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Best Famous Wonderment Poems

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Written by Ernest Lawrence Thayer | Create an image from this poem

Casey At The Bat

The outlook wasn't brilliant for the Mudville nine that day, 
The score stood four to two, with but one inning more to play. 

And then when Cooney died at first, and Barrows did the same, 
A pall-like silence fell upon the patrons of the game. 

A straggling few got up to go in deep despair. 
The rest clung to that hope which springs eternal in the human breast. 
They thought, "if only Casey could but get a whack at that. 
We'd put up even money now, with Casey at the bat." 

But Flynn preceded Casey, as did also Jimmy Blake; 
and the former was a hoodoo, while the latter was a cake. 

So upon that stricken multitude, grim melancholy sat; 
for there seemed but little chance of Casey getting to the bat. 

But Flynn let drive a single, to the wonderment of all. 
And Blake, the much despised, tore the cover off the ball. 

And when the dust had lifted, 
and men saw what had occurred, 
there was Jimmy safe at second and Flynn a-hugging third. 

Then from five thousand throats and more there rose a lusty yell; 
it rumbled through the valley, it rattled in the dell; 

it pounded through on the mountain and recoiled upon the flat; 
for Casey, mighty Casey, was advancing to the bat. 

There was ease in Casey's manner as he stepped into his place, 
there was pride in Casey's bearing and a smile lit Casey's face. 

And when, responding to the cheers, he lightly doffed his hat, 
no stranger in the crowd could doubt t'was Casey at the bat. 

Ten thousand eyes were on him as he rubbed his hands with dirt. 
Five thousand tongues applauded when he wiped them on his shirt. 

Then, while the writhing pitcher ground the ball into his hip, 
defiance flashed in Casey's eye, a sneer curled Casey's lip. 

And now the leather-covered sphere came hurtling through the air, 
and Casey stood a-watching it in haughty grandeur there. 

Close by the sturdy batsman the ball unheeded sped -- 
"That ain't my style," said Casey. 

"Strike one!" the umpire said. 
From the benches, black with people, there went up a muffled roar, 
like the beating of the storm waves on a stern and distant shore. 

"Kill him! Kill the umpire!" shouted someone on the stand, 
and it's likely they'd have killed him had not Casey raised his hand. 

With a smile of Christian charity, great Casey's visage shone, 
he stilled the rising tumult, he bade the game go on. 

He signaled to the pitcher, and once more the dun sphere flew, 
but Casey still ignored it, and the umpire said, "Strike two!" 

"Fraud!" cried the maddened thousands, and echo answered "Fraud!" 
But one scornful look from Casey and the audience was awed. 

They saw his face grow stern and cold, they saw his muscles strain, 
and they knew that Casey wouldn't let that ball go by again. 

The sneer has fled from Casey's lip, the teeth are clenched in hate. 
He pounds, with cruel violence, his bat upon the plate. 

And now the pitcher holds the ball, and now he lets it go, 
and now the air is shattered by the force of Casey's blow. 

Oh, somewhere in this favored land the sun is shining bright. 
The band is playing somewhere, and somewhere hearts are light. 
And, somewhere men are laughing, and little children shout, 

but there is no joy in Mudville 
mighty Casey has struck out. 


Written by D. H. Lawrence | Create an image from this poem

Craving for Spring

 I wish it were spring in the world.

Let it be spring!
Come, bubbling, surging tide of sap!
Come, rush of creation!
Come, life! surge through this mass of mortification!
Come, sweep away these exquisite, ghastly first-flowers,
which are rather last-flowers!
Come, thaw down their cool portentousness, dissolve them:
snowdrops, straight, death-veined exhalations of white and purple crocuses,
flowers of the penumbra, issue of corruption, nourished in mortification,
jets of exquisite finality;
Come, spring, make havoc of them!

I trample on the snowdrops, it gives me pleasure to tread down the jonquils,
to destroy the chill Lent lilies;
for I am sick of them, their faint-bloodedness,
slow-blooded, icy-fleshed, portentous.

I want the fine, kindling wine-sap of spring,
gold, and of inconceivably fine, quintessential brightness,
rare almost as beams, yet overwhelmingly potent,
strong like the greatest force of world-balancing.

This is the same that picks up the harvest of wheat
and rocks it, tons of grain, on the ripening wind;
the same that dangles the globe-shaped pleiads of fruit
temptingly in mid-air, between a playful thumb and finger; 
oh, and suddenly, from out of nowhere, whirls the pear-bloom,
upon us, and apple- and almond- and apricot- and quince-blossom,
storms and cumulus clouds of all imaginable blossom
about our bewildered faces,
though we do not worship.

