Written by
Yves Bonnefoy |
I remember, it was a morning, in summer,
The window was half-open, I drew near,
I could see my father at the end of the garden.
He was motionless, looking for something,
I could not tell what, or where, beyond the world,
His body was already bent over, but his gaze
Was lifted toward the unaccomplished or the impossible.
He had put aside his pick and his spade,
The air was fresh on that morning of the world,
But even freshness can be impenetrable, and cruel
The memory of the mornings of childhood.
Who was he, who had he been in the light,
I did not know, I still do not.
But I also see him on the boulevard,
Walking slowly, so much weariness
Weighing down the way he now moved,
He was going back to work, while I
Was wandering about with some of my classmates
At the beginning of an afternoon still free from time.
To this figure, seen from afar, moving on its way,
I dedicate the words that cannot say what they would.
(In the dining room
Of the Sunday afternoon, in summer,
The shutters closed against the heat,
The table cleared, he suggested
Cards, since these are the only pictures
In the childhood house to satisfy
The needs of dream, but he leaves,
And when he does, the child clumsily takes the cards,
He puts the winning ones in the other’s hand,
Then waits feverishly for the game to begin again,
And for the one who was losing to win, and so triumphantly
That he might see in this victory a sign, something
To nourish some hope the child cannot know.
After this, two paths part, and one of them
Vanishes, and almost immediately, forgetfulness
Sets in, avid, relentless.
I have crossed out
These words a hundred times, in verse, in prose,
But I cannot
Stop them from coming back.)
|
Written by
Yves Bonnefoy |
I woke up, it was the house where I was born,
Sea foam splashed against the rock,
Not a single bird, only the wind to open and close the wave,
Everywhere on the horizon the smell of ashes,
As if the hills were hiding a fire
That somewhere else was burning up a universe.
I went onto the veranda, the table was set,
The water knocked against the legs of the table, the sideboard.
And yet she had to come in, the faceless one,
The one I knew was shaking the door
In the hall, near the darkened staircase, but in vain,
So high had the water already risen in the room.
I took the handle, it was hard to turn,
I could almost hear the noises of the other shore,
The laughter of the children playing in the tall grass,
The games of the others, always the others, in their joy.
|
Written by
Yves Bonnefoy |
I woke up, it was the house where I was born.
It was raining softly in all the rooms,
I went from one to another, looking at
The water that shone on the mirrors
Piled up everywhere, some broken or even
Pushed between the furniture and the walls.
It was from these reflections that sometimes a face
Would emerge, laughing, of a gentleness
That was different from what the world is.
And, with a hesitant hand, I touched in the image
The tossled hair of the goddess,
Beneath the veil of the water
I could see the sad, distracted face of a little girl.
Bewilderment between being and not being,
Hand that is reluctant to touch the mist,
Then I listened as the laughter faded away
In the halls of the empty house.
Here nothing but forever the gift of the dream,
The outstretched hand that does not cross
The fast flowing water where memories vanish.
|
Written by
Yves Bonnefoy |
In the same dream
I am lying in the hollow of a boat,
My forehead and eyes against the curved planks
Where I can hear the undercurrents
Striking the bottom of the boat.
All at once, the prow rises up,
And I think that we’ve come to the estuary,
But I keep my eyes against the wood
That smells of tar and glue.
Too vast, too luminous the images
That I have gathered in my sleep.
Why rediscover, outside,
The things that words tell me of,
But without convincing me,
I desire a higher or less somber shore.
And yet I give up this ground that stirs
Beneath the body waking to itself, I get up,
I go from room to room in the house,
They are endless now,
I can hear the cries of voices behind doors,
I am seized by these sorrows that knock
Against the ruined casings, I hurry on,
The lingering night is too heavy for me,
Frightened, I go into a room cluttered with desks,
Look, I’m told, this was your classroom,
See on the walls the first images you looked at,
Look, the tree, look, there, the yelping dog,
And the geography map on the yellow wall,
This fading of names and forms,
This effacing of mountains and rivers
By the whiteness that freezes language.
Look, this was your only book. The Isis of the plaster
On the wall of this room, which is pealing away,
Never had, nor ever will have anything other
To open for you, to close on you.
|
Written by
Yves Bonnefoy |
And then life; and once again
A house where I was born. Around us
The granary above what once had been a church,
The gentle play of shadow from the dawn clouds,
And in us that smell of the dry straw
That had seemed to be waiting for us
From the moment the last sack, of wheat or rye,
Had been brought in so long ago,
In the eternity of former summers
Whose light was filtered through the warm tiles.
I could sense that day was about to break,
I was waking, and now I turn once more
Toward the one who dreamed beside me
In the lonely house. To her silence
I dedicate, at night,
The words that only seem to be speaking of something else.
(I was waking,
I loved those days we had, days preserved
The way a river flows slowly, though already
Caught in the vaulting rumbling of the sea.
