Famous Long Seasons Poems

Famous Long Seasons Poems. Long Seasons Poetry by Famous Poets. A collection of the all-time best Seasons long poems

See also: Long Member Poems

 There's a whisper down the field where the year has shot her yield,
 And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
 "And your English summer's done."
 You have heard the beat of the off-shore wind,
 And the thresh of the deep-sea rain;
 You have heard the song -- how long? how long?
 Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!

It's North you may run to the rime-ringed sun
 Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
 Or West to the Golden Gate --
 Where the blindest bluffs hold good, dear lass,
 And the wildest tales are true,
 And the men bulk big on the old trail, our own trail, the out trail,
 And life runs large on the Long Trail -- the trail that is always new.

The days are sick and cold, and the skies are grey and old
 And the twice-breathed airs blow damp;
And I'd sell...
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 There's a whisper down the field where the year has shot her yield,
 And the ricks stand gray to the sun,
Singing: -- "Over then, come over, for the bee has quit the clover,
 And your English summer's done."
 You have heard the beat of the off-shore wind,
 And the thresh of the deep-sea rain;
 You have heard the song -- how long! how long?
 Pull out on the trail again!

 Ha' done with the Tents of Shem, dear lass,
 We've seen the seasons through,
 And it's time to turn on the old trail, our own trail, the out trail,
 Pull out, pull out, on the Long Trail -- the trail that is always new.

It's North you may run to the rime-ringed sun,
 Or South to the blind Horn's hate;
Or East all the way into Mississippi Bay,
 Or West to the Golden Gate;
 Where the blindest bluffs hold good, dear lass,
 And the wildest tales are true,
 And the men bulk big on the old trail, our own trail, the out trail,
 And life runs large on the Long Trail -- the trail that is always new.

The days are sick and cold, and the skies are gray and old,
 And...
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 O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.

But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know 
what shapes them from the outside. 

Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but...
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  III. — TO SIR ROBERT WROTH.          Art ta'en with neither's vice nor sport : That at great times, art no ambitious guest    Of sheriff 's dinner, or mayor's feast. Nor com'st to view the better cloth of state,    The richer hangings, or crown-plate ; Nor throng'st (when masquing is) to have a sight   There wasted, some not paid for yet ! But canst at home, in thy securer rest,    Live, with unbought provision blest ; Free from proud porches, or their gilded roofs,    'Mongst lowing herds, and solid hoofs : Along the curled woods, and painted meads,    Through which a serpent river leads To some cool courteous shade, which he calls his,   A-bed canst hear the loud stag speak, In spring, oft roused for thy master's sport,    Who for it makes thy house his court ; Or with thy friends, the heart of all the year    Divid'st, upon the lesser deer : In Autumn, at the partridge mak'st a flight,    And giv'st thy gladder guests the sight ; And in the winter, hunt'st the flying hare,   To the full greatness of the cry : Or hawking at the river, or the...
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 (As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain's edge as bare as the creature's skull,
Save a mere shag of a bush with hardly a leaf to pull!
- I scratch my own, sometimes, to see if the hair's turned wool.

IV

But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there's something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V

What of a villa? Though winter be over in March by rights,
'Tis May perhaps ere the...
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 Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to 
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow. That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to 
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life. Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny,...
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 Of all the opry-houses then obtaining in the West
The one which Milton Tootle owned was, by all odds, the best;
Milt, being rich, was much too proud to run the thing alone,
So he hired an "acting manager," a gruff old man named Krone--
A stern, commanding man with piercing eyes and flowing beard,
And his voice assumed a thunderous tone when Jack and I appeared;
He said that Julius Caesar had been billed a week or so,
And would have to have some armies by the time he reached St. Jo!

O happy days, when Tragedy still winged an upward flight,
When actors wore tin helmets and cambric robes at night!
O happy days, when sounded in the public's rapturous ears
The creak of pasteboard armor and the clash of wooden spears!
O happy times for Jack and me and that one other supe
That then and there did constitute the noblest Roman's troop!
With togas, battle axes, shields, we made a dazzling show,
When we were Roman soldiers with Brutus in St. Jo!

We wheeled and filed and double-quicked wherever Brutus led,
The folks applauding what we did as much as what he said;
'T was work, indeed; yet Jack and I were willing to allow
'T was easier following Brutus than following father's plough;
And...
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 Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the...
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Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.

I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. —
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.

