Famous Long New York Poems

Famous Long New York Poems. Long New York Poetry by Famous Poets. A collection of the all-time best New York long poems

See also: Long Member Poems

 When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.

The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--
The connoisseurs assure me it is worth its weight in gold;
And I, who've bought all kinds of clocks, 'twixt Denver and the Rhine,
Cast envious eyes upon that clock, and wish that it were mine.

But in the parlor. Oh, the gems on tables, walls, and floor--
Rare first editions, etchings, and old crockery galore.
Why, talk about the Indies and the wealth of Orient things--
They couldn't hold a candle to these quaint and sumptuous things;
In such profusion, too--Ah me! how dearly I recall
How I have sat and watched 'em and wished I had 'em all.

Now, Mr. Stoddard's study is on the second floor,
A wee blind dog barks at me as I enter...
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 Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old
 neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their
 lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude
 them by running away. They were happy just to see him run
 away. The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their
 secret faith died.
No one would ever have known if not for the bones that turned up
 on the dig.
A disaster. How could it have happened to them?
They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last!
They are free to marry other Jews,...
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 Read by the poet at The Public Ceremonial of The Naional Institute 
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.

Great Muse, that from this hall absent for long
Hast never been, 
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—
Words obsolete, words obsolescent,
It is that for a little while
The heart must, oh indeed must from this angry and out-rageous present
Itself withdraw
Into some past in which most crooked Evil,
Although quite certainly conceived and born, was not as yet the Law.

Archaic, or obsolescent at the least,
Be thy grave speaking and the careful words of thy clear song,
For the time wrongs us, and the words most common to our speech today
Salute and welcome to the feast
Conspicuous Evil— or against him all day long
Cry out, telling of ugly deeds and most uncommon wrong.

Be thou tonight with all beneath these rafters—be with me
But oh, be more with those who are not free.
Who, herded into prison camps all shame must suffer and all outrage see.
Where music is not...
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 "First, do no harm," the Hippocratic
Oath begins, but before she might enjoy
such balm, the docs had to harm her tumor.
It was large, rare, and so anomalous
in its behavior that at first they mis-
diagnosed it. "Your wife will die of it
within a year." But in ten days or so
I sat beside her bed with hot-and-sour
soup and heard an intern congratulate
her on her new diagnosis: a children's
cancer (doesn't that possessive break
your heart?) had possessed her. I couldn't stop
personifying it. Devious, dour,
it had a clouded heart, like Iago's.
It loved disguise. It was a garrison
in a captured city, a bad horror film
(The Blob), a stowaway, an inside job.
If I could make it be like something else,
I wouldn't have to think of it as what,
in fact, it was: part of my lovely wife.
Next, then, chemotherapy. Her hair fell
out in tufts, her color dulled, she sat laced
to bags of poison she endured somewhat
better than her cancer cells could, though not
by much. And indeed, the cancer cells waned
more slowly than the chemical "cocktails"
(one the bright color of Campari), as the chemo
nurses called them, dripped into her. There were
three hundred days of this: a week inside
the hospital and two weeks out, the fierce
elixirs percolating all the while.
She...
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 Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.

Wall, that wuz quite another thing; we owned that ary cuss
Who'd worked f'r Mr. Dana must be good enough fer us!
And so we tuk the stranger's word 'nd nipped him while we could,
For if we didn't take him we knew John Arkins would;
And Cooper, too, wuz mouzin' round fer enterprise 'nd brains,
Whenever them commodities blew in across the plains.
At any rate we nailed him, which made ol' Cooper swear
And Arkins tear out handfuls uv his copious curly hair;
But we set back and cackled, 'nd bed a power uv fun
With our man who'd worked with Dana on the Noo York Sun.

It made our...
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 A woman 
who loves a woman 
is forever young. 
The mentor 
and the student 
feed off each other. 
Many a girl 
had an old aunt 
who locked her in the study 
to keep the boys away. 
They would play rummy 
or lie on the couch 
and touch and touch. 
Old breast against young breast... 
Let your dress fall down your shoulder, 
come touch a copy of you 
for I am at the mercy of rain, 
for I have left the three Christs of Ypsilanti 
for I have left the long naps of Ann Arbor 
and the church spires have turned to stumps. 
The sea bangs into my cloister 
for the politicians are dying, 
and dying so hold me, my young dear, 
hold me... 

