Written by
Anne Sexton |
1.
I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go *****,
flapping in the winter rain.
falling flat and washed. And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.
I, who chose two times
to kill myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head. Ugly angels spoke to me. The blame,
I heard them say, was mine. They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.
Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go *****. You ask me where they go I say today believed
in itself, or else it fell.
Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place. You did not know my voice
when I came back to call. All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.
2.
They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave. I had my portrait
done instead.
Part way back from Bedlam
I came to my mother's house in Gloucester,
Massachusetts. And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could. She had my portrait
done instead.
I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care. I had my portrait
done instead.
There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
singing together. My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven. They had my portrait
done instead.
3.
All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again. To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.
They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.
4.
That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
gone wild. Surgery incomplete,
the fat arm, the prognosis poor, I heard
them say.
During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it. But you were mine
after all.
I wintered in Boston,
childless bride,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me. We laughed and this
was good.
5.
I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.
All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats
and August tan. And you came each
weekend. But I lie.
You seldom came. I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid
stranger. And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.
That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.
We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.
6.
In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.
In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image. She eyes me from that face
that stony head of death
I had outgrown.
The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own
Dorian Gray.
And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time -- two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.
7.
I could not get you back
except for weekends. You came
each time, clutching the picture of a rabbit
that I had sent you. For the last time I unpack
your things. We touch from habit.
The first visit you asked my name.
Now you will stay for good. I will forget
how we bumped away from each other like marionettes
on strings. It wasn't the same
as love, letting weekends contain
us. You scrape your knee. You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.
I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you. I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
of herself. We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it. I made you to find me.
|
Written by
Pam Ayres |
Dad took me to our local pub in 1953,
They had a television set, the first I’d ever see,
To watch a Coronation! I knew it sounded grand,
Although at six years old, the word was hard to understand.
But little kids like me, and others all around the world,
We saw the magic crown; we saw magnificence unfurled,
A brand new Queen created, the emergence and the birth,
And the Abbey seemed a place between the Heavens and the Earth.
Certain pictures linger when considering the reign,
Hauntingly in black and white, a platform and a train,
The saddest thing I ever saw, more sharp than any other,
Prince Charles. The little boy who had to shake hands with his mother.
I will stand up and be counted; I am for the monarchy,
And if they make mistakes, well they are frail like you and me,
I would not choose a president to posture and to preen,
Live in a republic? I would rather have the Queen.
A thousand boats are sailing, little ships among the large,
Close beside the splendour that bedecks the Royal Barge,
And as the pageant passes, I can see an image clear
Of the Royal Yacht Britannia; she should surely have been here.
I wish our Queen a genuinely joyful Jubilee,
Secure in the affection of the mute majority,
I hope she hears our voices as we thank her now as one,
Sixty years a Queen. A job immaculately done.
© Pam Ayres 2012
Official Website
http://pamayres.com/
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es. IV.
E. P. Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case ..
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr. Nixon
In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Erica Jong |
We have a small sculpture of Henry James on our terrace in New York City.
Nothing would surprise him.
The beast in the jungle was what he saw--
Edith Wharton's obfuscating older brother. . .
He fled the demons
of Manhattan
for fear they would devour
his inner ones
(the ones who wrote the books)
& silence the stifled screams
of his protagonists.
To Europe
like a wandering Jew--
WASP that he was--
but with the Jew's
outsider's hunger. . .
face pressed up
to the glass of sex
refusing every passion
but the passion to write
the words grew
more & more complex
& convoluted
until they utterly imprisoned him
in their fairytale brambles.
Language for me
is meant to be
a transparency,
clear water gleaming
under a covered bridge. . .
I love his spiritual sister
because she snatched clarity
from her murky history.
Tormented New Yorkers both,
but she journeyed
to the heart of light--
did he?
She took her friends on one last voyage,
through the isles of Greece
on a yacht chartered with her royalties--
a rich girl proud to be making her own money.
The light of the Middle Sea
was what she sought.
All denizens
of this demonic city caught
between pitch and black
long for the light.
But she found it
in a few of her books. . .
while Henry James
discovered
what he had probably
started with:
that beast, that jungle,
that solipsistic scream.
He did not join her
on that final cruise.
(He was on his own final cruise).
Did he want to?
I would wager yes.
I look back with love and sorrow
at them both--
dear teachers--
but she shines like Miss Liberty
to Emma Lazarus' hordes,
while he gazes within,
always, at his own
impenetrable jungle.
|
Written by
Ella Wheeler Wilcox |
A yacht from its harbour ropes pulled free,
And leaped like a steed o’er the race track blue,
Then up behind her, the dust of the sea,
A gray fog, drifted, and hid her from view.
|
Written by
Robert William Service |
Gold! We leapt from our benches. Gold! We sprang from our stools.
