Famous Long Growing Up Poems

Famous Long Growing Up Poems. Long Growing Up Poetry by Famous Poets. A collection of the all-time best Growing Up long poems

See also: Long Member Poems

 Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all
We leaned our backs on like a wall
And blessed as stron as strong and blamed as stolid--
Can it be these that waver and fall?
And what is this like a ghost returning,
A dream grown strong in the strong daylight?
The all-forsaken, the unforgotten,
The ever-behind and out of sight.
We turned our backs and our blind flesh felt it
Growing and growing, a tower in height.

Ah, not alone the evil splendour
And not the insolent arms alone
Break with the ramrod, stiff and brittle,
The sceptre of the nordic throne;
But things of manlier renown
Reel in the wreck of throne and crown,
With tyrannous tyranny, tyrannous loyalty
Tyrannous liberty, all gone down.

(There is never a crack in the ivory tower
Or a hinge to groan in the house of gold
Or a leaf of the rose in the wind to wither
And she grows young as the world grows old.
A Woman clothed with the sun returning
to clothe the sun when the sun is cold.)

Ah, who had guessed that in a moment
Great Liberty that loosed the tribes,
the Republic of the young men's battles
Grew stale and stank of old men's...
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 O trees of life, oh, what when winter comes?
We are not of one mind. Are not like birds
in unison migrating. And overtaken,
overdue, we thrust ourselves into the wind
and fall to earth into indifferent ponds.
Blossoming and withering we comprehend as one.
And somewhere lions roam, quite unaware,
in their magnificence, of any weaknesss.

But we, while wholly concentrating on one thing,
already feel the pressure of another.
Hatred is our first response. And lovers,
are they not forever invading one another's
boundaries? -although they promised space,
hunting and homeland. Then, for a sketch
drawn at a moment's impulse, a ground of contrast
is prepared, painfully, so that we may see.
For they are most exact with us. We do not know
the contours of our feelings. We only know 
what shapes them from the outside. 

Who has not sat, afraid, before his own heart's
curtain? It lifted and displayed the scenery
of departure. Easy to understand. The well-known
garden swaying just a little. Then came the dancer.
Not he! Enough! However lightly he pretends to move:
he is just disguised, costumed, an ordinary man
who enters through the kitchen when coming home.
I will not have these half-filled human masks;
better the puppet. It at least is full.
I will endure this well-stuffed doll, the wire,
the face that is nothing but...
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 In the fairy tale the sky
 makes of itself a coat
because it needs you
 to put it 
on. How can it do this?
 It collects its motes. It condenses its sound-
track, all the pyrric escapes, the pilgrimages
 still unconsummated, 
the turreted thoughts of sky it slightly liquefies
 and droops, the hum of the yellowest day alive,

office-holders in their books, their corridors,
 resplendent memories of royal rooms now filtered up — by smoke, by

must — it tangles up into a weave,
 tied up with votive offerings — laws, electricity — 
what the speakers let loose from their tiny eternity,
 what the empty streets held up as offering 
when only a bit of wind
 litigated in the sycamores,

oh and the flapping drafts unfinished thoughts
 raked out of air, 
and the leaves clawing their way after deep sleep set in,
 and all formations — assonant, muscular, 
chatty hurries of swarm (peoples, debris before the storm) — 
 things that grew loud when the street grew empty, 
and breaths that let themselves be breathed
 to freight a human argument, 
and sidelong glances in the midst of things, and voice — yellowest
 day alive — as it took place 
above the telegram,
 above the...
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 Could he have made Priscilla share 
The paradise that he had planned, 
Llewellyn would have loved his wife 
As well as any in the land. 

Could he have made Priscilla cease
To goad him for what God left out, 
Llewellyn would have been as mild 
As any we have read about. 

Could all have been as all was not, 
Llewellyn would have had no story;
He would have stayed a quiet man 
And gone his quiet way to glory. 

But howsoever mild he was 
Priscilla was implacable; 
And whatsoever timid hopes
He built—she found them, and they fell. 

And this went on, with intervals 
Of labored harmony between 
Resounding discords, till at last 
Llewellyn turned—as will be seen.

Priscilla, warmer than her name, 
And shriller than the sound of saws, 
Pursued Llewellyn once too far, 
Not knowing quite the man he was. 