I wish it were spring
cunningly blowing on the fallen sparks, odds and ends of the old, scattered fire,
and kindling shapely little conflagrations
curious long-legged foals, and wide-eared calves, and naked sparrow-bubs.

I wish that spring
would start the thundering traffic of feet
new feet on the earth, beating with impatience.

I wish it were spring, thundering
delicate, tender spring.
I wish these brittle, frost-lovely flowers of passionate, mysterious corruption
were not yet to come still more from the still-flickering discontent.

Oh, in the spring, the bluebell bows him down for very exuberance,
exulting with secret warm excess,
bowed down with his inner magnificence!

Oh, yes, the gush of spring is strong enough
to toss the globe of earth like a ball on a water-jet
dancing sportfully;
as you see a tiny celluloid ball tossing on a squirt of water
for men to shoot at, penny-a-time, in a booth at a fair.

The gush of spring is strong enough
to play with the globe of earth like a ball on a fountain;
At the same time it opens the tiny hands of the hazel
with such infinite patience.
The power of the rising, golden, all-creative sap could take the earth
and heave it off among the stars, into the invisible;
the same sets the throstle at sunset on a bough
singing against the blackbird;
comes out in the hesitating tremor of the primrose,
and betrays its candour in the round white strawberry flower,
is dignified in the foxglove, like a Red-Indian brave.

Ah come, come quickly, spring!
come and lift us towards our culmination, we myriads;
we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us to our summer
we who are winter-weary in the winter of the of the world.
Come making the chaffinch nests hollow and cosy,
come and soften the willow buds till they are puffed and furred,
then blow them over with gold.
Coma and cajole the gawky colt’s-foot flowers.

Come quickly, and vindicate us.
against too much death.
Come quickly, and stir the rotten globe of the world from within,
burst it with germination, with world anew.
Come now, to us, your adherents, who cannot flower from the ice.
All the world gleams with the lilies of death the Unconquerable,
but come, give us our turn.
Enough of the virgins and lilies, of passionate, suffocating perfume of corruption,
no more narcissus perfume, lily harlots, the blades of sensation
piercing the flesh to blossom of death.
Have done, have done with this shuddering, delicious business
of thrilling ruin in the flesh, of pungent passion, of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike,
O soon, soon!
Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a ruddy violet,
incipient purpling towards summer in the world of the heart of man.

Are the violets already here!
Show me! I tremble so much to hear it, that even now
on the threshold of spring, I fear I shall die.
Show me the violets that are out.

Oh, if it be true, and the living darkness of the blood of man is purpling with violets,
if the violets are coming out from under the rack of men, winter-rotten and fallen,
we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of the shadow of man
it will be spring in the world,
it will be spring in the world of the living;
wonderment organising itself, heralding itself with the violets,
stirring of new seasons.

Ah, do not let me die on the brink of such anticipation!
Worse, let me not deceive myself.
Written by Thomas Hood | Create an image from this poem

The Bridge of Sighs

 One more Unfortunate, 
Weary of breath, 
Rashly importunate, 
Gone to her death! 

Take her up tenderly, 
Lift her with care; 
Fashion'd so slenderly 
Young, and so fair! 

Look at her garments 
Clinging like cerements; 
Whilst the wave constantly 
Drips from her clothing; 
Take her up instantly, 
Loving, not loathing. 

Touch her not scornfully; 
Think of her mournfully, 
Gently and humanly; 
Not of the stains of her, 
All that remains of her 
Now is pure womanly. 

Make no deep scrutiny 
Into her mutiny 
Rash and undutiful: 
Past all dishonour, 
Death has left on her 
Only the beautiful. 

Still, for all slips of hers, 
One of Eve's family— 
Wipe those poor lips of hers 
Oozing so clammily. 

Loop up her tresses 
Escaped from the comb, 
Her fair auburn tresses; 
Whilst wonderment guesses 
Where was her home? 

Who was her father? 
Who was her mother? 
Had she a sister? 
Had she a brother? 
Or was there a dearer one 
Still, and a nearer one 
Yet, than all other? 

Alas! for the rarity 
Of Christian charity 
Under the sun! 
O, it was pitiful! 
Near a whole city full, 
Home she had none. 

Sisterly, brotherly, 
Fatherly, motherly 
Feelings had changed: 
Love, by harsh evidence, 
Thrown from its eminence; 
Even God's providence 
Seeming estranged. 

Where the lamps quiver 
So far in the river, 
With many a light 
From window and casement, 
From garret to basement, 
She stood, with amazement, 
Houseless by night. 

The bleak wind of March 
Made her tremble and shiver; 
But not the dark arch, 
Or the black flowing river: 
Mad from life's history, 
Glad to death's mystery, 
Swift to be hurl'd— 
Anywhere, anywhere 
Out of the world! 

