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Famous Long Class Poems

Famous Long Class Poems. Long Class Poetry by Famous Poets. A collection of the all-time best Class long poems

See also: Long Member Poems

 
by Henry Lawson

The Fire At Rosss Farm

 The squatter saw his pastures wide 
Decrease, as one by one 
The farmers moving to the west 
Selected on his run; 
Selectors took the water up 
And all the black soil round; 
The best grass-land the squatter had 
Was spoilt by Ross's Ground. 

Now many schemes to shift old Ross 
Had racked the squatter's brains, 
But Sandy had the stubborn blood 
Of Scotland in his veins; 
He held the land and fenced it in, 
He cleared and ploughed the soil, 
And year by year a richer crop 
Repaid him for his toil. 

Between the homes for many years 
The devil left his tracks: 
The squatter pounded Ross's stock, 
And Sandy pounded Black's. 
A well upon the lower run 
Was filled with earth and logs, 
And Black laid baits about the farm 
To poison Ross's dogs. 

It was, indeed, a deadly feud 
Of class and creed and race; 
But, yet, there was a Romeo 
And a Juliet in the case; 
And more than once across the flats, 
Beneath the Southern Cross, 
Young Robert Black was seen to ride 
With pretty Jenny Ross. 

One Christmas time, when months of drought 
Had parched the western creeks, 
The bush-fires started in the north...
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by Francesco Petrarch

CANZONE III

CANZONE III. Verdi panni, sanguigni, oscuri o persi. WHETHER OR NOT HE SHOULD CEASE TO LOVE LAURA.  Green robes and red, purple, or brown, or grayNo lady ever wore,Nor hair of gold in sunny tresses twined,So beautiful as she, who spoils my mindOf judgment, and from freedom's lofty pathSo draws me with her that I may not bearAny less heavy yoke. And if indeed at times—for wisdom failsWhere martyrdom breeds doubt—The soul should ever arm it to complainSuddenly from each reinless rude desireHer smile recalls, and razes from my heartEvery rash enterprise, while all disdainIs soften'd in her sight. For all that I have ever borne for love,And still am doom'd to bear,Till she who wounded it shall heal my heart,Rejecting homage e'en while she invites,Be vengeance done! but let not pride nor ire'Gainst my humility the lovely passBy which I enter'd bar. [Pg 33]The hour and day wherein I oped my eyesOn the bright black and white,Which drive me thence where eager love impell'dWhere...
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by Marilyn Hacker

Scars on Paper

 An unwrapped icon, too potent to touch,
she freed my breasts from the camp Empire dress.
Now one of them's the shadow of a breast
with a lost object's half-life, with as much
life as an anecdotal photograph:
me, Kim and Iva, all stripped to the waist,
hiking near Russian River on June first
'79: Iva's five-and-a-half.
While she was almost twenty, wearing black
T-shirts in D.C., where we hadn't met.
You lay your palm, my love, on my flat chest.
In lines alive with what is not regret,
she takes her own path past, doesn't turn back.
Persistently, on paper, we exist.

Persistently, on paper, we exist.
You'd touch me if you could, but you're, in fact,
three thousand miles away. And my intact
body is eighteen months paper: the past
a fragile eighteen months regime of trust
in slash-and-burn, in vitamin pills, backed
by no statistics. Each day I enact
survivor's rituals, blessing the crust
I tear from the warm loaf, blessing the hours
in which I didn't or in which I did
consider my own death. I am not yet
statistically a survivor (that
is sixty months). On paper, someone flowers
and flares alive. I knew her. But she's dead.

She flares alive. I knew her. But she's dead.
I flirted with her, might have been her friend,
but transatlantic schedules intervened.
She wrote a book about...
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by Carl Sandburg

Potato Blossom Songs and Jigs

 RUM tiddy um,
 tiddy um,
 tiddy um tum tum.
My knees are loose-like, my feet want to sling their selves.
I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road?
When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little:
 Say, why do I feel so gabby?
 Why do I want to holler all over the place?. . .
Do you remember I held empty hands to you
 and I said all is yours
 the handfuls of nothing?. . .
I ask you for white blossoms.
I bring a concertina after sunset under the apple trees.
I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.”

The orchard here is near and home-like.
The oats in the valley run a mile.
Between are the green and marching potato vines.
The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse … me…”. . .
Old foundations of rotten wood.
An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
So a...
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by Robert Pinsky

At Pleasure Bay

 In the willows along the river at Pleasure Bay
A catbird singing, never the same phrase twice.
Here under the pines a little off the road
In 1927 the Chief of Police
And Mrs. W. killed themselves together,
Sitting in a roadster. Ancient unshaken pilings
And underwater chunks of still-mortared brick
In shapes like bits of puzzle strew the bottom
Where the landing was for Price's Hotel and Theater.
And here's where boats blew two blasts for the keeper
To shunt the iron swing-bridge. He leaned on the gears
Like a skipper in the hut that housed the works
And the bridge moaned and turned on its middle pier
To let them through. In the middle of the summer
Two or three cars might wait for the iron trusswork
Winching aside, with maybe a child to notice
A name on the stern in black-and-gold on white,
Sandpiper, Patsy Ann, Do Not Disturb,
The Idler. If a boat was running whiskey,
The bridge clanged shut behind it as it passed
And opened up again for the Coast Guard cutter
Slowly as a sundial, and always jammed halfway.
The roadbed whole, but opened like a switch,
The river pulling and coursing between the piers.
Never the same phrase twice, the catbird filling
The humid August evening near the inlet
With borrowed music that he melds and changes.
Dragonflies...
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by Francesco Petrarch

