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Best Famous Workmen Poems

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Andrew Barton Paterson | Create an image from this poem

Song of the Future

 'Tis strange that in a land so strong 
So strong and bold in mighty youth, 
We have no poet's voice of truth 
To sing for us a wondrous song. 
Our chiefest singer yet has sung 
In wild, sweet notes a passing strain, 
All carelessly and sadly flung 
To that dull world he thought so vain. 

"I care for nothing, good nor bad, 
My hopes are gone, my pleasures fled, 
I am but sifting sand," he said: 
What wonder Gordon's songs were sad! 

And yet, not always sad and hard; 
In cheerful mood and light of heart 
He told the tale of Britomarte, 
And wrote the Rhyme of Joyous Garde. 

And some have said that Nature's face 
To us is always sad; but these 
Have never felt the smiling grace 
Of waving grass and forest trees 
On sunlit plains as wide as seas. 

"A land where dull Despair is king 
O'er scentless flowers and songless bird!" 
But we have heard the bell-birds ring 
Their silver bells at eventide, 
Like fairies on the mountain side, 
The sweetest note man ever heard. 

The wild thrush lifts a note of mirth; 
The bronzewing pigeons call and coo 
Beside their nests the long day through; 
The magpie warbles clear and strong 
A joyous, glad, thanksgiving song, 
For all God's mercies upon earth. 

And many voices such as these 
Are joyful sounds for those to tell, 
Who know the Bush and love it well, 
With all its hidden mysteries. 

We cannot love the restless sea, 
That rolls and tosses to and fro 
Like some fierce creature in its glee; 
For human weal or human woe 
It has no touch of sympathy. 

For us the bush is never sad: 
Its myriad voices whisper low, 
In tones the bushmen only know, 
Its sympathy and welcome glad. 
For us the roving breezes bring 
From many a blossum-tufted tree -- 
Where wild bees murmur dreamily -- 
The honey-laden breath of Spring. 

* * * * 

We have our tales of other days, 
Good tales the northern wanderers tell 
When bushmen meet and camp-fires blaze, 
And round the ring of dancing light 
The great, dark bush with arms of night 
Folds every hearer in its spell. 

We have our songs -- not songs of strife 
And hot blood spilt on sea and land; 
But lilts that link achievement grand 
To honest toil and valiant life. 

Lift ye your faces to the sky 
Ye barrier mountains in the west 
Who lie so peacefully at rest 
Enshrouded in a haze of blue; 
'Tis hard to feel that years went by 
Before the pioneers broke through 
Your rocky heights and walls of stone, 
And made your secrets all their own. 

For years the fertile Western plains 
Were hid behind your sullen walls, 
Your cliffs and crags and waterfalls 
All weatherworn with tropic rains. 

Between the mountains and the sea 
Like Israelites with staff in hand, 
The people waited restlessly: 
They looked towards the mountains old 
And saw the sunsets come and go 
With gorgeous golden afterglow, 
That made the West a fairyland, 
And marvelled what that West might be 
Of which such wondrous tales were told. 

For tales were told of inland seas 
Like sullen oceans, salt and dead, 
And sandy deserts, white and wan, 
Where never trod the foot of man, 
Nor bird went winging overhead, 
Nor ever stirred a gracious breeze 
To wake the silence with its breath -- 
A land of loneliness and death. 

At length the hardy pioneers 
By rock and crag found out the way, 
And woke with voices of today 
A silence kept for years and tears. 

Upon the Western slope they stood 
And saw -- a wide expanse of plain 
As far as eye could stretch or see 
Go rolling westward endlessly. 
The native grasses, tall as grain, 
Bowed, waved and rippled in the breeze; 
From boughs of blossom-laden trees 
The parrots answered back again. 
They saw the land that it was good, 
A land of fatness all untrod, 
And gave their silent thanks to God. 

The way is won! The way is won! 
And straightway from the barren coast 
There came a westward-marching host, 
That aye and ever onward prest 
With eager faces to the West, 
Along the pathway of the sun. 

The mountains saw them marching by: 
They faced the all-consuming drought, 
They would not rest in settled land: 
But, taking each his life in hand, 
Their faces ever westward bent 
Beyond the farthest settlement, 
Responding to the challenge cry 
of "better country farther out". 

And lo, a miracle! the land 
But yesterday was all unknown, 
The wild man's boomerang was thrown 
Where now great busy cities stand. 
It was not much, you say, that these 
Should win their way where none withstood; 
In sooth there was not much of blood -- 
No war was fought between the seas. 