In she plunged boldly— 
No matter how coldly 
The rough river ran— 
Over the brink of it, 
Picture it—think of it, 
Dissolute Man! 
Lave in it, drink of it, 
Then, if you can! 

Take her up tenderly, 
Lift her with care; 
Fashion'd so slenderly, 
Young, and so fair! 

Ere her limbs frigidly 
Stiffen too rigidly, 
Decently, kindly, 
Smooth and compose them; 
And her eyes, close them, 
Staring so blindly! 

Dreadfully staring 
Thro' muddy impurity, 
As when with the daring 
Last look of despairing 
Fix'd on futurity. 

Perishing gloomily, 
Spurr'd by contumely, 
Cold inhumanity, 
Burning insanity, 
Into her rest.— 
Cross her hands humbly 
As if praying dumbly, 
Over her breast! 

Owning her weakness, 
Her evil behaviour, 
And leaving, with meekness, 
Her sins to her Saviour!
Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand. 

II 

Tumultuously void of a clean scheme
Whereon to build, whereof to formulate,
The legion life that riots in mankind
Goes ever plunging upward, up and down,
Most like some crazy regiment at arms,
Undisciplined of aught but Ignorance,
And ever led resourcelessly along
To brainless carnage by drunk trumpeters. 

III 

To me the groaning of world-worshippers
Rings like a lonely music played in hell
By one with art enough to cleave the walls
Of heaven with his cadence, but without
The wisdom or the will to comprehend
The strangeness of his own perversity,
And all without the courage to deny
The profit and the pride of his defeat. 

IV 

While we are drilled in error, we are lost
Alike to truth and usefulness. We think
We are great warriors now, and we can brag
Like Titans; but the world is growing young,
And we, the fools of time, are growing with it: -- 
We do not fight to-day, we only die;
We are too proud of death, and too ashamed
Of God, to know enough to be alive. 

V 

There is one battle-field whereon we fall
Triumphant and unconquered; but, alas!
We are too fleshly fearful of ourselves
To fight there till our days are whirled and blurred
By sorrow, and the ministering wheels
Of anguish take us eastward, where the clouds
Of human gloom are lost against the gleam
That shines on Thought's impenetrable mail. 

VI 

When we shall hear no more the cradle-songs
Of ages -- when the timeless hymns of Love
Defeat them and outsound them -- we shall know
The rapture of that large release which all
Right science comprehends; and we shall read,
With unoppressed and unoffended eyes,
That record of All-Soul whereon God writes
In everlasting runes the truth of Him. 

VII 

The guerdon of new childhood is repose: -- 
Once he has read the primer of right thought,
A man may claim between two smithy strokes
Beatitude enough to realize
God's parallel completeness in the vague
And incommensurable excellence
That equitably uncreates itself
And makes a whirlwind of the Universe. 

VIII 

There is no loneliness: -- no matter where
We go, nor whence we come, nor what good friends
Forsake us in the seeming, we are all
At one with a complete companionship;
And though forlornly joyless be the ways
We travel, the compensate spirit-gleams
Of Wisdom shaft the darkness here and there,
Like scattered lamps in unfrequented streets. 

IX 

When one that you and I had all but sworn
To be the purest thing God ever made
Bewilders us until at last it seems
An angel has come back restigmatized, -- 
Faith wavers, and we wonder what there is
On earth to make us faithful any more,
But never are quite wise enough to know
The wisdom that is in that wonderment. 

X 

Where does a dead man go? -- The dead man dies;
But the free life that would no longer feed
On fagots of outburned and shattered flesh
Wakes to a thrilled invisible advance,
Unchained (or fettered else) of memory;
And when the dead man goes it seems to me
'T were better for us all to do away
With weeping, and be glad that he is gone. 

XI 

So through the dusk of dead, blank-legended,
And unremunerative years we search
To get where life begins, and still we groan
Because we do not find the living spark
Where no spark ever was; and thus we die,
Still searching, like poor old astronomers
Who totter off to bed and go to sleep,
To dream of untriangulated stars. 

XII 

With conscious eyes not yet sincere enough
To pierce the glimmered cloud that fluctuates
Between me and the glorifying light
That screens itself with knowledge, I discern
The searching rays of wisdom that reach through
The mist of shame's infirm credulity,
And infinitely wonder if hard words
Like mine have any message for the dead. 

XIII 

I grant you friendship is a royal thing,
But none shall ever know that royalty
For what it is till he has realized
His best friend in himself. 'T is then, perforce,
That man's unfettered faith indemnifies
Of its own conscious freedom the old shame,
And love's revealed infinitude supplants
Of its own wealth and wisdom the old scorn. 

