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Best Famous Worded Poems

Here is a collection of the all-time best famous Worded poems. This is a select list of the best famous Worded poetry. Reading, writing, and enjoying famous Worded poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of worded poems.

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Written by Elizabeth Bishop | Create an image from this poem

Seascape

 This celestial seascape, with white herons got up as angels,
flying high as they want and as far as they want sidewise 
in tiers and tiers of immaculate reflections; 
the whole region, from the highest heron 
down to the weightless mangrove island 
with bright green leaves edged neatly with bird-droppings 
like illumination in silver, 
and down to the suggestively Gothic arches of the mangrove roots
and the beautiful pea-green back-pasture 
where occasionally a fish jumps, like a wildflower 
in an ornamental spray of spray; 
this cartoon by Raphael for a tapestry for a Pope: 
it does look like heaven. 
But a skeletal lighthouse standing there 
in black and white clerical dress, 
who lives on his nerves, thinks he knows better. 
He thinks that hell rages below his iron feet, 
that that is why the shallow water is so warm, 
and he knows that heaven is not like this. 
Heaven is not like flying or swimming, 
but has something to do with blackness and a strong glare 
and when it gets dark he will remember something 
strongly worded to say on the subject.


Written by Howard Nemerov | Create an image from this poem

The Makers

 Who can remember back to the first poets, 
The greatest ones, greater even than Orpheus? 
No one has remembered that far back 
Or now considers, among the artifacts, 
And bones and cantilevered inference 
The past is made of, those first and greatest poets, 
So lofty and disdainful of renown 
They left us not a name to know them by. 

They were the ones that in whatever tongue 
Worded the world, that were the first to say 
Star, water, stone, that said the visible 
And made it bring invisibles to view 
In wind and time and change, and in the mind 
Itself that minded the hitherto idiot world 
And spoke the speechless world and sang the towers 
Of the city into the astonished sky. 

They were the first great listeners, attuned 
To interval, relationship, and scale, 
The first to say above, beneath, beyond, 
Conjurors with love, death, sleep, with bread and wine, 
Who having uttered vanished from the world 
Leaving no memory but the marvelous 
Magical elements, the breathing shapes 
And stops of breath we build our Babels of.
Written by James Joyce | Create an image from this poem

A Memory of the Players in a Mirror at Midnight

 They mouth love's language. Gnash
The thirteen teeth
Your lean jaws grin with. Lash
Your itch and quailing, nude greed of the flesh.
Love's breath in you is stale, worded or sung,
As sour as cat's breath,
Harsh of tongue.

This grey that stares
Lies not, stark skin and bone.
Leave greasy lips their kissing. None
Will choose her what you see to mouth upon.
Dire hunger holds his hour.
Pluck forth your heart, saltblood, a fruit of tears.
Pluck and devour!
Written by Sidney Lanier | Create an image from this poem

Acknowledgment

 I.

O Age that half believ'st thou half believ'st,
Half doubt'st the substance of thine own half doubt,
And, half perceiving that thou half perceiv'st,
Stand'st at thy temple door, heart in, head out!
Lo! while thy heart's within, helping the choir,
Without, thine eyes range up and down the time,
Blinking at o'er-bright science, smit with desire
To see and not to see. Hence, crime on crime.
Yea, if the Christ (called thine) now paced yon street,
Thy halfness hot with His rebuke would swell;
Legions of scribes would rise and run and beat
His fair intolerable Wholeness twice to hell.
`Nay' (so, dear Heart, thou whisperest in my soul),
`'Tis a half time, yet Time will make it whole.'


II.

Now at thy soft recalling voice I rise
Where thought is lord o'er Time's complete estate,
Like as a dove from out the gray sedge flies
To tree-tops green where cooes his heavenly mate.
From these clear coverts high and cool I see
How every time with every time is knit,
And each to all is mortised cunningly,
And none is sole or whole, yet all are fit.
Thus, if this Age but as a comma show
'Twixt weightier clauses of large-worded years,
My calmer soul scorns not the mark: I know
This crooked point Time's complex sentence clears.
Yet more I learn while, Friend! I sit by thee:
Who sees all time, sees all eternity.