The more she said, the fiercer clung
The stinging garment of his wrath; 
And this was all before the day 
When Time tossed roses in his path. 

Before the roses ever came 
Llewellyn had already risen.
The roses may have ruined him, 
They may have kept him out of prison. 

And she who brought them, being Fate, 
Made roses do the work of...
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 The drought is down on field and flock, 
The river-bed is dry; 
And we must shift the starving stock 
Before the cattle die. 
We muster up with weary hearts 
At breaking of the day, 
And turn our heads to foreign parts, 
To take the stock away. 
And it’s hunt ‘em up and dog ‘em, 
And it’s get the whip and flog ‘em, 
For it’s weary work, is droving, when they’re dying every day; 
By stock routes bare and eaten, 
On dusty roads and beaten, 
With half a chance to save their lives we take the stock away. 


We cannot use the whip for shame 
On beasts that crawl along; 
We have to drop the weak and lame, 
And try to save the strong; 
The wrath of God is on the track, 
The drought fiend holds his sway; 
With blows and cries the stockwhip crack 
We take the stock away. 
As they fall we leave them lying, 
With the crows to watch them dying, 
Grim sextons of the Overland that fasten on their prey; 
By the fiery dust-storm drifting, 
And the mocking mirage shifting, 
In heat and drought and hopeless pain we take the stock away. 


In dull despair the...
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Every angel is terrifying. And yet alas
I invoked you almost deadly birds of the soul
knowing about you. Where are the days of Tobias
when one of you veiling his radiance stood at the front door  
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death. Who are you?

Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.

But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume. Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡­ -what does it matter? he can't contain us
we vanish inside him and around him. And those who are beautiful
oh who can retain them?...
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 You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?

Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .

Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed...
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 It was somewhere in September, and the sun was going down, 
When I came, in search of `copy', to a Darling-River town; 
`Come-and-have-a-drink' we'll call it -- 'tis a fitting name, I think -- 
And 'twas raining, for a wonder, up at Come-and-have-a-drink. 

'Neath the public-house verandah I was resting on a bunk 
When a stranger rose before me, and he said that he was drunk; 
He apologised for speaking; there was no offence, he swore; 
But he somehow seemed to fancy that he'd seen my face before. 

`No erfence,' he said. I told him that he needn't mention it, 
For I might have met him somewhere; I had travelled round a bit, 
And I knew a lot of fellows in the bush and in the streets -- 
But a fellow can't remember all the fellows that he meets. 

Very old and thin and dirty were the garments that he wore, 
Just a shirt and pair of trousers, and a boot, and nothing more; 
He was wringing-wet, and really in a sad and sinful plight, 
And his hat was in his left hand, and a bottle in his right. 

His brow was broad and roomy, but its lines were...
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 TO the assembled folk 
At great St. Kavin’s spoke 
Young Brother Amiel on Christmas Eve; 
I give you joy, my friends, 
That as the round year ends, 
We meet once more for gladness by God’s leave. 

On other festal days 
For penitence or praise 
Or prayer we meet, or fullness of thanksgiving; 
To-night we calendar 
The rising of that star 
Which lit the old world with new joy of living. 

Ah, we disparage still 
The Tidings of Good Will, 
Discrediting Love’s gospel now as then! 
And with the verbal creed 
That God is love indeed, 
Who dares make Love his god before all men? 

Shall we not, therefore, friends, 
Resolve to make amends 
To that glad inspiration of the heart; 
To grudge not, to cast out 
Selfishness, malice, doubt, 
Anger and fear; and for the better part, 

To love so much, so well, 
The spirit cannot tell 
The range and sweep of her own boundary! 
There is no period 
Between the soul and God; 
Love is the tide, God the eternal sea.… 

To-day we walk by love; 
To strive is not enough, 
Save against greed and ignorance and might. 
We apprehend peace comes 
Not with the roll of drums,...
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 (WASHINGTON SQUARE)


I met him, as one meets a ghost or two, 
Between the gray Arch and the old Hotel. 
“King Solomon was right, there’s nothing new,” 
Said he. “Behold a ruin who meant well.” 

He led me down familiar steps again, 
Appealingly, and set me in a chair. 
“My dreams have all come true to other men,” 
Said he; “God lives, however, and why care? 

