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Best Famous Woodpecker Poems

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Written by Robinson Jeffers | Create an image from this poem

The Broken Balance

 I. Reference to a Passage in Plutarch's Life of Sulla

The people buying and selling, consuming pleasures, talking in the archways,
Were all suddenly struck quiet
And ran from under stone to look up at the sky: so shrill and mournful,
So fierce and final, a brazen
Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered:
"Although the Gods are little troubled toward men, at the end of each period
A sign is declared in heaven
Indicating new times, new customs, a changed people; the Romans
Rule, and Etruria is finished;
A wise mariner will trim the sails to the wind."

 I heard yesterday
So shrill and mournful a trumpet-blast,
It was hard to be wise.... You must eat change and endure; not be much troubled
For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It;
When life grows hateful, there's power ...

II. To the Children

Power's good; life is not always good but power's good.
So you must think when abundance
Makes pawns of people and all the loaves are one dough.
The steep singleness of passion
Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass
And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains
Instead of faces, and millions
Instead of persons; not to hate life; and massed power
After the lone hawk's dead.

III

That light blood-loving weasel, a tongue of yellow
Fire licking the sides of the gray stones,
Has a more passionate and more pure heart
In the snake-slender flanks than man can imagine;
But he is betrayed by his own courage,
The man who kills him is like a cloud hiding a star.

Then praise the jewel-eyed hawk and the tall blue heron;
The black cormorants that fatten their sea-rock
With shining slime; even that ruiner of anthills
The red-shafted woodpecker flying,
A white star between blood-color wing-clouds,
Across the glades of the wood and the green lakes of shade.

These live their felt natures; they know their norm
And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked
Their natures until the souls the in them;
They have sold themselves for toys and protection:
No, but consider awhile: what else? Men sold for toys.

Uneasy and fractional people, having no center
But in the eyes and mouths that surround them,
Having no function but to serve and support
Civilization, the enemy of man,
No wonder they live insanely, and desire
With their tongues, progress; with their eyes, pleasure; with their hearts, death.

Their ancestors were good hunters, good herdsmen and swordsman,
But now the world is turned upside down;
The good do evil, the hope's in criminals; in vice
That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on. Be glad: the house is mined, it will fall.

IV

Rain, hail and brutal sun, the plow in the roots,
The pitiless pruning-iron in the branches,
Strengthen the vines, they are all feeding friends
Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.

The world sickens with change, rain becomes poison,
The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature
Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.

Reach down the long morbid roots that forget the plow,
Discover the depths; let the long pale tendrils
Spend all to discover the sky, now nothing is good
But only the steel mirrors of discovery . . .
And the beautiful enormous dawns of time, after we perish.

V

Mourning the broken balance, the hopeless prostration of the earth
Under men's hands and their minds,
The beautiful places killed like rabbits to make a city,
The spreading fungus, the slime-threads
And spores; my own coast's obscene future: I remember the farther
Future, and the last man dying
Without succession under the confident eyes of the stars.
It was only a moment's accident,
The race that plagued us; the world resumes the old lonely immortal
Splendor; from here I can even
Perceive that that snuffed candle had something . . . a fantastic virtue,
A faint and unshapely pathos . . .
So death will flatter them at last: what, even the bald ape's by-shot
Was moderately admirable?

VI. Palinode

All summer neither rain nor wave washes the cormorants'
Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain
At noon, a rose in the morning, a beacon at moonrise
On the black water: it is barely possible that even men's present
Lives are something; their arts and sciences (by moonlight)
Not wholly ridiculous, nor their cities merely an offense.

VII

Under my windows, between the road and the sea-cliff, bitter wild grass
Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet
Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color,
Gray-blue or pale-green, will please the late stars;
But laugh at the other, your seed shall enjoy wonderful vengeances and suck
The arteries and walk in triumph on the faces.


Written by A R Ammons | Create an image from this poem

**** List; Or Omnium-gatherum Of Diversity Into Unity

 You'll rejoice at how many kinds of **** there are:
gosling **** (which J. Williams said something
was as green as), fish **** (the generality), trout

****, rainbow trout **** (for the nice), mullet ****,
sand dab ****, casual sloth ****, elephant ****
(awesome as process or payload), wildebeest ****,

horse **** (a favorite), caterpillar **** (so many dark
kinds, neatly pelleted as mint seed), baby rhinoceros
****, splashy jaybird ****, mockingbird ****

(dive-bombed with the aim of song), robin **** that
oozes white down lawnchairs or down roots under roosts,
chicken **** and chicken mite ****, pelican ****, gannet