SONNET XXIV

[Pg 253] SONNET XXIV. Gli occhi di ch' io parlai sì caldamente. HIS LYRE IS NOW ATTUNED ONLY TO WOE.  The eyes, the face, the limbs of heavenly mould,So long the theme of my impassion'd lay,Charms which so stole me from myself away,That strange to other men the course I hold;The crispèd locks of pure and lucid gold,The lightning of the angelic smile, whose rayTo earth could all of paradise convey,A little dust are now!—to feeling cold!And yet I live!—but that I live bewail,Sunk the loved light that through the tempest ledMy shatter'd bark, bereft of mast and sail:Hush'd be for aye the song that breathed love's fire!Lost is the theme on which my fancy fed,And turn'd to mourning my once tuneful lyre. Dacre.  The eyes, the arms, the hands, the feet, the face,Which made my thoughts and words so warm and wild,That I was almost from myself exiled,And render'd strange to all the human race;The lucid locks that curl'd in golden grace,The lightening beam that, when...
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by Henry Lawson

Eureka

 Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the...
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by Francesco Petrarch

SONNET XLII

SONNET XLII. Zefiro torna, e 'l bel tempo rimena. RETURNING SPRING BRINGS TO HIM ONLY INCREASE OF GRIEF.  Zephyr returns; and in his jocund trainBrings verdure, flowers, and days serenely clear;Brings Progne's twitter, Philomel's lorn strain,With every bloom that paints the vernal year;Cloudless the skies, and smiling every plain;With joyance flush'd, Jove views his daughter dear;Love's genial power pervades earth, air, and main;All beings join'd in fond accord appear.But nought to me returns save sorrowing sighs,Forced from my inmost heart by her who boreThose keys which govern'd it unto the skies:The blossom'd meads, the choristers of air,Sweet courteous damsels can delight no more;Each face looks savage, and each prospect drear. Nott.  [Pg 267] The spring returns, with all her smiling train;The wanton Zephyrs breathe along the bowers,The glistening dew-drops hang on bending flowers,And tender green light-shadows o'er the plain:And thou, sweet Philomel, renew'st thy strain,Breathing thy wild notes to the midnight grove:All nature feels the kindling fire of love,The vital force of spring's returning reign.
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by Barry Tebb

AN EVENING WITH JOHN HEATH-STUBBS

 Alone in Sutton with Fynbos my orange cat

A long weekend of wind and rain drowning

The tumultuous flurry of mid-February blossom

A surfeit of letters to work through, a mountain

Of files to sort, some irritation at the thought

Of travelling to Kentish Town alone when

My mind was flooded with the mellifluous voice

Of Heath-Stubbs on tape reading ‘The Divided Ways’

In memory of Sidney Keyes.



“He has gone down into the dark cellar

To talk with the bright faced Spirit with silver hair

But I shall never know what word was spoken there.”



The best reader of the century, if not the best poet.

Resonant, mesmeric, his verse the anti-type of mine,

Classical, not personal, Apollonian not Dionysian

And most unconfessional but nonetheless a poet

Deserving honour in his eighty-fifth year.



Thirty people crowded into a room

With stacked chairs like a Sunday School

A table of pamphlets looked over but not bought

A lacquered screen holding court, a century’s junk.

An ivory dial telephone, a bowl of early daffodils

To focus on.



I was the first to read, speaking of James Simmons’ death,

My anguish at the year long silence from his last letter

To the Christmas card in Gaelic Nollaig Shona -

With the message “Jimmy’s doing better than expected.”

The difficulty I had in finding his publisher’s address -

Salmon Press,...
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by Francesco Petrarch

CANZONE V

[Pg 287] CANZONE V. Solea dalla fontana di mia vita. MEMORY IS HIS ONLY SOLACE AND SUPPORT.  I who was wont from life's best fountain farSo long to wander, searching land and sea,Pursuing not my pleasure, but my star,And alway, as Love knows who strengthen'd me,Ready in bitter exile to depart,For hope and memory both then fed my heart;Alas! now wring my hands, and to unkindAnd angry Fortune, which away has reftThat so sweet hope, my armour have resign'd;And, memory only left,I feed my great desire on that alone,Whence frail and famish'd is my spirit grown. As haply by the way, if want of foodCompel the traveller to relax his speed,Losing that strength which first his steps endued,So feeling, for my weary life, the needOf that dear nourishment Death rudely stole,Leaving the world all bare, and sad my soul,From time to time fair pleasures pall, my sweetTo bitter turns, fear rises, and hopes fail,My course, though brief, that I shall e'er complete:Cloudlike before the gale,To win some resting-place from...
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by Vladimir Mayakovsky

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.

