Written by
Lascelles Abercrombie |
She
ONLY to be twin elements of joy
In this extravagance of Being, Love,
Were our divided natures shaped in twain;
And to this hour the whole world must consent.
Is it not very marvellous, our lives
Can only come to this out of a long
Strange sundering, with the years of the world between us?
He
Shall life do more than God? for hath not God
Striven with himself, when into known delight
His unaccomplisht joy he would put forth,—
This mystery of a world sign of his striving?
Else wherefore this, a thing to break the mind
With labouring in the wonder of it, that here
Being—the world and we—is suffered to be!—
But, lying on thy breast one notable day,
Sudden exceeding agony of love
Made my mind a trance of infinite knowledge.
I was not: yet I saw the will of God
As light unfashion’d, unendurable flame,
Interminable, not to be supposed;
And there was no more creature except light,—
The dreadful burning of the lonely God’s
Unutter’d joy.
And then, past telling, came
Shuddering and division in the light:
Therein, like trembling, was desire to know
Its own perfect beauty; and it became
A cloven fire, a double flaming, each
Adorable to each; against itself
Waging a burning love, which was the world;—
A moment satisfied in that love-strife
I knew the world!—And when I fell from there,
Then knew I also what this life would do
In being twin,—in being man and woman!
For it would do even as its endless Master,
Making the world, had done; yea, with itself
Would strive, and for the strife would into sex
Be cloven, double burning, made thereby
Desirable to itself.
Contrivèd joy
Is sex in life; and by no other thing
Than by a perfect sundering, could life
Change the dark stream of unappointed joy
To perfect praise of itself, the glee that loves
And worships its own Being.
This is ours!
Yet only for that we have been so long
Sundered desire: thence is our life all praise.
—
But we, well knowing by our strength of joy
There is no sundering more, how far we love
From those sad lives that know a half-love only,
Alone thereby knowing themselves for ever
Sealed in division of love, and therefore made
To pour their strength always into their love’s
Fierceness, as green wood bleeds its hissing sap
Into red heat of a fire! Not so do we:
The cloven anger, life, hath left to wage
Its flame against itself, here turned to one
Self-adoration.
—Ah, what comes of this?
The joy falters a moment, with closed wings
Wearying in its upward journey, ere
Again it goes on high, bearing its song,
Its delight breathing and its vigour beating
The highest height of the air above the world.
She
What hast thou done to me!—I would have soul,
Before I knew thee, Love, a captive held
By flesh.
Now, inly delighted with desire,
My body knows itself to be nought else
But thy heart’s worship of me; and my soul
Therein is sunlight held by warm gold air.
Nay, all my body is become a song
Upon the breath of spirit, a love-song.
He
And mine is all like one rapt faculty,
As it were listening to the love in thee,
My whole mortality trembling to take
Thy body like heard singing of thy spirit.
She
Surely by this, Beloved, we must know
Our love is perfect here,—that not as holds
The common dullard thought, we are things lost
In an amazement that is all unware;
But wonderfully knowing what we are!
Lo, now that body is the song whereof
Spirit is mood, knoweth not our delight?
Knoweth not beautifully now our love,
That Life, here to this festival bid come
Clad in his splendour of worldly day and night,
Filled and empower’d by heavenly lust, is all
The glad imagination of the Spirit?
He
Were it not so, Love could not be at all:
Nought could be, but a yearning to fulfil
Desire of beauty, by vain reaching forth
Of sense to hold and understand the vision
Made by impassion’d body,—vision of thee!
But music mixt with music are, in love,
Bodily senses; and as flame hath light,
Spirit this nature hath imagined round it,
No way concealed therein, when love comes near,
Nor in the perfect wedding of desires
Suffering any hindrance.
She
Ah, but now,
Now am I given love’s eternal secret!
Yea, thou and I who speak, are but the joy
Of our for ever mated spirits; but now
The wisdom of my gladness even through Spirit
Looks, divinely elate.
