Famous Long Song Poems

Famous Long Song Poems. Long Song Poetry by Famous Poets. A collection of the all-time best Song long poems

See also: Long Member Poems

 Strephon. 

You Gote-heard Gods, that loue the grassie mountaines, 
You Nimphes that haunt the springs in pleasant vallies, 
You Satyrs ioyde with free and quiet forests, 
Vouchsafe your silent eares to playning musique, 
Which to my woes giues still an early morning; 
And drawes the dolor on till wery euening. 

Klaius. 

O Mercurie, foregoer to the euening, 
O heauenlie huntresse of the sauage mountaines, 
O louelie starre, entitled of the morning, 
While that my voice doth fill these wofull vallies, 
Vouchsafe your silent eares to plaining musique, 
Which oft hath Echo tir'd in secrete forrests. 

Strephon. 

I that was once free-burges of the forrests, 
Where shade from Sunne, and sports I sought at euening, 
I that was once esteem'd for pleasant musique, 
Am banisht now among the monstrous mountaines 
Of huge despaire, and foule afflictions vallies, 
Am growne a shrich-owle to my selfe each morning. 

Klaius. 

I that was once delighted euery morning, 
Hunting the wilde inhabiters of forrests, 
I that was once the musique of these vallies, 
So darkened am, that all my day is euening, 
Hart-broken so, that molehilles seeme high mountaines, 
And fill the vales with cries in steed of musique. 

Strephon. 

Long since alas, my...
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 AN INDIAN LEGEND.

[This very fine Ballad was also first given in the Horen.]
(MAHADEVA is one of the numerous names of Seeva, the destroyer,--
the great god of the Brahmins.)


MAHADEVA,* Lord of earth

For the sixth time comes below,

As a man of mortal birth,--

Like him, feeling joy and woe.

Hither loves he to repair,

And his power behind to leave;

If to punish or to spare,

Men as man he'd fain perceive.
And when he the town as a trav'ller hath seen,
Observing the mighty, regarding the mean,
He quits it, to go on his journey, at eve.


He was leaving now the place,

When an outcast met his eyes,--

Fair in form, with painted face,--

Where some straggling dwellings rise.

"Maiden, hail!"--"Thanks! welcome here!

Stay!--I'll join thee in the road.'

"Who art thou?"--"A Bayadere,

And this house is love's abode."
The cymbal she hastens to play for the dance,
Well skill'd in its mazes the sight to entrance,
Then by her with grace is the nosegay bestow'd.



Then she draws him, as in play,

O'er the threshold eagerly:

"Beauteous stranger, light as day

Thou shalt soon this cottage see.

I'll refresh thee, if thou'rt tired,

And will bathe thy weary feet;

Take whate'er by thee's desired,

Toying, rest, or rapture sweet."--
She busily seeks his feign'd suff'rings to ease;
Then smiles the Immortal; with pleasure he sees
That with kindness...
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 A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.

It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.

This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full...
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 Fire and wild light of hope and doubt and fear,
Wind of swift change, and clouds and hours that veer
As the storm shifts of the tempestuous year;
Cry wellaway, but well befall the right.

Hope sits yet hiding her war-wearied eyes,
Doubt sets her forehead earthward and denies,
But fear brought hand to hand with danger dies,
Dies and is burnt up in the fire of fight.

Hearts bruised with loss and eaten through with shame
Turn at the time's touch to devouring flame;
Grief stands as one that knows not her own name,
Nor if the star she sees bring day or night.

No song breaks with it on the violent air,
But shrieks of shame, defeat, and brute despair;
Yet something at the star's heart far up there
Burns as a beacon in our shipwrecked sight.

O strange fierce light of presage, unknown star,
Whose tongue shall tell us what thy secrets are,
What message trembles in thee from so far?
Cry wellaway. but well befall the right.

From shores laid waste across an iron sea
Where the waifs drift of hopes that were to be,
Across the red rolled foam we look for thee,
Across the fire we look up for the light.

From days laid waste across disastrous years,
From hopes cut down across a world of fears,
We gaze...
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 Far over the Misty Mountains cold,
To dungeons deep and caverns old,
We must away, ere break of day,
To seek our pale enchanted gold.

The dwarves of yore made mighty spells,
While hammers fell like ringing bells,
In places deep, where dark things sleep,
In hollow halls beneath the fells.

