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by
Robert William Service
In Mike Maloney's Nugget bar the hooch was flowin' free,
An' One-eyed Mike was shakin' dice wi' Montreal Maree,
An roarin' rageful warning when the boys got overwild,
When peekin' through the double door he spied a tiny child.
Then Mike Maloney muttered: "Hell! Now ain't that jest too bad;
It's Dud McClusky's orphen Nell a-lookin' for her dad.
An' him in back, a-lushin' wine wi' Violet de Vere-
Three times I've told the lousy swine to keep away from here."
"Pore leetle sing! He leaves her lone, so he go on ze spree:
I feex her yet, zat Violet," said Montreal Maree.
Now I'm accommodatin' when it comes to scented sin
But when I saw that innocent step in our drunken din,
I felt that I would like to crawl an' hide my head in shame.
An' judgin' by their features all them sourdoughs felt the same.
For there they stood like chunks o' wood, forgettin' how to swear,
An' every glass o' likker was suspended in the air.
For with her hair of sunny silk, and big, blue pansy eyes
She looked jest like an angel child stepped outa paradise.
So then Big Mike, paternal like, took her upon his knee.
"Ze pauv' petite! She ees so sweet," said Montreal Maree.
The kid was mighty...
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by
Rg Gregory
(roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)
1.
the blind rose
today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
what blindly grows
imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)
the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
what blindly grows
2.
squeaking
there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
my truth's not been gazumped
love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped
if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
my truth's not been gazumped
3.
ease of mind
the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
that is love's overspill
wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is -...
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by
Frank Bidart
"When I hit her on the head, it was good,
and then I did it to her a couple of times,--
but it was funny,--afterwards,
it was as if somebody else did it ...
Everything flat, without sharpness, richness or line.
Still, I liked to drive past the woods where she lay,
tell the old lady and the kids I had to take a piss,
hop out and do it to her ...
The whole buggy of them waiting for me
made me feel good;
but still, just like I knew all along,
she didn't move.
When the body got too discomposed,
I'd just jack off, letting it fall on her ...
--It sounds crazy, but I tell you
sometimes it was beautiful--; I don't know how
to say it, but for a miute, everything was possible--;
and then,
then,--
well, like I said, she didn't move: and I saw,
under me, a little girl was just lying there in the mud:
and I knew I couldn't have done that,--
somebody else had to have done that,--
standing above her there,
in those ordinary, shitty leaves ...
--One time, I went to see Dad in a motel where he was
staying with a woman; but she was gone;
you could smell the wine in the air; and he started,
real embarrassing, to cry...
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by
Robert Burns
KILMARNOCK wabsters, fidge an’ claw,
An’ pour your creeshie nations;
An’ ye wha leather rax an’ draw,
Of a’ denominations;
Swith to the Ligh Kirk, ane an’ a’
An’ there tak up your stations;
Then aff to Begbie’s in a raw,
An’ pour divine libations
For joy this day.
Curst Common-sense, that imp o’ hell,
Cam in wi’ Maggie Lauder; 1
But Oliphant 2 aft made her yell,
An’ Russell 3 sair misca’d her:
This day Mackinlay 4 taks the flail,
An’ he’s the boy will blaud her!
He’ll clap a shangan on her tail,
An’ set the bairns to daud her
Wi’ dirt this day.
Mak haste an’ turn King David owre,
And lilt wi’ holy clangor;
O’ double verse come gie us four,
An’ skirl up the Bangor:
This day the kirk kicks up a stoure;
Nae mair the knaves shall wrang her,
For Heresy is in her pow’r,
And gloriously she’ll whang her
Wi’ pith this day.
Come, let a proper text be read,
An’ touch it aff wi’ vigour,
How graceless Ham 5 leugh at his dad,
Which made Canaan a nigger;
Or Phineas 6 drove the murdering blade,
Wi’ whore-abhorring rigour;
Or Zipporah, 7 the scauldin jad,
Was like a bluidy tiger
I’ th’ inn that day.
There, try his...
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by
Rudyard Kipling
When spring-time flushes the desert grass,
Our kafilas wind through the Khyber Pass.
Lean are the camels but fat the frails,
Light are the purses but heavy the bales,
As the snowbound trade of the North comes down
To the market-square of Peshawur town.
In a turquoise twilight, crisp and chill,
A kafila camped at the foot of the hill.
Then blue smoke-haze of the cooking rose,
And tent-peg answered to hammer-nose;
And the picketed ponies, shag and wild,
Strained at their ropes as the feed was piled;
And the bubbling camels beside the load
Sprawled for a furlong adown the road;
And the Persian pussy-cats, brought for sale,
Spat at the dogs from the camel-bale;
And the tribesmen bellowed to hasten the food;
And the camp-fires twinkled by Fort Jumrood;
And there fled on the wings of the gathering dusk
A savour of camels and carpets and musk,
A murmur of voices, a reek of smoke,
To tell us the trade of the Khyber woke.