Who hath for joy
Our Spirits? Who hath imagined them
Round him in fashion’d radiance of desire,
As into light of these exulting bodies
Flaming Spirit is uttered?
He
Yea, here the end
Of love’s astonishment! Now know we Spirit,
And Who, for ease of joy, contriveth Spirit.
Now all life’s loveliness and power we have
Dissolved in this one moment, and our burning
Carries all shining upward, till in us
Life is not life, but the desire of God,
Himself desiring and himself accepting.
Now what was prophecy in us is made
Fulfilment: we are the hour and we are the joy,
We in our marvellousness of single knowledge,
Of Spirit breaking down the room of fate
And drawing into his light the greeting fire
Of God,—God known in ecstasy of love
Wedding himself to utterance of himself
|
Written by
Edward Estlin (E E) Cummings |
a clown's smirk in the skull of a baboon
(where once good lips stalked or eyes firmly stir
red)
my mirror gives me on this afternoon;
i am a shape that can but eat and turd
ere with the dirt death shall him vastly gird
a coward waiting clumsily to cease
whom every perfect thing meanwhile doth miss;
a hand's impression in an empty glove
a soon forgotten tune a house for lease.
I have never loved you dear as now i love
behold this fool who in the month of June
having certain stars and planets heard
rose very slowly in a tight balloon
until the smallening world became absurd;
him did an archer spy(whose aim had erred
never)and by that little trick or this
he shot the aeronaut down into the abyss
-and wonderfully i fell through the green groove
of twilight striking into many a piece.
I have never loved you dear as now i love
god's terrible face brighter than a spoon
collects the image of one fatal word;
so that my life(which liked the sun and the moon)
resembles something that has not occurred:
i am a birdcage without any bird
a collar looking for a dog a kiss
without lips;a prayer lacking any knees
but something beats within my shirt to prove
he is undead who living noone is.
I have never loved you dear as now i love.
Hell(by most humble me which shall increase)
open thy fire!for i have had some bliss
of one small lady upon earth above;
to whom i cry remembering her face
i have never loved you dear as now i love
|
Written by
Kenneth Patchen |
As we are so wonderfully done with each other
We can walk into our separate sleep
on floors of music where the milkwhite cloak of childhood
lies
oh my love, my golden lark, my soft long doll
Your lips have splashed my dull house with print of flowers
My hands are crooked where they spilled over your dear
curving
It is good to be weary from that brilliant work
It is being God to feel your breathing under me
A waterglass on the bureau fills with morning.
.
.
.
.
Don't let anyone in to wake us
|
Written by
Rupert Brooke |
(Halted around the fire by night, after moon-set, they sing this beneath the trees.
)
What light of unremembered skies
Hast thou relumed within our eyes,
Thou whom we seek, whom we shall find? .
.
.
A certain odour on the wind,
Thy hidden face beyond the west,
These things have called us; on a quest
Older than any road we trod,
More endless than desire.
.
.
.
Far God,
Sigh with thy cruel voice, that fills
The soul with longing for dim hills
And faint horizons! For there come
Grey moments of the antient dumb
Sickness of travel, when no song
Can cheer us; but the way seems long;
And one remembers.
.
.
.
Ah! the beat
Of weary unreturning feet,
And songs of pilgrims unreturning! .
.
.
The fires we left are always burning
On the old shrines of home.
Our kin
Have built them temples, and therein
Pray to the Gods we know; and dwell
In little houses lovable,
Being happy (we remember how!)
And peaceful even to death.
.
.
.
O Thou,
God of all long desirous roaming,
Our hearts are sick of fruitless homing,
And crying after lost desire.
Hearten us onward! as with fire
Consuming dreams of other bliss.