For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught,
To hide in gems on hilt of sword.

On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, on twisted wire
They meshed the light of moon and sun.

Far over the Misty Mountains cold,
To dungeons deep and caverns old,
We must away, ere break of day,
To claim our long-forgotten gold.

Goblets they carved there for themselves,
And harps of gold, where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.

The pines were roaring on the heights,
The wind was moaning in the night,
The fire was red, it flaming spread,
The trees like torches blazed with light.

The bells were ringing in the dale,
And men looked up with faces pale.
The dragon's ire, more fierce than fire,
Laid low their towers and houses frail.

The mountain smoked beneath the moon.
The dwarves, they heard the tramp of doom.
They fled the hall to dying...
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 YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.

Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!

You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?

Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.

There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.

With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses, 
And we cry with delight, "Oh, how sweet they do smell!"

Perhaps you will...
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I was a little boy, at home with strangers.   
I liked my playmates, and knew well,   
Whence all their parents came; 
From England, Scotland, royal France   
From Germany and oft by chance 
The humble Emerald Isle. 

But my brown skin and close-curled hair 
Was alien, and how it grew, none knew; 
Few tried to say, some dropped a wonderful word or stray; 
Some laughed and stared. 

And then it came: I dreamed.   
I placed together all I knew 
All hints and slurs together drew.   
I dreamed. 

I made one picture of what nothing seemed   
I shuddered in dumb terror 
In silence screamed, 
For now it seemed this I had dreamed; 

How up from Hell, a land had leaped 
A wretched land, all scorched and seamed   
Covered with ashes, chained with pain   
Streaming with blood, in horror lain   
Its very air a shriek of death 
And agony of hurt. 

Anon I woke, but in one corner of my soul   
I stayed asleep. 
Forget I could not, 
But never would I remember   
That hell-hoist ghost   
Of slavery and...
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 There's a whisper down the field where the year has shot her yield,
 And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
 "And your English summer's done."
 You have heard the beat of the off-shore wind,
 And the thresh of the deep-sea rain;
 You have heard the song -- how long? how long?
 Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!

It's North you may run to the rime-ringed sun
 Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
 Or West to the Golden Gate --
 Where the blindest bluffs hold good, dear lass,
 And the wildest tales are true,
 And the men bulk big on the old trail, our own trail, the out trail,
 And life runs large on the Long Trail -- the trail that is always new.

The days are sick and cold, and the skies are grey and old
 And the twice-breathed airs blow damp;
And I'd sell...
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 CALL it to mind, O my love.
Dear were your eyes as the day,
Bright as the day and the sky;
Like the stream of gold and the sky above,
Dear were your eyes in the grey.
We have lived, my love, O, we have lived, my love!
Now along the silent river, azure
Through the sky's inverted image,
Softly swam the boat that bore our love,
Swiftly ran the shallow of our love
Through the heaven's inverted image,
In the reedy mazes round the river.
See along the silent river,

See of old the lover's shallop steer.
Berried brake and reedy island,
Heaven below and only heaven above.
Through the sky's inverted image
Swiftly swam the boat that bore our love.
Berried brake and reedy island,
Mirrored flower and shallop gliding by.
All the earth and all the sky were ours,
Silent sat the wafted lovers,
Bound with grain and watched by all the sky,
Hand to hand and eye to . . . eye.

Days of April, airs of Eden,
Call to mind how bright the vanished angel hours,
Golden hours of evening,
When our boat drew homeward filled with flowers.
O darling, call them to mind; love the past, my love.
Days of April, airs of Eden.
How the glory died through golden hours,
And the shining moon arising;
How the boat drew homeward filled with flowers.
Age and...
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 A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould [lang f]philosophique[lang e],
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-pot;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.

But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.

A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies'...
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 Man, is the Sea your master? Sea, and is man your slave? – 
This is the song of brave men who never know they are brave: 
Ceaselessly watching to save you, stranger from foreign lands, 
Soundly asleep in your state room, full sail for the Goodwin Sands! 
Life is a dream, they tell us, but life seems very real, 
When the lifeboat puts out from Ramsgate, and the buggers put out from Deal! 

