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Best Famous Wombats Poems

Here is a collection of the all-time best famous Wombats poems. This is a select list of the best famous Wombats poetry. Reading, writing, and enjoying famous Wombats poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of wombats poems.

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Written by Andrew Barton Paterson | Create an image from this poem

Investigating Flora

 'Twas in scientific circles 
That the great Professor Brown 
Had a world-wide reputation 
As a writer of renown.
He had striven finer feelings In our natures to implant By his Treatise on the Morals Of the Red-eyed Bulldog Ant.
He had hoisted an opponent Who had trodden unawares On his "Reasons for Bare Patches On the Female Native Bears".
So they gave him an appointment As instructor to a band Of the most attractive females To be gathered in the land.
'Twas a "Ladies' Science Circle" -- Just the latest social fad For the Nicest People only, And to make their rivals mad.
They were fond of "science rambles" To the country from the town -- A parade of female beauty In the leadership of Brown.
They would pick a place for luncheon And catch beetles on their rugs; The Professor called 'em "optera" -- They calld 'em "nasty bugs".
Well, the thing was bound to perish For no lovely woman can Feel the slightest interest In a club without a Man -- The Professor hardly counted He was crazy as a loon, With a countenance suggestive Of an elderly baboon.
But the breath of Fate blew on it With a sharp and sudden blast, And the "Ladies' Science Circle" Is a memory of the past.
There were two-and-twenty members, Mostly young and mostly fair, Who had made a great excursion To a place called Dontknowwhere, At the crossing of Lost River, On the road to No Man's Land.
There they met an old selector, With a stockwhip in his hand, And the sight of so much beauty Sent him slightly "off his nut"; So he asked them, smiling blandly, "Would they come down to the hut?" "I am come," said the Professor, In his thin and reedy voice, "To investigate your flora, Which I feel is very choice.
" The selector stared dumbfounded, Till at last he found his tongue: "To investigate my Flora! Oh, you howlin' Brigham Young! Why, you've two-and-twenty wimmen -- Reg'lar slap-up wimmen, too! And you're after little Flora! And a crawlin' thing like you! Oh, you Mormonite gorilla! Well, I've heard it from the first That you wizened little fellers Is a hundred times the worst! But a dried-up ape like you are, To be marchin' through the land With a pack of lovely wimmen -- Well, I cannot understand!" "You mistake," said the Professor, In a most indignant tone -- While the ladies shrieked and jabbered In a fashion of their own -- "You mistake about these ladies, I'm a lecturer of theirs; I am Brown, who wrote the Treatise On the Female Native Bears! When I said we wanted flora, What I meant was native flowers.
" "Well, you said you wanted Flora, And I'll swear you don't get ours! But here's Flora's self a-comin', And it's time for you to skip, Or I'll write a treatise on you, And I'll write it with the whip! Now I want no explanations; Just you hook it out of sight, Or you'll charm the poor girl some'ow!" The Professor looked in fright: She was six feet high and freckled, And her hair was turkey-red.
The Professor gave a whimper, And threw down his bag and fled, And the Ladies' Science Circle, With a simultaneous rush, Travelled after its Professor, And went screaming through the bush! At the crossing of Lost River, On the road to No Man's Land, Where the grim and ghostly gumtrees Block the view on every hand, There they weep and wail and wander, Always seeking for the track, For the hapless old Professor Hasn't sense to guide 'em back; And they clutch at one another, And they yell and scream in fright As they see the gruesome creatures Of the grim Australian night; And they hear the mopoke's hooting, And the dingo's howl so dread, And the flying foxes jabber From the gum trees overhead; While the weird and wary wombats, In their subterranean caves, Are a-digging, always digging, At those wretched people's graves; And the pike-horned Queensland bullock, From his shelter in the scrub, Has his eye on the proceedings Of the Ladies' Science Club.