The best Thou givest, giving this
Sufficient thing -- to travel still
Over the plain, beyond the hill,
Unhesitating through the shade,
Amid the silence unafraid,
Till, at some sudden turn, one sees
Against the black and muttering trees
Thine altar, wonderfully white,
Among the Forests of the Night.
|
Written by
Ann Taylor |
From morning till night it was Lucy's delight
To chatter and talk without stopping:
There was not a day but she rattled away,
Like water for ever a-dropping.
No matter at all if the subjects were small,
Or not worth the trouble of saying,
'Twas equal to her, she would talking prefer
To working, or reading, or playing.
You'll think now, perhaps, that there would have been gaps,
If she had not been wonderfully clever:
That her sense was so great, and so witty her pate,
It would be forthcoming for ever;
But that's quite absurd, for have you not heard
That much tongue and few brains are connected?
That they are supposed to think least who talk most,
And their wisdom is always suspected?
While Lucy was young, had she bridled her tongue,
With a little good sense and exertion,
Who knows, but she might now have been our delight,
Instead of our jest and aversion?
|
Written by
Robert William Service |
A pencil, sir; a penny -- won't you buy?
I'm cold and wet and tired, a sorry plight;
Don't turn your back, sir; take one just to try;
I haven't made a single sale to-night.
Oh, thank you, sir; but take the pencil too;
I'm not a beggar, I'm a business man.
Pencils I deal in, red and black and blue;
It's hard, but still I do the best I can.
Most days I make enough to pay for bread,
A cup o' coffee, stretching room at night.
One needs so little -- to be warm and fed,
A hole to kennel in -- oh, one's all right .
.
.
Excuse me, you're a painter, are you not?
I saw you looking at that dealer's show,
The croûtes he has for sale, a shabby lot --
What do I know of Art? What do I know .
.
.
Well, look! That David Strong so well displayed,
"White Sorcery" it's called, all gossamer,
And pale moon-magic and a dancing maid
(You like the little elfin face of her?) --
That's good; but still, the picture as a whole,
The values, -- Pah! He never painted worse;
Perhaps because his fire was lacking coal,
His cupboard bare, no money in his purse.
Perhaps .
.
.
they say he labored hard and long,
And see now, in the harvest of his fame,
When round his pictures people gape and throng,
A scurvy dealer sells this on his name.
A wretched rag, wrung out of want and woe;
A soulless daub, not David Strong a bit,
Unworthy of his art.
.
.
.
How should I know?
How should I know? I'm Strong -- I painted it.
There now, I didn't mean to let that out.
It came in spite of me -- aye, stare and stare.
You think I'm lying, crazy, drunk, no doubt --
Think what you like, it's neither here nor there.
It's hard to tell so terrible a truth,
To gain to glory, yet be such as I.
It's true; that picture's mine, done in my youth,
Up in a garret near the Paris sky.
The child's my daughter; aye, she posed for me.
That's why I come and sit here every night.
The painting's bad, but still -- oh, still I see
Her little face all laughing in the light.
So now you understand.
-- I live in fear
Lest one like you should carry it away;
A poor, pot-boiling thing, but oh, how dear!
"Don't let them buy it, pitying God!" I pray!
And hark ye, sir -- sometimes my brain's awhirl.
Some night I'll crash into that window pane
And snatch my picture back, my little girl,
And run and run.
.
.
.
I'm talking wild again;
A crab can't run.
I'm crippled, withered, lame,
Palsied, as good as dead all down one side.
No warning had I when the evil came:
It struck me down in all my strength and pride.
Triumph was mine, I thrilled with perfect power;
Honor was mine, Fame's laurel touched my brow;
Glory was mine -- within a little hour
I was a god and .
.
.
what you find me now.
My child, that little, laughing girl you see,
She was my nurse for all ten weary years;
Her joy, her hope, her youth she gave for me;
Her very smiles were masks to hide her tears.
And I, my precious art, so rich, so rare,
Lost, lost to me -- what could my heart but break!
Oh, as I lay and wrestled with despair,
I would have killed myself but for her sake.