III.

If I do ask, How God can dumbness keep
While Sin creeps grinning through His house of Time,
Stabbing His saintliest children in their sleep,
And staining holy walls with clots of crime? --
Or, How may He whose wish but names a fact
Refuse what miser's-scanting of supply
Would richly glut each void where man hath lacked
Of grace or bread? -- or, How may Power deny
Wholeness to th' almost-folk that hurt our hope --
These heart-break Hamlets who so barely fail
In life or art that but a hair's more scope
Had set them fair on heights they ne'er may scale? --
Somehow by thee, dear Love, I win content:
Thy Perfect stops th' Imperfect's argument.


IV.

By the more height of thy sweet stature grown,
Twice-eyed with thy gray vision set in mine,
I ken far lands to wifeless men unknown,
I compass stars for one-sexed eyes too fine.
No text on sea-horizons cloudily writ,
No maxim vaguely starred in fields or skies,
But this wise thou-in-me deciphers it:
Oh, thou'rt the Height of heights, the Eye of eyes.
Not hardest Fortune's most unbounded stress
Can blind my soul nor hurl it from on high,
Possessing thee, the self of loftiness,
And very light that Light discovers by.
Howe'er thou turn'st, wrong Earth! still Love's in sight:
For we are taller than the breadth of night.
Written by Ben Jonson | Create an image from this poem

An Ode to Himself

 Where dost thou careless lie,
Buried in ease and sloth?
Knowledge that sleeps doth die;
And this security,
It is the common moth
That eats on wits and arts, and oft destroys them both.

Are all th' Aonian springs
Dried up? lies Thespia waste?
Doth Clarius' harp want strings,
That not a nymph now sings?
Or droop they as disgrac'd,
To see their seats and bowers by chatt'ring pies defac'd?

If hence thy silence be,
As 'tis too just a cause,
Let this thought quicken thee:
Minds that are great and free
Should not on fortune pause;
'Tis crown enough to virtue still, her own applause.

What though the greedy fry
Be taken with false baites
Of worded balladry,
And think it poesy?
They die with their conceits,
And only piteous scorn upon their folly waits.

Then take in hand thy lyre,
Strike in thy proper strain,
With Japhet's line aspire
Sol's chariot for new fire,
To give the world again;
Who aided him will thee, the issue of Jove's brain.

And since our dainty age
Cannot endure reproof,
Make not thyself a page
To that strumpet, the stage,
But sing high and aloof,
Safe from the wolf's black jaw and the dull ass's hoof.


Written by John Wilmot | Create an image from this poem

Poems to Mulgrave and Scroope

 Deare Friend. 

I heare this Towne does soe abound, 
With sawcy Censurers, that faults are found, 
With what of late wee (in Poetique Rage) 
Bestowing, threw away on the dull Age; 
But (howsoe're Envy, their Spleen may raise, 
To Robb my Brow, of the deserved Bays) 
Their thanks at least I merit since through me, 
They are Partakers of your Poetry; 
And this is all, I'll say in my defence, 
T'obtaine one Line, of your well worded Sense 