It was not much! but we who know 
The strange capricious land they trod -- 
At times a stricken, parching sod, 
At times with raging floods beset -- 
Through which they found their lonely way 
Are quite content that you should say 
It was not much, while we can feel 
That nothing in the ages old, 
In song or story written yet 
On Grecian urn or Roman arch, 
Though it should ring with clash of steel, 
Could braver histories unfold 
Than this bush story, yet untold -- 
The story of their westward march. 

* * * * 

But times are changed, and changes rung 
From old to new -- the olden days, 
The old bush life and all its ways, 
Are passing from us all unsung. 
The freedom, and the hopeful sense 
Of toil that brought due recompense, 
Of room for all, has passed away, 
And lies forgotten with the dead. 
Within our streets men cry for bread 
In cities built but yesterday. 
About us stretches wealth of land, 
A boundless wealth of virgin soil 
As yet unfruitful and untilled! 
Our willing workmen, strong and skilled, 
Within our cities idle stand, 
And cry aloud for leave to toil. 

The stunted children come and go 
In squalid lanes and alleys black: 
We follow but the beaten track 
Of other nations, and we grow 
In wealth for some -- for many, woe. 

And it may be that we who live 
In this new land apart, beyond 
The hard old world grown fierce and fond 
And bound by precedent and bond, 
May read the riddle right, and give 
New hope to those who dimly see 
That all things yet shall be for good, 
And teach the world at length to be 
One vast united brotherhood. 

* * * * 

So may it be! and he who sings 
In accents hopeful, clear, and strong, 
The glories which that future brings 
Shall sing, indeed, a wondrous song.
Written by Walt Whitman | Create an image from this poem

As I Walk These Broad Majestic Days

 AS I walk these broad, majestic days of peace, 
(For the war, the struggle of blood finish’d, wherein, O terrific Ideal! 
Against vast odds, having gloriously won, 
Now thou stridest on—yet perhaps in time toward denser wars, 
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others; 
—As I walk solitary, unattended, 
Around me I hear that eclat of the world—politics, produce, 
The announcements of recognized things—science, 
The approved growth of cities, and the spread of inventions.

I see the ships, (they will last a few years,) 
The vast factories, with their foremen and workmen, 
And here the indorsement of all, and do not object to it. 

But I too announce solid things; 
Science, ships, politics, cities, factories, are not nothing—I watch them,
Like a grand procession, to music of distant bugles, pouring, triumphantly moving—and
 grander heaving in sight; 
They stand for realities—all is as it should be. 

Then my realities; 
What else is so real as mine? 
Libertad, and the divine average—Freedom to every slave on the face of the earth,
The rapt promises and luminé of seers—the spiritual world—these centuries
 lasting songs, 
And our visions, the visions of poets, the most solid announcements of any. 

For we support all, fuse all, 
After the rest is done and gone, we remain; 
There is no final reliance but upon us;
Democracy rests finally upon us (I, my brethren, begin it,) 
And our visions sweep through eternity.
Written by Walt Whitman | Create an image from this poem

Apostroph

 O MATER! O fils! 
O brood continental! 
O flowers of the prairies! 
O space boundless! O hum of mighty products! 
O you teeming cities! O so invincible, turbulent, proud!
O race of the future! O women! 
O fathers! O you men of passion and the storm! 
O native power only! O beauty! 
O yourself! O God! O divine average! 
O you bearded roughs! O bards! O all those slumberers!
O arouse! the dawn bird’s throat sounds shrill! Do you not hear the cock crowing? 
O, as I walk’d the beach, I heard the mournful notes foreboding a tempest—the
 low,
 oft-repeated shriek of the diver, the long-lived loon; 
O I heard, and yet hear, angry thunder;—O you sailors! O ships! make quick
 preparation! 
O from his masterful sweep, the warning cry of the eagle! 
(Give way there, all! It is useless! Give up your spoils;)
O sarcasms! Propositions! (O if the whole world should prove indeed a sham, a sell!) 
O I believe there is nothing real but America and freedom! 
O to sternly reject all except Democracy! 
O imperator! O who dare confront you and me? 
O to promulgate our own! O to build for that which builds for mankind!
O feuillage! O North! O the slope drained by the Mexican sea! 
O all, all inseparable—ages, ages, ages! 
O a curse on him that would dissever this Union for any reason whatever! 
O climates, labors! O good and evil! O death! 
O you strong with iron and wood! O Personality!
O the village or place which has the greatest man or woman! even if it be only a few
 ragged
 huts; 
O the city where women walk in public processions in the streets, the same as the men; 
O a wan and terrible emblem, by me adopted! 
O shapes arising! shapes of the future centuries! 
O muscle and pluck forever for me!
O workmen and workwomen forever for me! 
O farmers and sailors! O drivers of horses forever for me! 
O I will make the new bardic list of trades and tools! 
O you coarse and wilful! I love you! 
O South! O longings for my dear home! O soft and sunny airs!
O pensive! O I must return where the palm grows and the mocking-bird sings, or else I die!