XIV 

Though the sick beast infect us, we are fraught
Forever with indissoluble Truth,
Wherein redress reveals itself divine,
Transitional, transcendent. Grief and loss,
Disease and desolation, are the dreams
Of wasted excellence; and every dream
Has in it something of an ageless fact
That flouts deformity and laughs at years. 

XV 

We lack the courage to be where we are: -- 
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard's enmity. 

XVI 

Something as one with eyes that look below
The battle-smoke to glimpse the foeman's charge,
We through the dust of downward years may scan
The onslaught that awaits this idiot world
Where blood pays blood for nothing, and where life
Pays life to madness, till at last the ports
Of gilded helplessness be battered through
By the still crash of salvatory steel. 

XVII 

To you that sit with Sorrow like chained slaves,
And wonder if the night will ever come,
I would say this: The night will never come,
And sorrow is not always. But my words
Are not enough; your eyes are not enough;
The soul itself must insulate the Real,
Or ever you do cherish in this life -- 
In this life or in any life -- repose. 

XVIII 

Like a white wall whereon forever breaks
Unsatisfied the tumult of green seas,
Man's unconjectured godliness rebukes
With its imperial silence the lost waves
Of insufficient grief. This mortal surge
That beats against us now is nothing else
Than plangent ignorance. Truth neither shakes
Nor wavers; but the world shakes, and we shriek. 

XIX 

Nor jewelled phrase nor mere mellifluous rhyme
Reverberates aright, or ever shall,
One cadence of that infinite plain-song
Which is itself all music. Stronger notes
Than any that have ever touched the world
Must ring to tell it -- ring like hammer-blows,
Right-echoed of a chime primordial,
On anvils, in the gleaming of God's forge. 

XX 

The prophet of dead words defeats himself:
Whoever would acknowledge and include
The foregleam and the glory of the real,
Must work with something else than pen and ink
And painful preparation: he must work
With unseen implements that have no names,
And he must win withal, to do that work,
Good fortitude, clean wisdom, and strong skill. 

XXI 

To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought, -- 
These are the fleshly clogs of human greed,
The fundamental blunders of mankind. 

XXII 

Forebodings are the fiends of Recreance;
The master of the moment, the clean seer
Of ages, too securely scans what is,
Ever to be appalled at what is not;
He sees beyond the groaning borough lines
Of Hell, God's highways gleaming, and he knows
That Love's complete communion is the end
Of anguish to the liberated man. 

XXIII 

Here by the windy docks I stand alone,
But yet companioned. There the vessel goes,
And there my friend goes with it; but the wake
That melts and ebbs between that friend and me
Love's earnest is of Life's all-purposeful
And all-triumphant sailing, when the ships
Of Wisdom loose their fretful chains and swing
Forever from the crumbled wharves of Time.
Written by Edwin Arlington Robinson | Create an image from this poem

Aunt Imogen

 Aunt Imogen was coming, and therefore 
The children—Jane, Sylvester, and Young George— 
Were eyes and ears; for there was only one 
Aunt Imogen to them in the whole world, 
And she was in it only for four weeks
In fifty-two. But those great bites of time 
Made all September a Queen’s Festival; 
And they would strive, informally, to make 
The most of them.—The mother understood, 
And wisely stepped away. Aunt Imogen
Was there for only one month in the year, 
While she, the mother,—she was always there; 
And that was what made all the difference. 
She knew it must be so, for Jane had once 
Expounded it to her so learnedly
That she had looked away from the child’s eyes 
And thought; and she had thought of many things. 

There was a demonstration every time 
Aunt Imogen appeared, and there was more 
Than one this time. And she was at a loss
Just how to name the meaning of it all: 
It puzzled her to think that she could be 
So much to any crazy thing alive— 
Even to her sister’s little savages 
Who knew no better than to be themselves;
But in the midst of her glad wonderment 
She found herself besieged and overcome 
By two tight arms and one tumultuous head, 
And therewith half bewildered and half pained 
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise. 
Jane, by the wings of sex, had reached her first; 
And while she strangled her, approvingly, 
Sylvester thumped his drum and Young George howled. 
But finally, when all was rectified,
And she had stilled the clamor of Young George 
By giving him a long ride on her shoulders, 
They went together into the old room 
That looked across the fields; and Imogen 
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more 
Where there were those who knew her, and at last 
Had gloriously got away again 
From cabs and clattered asphalt for a while; 
And there she sat and talked and looked and laughed
And made the mother and the children laugh. 
Aunt Imogen made everybody laugh. 