A gun from the lightship! – a rocket! – a cry of, "Turn out, me lad!" 
"Ship on the Sands!" they're shouting, and a rush of the oilskin-clad. 
The lifeboat leaping and swooping, in the wake of the fighting tug, 
And the luggers afloat in Hell's water – Oh, "tourist", with cushion and rug! – 
Think of the freezing fury, without one minute's relief, 
When they stood all night in the blackness by the wreck of the Indian Chief! 

Lashed to their seats, and crouching, to the spray that froze as it flew, 
Twenty-six hours in midwinter! That was the lifeboat's crew. 
Twice she was swamped, and she righted, in the rush of the heavy seas, 
And her tug was mostly buried; but these were common...
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 song Fauc1

First.

[Chorus. Endymion. Luna.]

Chorus.
Th' Astrologers own Eyes are set,
And even Wolves the Sheep forget;
Only this Shepherd, late and soon,
Upon this Hill outwakes the Moon.
Heark how he sings, with sad delight,
Thorough the clear and silent Night.

Endymion
Cynthia, O Cynthia, turn thine Ear,
nor scorn Endymions plaints to hear.
As we our Flocks, so you command
The fleecy Clouds with silver wand.

Cynthia
If thou a Mortal, rather sleep;
Or if a Shepherd, watch thy Sheep.

Endmymion
The Shepherd, since he saw thine Eyes,
And Sheep are both thy Sacrifice.
Nor merits he a Mortal's name,
That burns with an immortal Flame.

Cynthia
I have enough for me to do,
Ruling the Waves that Ebb and Flow.

Endymion
Since thou disdain'st not then to share
On Sublunary things thy Care;
Rather restrain these double Seas,
Mine Eyes uncessant deluges.

Cynthia
My wakeful Lamp all night must move,
Securing their Repose above.

Endymion
If therefore thy resplendent Ray
Can make a Night more bright then Day;
Shine thorough this obscurer Brest,
With shades of deep Despair opprest.
Chorus.
Courage, Endymion, boldly Woo,
Anchises was a Shepheard too:
Yet is her younger Sister laid
Sporting with him in Ida's shade:
And Cynthia, though the strongest,
Seeks but the honour to have held out longest.

Endymion
Here unto Latmos Top I climbe:
How far below thine Orbe sublime?
O why, as well as Eyes to see,
Have I not Armes that reach to thee?

Cynthia
'Tis...
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 There's a whisper down the field where the year has shot her yield,
 And the ricks stand gray to the sun,
Singing: -- "Over then, come over, for the bee has quit the clover,
 And your English summer's done."
 You have heard the beat of the off-shore wind,
 And the thresh of the deep-sea rain;
 You have heard the song -- how long! how long?
 Pull out on the trail again!

 Ha' done with the Tents of Shem, dear lass,
 We've seen the seasons through,
 And it's time to turn on the old trail, our own trail, the out trail,
 Pull out, pull out, on the Long Trail -- the trail that is always new.

It's North you may run to the rime-ringed sun,
 Or South to the blind Horn's hate;
Or East all the way into Mississippi Bay,
 Or West to the Golden Gate;
 Where the blindest bluffs hold good, dear lass,
 And the wildest tales are true,
 And the men bulk big on the old trail, our own trail, the out trail,
 And life runs large on the Long Trail -- the trail that is always new.

The days are sick and cold, and the skies are gray and old,
 And...
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 White handkerchiefs wave from the short black pier 
As we glide to the grand old sea -- 
But the song of my heart is for none to hear 
If one of them waves for me. 
A roving, roaming life is mine, 
Ever by field or flood -- 
For not far back in my father's line 
Was a dash of the Gipsy blood. 

Flax and tussock and fern, 
Gum and mulga and sand, 
Reef and palm -- but my fancies turn 
Ever away from land; 
Strange wild cities in ancient state, 
Range and river and tree, 
Snow and ice. But my star of fate 
Is ever across the sea. 

A god-like ride on a thundering sea, 
When all but the stars are blind -- 
A desperate race from Eternity 
With a gale-and-a-half behind. 
A jovial spree in the cabin at night, 
A song on the rolling deck, 
A lark ashore with the ships in sight, 
Till -- a wreck goes down with a wreck. 

A smoke and a yarn on the deck by day, 
When life is a waking dream, 
And care and trouble so far away 
That out of your life they seem. 
A roving spirit in sympathy, 
Who...
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 (sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
 Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may...
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