Gold! We wheeled in the furrow, fired with the faith of fools.
Fearless, unfound, unfitted, far from the night and the cold,
Heard we the clarion summons, followed the master-lure--Gold!
Men from the sands of the Sunland; men from the woods of the West;
Men from the farms and the cities, into the Northland we pressed.
Graybeards and striplings and women, good men and bad men and bold,
Leaving our homes and our loved ones, crying exultantly--"Gold!"
Never was seen such an army, pitiful, futile, unfit;
Never was seen such a spirit, manifold courage and grit.
Never has been such a cohort under one banner unrolled
As surged to the ragged-edged Arctic, urged by the arch-tempter--Gold.
"Farewell!" we cried to our dearests; little we cared for their tears.
"Farewell!" we cried to the humdrum and the yoke of the hireling years;
Just like a pack of school-boys, and the big crowd cheered us good-bye.
Never were hearts so uplifted, never were hopes so high.
The spectral shores flitted past us, and every whirl of the screw
Hurled us nearer to fortune, and ever we planned what we'd do--
Do with the gold when we got it--big, shiny nuggets like plums,
There in the sand of the river, gouging it out with our thumbs.
And one man wanted a castle, another a racing stud;
A third would cruise in a palace yacht like a red-necked prince of blood.
And so we dreamed and we vaunted, millionaires to a man,
Leaping to wealth in our visions long ere the trail began.
II
We landed in wind-swept Skagway. We joined the weltering mass,
Clamoring over their outfits, waiting to climb the Pass.
We tightened our girths and our pack-straps; we linked on the Human Chain,
Struggling up to the summit, where every step was a pain.
Gone was the joy of our faces, grim and haggard and pale;
The heedless mirth of the shipboard was changed to the care of the trail.
We flung ourselves in the struggle, packing our grub in relays,
Step by step to the summit in the bale of the winter days.
Floundering deep in the sump-holes, stumbling out again;
Crying with cold and weakness, crazy with fear and pain.
Then from the depths of our travail, ere our spirits were broke,
Grim, tenacious and savage, the lust of the trail awoke.
"Klondike or bust!" rang the slogan; every man for his own.
Oh, how we flogged the horses, staggering skin and bone!
Oh, how we cursed their weakness, anguish they could not tell,
Breaking their hearts in our passion, lashing them on till they fell!
For grub meant gold to our thinking, and all that could walk must pack;
The sheep for the shambles stumbled, each with a load on its back;
And even the swine were burdened, and grunted and squealed and rolled,
And men went mad in the moment, huskily clamoring "Gold!"
Oh, we were brutes and devils, goaded by lust and fear!
Our eyes were strained to the summit; the weaklings dropped to the rear,
Falling in heaps by the trail-side, heart-broken, limp and wan;
But the gaps closed up in an instant, and heedless the chain went on.
Never will I forget it, there on the mountain face,
Antlike, men with their burdens, clinging in icy space;
Dogged, determined and dauntless, cruel and callous and cold,
Cursing, blaspheming, reviling, and ever that battle-cry--"Gold!"
Thus toiled we, the army of fortune, in hunger and hope and despair,
Till glacier, mountain and forest vanished, and, radiantly fair,
There at our feet lay Lake Bennett, and down to its welcome we ran:
The trail of the land was over, the trail of the water began.
III
We built our boats and we launched them. Never has been such a fleet;
A packing-case for a bottom, a mackinaw for a sheet.
Shapeless, grotesque, lopsided, flimsy, makeshift and crude,
Each man after his fashion builded as best he could.
Each man worked like a demon, as prow to rudder we raced;
The winds of the Wild cried "Hurry!" the voice of the waters, "Haste!"
We hated those driving before us; we dreaded those pressing behind;
We cursed the slow current that bore us; we prayed to the God of the wind.
Spring! and the hillsides flourished, vivid in jewelled green;
Spring! and our hearts' blood nourished envy and hatred and spleen.
Little cared we for the Spring-birth; much cared we to get on--
Stake in the Great White Channel, stake ere the best be gone.
The greed of the gold possessed us; pity and love were forgot;
Covetous visions obsessed us; brother with brother fought.
Partner with partner wrangled, each one claiming his due;
Wrangled and halved their outfits, sawing their boats in two.
Thuswise we voyaged Lake Bennett, Tagish, then Windy Arm,
Sinister, savage and baleful, boding us hate and harm.
Many a scow was shattered there on that iron shore;
Many a heart was broken straining at sweep and oar.