There was the feminine paradox—that she 
Who had so little sunshine for herself 
Should have so much for others. How it was
That she could make, and feel for making it, 
So much of joy for them, and all along 
Be covering, like a scar, and while she smiled, 
That hungering incompleteness and regret— 
That passionate ache for something of her own,
For something of herself—she never knew. 
She knew that she could seem to make them all 
Believe there was no other part of her 
Than her persistent happiness; but the why 
And how she did not know. Still none of them
Could have a thought that she was living down— 
Almost as if regret were criminal, 
So proud it was and yet so profitless— 
The penance of a dream, and that was good. 
Her sister Jane—the mother of little Jane,
Sylvester, and Young George—might make herself 
Believe she knew, for she—well, she was Jane. 

Young George, however, did not yield himself 
To nourish the false hunger of a ghost 
That made no good return. He saw too much:
The accumulated wisdom of his years 
Had so conclusively made plain to him 
The permanent profusion of a world 
Where everybody might have everything 
To do, and almost everything to eat,
That he was jubilantly satisfied 
And all unthwarted by adversity. 
Young George knew things. The world, he had found out, 
Was a good place, and life was a good game— 
Particularly when Aunt Imogen
Was in it. And one day it came to pass— 
One rainy day when she was holding him 
And rocking him—that he, in his own right, 
Took it upon himself to tell her so; 
And something in his way of telling it—
The language, or the tone, or something else— 
Gripped like insidious fingers on her throat, 
And then went foraging as if to make 
A plaything of her heart. Such undeserved 
And unsophisticated confidence
Went mercilessly home; and had she sat 
Before a looking glass, the deeps of it 
Could not have shown more clearly to her then 
Than one thought-mirrored little glimpse had shown, 
The pang that wrenched her face and filled her eyes
With anguish and intolerable mist. 
The blow that she had vaguely thrust aside 
Like fright so many times had found her now: 
Clean-thrust and final it had come to her 
From a child’s lips at last, as it had come
Never before, and as it might be felt 
Never again. Some grief, like some delight, 
Stings hard but once: to custom after that 
The rapture or the pain submits itself, 
And we are wiser than we were before.
And Imogen was wiser; though at first 
Her dream-defeating wisdom was indeed 
A thankless heritage: there was no sweet, 
No bitter now; nor was there anything 
To make a daily meaning for her life—
Till truth, like Harlequin, leapt out somehow 
From ambush and threw sudden savor to it— 
But the blank taste of time. There were no dreams, 
No phantoms in her future any more: 
One clinching revelation of what was
One by-flash of irrevocable chance, 
Had acridly but honestly foretold 
The mystical fulfilment of a life 
That might have once … But that was all gone by: 
There was no need of reaching back for that:
The triumph was not hers: there was no love 
Save borrowed love: there was no might have been. 

But there was yet Young George—and he had gone 
Conveniently to sleep, like a good boy; 
And there was yet Sylvester with his drum,
And there was frowzle-headed little Jane; 
And there was Jane the sister, and the mother,— 
Her sister, and the mother of them all. 
They were not hers, not even one of them: 
She was not born to be so much as that,
For she was born to be Aunt Imogen. 
Now she could see the truth and look at it; 
Now she could make stars out where once had palled 
A future’s emptiness; now she could share 
With others—ah, the others!—to the end
The largess of a woman who could smile; 
Now it was hers to dance the folly down, 
And all the murmuring; now it was hers 
To be Aunt Imogen.—So, when Young George 
Woke up and blinked at her with his big eyes,
And smiled to see the way she blinked at him, 
’T was only in old concord with the stars 
That she took hold of him and held him close, 
Close to herself, and crushed him till he laughed.


Written by Johann Wolfgang von Goethe | Create an image from this poem

The Metamorphosis Of Plants

 THOU art confused, my beloved, at, seeing the thousandfold 
union

Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another

Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness;

Therefore, a mystical law is by the chorus proclaim'd;
Yes, a sacred enigma! Oh, dearest friend, could I only

Happily teach thee the word, which may the mystery 
solve!
Closely observe how the plant, by little and little progressing,

Step by step guided on, changeth to blossom and 
fruit!
First from the seed it unravels itself, as soon as the silent

Fruit-bearing womb of the earth kindly allows Its 
escape,
And to the charms of the light, the holy, the ever-in-motion,

Trusteth the delicate leaves, feebly beginning 
to shoot.
Simply slumber'd the force in the seed; a germ of the future,

Peacefully lock'd in itself, 'neath the integument 
lay,
Leaf and root, and bud, still void of colour, and shapeless;

Thus doth the kernel, while dry, cover that motionless 
life.
Upward then strives it to swell, in gentle moisture confiding,

And, from the night where it dwelt, straightway 
ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth;