**** (wholesome guano), fly **** (periodic), cockatoo
****, dog **** (past catalog or assimilation),
cricket ****, elk (high plains) ****, and

tiny scribbled little shrew ****, whale **** (what
a sight, deep assumption), mandril **** (blazing
blast off), weasel **** (wiles' waste), gazelle ****,

magpie **** (total protein), tiger **** (too acid
to contemplate), moral eel and manta ray ****, eerie
shark ****, earthworm **** (a soilure), crab ****,

wolf **** upon the germicidal ice, snake ****, giraffe
**** that accelerates, secretary bird ****, turtle
**** suspension invites, remora **** slightly in

advance of the shark ****, hornet **** (difficult to
assess), camel **** that slaps the ghastly dry
siliceous, frog ****, beetle ****, bat **** (the

marmoreal), contemptible cat ****, penguin ****,
hermit crab ****, prairie hen ****, cougar ****, eagle
**** (high totem stuff), buffalo **** (hardly less

lofty), otter ****, beaver **** (from the animal of
alluvial dreams)—a vast ordure is a broken down
cloaca—macaw ****, alligator **** (that floats the Nile

along), louse ****, macaque, koala, and coati ****,
antelope ****, chuck-will's-widow ****, alpaca ****
(very high stuff), gooney bird ****, chigger ****, bull

**** (the classic), caribou ****, rasbora, python, and
razorbill ****, scorpion ****, man ****, laswing
fly larva ****, chipmunk ****, other-worldly wallaby

****, gopher **** (or broke), platypus ****, aardvark
****, spider ****, kangaroo and peccary ****, guanaco
****, dolphin ****, aphid ****, baboon **** (that leopards

induce), albatross ****, red-headed woodpecker (nine
inches long) ****, tern ****, hedgehog ****, panda ****,
seahorse ****, and the **** of the wasteful gallinule.
Written by Alfred Lord Tennyson | Create an image from this poem

The Progress of Spring

 THE groundflame of the crocus breaks the mould, 
Fair Spring slides hither o'er the Southern sea, 
Wavers on her thin stem the snowdrop cold 
That trembles not to kisses of the bee: 
Come Spring, for now from all the dripping eaves 
The spear of ice has wept itself away, 
And hour by hour unfolding woodbine leaves 
O'er his uncertain shadow droops the day. 
She comes! The loosen'd rivulets run; 
The frost-bead melts upon her golden hair; 
Her mantle, slowly greening in the Sun, 
Now wraps her close, now arching leaves her bar 
To breaths of balmier air; 

Up leaps the lark, gone wild to welcome her, 
About her glance the ****, and shriek the jays, 
Before her skims the jubilant woodpecker, 
The linnet's bosom blushes at her gaze, 
While round her brows a woodland culver flits, 
Watching her large light eyes and gracious looks, 
And in her open palm a halcyon sits 
Patient--the secret splendour of the brooks. 
Come Spring! She comes on waste and wood, 
On farm and field: but enter also here, 
Diffuse thyself at will thro' all my blood, 
And, tho' thy violet sicken into sere, 
Lodge with me all the year! 

Once more a downy drift against the brakes, 
Self-darken'd in the sky, descending slow! 
But gladly see I thro' the wavering flakes 
Yon blanching apricot like snow in snow. 
These will thine eyes not brook in forest-paths, 
On their perpetual pine, nor round the beech; 
They fuse themselves to little spicy baths, 
Solved in the tender blushes of the peach; 
They lose themselves and die 
On that new life that gems the hawthorn line; 
Thy gay lent-lilies wave and put them by, 
And out once more in varnish'd glory shine 
Thy stars of celandine. 

She floats across the hamlet. Heaven lours, 
But in the tearful splendour of her smiles 
I see the slowl-thickening chestnut towers 
Fill out the spaces by the barren tiles. 
Now past her feet the swallow circling flies, 
A clamorous cuckoo stoops to meet her hand; 
Her light makes rainbows in my closing eyes, 
I hear a charm of song thro' all the land. 
Come, Spring! She comes, and Earth is glad 
To roll her North below thy deepening dome, 
But ere thy maiden birk be wholly clad, 
And these low bushes dip their twigs in foam, 
Make all true hearths thy home. 

