Famous Long Sometimes Poems

Famous Long Sometimes Poems. Long Sometimes Poetry by Famous Poets. A collection of the all-time best Sometimes long poems

See also: Long Member Poems

 A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould [lang f]philosophique[lang e],
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-pot;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.

But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.

A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies'...
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 (sign at a railroad crossing in Kenya)

In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
 Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may...
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 "DON'T they consult the 'Victims,' though?"
I said. "They should, by rights,
Give them a chance - because, you know,
The tastes of people differ so,
Especially in Sprites." 

The Phantom shook his head and smiled.
"Consult them? Not a bit!
'Twould be a job to drive one wild,
To satisfy one single child -
There'd be no end to it!" 

"Of course you can't leave CHILDREN free,"
Said I, "to pick and choose:
But, in the case of men like me,
I think 'Mine Host' might fairly be
Allowed to state his views." 

He said "It really wouldn't pay -
Folk are so full of fancies.
We visit for a single day,
And whether then we go, or stay,
Depends on circumstances. 

"And, though we don't consult 'Mine Host'
Before the thing's arranged,
Still, if he often quits his post,
Or is not a well-mannered Ghost,
Then you can have him changed. 

"But if the host's a man like you -
I mean a man of sense;
And if the house is not too new - "
"Why, what has THAT," said I, "to do
With Ghost's convenience?" 

"A new house does not suit, you know -
It's such a job to trim it:
But, after twenty years or so,
The wainscotings begin to go,
So twenty is the limit." 

"To trim" was not a phrase...
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 WHILE briers an’ woodbines budding green,
An’ paitricks scraichin loud at e’en,
An’ morning poussie whiddin seen,
 Inspire my muse,
This freedom, in an unknown frien’,
 I pray excuse.


On Fasten-e’en we had a rockin,
To ca’ the crack and weave our stockin;
And there was muckle fun and jokin,
 Ye need na doubt;
At length we had a hearty yokin
 At sang about.


There was ae sang, amang the rest,
Aboon them a’ it pleas’d me best,
That some kind husband had addrest
 To some sweet wife;
It thirl’d the heart-strings thro’ the breast,
 A’ to the life.


I’ve scarce heard ought describ’d sae weel,
What gen’rous, manly bosoms feel;
Thought I “Can this be Pope, or Steele,
 Or Beattie’s wark?”
They tauld me ’twas an odd kind chiel
 About Muirkirk.


It pat me fidgin-fain to hear’t,
An’ sae about him there I speir’t;
Then a’ that kent him round declar’d
 He had ingine;
That nane excell’d it, few cam near’t,
 It was sae fine:


That, set him to a pint of ale,
An’ either douce or merry tale,
Or rhymes an’ sangs he’d made himsel,
 Or witty catches—
’Tween Inverness an’ Teviotdale,
 He had few matches.


Then up I gat, an’ swoor an aith,
Tho’ I should pawn my pleugh an’ graith,
Or die a cadger pownie’s death,
 At some dyke-back,
A pint an’...
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 A man once read with mind surprised 
Of the way that people were "hypnotised"; 
By waving hands you produced, forsooth, 
A kind of trance where men told the truth! 
His mind was filled with wond'ring doubt; 
He grabbed his hat and he started out, 
He walked the street and he made a "set" 
At the first half-dozen folk he met. 
He "tranced" them all, and without a joke 
'Twas much as follows the subjects spoke: 

First Man 
"I am a doctor, London-made, 
Listen to me and you'll hear displayed 
A few of the tricks of the doctor's trade. 
'Twill sometimes chance when a patient's ill 
That a doae, or draught, or a lightning pill, 
A little too strong or a little too hot, 
Will work its way to a vital spot. 
And then I watch with a sickly grin 
While the patient 'passes his counters in'. 
But when he has gone with his fleeting breath 
I certify that the cause of death 
Was something Latin, and something long, 
And who is to say that the doctor's wrong! 
So I go my way with a stately tread 
While my patients sleep with the dreamless dead." 


Next, Please 
"I am a...
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 From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats 
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,

through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;

down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.

Goodbye to the elms,
to the farm, to the dog.
The bus starts. The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.

Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;

the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.

One stop at Bass River.
Then the Economies 
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.

A pale flickering. Gone.
The Tantramar marshes 
and the smell of salt hay.
An iron...
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 O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.

But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know 
what shapes them from the outside. 

Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but...
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 Where wail the waters in their flaw
A spectre wanders to and fro,
And evermore that ghostly shore
Bemoans the heir of Yvytot.

Sometimes, when, like a fleecy pall,
The mists upon the waters fall,
Across the main float shadows twain
That do not heed the spectre's call.

The king his son of Yvytot
Stood once and saw the waters go
Boiling around with hissing sound
The sullen phantom rocks below.

And suddenly he saw a face
Lift from that black and seething place--
Lift up and gaze in mute amaze
And tenderly a little space,

A mighty cry of love made he--
No answering word to him gave she,
But looked, and then sunk back again
Into the dark and depthless sea.