And 'tis a token like this, points out the child 
'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth,

Piling-up node upon node, ever the primitive form;
Yet not ever alike: for the following leaf, as thou seest,

Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided,

Which. all-deform'd until now, slept in the organ 
below,
So at length it attaineth the noble and destined perfection,

Which, in full many a tribe, fills thee with wondering 
awe.
Many ribb'd and tooth'd, on a surface juicy and swelling,

Free and unending the shoot seemeth in fullness 
to be;
Yet here Nature restraineth, with powerful hands, the formation,

And to a perfecter end, guideth with softness its 
growth,
Less abundantly yielding the sap, contracting the vessels,

So that the figure ere long gentler effects doth 
disclose.
Soon and in silence is check'd the growth of the vigorous branches,

And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth,

And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless,

Gather the smaller-sized leaves, close by the side 
of their like.
Round the axis compress'd the sheltering calyx unfoldeth,

And, as the perfectest type, brilliant-hued coronals 
forms.
Thus doth Nature bloom, in glory still nobler and fuller,

Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower

Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller,

Yes, the leaf with its hues feeleth the hand all 
divine,
And on a sudden contracteth itself; the tenderest figures

Twofold as yet, hasten on, destined to blend into 
one.
Lovingly now the beauteous pairs are standing together,

Gather'd in countless array, there where the altar 
is raised.
Hymen hovereth o'er them, and scents delicious and mighty

Stream forth their fragrance so sweet, all things 
enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling,

Sweetly conceald in the womb, where is made perfect 
the fruit.
Here doth Nature close the ring of her forces eternal;

Yet doth a new one, at once, cling to the one gone 
before,
So that the chain be prolonged for ever through all generations,

And that the whole may have life, e'en as enjoy'd 
by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands

Which, confusing no more, gladden the mind as they 
wave.
Every plant unto thee proclaimeth the laws everlasting,

Every flowered speaks louder and louder to thee;
But if thou here canst decipher the mystic words of the goddess,

Everywhere will they be seen, e'en though the features 
are changed.
Creeping insects may linger, the eager butterfly hasten,--

Plastic and forming, may man change e'en the figure 
decreed!
Oh, then, bethink thee, as well, how out of the germ of acquaintance,

Kindly intercourse sprang, slowly unfolding its 
leaves;
Soon how friendship with might unveil'd itself in our bosoms,

And how Amor, at length, brought forth blossom 
and fruit
Think of the manifold ways wherein Nature hath lent to our feelings,

Silently giving them birth, either the first or 
the last!
Yes, and rejoice in the present day! For love that is holy

Seeketh the noblest of fruits,--that where the 
thoughts are the same,
Where the opinions agree,--that the pair may, in rapt contemplation,

Lovingly blend into one,--find the more excellent 
world.

 1797.
Written by Johann Wolfgang von Goethe | Create an image from this poem

A Symbol

 (This fine poem is given by Goethe amongst a 
small collection of what he calls Loge (Lodge), meaning thereby 
Masonic pieces.)

THE mason's trade 
Observe them well,

Resembles life, And 
watch them revealing

With all its strife,-- How 
solemn feeling
Is like the stir made And 
wonderment swell

By man on earth's face. The 
hearts of the brave.

Though weal and woe The 
voice of the blest,

The future may hide, And 
of spirits on high

Unterrified Seems 
loudly to cry:
We onward go 
"To do what is best,

In ne'er changing race. Unceasing 
endeavour!

A veil of dread 
"In silence eterne

Hangs heavier still. Here 
chaplets are twin'd,

Deep slumbers fill 
That each noble mind
The stars over-head, Its 
guerdon may earn.--

And the foot-trodden grave. 
Then hope ye for ever!"


1827.*
Written by Friedrich von Schiller | Create an image from this poem

The Driver

 "What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me,
May keep it henceforward,--his own it shall be."

Thus speaks the king, and he hurls from the height
Of the cliffs that, rugged and steep,
Hang over the boundless sea, with strong might,
The goblet afar, in the bellowing deep.
"And who'll be so daring,--I ask it once more,--
As to plunge in these billows that wildly roar?"

And the vassals and knights of high degree
Hear his words, but silent remain.
They cast their eyes on the raging sea,
And none will attempt the goblet to gain.
And a third time the question is asked by the king:
"Is there none that will dare in the gulf now to spring?"

Yet all as before in silence stand,
When a page, with a modest pride,
Steps out of the timorous squirely band,
And his girdle and mantle soon throws aside,
And all the knights, and the ladies too,
The noble stripling with wonderment view.