“An hour among the ghosts will do no harm.” 
He laughed, and something glad within me sank. 
I may have eyed him with a faint alarm, 
For now his laugh was lost in what he drank. 

“They chill things here with ice from hell,” he said; 
“I might have known it.” And he made a face 
That showed again how much of him was dead,
And how much was alive and out of place. 

And out of reach. He knew as well as I 
That all the words of wise men who are skilled 
In using them are not much to defy 
What comes when memory meets the unfulfilled.

What evil and infirm perversity 
Had been at work with him to bring him back? 
Never among the ghosts, assuredly, 
Would he originate a new attack; 

Never...
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 Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to 
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow. That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to 
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life. Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny,...
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 What tree may not the fig be gathered from?  
The grape may not be gathered from the birch?
It's all you know the grape, or know the birch.
As a girl gathered from the birch myself
Equally with my weight in grapes, one autumn,
I ought to know what tree the grape is fruit of.
I was born, I suppose, like anyone,
And grew to be a little boyish girl
My brother could not always leave at home.
But that beginning was wiped out in fear
The day I swung suspended with the grapes,
And was come after like Eurydice
And brought down safely from the upper regions;
And the life I live now's an extra life
I can waste as I please on whom I please.
So if you see me celebrate two birthdays,
And give myself out of two different ages,
One of them five years younger than I look-

One day my brother led me to a glade
Where a white birch he knew of stood alone,
Wearing a thin head-dress of pointed leaves,
And heavy on her heavy hair behind,
Against her neck, an ornament of grapes.
Grapes, I knew grapes from having seen them last year.
One bunch of them, and there began to be
Bunches all round me growing in white birches,
The way they grew round...
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 They lie, the men who tell us for reasons of their own
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street 
 Drifting past, drifting past,
 To the beat of weary feet 
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street 
 Drifting on, drifting on,
 To the scrape of restless feet;
I can sorrow for the owners of the faces in the street. 

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street 
 Flowing in, flowing in,
 To the beat of hurried feet 
Ah! I sorrow for the owners of those faces in the street. 

The human river dwindles when 'tis past the hour of...
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 THE TURN
Brave infant of Saguntum, clear
Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
Thou looking then about,
Ere thou wert half got out,
Wise child, didst hastily return,
And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind
Of deepest lore, could we the centre find!

THE COUNTER-TURN

Did wiser nature draw thee back,
From out the horror of that sack;
Where shame, faith, honour, and regard of right,
Lay trampled on? The deeds of death and night
Urg'd, hurried forth, and hurl'd
Upon th' affrighted world;
Sword, fire and famine with fell fury met,
And all on utmost ruin set:
As, could they but life's miseries foresee,
No doubt all infants would return like thee.

THE STAND

For what is life, if measur'd by the space,
Not by the act?
Or masked man, if valu'd by his face,
Above his fact?
Here's one outliv'd his peers
And told forth fourscore years:
He vexed time, and busied the whole state;
Troubled both foes and friends;
But ever to no ends:
What did this stirrer but die late?
How well at twenty had he fall'n or stood!
For three of his four score he did no good.

THE TURN

He enter'd well, by virtuous parts
Got up, and thriv'd with honest arts;
He purchas'd friends, and fame, and honours...
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  In distant countries I have been,  And yet I have not often seen  A healthy man, a man full grown,  Weep in the public roads alone.  But such a one, on English ground,  And in the broad high-way, I met;  Along the broad high-way he came,  His cheeks with tears were wet.  Sturdy he seemed, though he was sad;  And in his arms a lamb he had.   He saw me, and he turned aside,  As if he wished himself to hide:  Then with his coat he made essay  To wipe those briny tears away.  I follow'd him, and said, "My friend  What ails you? wherefore weep you so?"  —"Shame on me, Sir! this lusty lamb,  He makes my tears to flow.  To-day I fetched him from the rock;  He is the last of all my flock."   When I was young, a single man,  And after youthful follies ran.  Though little given to care and thought,  Yet, so it was, a ewe I bought;  And other sheep from her I raised,  As healthy sheep as you might see,  And then I married, and was rich  As I could wish to be;  Of sheep I numbered a full score,  And every year increas'd my store.   Year after year my stock it grew,  And from this one, this single ewe,  Full fifty comely sheep I raised,  As sweet a flock as ever grazed!  Upon...
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