Across my garden! and the thicket stirs, 
The fountain pulses high in sunnier jets, 
The blackcap warbles, and the turtle purrs, 
The starling claps his tiny castanets. 
Still round her forehead wheels the woodland dove, 
And scatters on her throat the sparks of dew, 
The kingcup fills her footprint, and above 
Broaden the glowing isles of vernal blue. 
Hail ample presence of a Queen, 
Bountiful, beautiful, apparell'd gay, 
Whose mantle, every shade of glancing green, 
Flies back in fragrant breezes to display 
A tunic white as May! 

She whispers, 'From the South I bring you balm, 
For on a tropic mountain was I born, 
While some dark dweller by the coco-palm 
Watch'd my far meadow zoned with airy morn; 
From under rose a muffled moan of floods; 
I sat beneath a solitude of snow; 
There no one came, the turf was fresh, the woods 
Plunged gulf on gulf thro' all their vales below 
I saw beyond their silent tops 
The steaming marshes of the scarlet cranes, 
The slant seas leaning oll the mangrove copse, 
And summer basking in the sultry plains 
About a land of canes; 

'Then from my vapour-girdle soaring forth 
I scaled the buoyant highway of the birds, 
And drank the dews and drizzle of the North, 
That I might mix with men, and hear their words 
On pathway'd plains; for--while my hand exults 
Within the bloodless heart of lowly flowers 
To work old laws of Love to fresh results, 
Thro' manifold effect of simple powers-- 
I too would teach the man 
Beyond the darker hour to see the bright, 
That his fresh life may close as it began, 
The still-fulfilling promise of a light 
Narrowing the bounds of night.' 

So wed thee with my soul, that I may mark 
The coming year's great good and varied ills, 
And new developments, whatever spark 
Be struck from out the clash of warring wills; 
Or whether, since our nature cannot rest, 
The smoke of war's volcano burst again 
From hoary deeps that belt the changeful West, 
Old Empires, dwellings of the kings of men; 
Or should those fail, that hold the helm, 
While the long day of knowledge grows and warms, 
And in the heart of this most ancient realm 
A hateful voice be utter'd, and alarms 
Sounding 'To arms! to arms!' 

A simpler, saner lesson might he learn 
Who reads thy gradual process, Holy Spring. 
Thy leaves possess the season in their turn, 
And in their time thy warblers rise on wing. 
How surely glidest thou from March to May, 
And changest, breathing it, the sullen wind, 
Thy scope of operation, day by day, 
Larger and fuller, like the human mind ' 
Thy warmths from bud to bud 
Accomplish that blind model in the seed, 
And men have hopes, which race the restless blood 
That after many changes may succeed 
Life, which is Life indeed.
Written by William Henry Davies | Create an image from this poem

Aprils Charms

 When April scatters charms of primrose gold 
Among the copper leaves in thickets old, 
And singing skylarks from the meadows rise, 
To twinkle like black stars in sunny skies;

When I can hear the small woodpecker ring 
Time on a tree for all the birds that sing; 
And hear the pleasant cuckoo, loud and long -- 
The simple bird that thinks two notes a song;

When I can hear the woodland brook, that could 
Not drown a babe, with all his threatening mood; 
Upon these banks the violets make their home, 
And let a few small strawberry vlossoms come:

When I go forth on such a pleasant day, 
One breath outdoors takes all my cares away; 
It goes like heavy smoke, when flames take hold 
Of wood that's green and fill a grate with gold.
Written by Robert Frost | Create an image from this poem

Ghost House

 I DWELL in a lonely house I know 
That vanished many a summer ago, 
And left no trace but the cellar walls, 
And a cellar in which the daylight falls, 
And the purple-stemmed wild raspberries grow. 

O'er ruined fences the grape-vines shield 
The woods come back to the mowing field; 
The orchard tree has grown one copse 
Of new wood and old where the woodpecker chops; 
The footpath down to the well is healed. 

I dwell with a strangely aching heart 
In that vanished abode there far apart 
On that disused and forgotten road 
That has no dust-bath now for the toad. 
Night comes; the black bats tumble and dart; 

The whippoorwill is coming to shout 
And hush and cluck and flutter about: 
I hear him begin far enough away 
Full many a time to say his say 
Before he arrives to say it out. 

It is under the small, dim, summer star. 
I know not who these mute folk are 
Who share the unlit place with me-- 
Those stones out under the low-limbed tree 
Doubtless bear names that the mosses mar. 

They are tireless folk, but slow and sad, 
Though two, close-keeping, are lass and lad,-- 
With none among them that ever sings, 
And yet, in view of how many things, 
As sweet companions as might be had.