And when he draws nigh to the rocky brow,
And looks in the gulf so black,
The waters that she had swallowed but now,
The howling Charybdis is giving back;
And, with the distant thunder's dull sound.
From her gloomy womb they all-foaming rebound.

And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave presses hard upon wave without end.
And the ocean will never exhausted be,
As if striving to bring forth another sea.

But at length the wild tumult seems pacified,
And blackly amid the white swell
A gaping chasm its jaws opens wide,
As if leading down to the depths of hell:
And the howling billows are seen by each eye
Down the whirling funnel all madly to fly.

Then quickly, before the breakers rebound,
The stripling commends him to Heaven,
And--a scream of horror is heard around,--
And now by the whirlpool away he is driven,
And secretly over the swimmer brave
Close the jaws, and he vanishes 'neath the dark wave.

O'er the watery gulf dread silence now lies,
But the deep sends up a dull yell,
And from mouth to mouth thus trembling it flies:
"Courageous stripling, oh, fare thee well!"
And duller and duller the howls recommence,
While they pause in anxious and fearful suspense.

"If even thy crown in the gulf thou shouldst fling,
And shouldst say, 'He who brings it to me
Shall wear it henceforward, and be the king,'
Thou couldst tempt me not e'en with that precious foe;
What under the howling deep is concealed
To no happy living soul is revealed!"

Full many a ship, by the whirlpool held fast,
Shoots straightway beneath the mad wave,
And, dashed to pieces, the hull and the mast
Emerge from the all-devouring grave,--
And the roaring approaches still nearer and nearer,
Like the howl of the tempest, still clearer and clearer.

And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave passes hard upon wave without end.
And, with the distant thunder's dull sound,
From the ocean-womb they all-bellowing bound.

And lo! from the darkly flowing tide
Comes a vision white as a swan,
And an arm and a glistening neck are descried,
With might and with active zeal steering on;
And 'tis he, and behold! his left hand on high
Waves the goblet, while beaming with joy is his eye.

Then breathes he deeply, then breathes he long,
And blesses the light of the day;
While gladly exclaim to each other the throng:
"He lives! he is here! he is not the sea's prey!
From the tomb, from the eddying waters' control,
The brave one has rescued his living soul!"

And he comes, and they joyously round him stand;
At the feet of the monarch he falls,--
The goblet he, kneeling, puts in his hand,
And the king to his beauteous daughter calls,
Who fills it with sparkling wine to the brim;
The youth turns to the monarch, and speaks thus to him:

"Long life to the king! Let all those be glad
Who breathe in the light of the sky!
For below all is fearful, of moment sad;
Let not man to tempt the immortals e'er try,
Let him never desire the thing to see
That with terror and night they veil graciously."

"I was torn below with the speed of light,
When out of a cavern of rock
Rushed towards me a spring with furious might;
I was seized by the twofold torrent's wild shock,
And like a top, with a whirl and a bound,
Despite all resistance, was whirled around."

"Then God pointed out,--for to Him I cried
In that terrible moment of need,--
A craggy reef in the gulf's dark side;
I seized it in haste, and from death was then freed.
And there, on sharp corals, was hanging the cup,--
The fathomless pit had else swallowed it up."

"For under me lay it, still mountain-deep,
In a darkness of purple-tinged dye,
And though to the ear all might seem then asleep
With shuddering awe 'twas seen by the eye
How the salamanders' and dragons' dread forms
Filled those terrible jaws of hell with their swarms."

"There crowded, in union fearful and black,
In a horrible mass entwined,
The rock-fish, the ray with the thorny back,
And the hammer-fish's misshapen kind,
And the shark, the hyena dread of the sea,
With his angry teeth, grinned fiercely on me."

"There hung I, by fulness of terror possessed,
Where all human aid was unknown,
Amongst phantoms, the only sensitive breast,
In that fearful solitude all alone,
Where the voice of mankind could not reach to mine ear,
'Mid the monsters foul of that wilderness drear."

"Thus shuddering methought--when a something crawled near,
And a hundred limbs it out-flung,
And at me it snapped;--in my mortal fear,
I left hold of the coral to which I had clung;
Then the whirlpool seized on me with maddened roar,
Yet 'twas well, for it brought me to light once more."

The story in wonderment hears the king,
And he says, "The cup is thine own,
And I purpose also to give thee this ring,
Adorned with a costly, a priceless stone,
If thou'lt try once again, and bring word to me
What thou saw'st in the nethermost depths of the sea."

His daughter hears this with emotions soft,
And with flattering accent prays she:
"That fearful sport, father, attempt not too oft!
What none other would dare, he hath ventured for thee;
If thy heart's wild longings thou canst not tame,
Let the knights, if they can, put the squire to shame."

