Written by
William Shakespeare |
Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey,
If Time have any wrinkle graven there;
If any, be a satire to decay,
And make Time's spoils despised every where.
Give my love fame faster than Time wastes life;
So thou prevent'st his scythe and crooked knife.
|
Written by
Sylvia Plath |
Your clear eye is the one absolutely beautiful thing.
I want to fill it with color and ducks,
The zoo of the new
Whose name you meditate --
April snowdrop, Indian pipe,
Little
Stalk without wrinkle,
Pool in which images
Should be grand and classical
Not this troublous
Wringing of hands, this dark
Ceiling without a star.
|
Written by
Rupert Brooke |
When I see you, who were so wise and cool,
Gazing with silly sickness on that fool
You've given your love to, your adoring hands
Touch his so intimately that each understands,
I know, most hidden things; and when I know
Your holiest dreams yield to the stupid bow
Of his red lips, and that the empty grace
Of those strong legs and arms, that rosy face,
Has beaten your heart to such a flame of love,
That you have given him every touch and move,
Wrinkle and secret of you, all your life,
-- Oh! then I know I'm waiting, lover-wife,
For the great time when love is at a close,
And all its fruit's to watch the thickening nose
And sweaty neck and dulling face and eye,
That are yours, and you, most surely, till you die!
Day after day you'll sit with him and note
The greasier tie, the dingy wrinkling coat;
As prettiness turns to pomp, and strength to fat,
And love, love, love to habit!
And after that,
When all that's fine in man is at an end,
And you, that loved young life and clean, must tend
A foul sick fumbling dribbling body and old,
When his rare lips hang flabby and can't hold
Slobber, and you're enduring that worst thing,
Senility's queasy furtive love-making,
And searching those dear eyes for human meaning,
Propping the bald and helpless head, and cleaning
A scrap that life's flung by, and love's forgotten, --
Then you'll be tired; and passion dead and rotten;
And he'll be dirty, dirty!
O lithe and free
And lightfoot, that the poor heart cries to see,
That's how I'll see your man and you! --
But you
-- Oh, when THAT time comes, you'll be dirty too!
|
Written by
William Shakespeare |
Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem,
And gives thy pen both skill and argument.
Rise, resty Muse, my love's sweet face survey
If time have any wrinkle graven there;
If any, be a satire to decay,
And make time's spoils despisèd everywhere.
Give my love fame faster than Time wastes life;
So thou prevent'st his scythe and crooked knife.
|
Written by
Mark Strand |
There is a girl you like so you tell her
your ***** is big, but that you cannot get yourself
to use it.
Its demands are ridiculous, you say,
even self-defeating, but to be honored, somehow,
briefly, inconspicuously in the dark.
When she closes her eyes in horror,
you take it all back.
You tell her you're almost
a girl yourself and can understand why she is shocked.
When she is about to walk away, you tell her
you have no *****, that you don't
know what got into you.
You get on your knees.
She suddenly bends down to kiss your shoulder and you know
you're on the right track.
You tell her you want
to bear children and that is why you seem confused.
You wrinkle your brow and curse the day you were born.
She tries to calm you, but you lose control.
You reach for her panties and beg forgiveness as you do.
She squirms and you howl like a wolf.
Your craving
seems monumental.
You know you will have her.
Taken by storm, she is the girl you will marry.
|
Written by
Robert William Service |
How often do I wish I were
What people call a character;
A ripe and cherubic old chappie
Who lives to make his fellows happy;
With in his eyes a merry twinkle,
And round his lips a laughing wrinkle;
Who radiating hope and cheer
Grows kindlier with every year.
For this ideal let me strive,
And keep the lad in me alive;
Nor argument nor anger know,
But my own way serenly go;
The woes of men to understand,
Yet walk with humour hand in hand;
To love each day and wonder why
Folks are not so jocund as I.
So be you simple, decent, kind,
With gentle heart and quiet mind;
And if to righteous anger stung,
Restrain your temper and your toungue.
Let thought for others be your guide,
And patience triumph over pride .
.
.
With charity for those who err,
Live life so folks may say you were--
God bless your heart!--A Character.
|
Written by
Alfred Noyes |
PART ONE
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inndoor.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doeskin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dard inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and heard the robber say--
"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way.
"
He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.
PART TWO
He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red coat troop came marching--
marching--marching--
King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two fo them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her.
She heard the dead man say--
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for rest!
Up, she stood to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain
Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!
Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him - with her death.
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
How Bess, the landlord's daughter,
The landlords black-eyed daughter,
Had watched her love in the moonlight, and died in the darkness there.
Back, he spurred like a madman, shreiking a curse to the sky,
with the white road smoking behind him, and his rapier brain dished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
When they shot him down in the highway,
Down like a dog on the highway,
And he lay his blood on the highway, with a bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cluody seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding--
Riding--riding--
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
|
Written by
Thomas Moore |
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
Wit's electric flame
Ne'er so swiftly passes,
As when through the frame
It shoots from brimming glasses.
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
Sages can, they say,
Grasp the lightning's pinions,
And bring down its ray
From the starr'd dominions:
So we, Sages, sit,
And, 'mid bumpers brightening,
From the Heaven of Wit
Draw down all its lightning.