.
.
.
By luck I had some pictures I could sell,
And so we fought the wolf back from the door;
She painted too, aye, wonderfully well.
We often dreamed of brighter days in store.
And then quite suddenly she seemed to fail;
I saw the shadows darken round her eyes.
So tired she was, so sorrowful, so pale,
And oh, there came a day she could not rise.
The doctor looked at her; he shook his head,
And spoke of wine and grapes and Southern air:
"If you can get her out of this," he said,
"She'll have a fighting chance with proper care.
"
"With proper care!" When he had gone away,
I sat there, trembling, twitching, dazed with grief.
Under my old and ragged coat she lay,
Our room was bare and cold beyond belief.
"Maybe," I thought, "I still can paint a bit,
Some lilies, landscape, anything at all.
"
Alas! My brush, I could not steady it.
Down from my fumbling hand I let it fall.
"With proper care" -- how could I give her that,
Half of me dead? .
.
.
I crawled down to the street.
Cowering beside the wall, I held my hat
And begged of every one I chanced to meet.
I got some pennies, bought her milk and bread,
And so I fought to keep the Doom away;
And yet I saw with agony of dread
My dear one sinking, sinking day by day.
And then I was awakened in the night:
"Please take my hands, I'm cold," I heard her sigh;
And soft she whispered, as she held me tight:
"Oh daddy, we've been happy, you and I!"
I do not think she suffered any pain,
She breathed so quietly .
.
.
but though I tried,
I could not warm her little hands again:
And so there in the icy dark she died.
.
.
.
The dawn came groping in with fingers gray
And touched me, sitting silent as a stone;
I kissed those piteous lips, as cold as clay --
I did not cry, I did not even moan.
At last I rose, groped down the narrow stair;
An evil fog was oozing from the sky;
Half-crazed I stumbled on, I knew not where,
Like phantoms were the folks that passed me by.
How long I wandered thus I do not know,
But suddenly I halted, stood stock-still --
Beside a door that spilled a golden glow
I saw a name, my name, upon a bill.
"A Sale of Famous Pictures," so it read,
"A Notable Collection, each a gem,
Distinguished Works of Art by painters dead.
"
The folks were going in, I followed them.
I stood upon the outskirts of the crowd,
I only hoped that none might notice me.
Soon, soon I heard them call my name aloud:
"A `David Strong', his Fete in Brittany.
"
(A brave big picture that, the best I've done,
It glowed and kindled half the hall away,
With all its memories of sea and sun,
Of pipe and bowl, of joyous work and play.
I saw the sardine nets blue as the sky,
I saw the nut-brown fisher-boats put out.
)
"Five hundred pounds!" rapped out a voice near by;
"Six hundred!" "Seven!" "Eight!" And then a shout:
"A thousand pounds!" Oh, how I thrilled to hear!
Oh, how the bids went up by leaps, by bounds!
And then a silence; then the auctioneer:
"It's going! Going! Gone! Three thousand pounds!"
Three thousand pounds! A frenzy leapt in me.
"That picture's mine," I cried; "I'm David Strong.
I painted it, this famished wretch you see;
I did it, I, and sold it for a song.
And in a garret three small hours ago
My daughter died for want of Christian care.
Look, look at me! .
.
.
Is it to mock my woe
You pay three thousand for my picture there?" .
.
.
O God! I stumbled blindly from the hall;
The city crashed on me, the fiendish sounds
Of cruelty and strife, but over all
"Three thousand pounds!" I heard; "Three thousand pounds!"
There, that's my story, sir; it isn't gay.
Tales of the Poor are never very bright .
.
.
You'll look for me next time you pass this way .
.
.
I hope you'll find me, sir; good-night, good-night.
|
Written by
Mihai Eminescu |
Two candles, tall sentry, beside an earth mound,
A dream with wings broken that trail to the ground,
Loud flung from the belfry calamitous chime.
.
.