The yellow rose will turn to cinder 
and New York City will fall in 
before we are done so hold me, 
my young dear, hold me. 
Put your pale arms around my neck. 
Let me hold your heart like a flower 
lest it bloom and collapse. 
Give me your skin 
as sheer as a cobweb, 
let me open it up 
and listen in and scoop out the dark. 
Give me your nether lips 
all puffy with...
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 A woman 
who loves a woman 
is forever young. 
The mentor 
and the student 
feed off each other. 
Many a girl 
had an old aunt 
who locked her in the study 
to keep the boys away. 
They would play rummy 
or lie on the couch 
and touch and touch. 
Old breast against young breast... 
Let your dress fall down your shoulder, 

come touch a copy of you 
for I am at the mercy of rain, 
for I have left the three Christs of Ypsilanti 
for I have left the long naps of Ann Arbor 
and the church spires have turned to stumps. 
The sea bangs into my cloister 
for the politicians are dying, 
and dying so hold me, my young dear, 
hold me... 
The yellow rose will turn to cinder 

and New York City will fall in 
before we are done so hold me, 
my young dear, hold me. 
Put your pale arms around my neck. 
Let me hold your heart like a flower 
lest it bloom and collapse. 
Give me your skin 
as sheer as a cobweb, 
let me open it up 
and listen in and scoop out the dark. 
Give me your nether lips 
all puffy with...
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 If you danced from midnight
to six A.M. who would understand?

The runaway boy
who chucks it all
to live on the Boston Common
on speed and saltines,
pissing in the duck pond,
rapping with the street priest,
trading talk like blows,
another missing person,
would understand.

The paralytic's wife
who takes her love to town,
sitting on the bar stool,
downing stingers and peanuts,
singing "That ole Ace down in the hole,"
would understand.

The passengers
from Boston to Paris
watching the movie with dawn
coming up like statues of honey,
having partaken of champagne and steak
while the world turned like a toy globe,
those murderers of the nightgown
would understand.

The amnesiac
who tunes into a new neighborhood,
having misplaced the past,
having thrown out someone else's
credit cards and monogrammed watch,
would understand.

The drunken poet
(a genius by daylight)
who places long-distance calls
at three A.M. and then lets you sit
holding the phone while he vomits
(he calls it "The Night of the Long Knives")
getting his kicks out of the death call,
would understand.

The insomniac
listening to his heart
thumping like a June bug,
listening on his transistor
to Long John Nebel arguing from New York,
lying on his bed like a stone table,
would understand.

The night nurse
with her eyes slit like Venetian blinds,
she of the tubes and the plasma,
listening to the heart monitor,
the death cricket bleeping,
she who calls you "we"
and keeps vigil like a ballistic...
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 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to shit but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one...
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 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are...
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 NOTE.—The following imaginary dialogue between Alexander Hamilton and Aaron Burr, which is not based upon any specific incident in American history, may be supposed to have occurred a few months previous to Hamilton’s retirement from Washington’s Cabinet in 1795 and a few years before the political ingenuities of Burr—who has been characterized, without much exaggeration, as the inventor of American politics—began to be conspicuously formidable to the Federalists. These activities on the part of Burr resulted, as the reader will remember, in the Burr-Jefferson tie for the Presidency in 1800, and finally in the Burr-Hamilton duel at Weehawken in 1804.


BURR

Hamilton, if he rides you down, remember 
That I was here to speak, and so to save 
Your fabric from catastrophe. That’s good; 
For I perceive that you observe him also. 
A President, a-riding of his horse,
May dust a General and be forgiven; 
But why be dusted—when we’re all alike, 
All equal, and all happy? Here he comes— 
And there he goes. And we, by your new patent, 
Would seem to be two kings here by the wayside,
With our two hats off to his Excellency. 
Why not his Majesty, and done with it? 
Forgive me if I shook your meditation,...
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 1
AFTER all, not to create only, or found only, 
But to bring, perhaps from afar, what is already founded, 
To give it our own identity, average, limitless, free; 
To fill the gross, the torpid bulk with vital religious fire; 
Not to repel or destroy, so much as accept, fuse, rehabilitate;
To obey, as well as command—to follow, more than to lead; 
These also are the lessons of our New World; 
—While how little the New, after all—how much the Old, Old World! 