Fill the bumper, etc.
Wouldst thou know what first
Made our souls inherit
This ennobling thirst
For wine's celestial spirit?
It chanced, upon that day,
When, as bards inform us,
Prometheus stole away
The living fires that warm us:
Fill the bumper etc.
The careless Youth, when up
To Glory's fount aspiring,
Took nor urn nor cup
To hide the pilfer'd fire in.
--
But oh, his joy, when, round
The halls of heaven spying,
Among the stars he found,
The bowl of Bacchus lying!
Fill the bumper, etc.
Some drops were in that bowl,
Remains of last night's pleasure,
With which the Sparks of Soul
Mix'd their burning treasure.
Hence the goblet's shower
Hath such spells to win us;
Hence its mighty power
O'er that flame within us.
Fill the bumper fair!
Every drop we sprinkle
O'er the brow of Care
Smooths away a wrinkle.
|
Written by
Rudyard Kipling |
"You must choose between me and your cigar.
"
-- BREACH OF PROMISE CASE, CIRCA 1885.
Open the old cigar-box, get me a Cuba stout,
For things are running crossways, and Maggie and I are out.
We quarrelled about Havanas -- we fought o'er a good cheroot,
And I knew she is exacting, and she says I am a brute.
Open the old cigar-box -- let me consider a space;
In the soft blue veil of the vapour musing on Maggie's face.
Maggie is pretty to look at -- Maggie's a loving lass,
But the prettiest cheeks must wrinkle, the truest of loves must pass.
There's peace in a Larranaga, there's calm in a Henry Clay;
But the best cigar in an hour is finished and thrown away --
Thrown away for another as perfect and ripe and brown --
But I could not throw away Maggie for fear o' the talk o' the town!
Maggie, my wife at fifty -- grey and dour and old --
With never another Maggie to purchase for love or gold!
And the light of Days that have Been the dark of the Days that Are,
And Love's torch stinking and stale, like the butt of a dead cigar --
The butt of a dead cigar you are bound to keep in your pocket --
With never a new one to light tho' it's charred and black to the socket!
Open the old cigar-box -- let me consider a while.
Here is a mild Manila -- there is a wifely smile.
Which is the better portion -- bondage bought with a ring,
Or a harem of dusky beauties, fifty tied in a string?
Counsellors cunning and silent -- comforters true and tried,
And never a one of the fifty to sneer at a rival bride?
Thought in the early morning, solace in time of woes,
Peace in the hush of the twilight, balm ere my eyelids close,
This will the fifty give me, asking nought in return,
With only a Suttee's passion -- to do their duty and burn.
This will the fifty give me.
When they are spent and dead,
Five times other fifties shall be my servants instead.
The furrows of far-off Java, the isles of the Spanish Main,
When they hear my harem is empty will send me my brides again.
I will take no heed to their raiment, nor food for their mouths withal,
So long as the gulls are nesting, so long as the showers fall.
I will scent 'em with best vanilla, with tea will I temper their hides,
And the Moor and the Mormon shall envy who read of the tale of my brides.
For Maggie has written a letter to give me my choice between
The wee little whimpering Love and the great god Nick o' Teen.
And I have been servant of Love for barely a twelvemonth clear,
But I have been Priest of Cabanas a matter of seven year;
And the gloom of my bachelor days is flecked with the cheery light
Of stums that I burned to Friendship and Pleasure and Work and Fight.
And I turn my eyes to the future that Maggie and I must prove,
But the only light on the marshes is the Will-o'-the-Wisp of Love.
Will it see me safe through my journey or leave me bogged in the mire?
Since a puff of tobacco can cloud it, shall I follow the fitful fire?
Open the old cigar-box -- let me consider anew --
Old friends, and who is Maggie that I should abandon you?
A million surplus Maggies are willing to bear the yoke;
And a woman is only a woman, but a good Cigar is a Smoke.
Light me another Cuba -- I hold to my first-sworn vows.
If Maggie will have no rival, I'll have no Maggie for Spouse!
|
Written by
Robert William Service |
Ho! we were strong, we were swift, we were brave.
Youth was a challenge, and Life was a fight.
All that was best in us gladly we gave,
Sprang from the rally, and leapt for the height.
Smiling is Love in a foam of Spring flowers:
Harden our hearts to him -- on let us press!
Oh, what a triumph and pride shall be ours!
See where it beacons, the star of success!
Cares seem to crowd on us -- so much to do;
New fields to conquer, and time's on the wing.
Grey hairs are showing, a wrinkle or two;
Somehow our footstep is losing its spring.
Pleasure's forsaken us, Love ceased to smile;
Youth has been funeralled; Age travels fast.
Sometimes we wonder: is it worth while?
There! we have gained to the summit at last.
Aye, we have triumphed! Now must we haste,
Revel in victory .
.
.
why! what is wrong?
Life's choicest vintage is flat to the taste --
Are we too late? Have we laboured too long?
Wealth, power, fame we hold .
.
.
ah! but the truth:
Would we not give this vain glory of ours
For one mad, glad year of glorious youth,
Life in the Springtide, and Love in the flowers.
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