They were passing through us, with the majesty of simple things,
The mighty sails of what is were kind enough to take
Precarious human life on board the ship
That the mountain spread out around us.
O memory,
They covered with the flapping of their silence
The sound, of water on the stones, of our voices,
And up ahead, there might well be death,
But with that milky color you find at the end of beaches
In the evening, when far off
The children still touch bottom, and laugh in the peaceful water,
And keep on playing.)
|
Written by
Yves Bonnefoy |
Passer-by, these are words. But instead of reading
I want you to listen: to this frail
Voice like that of letters eaten by grass.
Lend an ear, hear first of all the happy bee
Foraging in our almost rubbed-out names.
It flits between two sprays of leaves,
Carrying the sound of branches that are real
To those that filigree the still unseen.
Then know an even fainter sound, and let it be
The endless murmuring of all our shades.
Their whisper rises from beneath the stones
To fuse into a single heat with that blind
Light you are as yet, who can still gaze.
May your listening be good! Silence
Is a threshold where a twig breaks in your hand,
Imperceptibly, as you attempt to disengage
A name upon a stone:
And so our absent names untangle your alarms.
And for you who move away, pensively,
Here becomes there without ceasing to be.
|
Written by
Yves Bonnefoy |
Another time.
It was still night. Water slid
Silently on the black ground,
And I knew that my only task would be
To remember, and I laughed,
I bent down, I took from the mud
A pile of branches and leaves,
I lifted up the whole dripping mass
In arms I held close to my heart.
What to do with this wood where
The sound of color rose from so much absence,
It hardly mattered, I went in haste, looking for
At least some kind of shed, beneath the load
Of branches that were full of
Rough edges, stabbing pains, points, cries.
And voices that cast shadows on the road,
Or called to me, and, my heart beating fast,
I turned around to face the empty road.
|
Written by
Yves Bonnefoy |
And then the day came
When I heard the extraordinary lines in Keats,
The evocation of Ruth “when, sick for home,
She stood in tears amid the alien corn.”
I did not need to search for the meaning
Of these words,
For it was in me since childhood,
I had only to recognize and to love it
When it came back from the depths of my life.
What could I take
From the evasive maternal presence
If not the feeling of exile and tears
That clouded that gaze searching to find
In things close by the place forever lost?
|
Written by
Yves Bonnefoy |
I woke up, but I was travelling,
The train had rolled throughout the night,
It was now going toward huge clouds
That were standing, packed together, down there,
Dawn rent from time to time by forks of lightning.
I watched the advent of the world
In the bushes of the embankment; and all at once
That other fire below a field
Of stones and vines. The wind, the rain
Blew its smoke back against the ground,
But a red flame flared up,
Taking by the handful the base of the sky.
How long were you burning, wine grower’s fire,
Who wanted you there, and for whom on this earth?
And then it was day; and the sun
Cast its thousand shafts of light
On the lace that covered the blue woolen cushions
In the compartment where people slept,
Their heads still nodding. I did not sleep,
I was still at the age when one is full of hope,
I dedicated my words to the low mountains
That I could see coming through the windows.
|
Written by
T Wignesan |
for Léon Vanier*
(The texts I use for my translations are from: Yves-Alain Favre, Ed. Paul Verlaine: Œuvres Poétiques Complètes. Paris: Robert Laffont,1992, XCIX-939p.)
Some few in all this Paris:
We live off pride, yet flat broke we’re
Even if with the bottle a bit too free
We drink above all fresh water
Being very sparing when taken with hunger.
With other fine fare and wines of high-estate
Likewise with beauty: sour-tempered never.
We are the writers of good taste.
Phoebé when all the cats gray be
Highly sharpened to a point much harsher
Our bodies nourrished by glory
Hell licks its lips and in ambush does cower
And with his dart Phoebus pierces us ever
The night cradling us through dreamy waste
Strewn with seeds of peach beds over.
We are the writers of good taste.
A good many of the best minds rally
Holding high Man’s standard: toffee-nosed scoffer
And Lemerre* retains with success poetry’s destiny.
More than one poet then helter-skelter
Sought to join the rest through the narrow fissure;
But Vanier at the very end made haste
The only lucky one to assume the rôle of Fisher*.
We are the writers of good taste.
ENVOI
Even if our stock exchange tends to dither
Princes hold sway: gentle folk and the divining caste.
Whatever one might say or pours forth the preacher,
We are the writers of good taste.
*One of Verlaine’s publishers who first published his near-collected works at 19, quai Saint-Michel, Paris-V.
* Alphonse Lemerre (1838-1912) , one of Verlaine’s publishers at 47, Passage Choiseul, Paris, where from 1866 onwards the Parnassians met regularly.
*Vanier first specialised in articles for fishing as a sport.
© T. Wignesan – Paris,2013
|