We roused Lake Marsh with a chorus, we drifted many a mile;
There was the canyon before us--cave-like its dark defile;
The shores swept faster and faster; the river narrowed to wrath;
Waters that hissed disaster reared upright in our path.
Beneath us the green tumult churning, above us the cavernous gloom;
Around us, swift twisting and turning, the black, sullen walls of a tomb.
We spun like a chip in a mill-race; our hearts hammered under the test;
Then--oh, the relief on each chill face!--we soared into sunlight and rest.
Hand sought for hand on the instant. Cried we, "Our troubles are o'er!"
Then, like a rumble of thunder, heard we a canorous roar.
Leaping and boiling and seething, saw we a cauldron afume;
There was the rage of the rapids, there was the menace of doom.
The river springs like a racer, sweeps through a gash in the rock;
Buts at the boulder-ribbed bottom, staggers and rears at the shock;
Leaps like a terrified monster, writhes in its fury and pain;
Then with the crash of a demon springs to the onset again.
Dared we that ravening terror; heard we its din in our ears;
Called on the Gods of our fathers, juggled forlorn with our fears;
Sank to our waists in its fury, tossed to the sky like a fleece;
Then, when our dread was the greatest, crashed into safety and peace.
But what of the others that followed, losing their boats by the score?
Well could we see them and hear them, strung down that desolate shore.
What of the poor souls that perished? Little of them shall be said--
On to the Golden Valley, pause not to bury the dead.
Then there were days of drifting, breezes soft as a sigh;
Night trailed her robe of jewels over the floor of the sky.
The moonlit stream was a python, silver, sinuous, vast,
That writhed on a shroud of velvet--well, it was done at last.
There were the tents of Dawson, there the scar of the slide;
Swiftly we poled o'er the shallows, swiftly leapt o'er the side.
Fires fringed the mouth of Bonanza; sunset gilded the dome;
The test of the trail was over--thank God, thank God, we were Home!
|
Written by
Ellis Parker Butler |
When our yacht sails seaward on steady keel
And the wind is moist with breath of brine
And our laughter tells of our perfect weal,
We may carol the praises of ruby wine;
But if, automobiling, my woes combine
And fuel gives out in my road-machine
And it's sixteen miles to that home of mine--
Then ho! For a gallon of gasoline!
When our coach rides smoothly on iron-shod wheel
With a deft touch guiding each taut drawn line
And the inn ahead holds a royal meal,
We may carol the praises of ruby wine;
But when, on some long and steep incline,
In a manner entirely unforeseen
The motor stops with a last sad whine--
Then ho! For a gallon of gasoline!
When the air is crisp and the brooks congeal
And our sleigh glides on with a speed divine
While the gay bells echo with peal on peal,
We may carol the praises of ruby wine;
But when, with perverseness most condign,
In the same harsh snowstorm, cold and keen,
My auto stops at the six-mile sign--
Then ho! For a gallon of gasoline!
ENVOY
When yacht or Coach Club fellows dine
We may carol the praises of ruby wine;
But when Automobile Clubmen convene
Then ho! For a gallon of gasoline!
|
Written by
Edward Lear |
Who, or why, or which, or what, Is the Akond of SWAT?
Is he tall or short, or dark or fair?
Does he sit on a stool or a sofa or a chair,
or SQUAT,
The Akond of Swat?
Is he wise or foolish, young or old?
Does he drink his soup and his coffee cold,
or HOT,
The Akond of Swat?
Does he sing or whistle, jabber or talk,
And when riding abroad does he gallop or walk
or TROT,
The Akond of Swat?
Does he wear a turban, a fez, or a hat?
Does he sleep on a mattress, a bed, or a mat,
or COT,
The Akond of Swat?
When he writes a copy in round-hand size,
Does he cross his T's and finish his I's
with a DOT,
The Akond of Swat?
Can he write a letter concisely clear
Without a speck or a smudge or smear
or BLOT,
The Akond of Swat?
Do his people like him extremely well?
Or do they, whenever they can, rebel,
or PLOT,
At the Akond of Swat?
If he catches them then, either old or young,
Does he have them chopped in pieces or hung,
or SHOT,
The Akond of Swat?
Do his people prig in the lanes or park?
Or even at times, when days are dark,
GAROTTE,
The Akond of Swat?
Does he study the wants of his own dominion?
Or doesn't he care for public opinion
a JOT,
The Akond of Swat?
To amuse his mind do his people show him
Pictures, or any one's last new poem,
or WHAT,
For the Akond of Swat?
At night if he suddenly screams and wakes,
Do they bring him only a few small cakes,
or a LOT,
For the Akond of Swat?
Does he live on turnips, tea, or tripe?