Written by Rudyard Kipling | Create an image from this poem

Certain Maxims Of Hafiz

  I.
If It be pleasant to look on, stalled in the packed serai,
Does not the Young Man try Its temper and pace ere he buy?
If She be pleasant to look on, what does the Young Man say?
"Lo! She is pleasant to look on, give Her to me to-day!"

 II.
Yea, though a Kafir die, to him is remitted Jehannum
If he borrowed in life from a native at sixty per cent. per anuum.

 III.
Blister we not for bursati? So when the heart is vexed,
The pain of one maiden's refusal is drowned in the pain of the next.

 IV.
The temper of chums, the love of your wife, and a new piano's tune --
Which of the three will you trust at the end of an Indian June?

 V.
Who are the rulers of Ind -- to whom shall we bow the knee?
Make your peace with the women, and men will make you L. G.

 VI.
Does the woodpecker flit round the young ferash?
 Does grass clothe a new-built wall?
Is she under thirty, the woman who holds a boy in her thrall?

 VII.
If She grow suddenly gracious -- reflect. Is it all for thee?
The black-buck is stalked through the bullock, and Man through jealousy.

 VIII.
Seek not for favor of women. So shall you find it indeed.
Does not the boar break cover just when you're lighting a weed?

 IX. 
If He play, being young and unskilful, for shekels of silver and gold,
Take his money, my son, praising Allah. The kid was ordained to be sold.

 X.
With a "weed" amoung men or horses verily this is the best,
That you work him in office or dog-cart lightly -- but give him no rest.

 XI.
Pleasant the snaffle of Courtship, improving the manners and carriage;
But the colt who is wise will abstain from the terrible thorn-bit of Marriage.

 XII.
As the thriless gold of the babul, so is the gold that we spend
On a derby Sweep, or our neighbor's wife, or the horse that we buy from a friend.

 XIII.
The ways of man with a maid be strange, yet simple and tame
To the ways of a man with a horse, when selling or racing that same.

 XIV.
In public Her face turneth to thee, and pleasant Her smile when ye meet.
It is ill. The cold rocks of El-Gidar smile thus on the waves at their feet.
In public Her face is averted, with anger She nameth thy name.
It is well. Was there ever a loser content with the loss of the game?

 XV.
If She have spoken a word, remember thy lips are sealed,
And the Brand of the Dog is upon him by whom is the secret revealed.
If She have written a letter, delay not an instant, but burn it.
Tear it to pieces, O Fool, and the wind to her mate shall return it!
If there be trouble to Herward, and a lie of the blackest can clear,
Lie, while thy lips can move or a man is alive to hear.

 XVI. 
My Son, if a maiden deny thee and scufflingly bid thee give o'er, 
Yet lip meets with lip at the last word -- get out!
 She has been there before.
They are pecked on the ear and the chin and the nose who are lacking in lore.

 XVII.
If we fall in the race, though we win, the hoff-slide is scarred on the course.
Though Allah and Earth pardon Sin, remaineth forever Remorse.

 XVIII.
"By all I am misunderstood!" if the Matron shall say, or the Maid:
"Alas! I do not understand," my son, be thou nowise afraid.
In vain in the sight of the Bird is the net of the Fowler displayed.

 XIX.
My son, if I, Hafiz, the father, take hold of thy knees in my pain,
Demanding thy name on stamped paper, one day or one hour -- refrain.
Are the links of thy fetters so light that thou cravest another man's chain?
Written by Percy Bysshe Shelley | Create an image from this poem

The Recollection

NOW the last day of many days, 
All beautiful and bright as thou, 
The loveliest and the last, is dead: 
Rise, Memory, and write its praise! 
Up¡ªto thy wonted work! come, trace 5 
The epitaph of glory fled, 
For now the earth has changed its face, 
A frown is on the heaven's brow. 

We wander'd to the Pine Forest 
That skirts the ocean's foam. 10 
The lightest wind was in its nest, 
The tempest in its home; 
The whispering waves were half asleep, 
The clouds were gone to play, 
And on the bosom of the deep 15 
The smile of heaven lay: 
It seem'd as if the hour were one 
Sent from beyond the skies 
Which scatter'd from above the sun 
A light of Paradise! 20 

We paused amid the pines that stood 
The giants of the waste, 
Tortured by storms to shapes as rude 
As serpents interlaced,¡ª 
And soothed by every azure breath 25 
That under heaven is blown, 
To harmonies and hues beneath, 
As tender as its own. 
Now all the tree-tops lay asleep 
Like green waves on the sea, 30 
As still as in the silent deep 
The ocean-woods may be. 

