal LeftVerbal-thoughts/RightNonVerbal-feelings
bipartisan synergetic re-ligioning communication.

All love-sentience practices sacred communion
re-connecting healthy multiculturing ego-faith 
within wealthy polyculturing eco-religion

EgoAnthro Left spoken 
inside EcoEarth's unspoken Right 
to live Tao balance proportions of symmetry,
Tipping MidWay Points
gleaming sunlight's reflection off Earth's transparent skin
toward Alpha OneSun Light through (0)Mega EarthPower
neuro/eco-woke bicameral bright
displaying Ego's mind/body stage 
for song/dance
re-ligious health campaign wealth events,
each interdependent aria/aura 
comprising EarthTribe's ReLigioning Opera.

Copyright © Gerald Dillenbeck | Year Posted 2016

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