And, possibly, your scholars
 will declare,
with their erudition overwhelming
 a swarm of problems;
once there lived
 a certain champion of boiled water,
and inveterate enemy of raw water.

Professor,
 take off your bicycle glasses!
I myself will expound
 those times
 and myself.

I, a latrine cleaner
 and water carrier,
by the revolution
 mobilized and drafted,
went off to the front
 from the aristocratic gardens 
of poetry - 
 the capricious wench
She planted a delicious garden,
the daughter,
 cottage,
 pond
 and meadow.

Myself a garden I did plant,
myself with water sprinkled it.
some pour their verse from water cans;
others spit water
 from their mouth - 
the curly Macks,
 the clever jacks - 
but what the hell’s it all about!
There’s no damming al this up - 
beneath the walls they mandoline:
“Tara-tina, tara-tine,
tw-a-n-g...” 
It’s no great honor, then,
 for my monuments
to rise from such roses
above the public squares,
 where consumption coughs,
where whores, hooligans and syphilis
 walk.

Agitprop
 sticks
 in my teeth too,
and I’d rather
 compose
 romances for you - 
more profit in it
 and more charm.

But I
 subdued
 myself,
 setting my heel
on the throat
 of my own song.
Listen,
 comrades of posterity,
to...
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by Henry Lawson

Forard

 It is stuffy in the steerage where the second-classers sleep, 
For there's near a hundred for'ard, and they're stowed away like sheep, -- 
They are trav'lers for the most part in a straight 'n' honest path; 
But their linen's rather scanty, an' there isn't any bath -- 
Stowed away like ewes and wethers that is shore 'n' marked 'n' draft. 
But the shearers of the shearers always seem to travel aft; 
In the cushioned cabins, aft, 
With saloons 'n' smoke-rooms, aft -- 
There is sheets 'n' best of tucker for the first-salooners, aft. 

Our beef is just like scrapin's from the inside of a hide, 
And the spuds were pulled too early, for they're mostly green inside; 
But from somewhere back amidships there's a smell o' cookin' waft, 
An' I'd give my earthly prospects for a real good tuck-out aft -- 
Ham an' eggs 'n' coffee, aft, 
Say, cold fowl for luncheon, aft, 
Juicy grills an' toast 'n' cutlets -- tucker a-lor-frongsy, aft. 

They feed our women sep'rate, an' they make a blessed fuss, 
Just as if they couldn't trust 'em for to eat along with us! 
Just because our hands are horny an' our hearts are rough with...
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by Carl Sandburg

The Sins of Kalamazoo

 THE SINS of Kalamazoo are neither scarlet nor crimson.

The sins of Kalamazoo are a convict gray, a dishwater drab.

And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.

They run to drabs and grays—and some of them sing they shall be washed whiter than snow—and some: We should worry.

Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
 Listen with your ears on a Saturday night in Kalamazoo
 And say to yourself: I hear America, I hear, what do I hear?

Main street there runs through the middle of the twon
And there is a dirty postoffice
And a dirty city hall
And a dirty railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on Lincoln’s birthday and the Fourth of July.

Kalamazoo kisses a hand to something far off.

Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping mystic what-is-it.

“We’re here because we’re here,” is the song of Kalamazoo.

“We don’t know where we’re going but we’re on...
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by Francesco Petrarch

CANZONE XIII

CANZONE XIII. Se 'l pensier che mi strugge. HE SEEKS IN VAIN TO MITIGATE HIS WOE.  Oh! that my cheeks were taughtBy the fond, wasting thoughtTo wear such hues as could its influence speak;Then the dear, scornful fairMight all my ardour share;And where Love slumbers now he might awake!Less oft the hill and meadMy wearied feet should tread;[Pg 115]Less oft, perhaps, these eyes with tears should stream;If she, who cold as snow,With equal fire would glow—She who dissolves me, and converts to flame. Since Love exerts his sway,And bears my sense away,I chant uncouth and inharmonious songs:Nor leaves, nor blossoms show,Nor rind, upon the bough,What is the nature that thereto belongs.Love, and those beauteous eyes,Beneath whose shade he lies,Discover all the heart can comprehend:When vented are my caresIn loud complaints, and tears;These harm myself, and others those offend. Sweet lays of sportive vein,Which help'd me to sustainLove's first assault, the only arms I bore;This flinty breast say whoShall once again subdue,That...
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by Allen Ginsberg

Death and Fame

 When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in 
 Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother 
 96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
 in-law blonde Connie, five nephews, stepbrothers & sisters 
 their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche, 
 there Sakyong Mipham, Dalai Lama alert, chance visiting 
 America, Satchitananda Swami 
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche, 
 Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau 
 Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each 
 other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
 day retreat --"
"I played music on subway platforms, I'm straight but loved him he 
 loved me"
"I felt more love from him at 19...
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Book: Shattered Sighs