O equality! O organic compacts! I am come to be your born poet! 
O whirl, contest, sounding and resounding! I am your poet, because I am part of you; 
O days by-gone! Enthusiasts! Antecedents! 
O vast preparations for These States! O years!
O what is now being sent forward thousands of years to come! 
O mediums! O to teach! to convey the invisible faith! 
To promulge real things! to journey through all The States! 
O creation! O to-day! O laws! O unmitigated adoration! 
O for mightier broods of orators, artists, and singers!
O for native songs! carpenter’s, boatman’s, ploughman’s songs!
 shoemaker’s
 songs! 
O haughtiest growth of time! O free and extatic! 
O what I, here, preparing, warble for! 
O you hastening light! O the sun of the world will ascend, dazzling, and take his
 height—and you too will ascend; 
O so amazing and so broad! up there resplendent, darting and burning;
O prophetic! O vision staggered with weight of light! with pouring glories! 
O copious! O hitherto unequalled! 
O Libertad! O compact! O union impossible to dissever! 
O my Soul! O lips becoming tremulous, powerless! 
O centuries, centuries yet ahead!
O voices of greater orators! I pause—I listen for you 
O you States! Cities! defiant of all outside authority! I spring at once into your arms!
 you I
 most love! 
O you grand Presidentiads! I wait for you! 
New history! New heroes! I project you! 
Visions of poets! only you really last! O sweep on! sweep on!
O Death! O you striding there! O I cannot yet! 
O heights! O infinitely too swift and dizzy yet! 
O purged lumine! you threaten me more than I can stand! 
O present! I return while yet I may to you! 
O poets to come, I depend upon you!


Written by Jonathan Swift | Create an image from this poem

To Stella Who Collected and Transcribed His Poems

 As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,

Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
Written by Walt Whitman | Create an image from this poem

A Glimpse

 A GLIMPSE, through an interstice caught, 
Of a crowd of workmen and drivers in a bar-room, around the stove, late of a winter
 night—And I
 unremark’d seated in a corner; 
Of a youth who loves me, and whom I love, silently approaching, and seating himself near,
 that
 he
 may hold me by the hand; 
A long while, amid the noises of coming and going—of drinking and oath and smutty
 jest, 
There we two, content, happy in being together, speaking little, perhaps not a word. 

 5
Written by Walt Whitman | Create an image from this poem

1861

 AARM’D year! year of the struggle! 
No dainty rhymes or sentimental love verses for you, terrible year! 
Not you as some pale poetling, seated at a desk, lisping cadenzas piano; 
But as a strong man, erect, clothed in blue clothes, advancing, carrying a rifle on your
 shoulder, 
With well-gristled body and sunburnt face and hands—with a knife in the belt at your
 side,
As I heard you shouting loud—your sonorous voice ringing across the continent; 
Your masculine voice, O year, as rising amid the great cities, 
Amid the men of Manhattan I saw you, as one of the workmen, the dwellers in Manhattan; 
Or with large steps crossing the prairies out of Illinois and Indiana, 
Rapidly crossing the West with springy gait, and descending the Alleghanies;
Or down from the great lakes, or in Pennsylvania, or on deck along the Ohio river; 
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on the mountain
 top, 
Saw I your gait and saw I your sinewy limbs, clothed in blue, bearing weapons, robust
 year; 
Heard your determin’d voice, launch’d forth again and again; 
Year that suddenly sang by the mouths of the round-lipp’d cannon,
I repeat you, hurrying, crashing, sad, distracted year.
Written by Walt Whitman | Create an image from this poem

Pioneers! O Pioneers!

 1
 COME, my tan-faced children, 
Follow well in order, get your weapons ready; 
Have you your pistols? have you your sharp edged axes? Pioneers! O pioneers! 

2
 For we cannot tarry here, 
We must march my darlings, we must bear the brunt of danger,
We, the youthful sinewy races, all the rest on us depend, Pioneers! O pioneers! 

3
 O you youths, western youths, 
So impatient, full of action, full of manly pride and friendship, 
Plain I see you, western youths, see you tramping with the foremost, Pioneers! O
 pioneers! 

4
 Have the elder races halted?
Do they droop and end their lesson, wearied, over there beyond the seas? 
We take up the task eternal, and the burden, and the lesson, Pioneers! O pioneers! 