The king then seizes the goblet in haste,
In the gulf he hurls it with might:
"When the goblet once more in my hands thou hast placed,
Thou shalt rank at my court as the noblest knight,
And her as a bride thou shalt clasp e'en to-day,
Who for thee with tender compassion doth pray."

Then a force, as from Heaven, descends on him there,
And lightning gleams in his eye,
And blushes he sees on her features so fair,
And he sees her turn pale, and swooning lie;
Then eager the precious guerdon to win,
For life or for death, lo! he plunges him in!

The breakers they hear, and the breakers return,
Proclaimed by a thundering sound;
They bend o'er the gulf with glances that yearn,
And the waters are pouring in fast around;
Though upwards and downwards they rush and they rave,
The youth is brought back by no kindly wave.
Written by Joyce Kilmer | Create an image from this poem

Delicatessen

 Why is that wanton gossip Fame
So dumb about this man's affairs?
Why do we titter at his name
Who come to buy his curious wares?
Here is a shop of wonderment.
From every land has come a prize;
Rich spices from the Orient,
And fruit that knew Italian skies,
And figs that ripened by the sea
In Smyrna, nuts from hot Brazil,
Strange pungent meats from Germany,
And currants from a Grecian hill.
He is the lord of goodly things
That make the poor man's table gay,
Yet of his worth no minstrel sings
And on his tomb there is no bay.
Perhaps he lives and dies unpraised,
This trafficker in humble sweets,
Because his little shops are raised
By thousands in the city streets.
Yet stars in greater numbers shine,
And violets in millions grow,
And they in many a golden line
Are sung, as every child must know.
Perhaps Fame thinks his worried eyes,
His wrinkled, shrewd, pathetic face,
His shop, and all he sells and buys
Are desperately commonplace.
Well, it is true he has no sword
To dangle at his booted knees.
He leans across a slab of board,
And draws his knife and slices cheese.
He never heard of chivalry,
He longs for no heroic times;
He thinks of pickles, olives, tea,
And dollars, nickles, cents and dimes.
His world has narrow walls, it seems;
By counters is his soul confined;
His wares are all his hopes and dreams,
They are the fabric of his mind.
Yet -- in a room above the store
There is a woman -- and a child
Pattered just now across the floor;
The shopman looked at him and smiled.
For, once he thrilled with high romance
And tuned to love his eager voice.
Like any cavalier of France
He wooed the maiden of his choice.
And now deep in his weary heart
Are sacred flames that whitely burn.
He has of Heaven's grace a part
Who loves, who is beloved in turn.
And when the long day's work is done,
(How slow the leaden minutes ran!)
Home, with his wife and little son,
He is no huckster, but a man!
And there are those who grasp his hand,
Who drink with him and wish him well.
O in no drear and lonely land
Shall he who honors friendship dwell.
And in his little shop, who knows
What bitter games of war are played?
Why, daily on each corner grows
A foe to rob him of his trade.
He fights, and for his fireside's sake;
He fights for clothing and for bread:
The lances of his foemen make
A steely halo round his head.
He decks his window artfully,
He haggles over paltry sums.
In this strange field his war must be
And by such blows his triumph comes.
What if no trumpet sounds to call
His armed legions to his side?
What if, to no ancestral hall
He comes in all a victor's pride?
The scene shall never fit the deed.
Grotesquely wonders come to pass.
The fool shall mount an Arab steed
And Jesus ride upon an ass.
This man has home and child and wife
And battle set for every day.
This man has God and love and life;
These stand, all else shall pass away.
O Carpenter of Nazareth,
Whose mother was a village maid,
Shall we, Thy children, blow our breath
In scorn on any humble trade?
Have pity on our foolishness
And give us eyes, that we may see
Beneath the shopman's clumsy dress
The splendor of humanity!
Written by Robert William Service | Create an image from this poem

Detachment

 As I go forth from fair to mart
With racket ringing,
Who would divine that in my heart
Mad larks are singing.
As I sweet sympathy express,
Lest I should pain them,
The money-mongers cannot guess
How I disdain them.

As I sit at some silly tea
And flirt and flatter
How I abhor society
And female chatter.
As I with wonderment survey
Their peacock dresses,
My mind is wafted far away
To wildernesses.

As I sit in some raucous pub,
Taboo to women,
And treat myself to greasy grub
I feel quite human.
Yet there I dream, despite the din,
Of God's green spaces,
And sweetly dwell the peace within
Of sylvan graces.

And so I wear my daily mask
Of pleasant seeming,
And nobody takes me to task
For distant dreaming;
A happy hypocrite am I
Of ambiance inner,
Who smiling make the same reply
To saint and sinner.

Book: Reflection on the Important Things