Does he like his shawl to be marked with a stripe,
or a DOT,
The Akond of Swat?
Does he like to lie on his back in a boat
Like the lady who lived in that isle remote,
SHALLOTT,
The Akond of Swat?
Is he quiet, or always making a fuss?
Is his steward a Swiss or a Swede or Russ,
or a SCOT,
The Akond of Swat?
Does like to sit by the calm blue wave?
Or to sleep and snore in a dark green cave,
or a GROTT,
The Akond of Swat?
Does he drink small beer from a silver jug?
Or a bowl? or a glass? or a cup? or a mug?
or a POT,
The Akond of Swat?
Does he beat his wife with a gold-topped pipe,
When she let the gooseberries grow too ripe,
or ROT,
The Akond of Swat?
Does he wear a white tie when he dines with friends,
And tie it neat in a bow with ends,
or a KNOT.
The Akond of Swat?
Does he like new cream, and hate mince-pies?
When he looks at the sun does he wink his eyes,
or NOT,
The Akond of Swat?
Does he teach his subjects to roast and bake?
Does he sail about on an inland lake
in a YACHT,
The Akond of Swat?
Some one, or nobody, knows I wot
Who or which or why or what
Is the Akond of Swat?
|
Written by
Ella Wheeler Wilcox |
A yacht from its harbour ropes pulled free,
And leaped like a steed o’er the race track blue,
Then up behind her, the dust of the sea,
A gray fog, drifted, and hid her from view.
|
Written by
William Topaz McGonagall |
A pathetic tragedy I will relate,
Concerning poor Fred. Marsden's fate,
Who suffocated himself by the fumes of gas,
On the 18th of May, and in the year of 1888, alas!
Fred. Marsden was a playwright, the theatrical world knows,
And was highly esteemed by the people, and had very few foes;
And in New York, in his bedroom, he took his life away,
And was found by his servant William in his bedroom where he lay.
The manner in which he took his life : first he locked the door,
Then closed down the window, and a sheet to shreds he tore
And then stopped the keyholes and chinks through which air might come,
Then turned on the single gas-burner, and soon the deed was done.
About seven o'clock in the evening he bade his wife good-night,
And she left him, smoking, in his room, thinking all was right,
But when morning came his daughter said she smelled gas,
Then William, his servant, called loudly on him, but no answer, alas!
Then suspicion flashed across William's brain, and he broke open the door,
Then soon the family were in a state of uproar,
For the room was full of gas, and Mr Marsden quite dead,
And a more kind-hearted father never ate of the world's bread.
And by his kindness he spoiled his only child,
His pretty daughter Blanche, which made him wild;
For some time he thought her an angel, she was so very civil,
But she dishonoured herself, and proved herself a devil.
Her father idolised her, and on her spared no expense,
And the kind-hearted father gave her too much indulgence,
Because evening parties and receptions were got up for her sake,
Besides, he bought her a steam yacht to sail on Schroon Lake.
His means he lavished upon his home and his wife,
And he loved his wife and daughter as dear as his life;
But Miss Blanche turned to folly, and wrecked their home through strife,
And through Miss Marsden's folly her father took his life.
She wanted to ride, and her father bought her a horse,
And by giving her such indulgences, in morals she grew worse;
And by her immoral actions she broke her father's heart;
And, in my opinion, she has acted a very ungrateful part.
At last she fled from her father's house, which made him mourn,
Then the crazy father went after her and begged her to return,
But she tore her father's beard, and about the face beat him,
Then fled to her companions in evil, and thought it no sin.
Then her father sent her one hundred dollars, and found her again,
And he requested her to come home, but it was all in vain;
For his cruel daughter swore at him without any dread,
And, alas! next morning, he was found dead in his bed.
And soon theatrical circles were shocked to learn,
Of the sudden death of genial Fred Marsden,
Whose house had been famous for its hospitality,
To artists, litterateurs, and critics of high and low degree.
And now dear Mrs Marsden is left alone to mourn
The loss of her loving husband, whom to her will ne'er return;
But I hope God will be kind to her in her bereavement,
And open her daughter's eyes, and make her repent
For being the cause of her father's death, the generous Fred,
Who oft poor artists and mendicants has fed;
But, alas! his bounties they will never receive more,
Therefore poor artists and mendicants will his loss deplore.
Therefore, all ye kind parents of high and low degree,
I pray ye all, be advised by me,
And never pamper your children in any way,
Nor idolise them, for they are apt to go astray,
And treat ye, like pretty Blanche Marsden,
Who by her folly has been the death of one of the finest men;
So all kind parents, be warned by me,
And remember always this sad Tragedy!
|