For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing...
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 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to...
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SONNET XLII. Zefiro torna, e 'l bel tempo rimena. RETURNING SPRING BRINGS TO HIM ONLY INCREASE OF GRIEF.  Zephyr returns; and in his jocund trainBrings verdure, flowers, and days serenely clear;Brings Progne's twitter, Philomel's lorn strain,With every bloom that paints the vernal year;Cloudless the skies, and smiling every plain;With joyance flush'd, Jove views his daughter dear;Love's genial power pervades earth, air, and main;All beings join'd in fond accord appear.But nought to me returns save sorrowing sighs,Forced from my inmost heart by her who boreThose keys which govern'd it unto the skies:The blossom'd meads, the choristers of air,Sweet courteous damsels can delight no more;Each face looks savage, and each prospect drear. Nott.  [Pg 267] The spring returns, with all her smiling train;The wanton Zephyrs breathe along the bowers,The glistening dew-drops hang on bending flowers,And tender green light-shadows o'er the plain:And thou, sweet Philomel, renew'st thy strain,Breathing thy wild notes to the midnight grove:All nature feels the kindling fire of love,The vital force of spring's returning reign.
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 "When I hit her on the head, it was good,

and then I did it to her a couple of times,--
but it was funny,--afterwards,
it was as if somebody else did it ...

Everything flat, without sharpness, richness or line.

Still, I liked to drive past the woods where she lay,
tell the old lady and the kids I had to take a piss,
hop out and do it to her ...

The whole buggy of them waiting for me
 made me feel good;
but still, just like I knew all along,
 she didn't move.

When the body got too discomposed,
I'd just jack off, letting it fall on her ...

--It sounds crazy, but I tell you
sometimes it was beautiful--; I don't know how
to say it, but for a miute, everything was possible--;
and then,
then,--
 well, like I said, she didn't move: and I saw,
under me, a little girl was just lying there in the mud:

and I knew I couldn't have done that,--
somebody else had to have done that,--
standing above her there,
 in those ordinary, shitty leaves ...

--One time, I went to see Dad in a motel where he was
staying with a woman; but she was gone;
you could smell the wine in the air; and he started,
real embarrassing, to cry...
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 I. Soon 

Of all the springtimes of the world 
This one is the ugliest 
Of all of my ways of being 
To be trusting is the best 

Grass pushes up snow 
Like the stone of a tomb 
But I sleep within the storm 
And awaken eyes bright 

Slowness, brief time ends 
Where all streets must pass 
Through my innermost recesses 
So that I would meet someone 

I don’t listen to monsters 
I know them and all that they say 
I see only beautiful faces 
Good faces, sure of themselves 
Certain soon to ruin their masters 

II. The women’s role 

As they sing, the maids dash forward 
To tidy up the killing fields 
Well-powdered girls, quickly to their knees 

Their hands -- reaching for the fresh air -- 
Are blue like never before 
What a glorious day! 

Look at their hands, the dead 
Look at their liquid eyes 

This is the toilet of transience 
The final toilet of life 
Stones sink and disappear 
In the vast, primal waters 
The final toilet of time 

Hardly a memory remains 
the dried-up well of virtue 
In the long, oppressive absences 
One surrenders to tender flesh 
Under the spell of weakness 

III. As deep...
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 'Twas on the famous Empire run, 
Whose sun does never set, 
Whose grass and water, so they say, 
Have never failed them yet -- 
They carry many million sheep, 
Through seasons dry and wet. 
They call the homestead Albion House, 
And then, along with that, 
There's Welshman's Gully, Scotchman's Hill, 
And Paddymelon Flat: 
And all these places are renowned 
For making jumbacks fat. 

And the out-paddocks -- holy frost! 
There wouldn't be no sense 
For me to try and tell you half -- 
They really are immense; 
A man might ride for days and weeks 
And never strike a fence. 

But still for years they never had 
Been known a sheep to lose; 
Old Billy Gladstone managed it, 
And you can bet your shoes 
He'd scores of supers under him, 
And droves of jackaroos. 

Old Billy had an eagle eye, 
And kept his wits about -- 
If any chaps got trespassing 
He quickly cleared 'em out; 
And coves that used to "work a cross", 
They hated him, no doubt. 

But still he managed it in style, 
Until the times got dry, 
And Billy gave the supers word 
To see and mind their eye -- 
"If any paddocks gets a-fire...
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 Watchman, what of the night? - 
Storm and thunder and rain, 
Lights that waver and wane,
Leaving the watchfires unlit. 
Only the balefires are bright, 
And the flash of the lamps now and then 
From a palace where spoilers sit, 
Trampling the children of men.

Prophet, what of the night? - 
I stand by the verge of the sea, 
Banished, uncomforted, free, 
Hearing the noise of the waves 
And sudden flashes that smite 
Some man's tyrannous head, 
Thundering, heard among graves 
That hide the hosts of his dead.

Mourners, what of the night? - 
All night through without sleep 
We weep, and we weep, and we weep. 
Who shall give us our sons ? 
Beaks of raven and kite,
Mouths of wolf and of hound, 
Give us them back whom the guns 
Shot for you dead on the ground.

Dead men, what of the night? - 
Cannon and scaffold and sword,
Horror of gibbet and cord, 
Mowed us as sheaves for the grave, 
Mowed us down for the right. 
We do not grudge or repent. 
Freely to freedom we gave
Pledges, till life should be spent.

Statesman, what of the night? - 
The night will last me my time. 
The gold on a crown or a crime
Looks...
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