I'd be content t'have writ the Brittish Prince. 
I'm none of those who thinke themselves inspir'd, 
Nor write with the vaine hopes to be admir'd; 
But from a Rule (I have upon long tryall) 
T'avoyd with care, all sort of self denyall. 
Which way soe're desire and fancy leade 
(Contemning Fame) that Path I boldly tread; 
And if exposeing what I take for Witt, 
To my deare self, a Pleasure I beget, 
Noe matter tho' the Censring Crittique fret. 
Those whom my Muse displeases, are at strife 
With equall Spleene, against my Course of life, 
The least delight of which, I'd not forgoe, 
For all the flatt'ring Praise, Man can bestow. 
If I designd to please the way were then, 
To mend my Manners, rather than my Pen; 
The first's unnaturall, therefore unfit, 
And for the Second, I despair of it, 
Since Grace, is not soe hard to get as Witt. 
Perhaps ill Verses, ought to be confin'd, 
In meere good Breeding, like unsav'ry Wind; 
Were Reading forc'd, I shou'd be apt to thinke 
Men might noe more write scurvily, than stinke: 
But 'tis your choyce, whether you'll Read, or noe, 
If likewise of your smelling it were soe, 
I'd Fart just as I write, for my owne ease, 
Nor shou'd you be concern'd, unlesse you please: 
I'll owne, that you write better than I doe, 
But I have as much need to write, as you. 
What though the Excrement of my dull Braine,

Runns in a harsh, insipid Straine, 
Whilst your rich Head, eases it self of Witt? 
Must none but Civet-Catts, have leave to ****? 
In all I write, shou'd Sense, and Witt, and Rhyme 
Faile me at once, yet something soe Sublime, 
Shall stamp my Poem, that the World may see, 
It cou'd have beene produc'd, by none but me. 
And that's my end, for Man, can wish noe more, 
Then soe to write, as none ere writ before. 
Yet why am I noe Poet, of the tymes? 
I have Allusions, Similies and Rhymes, 
And Witt, or else 'tis hard that I alone, 
Of the whole Race of Mankind, shou'd have none. 
Unequally, the Partiall Hand of Heav'n, 
Has all but this one only Blessing giv'n; 
The World appeares like a great Family, 
Whose Lord opprest with Pride, and Poverty, 
(That to a few, great Plenty he may show) 
Is faine to starve the Num'rous Traine below: 
Just soe seemes Providence, as poor and vaine, 
Keeping more Creatures, than it can maintaine. 
Here 'tis profuse, and there it meanly saves, 
And for One Prince, it makes Ten Thousand Slaves: 
In Witt alone, it has beene Magnificent, 
Of which, soe just a share, to each is sent 
That the most Avaricious are content. 
For none e're thought, (the due Division's such), 
His owne too little, or his Friends too much. 
Yet most Men shew, or find great want of Witt, 
Writeing themselves, or Judging what is writ: 
But I, who am of sprightly Vigour full 
Looke on Mankind, as Envious, and dull. 
Borne to my self, my self I like alone, 
And must conclude my Judgment good, or none. 
(For shou'd my Sense be nought, how cou'd I know, 
Whether another Man's, were good, or noe?) 
Thus, I resolve of my owne Poetry, 
That 'tis the best, and there's a Fame for me. 
If then I'm happy, what does it advance, 
Whether to merit due, or Arrogance?

Oh! but the World will take offence thereby, 
Why then the World, shall suffer for't, not I. 
Did e're this sawcy World, and I agree? 
To let it have its Beastly will on me? 
Why shou'd my Prostituted Sense, be drawne, 
To ev'ry Rule, their musty Customes spawne? 
But Men, will Censure you; Tis Two to one 
When e're they Censure, they'll be in the wrong. 
There's not a thing on Earth, that I can name 
Soe foolish, and soe false, as Common Fame. 
It calls the Courtier Knave, the plaine Man rude, 
Haughty the grave, and the delightfull Lewd. 
Impertinent the briske, Morosse the sad, 
Meane the Familiar, the Reserv'd one Mad. 
Poor helplesse Woman, is not favour'd more 
She's a slye Hipocryte, or Publique Whore. 
Then who the Devill, wou'd give this -- to be free 
From th'Innocent Reproach of Infamy? 
These things consider'd, make me (in despight 
Of idle Rumour,) keepe at home, and write.

Book: Radiant Verses: A Journey Through Inspiring Poetry