Long, long, long, has the grass been growing, 
Long and long has the rain been falling,
Long has the globe been rolling round. 

2
Come, Muse, migrate from Greece and Ionia; 
Cross out, please, those immensely overpaid accounts, 
That matter of Troy, and Achilles’ wrath, and Eneas’, Odysseus’ wanderings; 
Placard “Removed” and “To Let” on the rocks of your snowy
 Parnassus;
Repeat at Jerusalem—place the notice high on Jaffa’s gate, and on Mount Moriah; 
The same on the walls of your Gothic European Cathedrals, and German, French and Spanish
 Castles; 
For know a better, fresher, busier sphere—a wide, untried domain awaits, demands you. 

3
Responsive to our summons, 
Or rather to her long-nurs’d inclination,
Join’d with an irresistible, natural gravitation, 

She comes! this...
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 I met a lady from the South who said
(You won't believe she said it, but she said it):
"None of my family ever worked, or had
A thing to sell." I don't suppose the work
Much matters. You may work for all of me.
I've seen the time I've had to work myself.
The having anything to sell is what
Is the disgrace in man or state or nation.

I met a traveler from Arkansas
Who boasted of his state as beautiful
For diamonds and apples. "Diamonds
And apples in commercial quantities?"
I asked him, on my guard. "Oh, yes," he answered,
Off his. The time was evening in the Pullman.
I see the porter's made your bed," I told him.

I met a Californian who would
Talk California—a state so blessed,
He said, in climate, none bad ever died there
A natural death, and Vigilance Committees
Had had to organize to stock the graveyards
And vindicate the state's humanity.
"Just the way Stefansson runs on," I murmured,
"About the British Arctic. That's what comes
Of being in the market with a climate."

I met a poet from another state,
A zealot full of fluid inspiration,
Who in the name of fluid inspiration,
But in the best style of bad salesmanship,
Angrily tried to male me write a protest
(In verse I think) against the Volstead Act.
He...
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 For 
 Carl Solomon 


 I 

I saw the best minds of my generation destroyed by 
 madness, starving hysterical naked, 
dragging themselves through the negro streets at dawn 
 looking for an angry fix, 
angelheaded hipsters burning for the ancient heavenly 
 connection to the starry dynamo in the machin- 
 ery of night, 
who poverty and tatters and hollow-eyed and high sat 
 up smoking in the supernatural darkness of 
 cold-water flats floating across the tops of cities 
 contemplating jazz, 
who bared their brains to Heaven under the El and 
 saw Mohammedan angels staggering on tene- 
 ment roofs illuminated, 
who passed through universities with radiant cool eyes 
 hallucinating Arkansas and Blake-light tragedy 
 among the scholars of war, 
who were expelled from the academies for crazy & 
 publishing obscene odes on the windows of the 
 skull, 
who cowered in unshaven rooms in underwear, burn- 
 ing their money in wastebaskets and listening 
 to the Terror through the wall, 
who got busted in their pubic beards returning through 
 Laredo with a belt of marijuana for New York, 
who ate fire in paint hotels or drank turpentine in 
 Paradise...
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 A RETURN TO THE COVER OF

 THIS BOOK



Dear Trout Fishing in America:



 I met your friend Fritz in Washington Square. He told me

to tell you that his case went to a jury and that he was acquit-

ted by the jury.

 He said that it was important for me to say that his case

went to a jury and that he was acquitted by the jury,

said it again.

 He looked in good shape. He was sitting in the sun. There's

an old San Francisco saying that goes: "It's better to rest in

Washington Square than in the California Adult Authority. "

How are things in New York?



 Yours,



 "An Ardent Admirer"





Dear Ardent Admirer:



 It's good to hear that Fritz isn't in jail. He was very wor-

ried about it. The last time I was in San Francisco, he told

me he thought the odds were 10-1 in favor of him going away.

I told him to get a good lawyer. It appears that he followed

my advice and also was very lucky. That's always a good

combination.

 You asked about New York and New York is very hot.

 I'm visiting some friends, a young burglar and his wife.

He's unemployed and his wife is working as a cocktail wait-

ress. He's...
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