The lid of the flesh-pot chattered high,
The knives were whetted and -- then came I
To Mahbub Ali the muleteer,
Patching his bridles and counting his gear,
Crammed with the gossip of half a year.
But Mahbub Ali the kindly said,
"Better is speech when the belly is fed."
So we plunged the hand to the mid-wrist deep
In a cinnamon stew...
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by
Robert William Service
Said Hongray de la Glaciere unto his proud Papa:
"I want to take a wife mon Père," The Marquis laughed: "Ha! Ha!
And whose, my son?" he slyly said; but Hongray with a frown
Cried, "Fi! Papa, I mean - to wed, I want to settle down."
The Marquis de la Glaciere responded with a smile;
"You're young my boy; I much prefer that you should wait awhile."
But Hongray sighed: "I cannot wait, for I am twenty-four;
And I have met my blessed fate: I worship and adore.
Such beauty, grace and charm has she, I'm sure you will approve,
For if I live a century none other can I love."
"I have no doubt," the Marquis shrugged, "that she's a proper pet;
But has she got a decent dot, and is she of our set?"
"Her dot," said Hongray, "will suffice; her family you know.
The girl with whom I fain would splice is Mirabelle du Veau."
What made the Marquis start and stare, and clutch his perfumed beard?
Why did he stagger to a chair and murmur: "As I feared?"
Dilated were his eyes with dread, and in a voice of woe
He wailed: "My son, you cannot wed with Mirabelle du Veau."
"Why not? my Parent," Hongray cried. "Her name's without a slur.
Why...
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by
Sylvia Plath
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers...
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by
Paul Laurence Dunbar
De times is mighty stirrin' 'mong de people up ouah way,
Dey 'sputin' an' dey argyin' an' fussin' night an' day;
An' all dis monst'ous trouble dat hit meks me tiahed to tell
Is 'bout dat Lucy Jackson dat was sich a mighty belle.
She was de preachah's favoured, an' he tol' de chu'ch one night
Dat she travelled thoo de cloud o' sin a-bearin' of a light;
But, now, I 'low he t'inkin' dat she mus' 'a' los' huh lamp,
Case Lucy done backslided an' dey trouble in de camp.
Huh daddy wants to beat huh, but huh mammy daihs him to,
Fu' she lookin' at de question f'om a ooman's pint o' view;
An' she say dat now she would n't have it diff'ent ef she could;
Dat huh darter only acted jes' lak any othah would.
Cose you know w'en women argy, dey is mighty easy led
By dey hea'ts an' don't go foolin' 'bout de reasons of de haid.
So huh mammy laid de law down (she ain' reckernizin' wrong),
But you got to mek erlowance fu' de cause dat go along.
Now de cause dat made Miss Lucy fu' to th'ow huh grace away
I 's afeard won't baih no 'spection w'en hit come to jedgement day;
Do' de same t'ing been a-wo'kin'...
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by
Barry Tebb
THE KINGDOM OF MY HEART
1
The halcyon settled on the Aire of our days
Kingfisher-blue it broke my heart in two
Shall I forget you? Shall I forget you?
I am the mad poet first love
You never got over
You are my blue-eyed
Madonna virgin bride
I shall carve ‘MG loves BT’
On the bark of every
Wind-bent tree in
East End Park
2
The park itself will blossom
And grow in chiaroscuro
The Victorian postcard’s view
Of avenue upon avenue
With palms and pagodas
Lakes and waterfalls and
A fountain from Versailles.
3
You shall be my queen
In the Kingdom of Deira
Land of many rivers
Aire the greatest
Isara the strong one
Robed in stillness
Wide, deep and dark.
4
In Middleton Woods
Margaret and I played
Truth or dare
She bared her breasts
To the watching stars.
5
“Milk, milk,
Lemonade, round
The corner
Chocolate spread”
Nancy chanted at
Ten in the binyard
Touching her tits,
Her cunt, her bum,
Margaret joined in
Chanting in unison.
6
The skipping rope
Turned faster
And faster, slapping
The hot pavement,
Margaret skipped
In rhythm, never
Missing a beat,
Lifting the pleat
Of her skirt
Whirling and twirling.
7
Giggling and red
Margaret said
In a whisper
“When we were
Playing at Nancy’s
She pushed a spill
Of paper up her
You-know-what
She said she’d
Let you watch
If you wanted.”
8
Margaret, this Saturday morning in June
There is a queue at the ‘Princess’ for
The matin?e, down the alley by the blank
Concrete of the cinema’s side I hide
With you, we are counting our picture
Money,...