How calm it was!¡ªThe silence there 
By such a chain was bound, 
That even the busy woodpecker 35 
Made stiller by her sound 
The inviolable quietness; 
The breath of peace we drew 
With its soft motion made not less 
The calm that round us grew. 40 
There seem'd, from the remotest seat 
Of the wide mountain waste 
To the soft flower beneath our feet, 
A magic circle traced,¡ª 
A spirit interfused around 45 
A thrilling silent life; 
To momentary peace it bound 
Our mortal nature's strife;¡ª 
And still I felt the centre of 
The magic circle there 50 
Was one fair form that fill'd with love 
The lifeless atmosphere. 

We paused beside the pools that lie 
Under the forest bough; 
Each seem'd as 'twere a little sky 55 
Gulf'd in a world below¡ª 
A firmament of purple light 
Which in the dark earth lay, 
More boundless than the depth of night 
And purer than the day¡ª 60 
In which the lovely forests grew 
As in the upper air, 
More perfect both in shape and hue 
Than any spreading there. 
There lay the glade and neighbouring lawn, 65 
And through the dark-green wood 
The white sun twinkling like the dawn 
Out of a speckled cloud. 
Sweet views which in our world above 
Can never well be seen 70 
Were imaged in the water's love 
Of that fair forest green; 
And all was interfused beneath 
With an Elysian glow, 
An atmosphere without a breath, 75 
A softer day below. 
Like one beloved, the scene had lent 
To the dark water's breast 
Its every leaf and lineament 
With more than truth exprest; 80 
Until an envious wind crept by, 
Like an unwelcome thought 
Which from the mind's too faithful eye 
Blots one dear image out. 
¡ªThough thou art ever fair and kind, 85 
The forests ever green, 
Less oft is peace in Shelley's mind 
Than calm in waters seen! 
Written by Andrew Barton Paterson | Create an image from this poem

Camouflage

 Beside the bare and beaten track of travelling flocks and herds 
The woodpecker went tapping on, the postman of the birds, 
"I've got a letter here," he said, "that no one's understood, 
Addressed as follows: 'To the bird that's like a piece of wood.' 
"The soldier bird got very cross -- it wasn't meant for her; 
The spurwing plover had a try to stab me with a spur: 
The jackass laughed, and said the thing was written for a lark. 
I think I'll chuck this postman job and take to stripping bark." 

Then all the birds for miles around came in to lend a hand; 
They perched upon a broken limb as thick as they could stand, 
And just as old man eaglehawk prepared to have his say 
A portion of the broken limb got up and flew away. 

Then, casting grammar to the winds, the postman said, "That's him! 
The boobook owl -- he squats himself along a broken limb, 
And pokes his beak up like a stick; there's not a bird, I vow, 
Can tell you which is boobook owl and which is broken bough. 

"And that's the thing he calls his nest -- that jerry-built affair -- 
A bunch of sticks across a fork; I'll leave his letter there. 
A cuckoo wouldn't use his nest, but what's the odds to him -- 
A bird that tries to imitate a piece of leaning limb!"
Written by Andrew Barton Paterson | Create an image from this poem

Camouflage

 Beside the bare and beaten track of travelling flocks and herds 
The woodpecker went tapping on, the postman of the birds, 
"I've got a letter here," he said, "that no one's understood, 
Addressed as follows: 'To the bird that's like a piece of wood.' 
"The soldier bird got very cross -- it wasn't meant for her; 
The spurwing plover had a try to stab me with a spur: 
The jackass laughed, and said the thing was written for a lark. 
I think I'll chuck this postman job and take to stripping bark." 

Then all the birds for miles around came in to lend a hand; 
They perched upon a broken limb as thick as they could stand, 
And just as old man eaglehawk prepared to have his say 
A portion of the broken limb got up and flew away. 

Then, casting grammar to the winds, the postman said, "That's him! 
The boobook owl -- he squats himself along a broken limb, 
And pokes his beak up like a stick; there's not a bird, I vow, 
Can tell you which is boobook owl and which is broken bough. 

"And that's the thing he calls his nest -- that jerry-built affair -- 
A bunch of sticks across a fork; I'll leave his letter there. 
A cuckoo wouldn't use his nest, but what's the odds to him -- 
A bird that tries to imitate a piece of leaning limb!"
Written by Carl Sandburg | Create an image from this poem

River Roads

 LET the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let ’em hawk their caw and caw.

Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.

Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.

Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman’s shawl on lazy shoulders.

Book: Reflection on the Important Things