'Tis thus that you passed o'er the bound'ries of time.
Gone by are the hours when the heavens entire
Flowed rivers of milk and grew flowers of fire,
When the thunderous clouds were but castles erect
Which the moon like a queen each in turn did inspect.
I see you a shadow bright silver transcending,
With wings high uplifted to heaven ascending,
I see you slow climbing through the sky's scaffold bars
Midst a tempest of light and a snowstorm of stars;
While the witches the sound of their spinning prolong,
Exalted in sunshine, swept up by a song,
O'er your breast like a saint you white arms crossed in prayer,
And gold on the water, and silver in the air.
I see your soul's parting, its flight I behold;
Then glaze at the clay that remains .
.
.
mute and cold,
At the winding-sheet clung to the coffin's rude sill,
At your smile sweet and candid, that seems alive still.
And i ask times unending my soul torn with doubt,
O why, pallid angel, your light has gone out,
For were you not blameless and wonderfully fair ?
Have you gone to rekindle a star in despair ?
I fancy on high there are wings without name,
Broad rivers of fire spanned by bridges of flame,
Strange castles that spires till the zenith up fling,
With stairways of incense and flowers that sing.
And you wonder among them, a worshipful queen,
With hair of bright starlight and eyes vespertine,
In a tunic of turquoise bespattered with gold,
While a wreath of green laurels does your forehead enfold.
O, death is a chaos, an ocean of stars gleaming,
While life is a quagmire of doubts and of dreaming,
Oh, death is an aeon of sun-blazoned spheres,
While life but a legend of wailing and tears.
Trough my head beats a whirlwind, a clamorous wrangle
Of thoughts and of dreams that despair does entangle;
For when suns are extinguished and meteors fail
The whole universe seems to mean nothing at all.
Maybe that one day the arched heavens will sunder,
And down through their break all the emptiness thunder,
Void's night o'er the earth its vast nothing extending,
The loot of an instant of death without ending.
If so, then forever your flame did succumb,
And forever your voice from today will be dumb.
If so, then hereafter can bring no rebirth.
If so, then this angel was nothing but earth.
And thus, lovely soil that breath has departed,
I stand by your coffin alone broken-hearted;
And yet i don't weep, rather praise for its fleeing
Your ray softly crept from this chaos of being.
For who shell declare which is ill and which well,
The is, or the isn't ? Can anyone tell ?
For he who is not, even grief can't destroy,
And oft is the grieving, and seldom the joy.
To exist! O, what nonsense, what foolish conceit;
Our eyes but deceive us, our ears but cheat,
What this age discovers, the next will deny,
For better just nothing than naught a lie.
I see dreams in men's clothing that after dreams chase,
But that tumble in tombs ere the end of the race,
And i search in may soul how this horror to fly,
To laugh like a madman ? To curse ? Or to cry ?
O, what is the meaning ? What sense does agree ?
The end of such beauty, had that what to be ?
Sweet seraph of clay where still lingers life's smile,
Just in order to die did you live for a while ?
O, tell me the meaning.
This angel or clod ?
I find on her forehead no witness of God.
English version by Corneliu M.
Popescu
Transcribed by Ana- Maria Ene
School No.
10, Focsani, Romania
|
Written by
Henry Van Dyke |
In a great land, a new land, a land full of labour
and riches and confusion,
Where there were many running to and fro, and
shouting, and striving together,
In the midst of the hurry and the troubled noise,
I heard the voice of one singing.
"What are you doing there, O man, singing
quietly amid all this tumult?
This is the time for new inventions, mighty
shoutings, and blowings of the trumpet.
"
But he answered, "I am only shepherding my
sheep with music.
