He Who Creates Re-Creates Himself

for René Passeron*

             You may not grow old too soon
          if
Things you have known will come back to you again
No revision nor recall need put them back in place

          Time was when you knew the time 
    the place   the face
        Even the scarce women in prized moments gone in pain

Who would care    nor what would it matter
   in which life    upon what water
        you have trailed your fingers
             upon waves of papers

Let your mind brush
                               some canvas in a rush
Left your mark
                      upon some bark
         Wed some wanton women
spawned wholesome omens

Made as if        the artier your words
     held some moment in a perennial frame
  Never to be banged away by fading suns
              collapsing quasars
                  asteroid storms
                      puncturing galaxies
                          usurping black holes

Can this act of writing seize the moment
Or is it your way of saying

        What else is there to be done?

Let the unknowable undermine the unknown

                                   Here on this planet
we have made our sinuous conventions
         stick to paper and canvas
                  stone and sound

And words that are haloed
           by the sickness of the poet
  though all is not lost for the pen
                                   whose blood will
            possess 
                anchor 
                     expose

our futile justifications
                     explications
                           ratiocinations
doctoral dissertations

And generations will tremulously grant him
      The right to unravel the eternities
For one who dared capture the moment
      In the capsule of a poem


*René Passeron, b. 1920, a surrealist painter and philosopher, was the principal figure conducting research into “poietics” in France, since the eighties, after the renowned aesthetician Etienne Souriau took over from the internationally famous poet Paul Valéry who first mooted the project in 1939, though the Russians had already begun publishing in this field of research during the First World War. Professor Passeron led a twin career as a Senior Research Fellow with the premier European research organization: the French National Centre for Scientific Research (C.N.R.S.) and as a Professor at the Ecole des Hautes Etudes en Sciences Sociales and at the University of Paris-I-Panthéon Sorbonne where he was the Director of the Institute of Aesthetics and Fine Arts.

 ©: T.Wignesan 1987 April 12, 1987 [from the collection : back to background material, 1993] Pub. in Poietics: Disquisitions on the Art of Creation. Allahabad: Cyberwit.net, 2008.

Copyright © | Year Posted 2012



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Date: 5/26/2012 1:53:00 AM
This is really cool, the diction is amazing, and the voice of the poem seems to rattle like an earthquake
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Wignesan Avatar
T Wignesan
Date: 5/26/2012 3:29:00 AM
Well, Justin, "Shiver my timbers", it's me who's rattling from your words. Cool - me? Not from now on, I can assure you. Thanks a lot. And every good wish. T. Wignesan
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