And ever afterward that face,
That he beheld such little space,
Like wraith would rise within his eyes
And in his heart find biding place.

So oft from castle hall he crept
Where mid the rocks grim shadows slept,
And where the mist reached down and kissed
The waters as they wailed and wept.

The king it was of Yvytot
That vaunted, many years ago,
There was no coast his valiant host
Had not subdued with spear and bow.

For once to him the sea-king cried:
"In safety all thy ships shall ride
An thou but swear thy princely heir
Shall take my daughter to his bride.

"And lo, these winds that...
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 The mountain brook sung lonesomelike, and loitered on its way
Ez if it waited for a child to jine it in its play;
The wild-flowers uv the hillside bent down their heads to hear
The music uv the little feet that had somehow grown so dear;
The magpies, like winged shadders, wuz a-flutterin' to an' fro
Among the rocks an' holler stumps in the ragged gulch below;
The pines an' hemlocks tosst their boughs (like they wuz arms) and made
Soft, sollum music on the slope where he had often played;
But for these lonesome, sollum voices on the mountain-side,
There wuz no sound the summer day that Marthy's younkit died.

We called him Marthy's younkit, for Marthy wuz the name
Uv her ez wuz his mar, the wife uv Sorry Tom,--the same
Ez taught the school-house on the hill, way back in '69,
When she marr'd Sorry Tom, wich owned the Gosh-all-Hemlock mine!
And Marthy's younkit wuz their first, wich, bein' how it meant
The first on Red Hoss Mountain, wuz truly a' event!
The miners sawed off short on work ez soon ez they got word
That Dock Devine allowed to Casey what had just occurred;
We loaded up an' whooped around until we all wuz hoarse
Salutin' the arrival, wich weighed ten pounds, uv course!

Three...
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 ("Il semblait grelotter.") 
 
 {XXXVI., December, 1837.} 


 He seemed to shiver, for the wind was keen. 
 'Twas a poor statue underneath a mass 
 Of leafless branches, with a blackened back 
 And a green foot—an isolated Faun 
 In old deserted park, who, bending forward, 
 Half-merged himself in the entangled boughs, 
 Half in his marble settings. He was there, 
 Pensive, and bound to earth; and, as all things 
 Devoid of movement, he was there—forgotten. 
 
 Trees were around him, whipped by icy blasts— 
 Gigantic chestnuts, without leaf or bird, 
 And, like himself, grown old in that same place. 
 Through the dark network of their undergrowth, 
 Pallid his aspect; and the earth was brown. 
 Starless and moonless, a rough winter's night 
 Was letting down her lappets o'er the mist. 
 This—nothing more: old Faun, dull sky, dark wood. 
 
 Poor, helpless marble, how I've pitied it! 
 Less often man—the harder of the two. 
 
 So, then, without a word that might offend 
 His ear deformed—for well the marble hears 
 The voice of thought—I said to him: "You hail 
 From...
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Every angel is terrifying. And yet alas
I invoked you almost deadly birds of the soul
knowing about you. Where are the days of Tobias
when one of you veiling his radiance stood at the front door  
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death. Who are you?

Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.

But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume. Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡­ -what does it matter? he can't contain us
we vanish inside him and around him. And those who are beautiful
oh who can retain them?...
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   Whether I loved you who shall say?
   Whether I drifted down your way
   In the endless River of Chance and Change,
   And you woke the strange
   Unknown longings that have no names,
   But burn us all in their hidden flames,
             Who shall say?

   Life is a strange and a wayward thing:
   We heard the bells of the Temples ring,
   The married children, in passing, sing.
   The month of marriage, the month of spring,
   Was full of the breath of sunburnt flowers
   That bloom in a fiercer light than ours,
   And, under a sky more fiercely blue,
             I came to you!

   You told me tales of your vivid life
   Where death was cruel and danger rife—
   Of deep dark forests, of poisoned trees,
   Of pains and passions that scorch and freeze,
   Of southern noontides and eastern nights,
   Where...
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 You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed...
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 (As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain's edge as bare as the creature's skull,
Save a mere shag of a bush with hardly a leaf to pull!
- I scratch my own, sometimes, to see if the hair's turned wool.

IV

But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there's something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V

What of a villa? Though winter be over in March by rights,
'Tis May perhaps ere the...
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 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down. 
Yet, while this morning breeze is bringing 
The home-life sound of school-bells ringing, 
And rolling wheel, and rapid jar 
Of the fire-winged and steedless car, 
And voices from the wayside near 
Come quick and blended on my ear,-- 
A spell is in this old gray stone, 
My thoughts are with the Past alone! 

A change! -- The steepled town no more 
Stretches along the sail-thronged shore; 
Like palace-domes in sunset's cloud, 
Fade sun-gilt spire and mansion proud: 
Spectrally rising where they stood, 
I see the old, primeval wood; 
Dark, shadow-like, on either hand 
I see its solemn waste expand; 
It climbs...
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