"
So he went along his chosen way, keeping his
little flock around him;
And he paused to listen, now and then, beside
the antique fountains,
Where the faces of forgotten gods were refreshed
with musically falling waters;
Or he sat for a while at the blacksmith's door,
and heard the cling-clang of the anvils;
Or he rested beneath old steeples full of bells,
that showered their chimes upon him;
Or he walked along the border of the sea,
drinking in the long roar of the billows;
Or he sunned himself in the pine-scented ship-
yard, amid the tattoo of the mallets;
Or he leaned on the rail of the bridge, letting
his thoughts flow with the whispering river;
He hearkened also to ancient tales, and made
them young again with his singing.
Then a flaming arrow of death fell on his flock,
and pierced the heart of his dearest!
Silent the music now, as the shepherd entered
the mystical temple of sorrow:
Long he tarried in darkness there: but when he
came out he was singing.
And I saw the faces of men and women and
children silently turning toward him;
The youth setting out on the journey of life, and
the old man waiting beside the last mile-stone;
The toiler sweating beneath his load; and the
happy mother rocking her cradle;
The lonely sailor on far-off seas; and the grey-
minded scholar in his book-room;
The mill-hand bound to a clacking machine; and
the hunter in the forest;
And the solitary soul hiding friendless in the
wilderness of the city;
Many human faces, full of care and longing, were
drawn irresistibly toward him,
By the charm of something known to every heart,
yet very strange and lovely,
And at the sound of that singing wonderfully
all their faces were lightened.
"Why do you listen, O you people, to this old
and world-worn music?
This is not for you, in the splendour of a new
age, in the democratic triumph!
Listen to the clashing cymbals, the big drums, the
brazen trumpets of your poets.
"
But the people made no answer, following in
their hearts the simpler music:
For it seemed to them, noise-weary, nothing
could be better worth the hearing
Than the melodies which brought sweet order
into life's confusion.
So the shepherd sang his way along, until he
came unto a mountain:
And I know not surely whether it was called
Parnassus,
But he climbed it out of sight, and still I heard
the voice of one singing.
|
Written by
Alan Seeger |
So when the verdure of his life was shed,
With all the grace of ripened manlihead,
And on his locks, but now so lovable,
Old age like desolating winter fell,
Leaving them white and flowerless and forlorn:
Then from his bed the Goddess of the Morn
Softly withheld, yet cherished him no less
With pious works of pitying tenderness;
Till when at length with vacant, heedless eyes,
And hoary height bent down none otherwise
Than burdened willows bend beneath their weight
Of snow when winter winds turn temperate, --
So bowed with years -- when still he lingered on:
Then to the daughter of Hyperion
This counsel seemed the best: for she, afar
By dove-gray seas under the morning star,
Where, on the wide world's uttermost extremes,
Her amber-walled, auroral palace gleams,
High in an orient chamber bade prepare
An everlasting couch, and laid him there,
And leaving, closed the shining doors.
But he,
Deathless by Jove's compassionless decree,
Found not, as others find, a dreamless rest.
There wakeful, with half-waking dreams oppressed,
Still in an aural, visionary haze
Float round him vanished forms of happier days;
Still at his side he fancies to behold
The rosy, radiant thing beloved of old;
And oft, as over dewy meads at morn,
Far inland from a sunrise coast is borne
The drowsy, muffled moaning of the sea,
Even so his voice flows on unceasingly, --
Lisping sweet names of passion overblown,
Breaking with dull, persistent undertone
The breathless silence that forever broods
Round those colossal, lustrous solitudes.
Times change.
Man's fortune prospers, or it falls.
Change harbors not in those eternal halls
And tranquil chamber where Tithonus lies.
But through his window there the eastern skies
Fall palely fair to the dim ocean's end.
There, in blue mist where air and ocean blend,
The lazy clouds that sail the wide world o'er
Falter and turn where they can sail no more.
There singing groves, there spacious gardens blow --
Cedars and silver poplars, row on row,
Through whose black boughs on her appointed night,
Flooding his chamber with enchanted light,
Lifts the full moon's immeasurable sphere,
Crimson and huge and wonderfully near.
|