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by
Rudyard Kipling
I've paid for your sickest fancies; I've humoured your crackedest whim --
Dick, it's your daddy, dying; you've got to listen to him!
Good for a fortnight, am I? The doctor told you? He lied.
I shall go under by morning, and -- Put that nurse outside.
'Never seen death yet, Dickie? Well, now is your time to learn,
And you'll wish you held my record before it comes to your turn.
Not counting the Line and the Foundry, the yards and the village, too,
I've made myself and a million; but I'm damned if I made you.
Master at two-and-twenty, and married at twenty-three --
Ten thousand men on the pay-roll, and forty freighters at seal
Fifty years between'em, and every year of it fight,
And now I'm Sir Anthony Gloster, dying, a baronite:
For I lunched with his Royal 'Ighness -- what was it the papers had?
"Not the least of our merchant-princes." Dickie, that's me, your dad!
I didn't begin with askings. I took my job and I stuck;
I took the chances they wouldn't, an' now they're calling it luck.
Lord, what boats I've handled -- rotten and leaky and old --
Ran 'em, or -- opened the bilge-cock, precisely as I was told.
Grub that 'ud bind you crazy, and crews that...
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by
Barry Tebb
MOORING POSTS
1
The mooring posts marked on the South Leeds map
Of 1908 still line the Aire’s side, huge, red
With rust, they stand by the Council’s Transpennine
Trail opposite the bricked and boarded up Hunslet
Mills with trees growing from its top storey, roofless,
Open to the enormous skies of our childhood.
The Aire Suspension Bridge, always my bridge,
Has gone from wartime camouflage grey to
Council green with a traffic island in between
The lanes where lorries roar and silent anglers
Stitched along the shore shelter under the
Giant red, green and yellow umbrellas of Monet.
In the Aire’s clear waters salmon dart and
Giant trout are basking in the sun;
There is abundant clay for potters’ wheels
With haptic stone for sculptors’ hands
And the surrounding water is lapis lazuli and ochre.
The steps to the moorings have been carved
Out of indigenous rock and the bridge itself,
Arch by arch, was made of Hunslet iron and brought
On drays two hundred yards from the foundry where
They forged it and it was laid, cantilever by cantilever
By local men hammering home the bolts
From the Hunslet Nail Works.
They fashioned a toll-gate and a keeper came
And sat in a booth with his pipe and a ledger
To take down comings and goings in the curious
Copper-plate of the Hunslet Board School...
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by
Tony Harrison
'My father still reads the dictionary every day.
He says your life depends on your power to master words.'
Arthur Scargill
Sunday Times, 10 January 1982
Next millennium you'll have to search quite hard
to find my slab behind the family dead,
butcher, publican, and baker, now me, bard
adding poetry to their beef, beer and bread.
With Byron three graves on I'll not go short
of company, and Wordsworth's opposite.
That's two peers already, of a sort,
and we'll all be thrown together if the pit,
whose galleries once ran beneath this plot,
causes the distinguished dead to drop
into the rabblement of bone and rot,
shored slack, crushed shale, smashed prop.
Wordsworth built church organs, Byron tanned
luggage cowhide in the age of steam,
and knew their place of rest before the land
caves in on the lowest worked-out seam.
This graveyard on the brink of Beeston Hill's
the place I may well rest if there's a spot
under the rose roots and the daffodils
by which dad dignified the family plot.
If buried ashes saw then I'd survey
the places I learned Latin, and learned Greek,
and left, the ground where Leeds United play
but disappoint their fans week after week,
which makes them lose their sense of self-esteem
and taking a short cut home through these graves here
they reassert...
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by
John Masefield
Thy place is biggyd above the sterrys cleer,
Noon erthely paleys wrouhte in so statly wyse,
Com on my freend, my brothir moost enteer,
For the I offryd my blood in sacrifise.
John Lydgate.
From '41 to '51
I was folk's contrary son;
I bit my father's hand right through
And broke my mother's heart in two.
I sometimes go without my dinner
Now that I know the times I've gi'n her.
From '51 to '61
I cut my teeth and took to fun.
I learned what not to be afraid of
And what stuff women's lips are made of;
I learned with what a rosy feeling
Good ale makes floors seem like the ceiling,
And how the moon give shiny light
To lads as roll home singing by't.
My blood did leap, my flesh did revel,
Saul Kane was tokened to the devil.
From '61 to'71
I lived in disbelief of Heaven.
I drunk, I fought, I poached, I whored,
I did despite unto the Lord.
I cursed, 'would make a man look pale,
And nineteen times I went to gaol
Now, friends, observe and look upon me,
Mark how the Lord took pity on me.
By Dead Man's...
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