5
 All the past we leave behind; 
We debouch upon a newer, mightier world, varied world, 
Fresh and strong the world we seize, world of labor and the march, Pioneers! O pioneers!

6
 We detachments steady throwing, 
Down the edges, through the passes, up the mountains steep, 
Conquering, holding, daring, venturing, as we go, the unknown ways, Pioneers! O pioneers!


7
 We primeval forests felling, 
We the rivers stemming, vexing we, and piercing deep the mines within;
We the surface broad surveying, we the virgin soil upheaving, Pioneers! O pioneers! 

8
 Colorado men are we, 
From the peaks gigantic, from the great sierras and the high plateaus, 
From the mine and from the gully, from the hunting trail we come, Pioneers! O pioneers! 

9
 From Nebraska, from Arkansas,
Central inland race are we, from Missouri, with the continental blood intervein’d; 
All the hands of comrades clasping, all the Southern, all the Northern, Pioneers! O
 pioneers!


10
 O resistless, restless race! 
O beloved race in all! O my breast aches with tender love for all! 
O I mourn and yet exult—I am rapt with love for all, Pioneers! O pioneers!

11
 Raise the mighty mother mistress, 
Waving high the delicate mistress, over all the starry mistress, (bend your heads all,) 
Raise the fang’d and warlike mistress, stern, impassive, weapon’d mistress, Pioneers! O
 pioneers! 

12
See, my children, resolute children, 
By those swarms upon our rear, we must never yield or falter,
Ages back in ghostly millions, frowning there behind us urging, Pioneers! O pioneers! 

13
 On and on, the compact ranks, 
With accessions ever waiting, with the places of the dead quickly fill’d, 
Through the battle, through defeat, moving yet and never stopping, Pioneers! O pioneers!


14
 O to die advancing on!
Are there some of us to droop and die? has the hour come? 
Then upon the march we fittest die, soon and sure the gap is fill’d, Pioneers! O
 pioneers! 

15
 All the pulses of the world, 
Falling in, they beat for us, with the western movement beat; 
Holding single or together, steady moving, to the front, all for us, Pioneers! O
 pioneers!

16
 Life’s involv’d and varied pageants, 
All the forms and shows, all the workmen at their work, 
All the seamen and the landsmen, all the masters with their slaves, Pioneers! O pioneers!


17
 All the hapless silent lovers, 
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying, Pioneers! O pioneers! 

18
 I too with my soul and body, 
We, a curious trio, picking, wandering on our way, 
Through these shores, amid the shadows, with the apparitions pressing, Pioneers! O
 pioneers! 

19

 Lo! the darting bowling orb! 
Lo! the brother orbs around! all the clustering suns and planets, 
All the dazzling days, all the mystic nights with dreams, Pioneers! O pioneers! 

20
 These are of us, they are with us, 
All for primal needed work, while the followers there in embryo wait behind,
We to-day’s procession heading, we the route for travel clearing, Pioneers! O pioneers! 

21
 O you daughters of the west! 
O you young and elder daughters! O you mothers and you wives! 
Never must you be divided, in our ranks you move united, Pioneers! O pioneers! 

22
 Minstrels latent on the prairies!
(Shrouded bards of other lands! you may sleep—you have done your work;) 
Soon I hear you coming warbling, soon you rise and tramp amid us, Pioneers! O pioneers! 

23
 Not for delectations sweet; 
Not the cushion and the slipper, not the peaceful and the studious; 
Not the riches safe and palling, not for us the tame enjoyment, Pioneers! O pioneers!

24
 Do the feasters gluttonous feast? 
Do the corpulent sleepers sleep? have they lock’d and bolted doors? 
Still be ours the diet hard, and the blanket on the ground, Pioneers! O pioneers! 

25
 Has the night descended? 
Was the road of late so toilsome? did we stop discouraged, nodding on our way?
Yet a passing hour I yield you, in your tracks to pause oblivious, Pioneers! O pioneers!


26
 Till with sound of trumpet, 
Far, far off the day-break call—hark! how loud and clear I hear it wind; 
Swift! to the head of the army!—swift! spring to your places, Pioneers! O pioneers.
Written by Carl Sandburg | Create an image from this poem

A Fence

 NOW the stone house on the lake front is finished and the
workmen are beginning the fence.
The palings are made of iron bars with steel points that
can stab the life out of any man who falls on them.
As a fence, it is a masterpiece, and will shut off the rabble
and all vagabonds and hungry men and all wandering
children looking for a place to play.
Passing through the bars and over the steel points will go
nothing except Death and the Rain and To-morrow.

Book: Reflection on the Important Things