Paradigm Of Contrast

For the contrived inducement of fixated being, the transmuting tenet of uniqueness, the personified indented identity, changes in the self-devised palette of metamorphosed color mélange, while the conjured chameleon slyly cocooned, paints the shifting façade of deception. In the ostensible enactment of life’s incredible drama, the performance perfected in one-act play with the obsession of passion professed, gilding the consequence crafted by alchemy, the surreptitious shift from one actor to another, is an axiomatic drive of the dormant design. Out of the limelight, the clandestine colors fade on the tangible visage of virtual makeup, the pallid original face morphs mystically into the veracity mirror of fragile actuality, reflecting the real rendering of identity, rinsed with the primal hues of persona of the distinctive disposition embodied once. The spasm of schematic perception splits the mirror, the shapeless shards of shattered pretence scatter as discarded debris willfully abandoned. Transformation creates the deluding entity, an alien in its own renovated realm, completes the illusive paradigm of contrast.