Written by Henry Lawson | Create an image from this poem

Borderland

 I am back from up the country -- very sorry that I went -- 
Seeking for the Southern poets' land whereon to pitch my tent; 
I have lost a lot of idols, which were broken on the track -- 
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast, But I think the country's rather more inviting round the coast -- Anyway, I'll stay at present at a boarding-house in town Drinking beer and lemon-squashes, taking baths and cooling down.
Sunny plains! Great Scot! -- those burning wastes of barren soil and sand With their everlasting fences stretching out across the land! Desolation where the crow is! Desert! where the eagle flies, Paddocks where the luny bullock starts and stares with reddened eyes; Where, in clouds of dust enveloped, roasted bullock-drivers creep Slowly past the sun-dried shepherd dragged behind his crawling sheep.
Stunted "peak" of granite gleaming, glaring! like a molten mass Turned, from some infernal furnace, on a plain devoid of grass.
Miles and miles of thirsty gutters -- strings of muddy waterholes In the place of "shining rivers" (walled by cliffs and forest boles).
"Range!" of ridgs, gullies, ridges, barren! where the madden'd flies -- Fiercer than the plagues of Egypt -- swarm about your blighted eyes! Bush! where there is no horizon! where the buried bushman sees Nothing.
Nothing! but the maddening sameness of the stunted trees! Lonely hut where drought's eternal -- suffocating atmosphere -- Where the God forgottcn hatter dreams of city-life and beer.
Treacherous tracks that trap the stranger, endless roads that gleam and glare, Dark and evil-looking gullies -- hiding secrets here and there! Dull, dumb flats and stony "rises," where the bullocks sweat and bake, And the sinister "gohanna," and the lizard, and the snake.
Land of day and night -- no morning freshness, and no afternoon, For the great, white sun in rising brings with him the heat of noon.
Dismal country for the exile, when the shades begin to fall From the sad, heart-breaking sunset, to the new-chum, worst of all.
Dreary land in rainy weather, with the endless clouds that drift O'er the bushman like a blanket that the Lord will never lift -- Dismal land when it is raining -- growl of floods and oh! the "woosh" Of the rain and wind together on the dark bed of the bush -- Ghastly fires in lonely humpies where the granite rocks are pil'd On the rain-swept wildernesses that are wildest of the wild.
Land where gaunt and haggard women live alone and work like men, Till their husbands, gone a-droving, will return to them again -- Homes of men! if homes had ever such a God-forgotten place, Where the wild selector's children fly before a stranger's face.
Home of tragedy applauded by the dingoes' dismal yell, Heaven of the shanty-keeper -- fitting fiend for such a hell -- And the wallaroos and wombats, and, of course, the "curlew's call" -- And the lone sundowner tramping ever onward thro' it all! I am back from up the country -- up the country where I went Seeking for the Southern poets' land whereon to pitch my tent; I have left a lot of broken idols out along the track, Burnt a lot of fancy verses -- and I'm glad that I am back -- I believe the Southern poet's dream will not be realised Till the plains are irrigated and the land is humanised.
I intend to stay at present -- as I said before -- in town Drinking beer and lemon-squashes -- taking baths and cooling down.
Written by Andrew Barton Paterson | Create an image from this poem

The Silent Shearer

 Weary and listless, sad and slow, 
Without any conversation, 
Was a man that worked on The Overflow, 
The butt of the shed and the station.
The shearers christened him Noisy Ned, With an alias "Silent Waters", But never a needless word he said In the hut or the shearers' quarters.
Which caused annoyance to Big Barcoo, The shed's unquestioned ringer, Whose name was famous Australia through As a dancer, fighter and singer.
He was fit for the ring, if he'd had his rights As an agent of devastation; And the number of men he had killed in fights Was his principal conversation.
"I have known blokes go to their doom," said he, "Through actin' with haste and rashness: But the style that this Noisy Ned assumes, It's nothing but silent flashness.
"We may just be dirt, from his point of view, Unworthy a word in season; But I'll make him talk like a cockatoo Or I'll get him to show the reason.
" Was it chance or fate, that King Condamine, A king who had turned a black tracker, Had captured a baby purcupine, Which he swapped for a "fig tobacker"? With the porcupine in the Silent's bed The shearers were quite elated, And the things to be done, and the words to be said, Were anxiously awaited.
With a screech and a howl and an eldritch cry That nearly deafened his hearers He sprang from his bunk, and his fishy eye Looked over the laughing shearers.
He looked them over and he looked them through As a cook might look through a larder; "Now, Big Barcoo, I must pick on you, You're big, but you'll fall the harder.
" Now, the silent man was but slight and thin And of middleweight conformation, But he hung one punch on the Barcoo's chin And it ended the altercation.
"You've heard of the One-round Kid," said he, "That hunted 'em all to shelter? The One-round Finisher -- that was me, When I fought as the Champion Welter.
"And this Barcoo bloke on his back reclines For being a bit too clever, For snakes and wombats and porcupines Are nothing to me whatever.
"But the golden rule that I've had to learn In the ring, and for years I've tried it, Is only to talk when it comes your turn, And never to talk outside it.
"
Written by Andrew Barton Paterson | Create an image from this poem

Mulga Bills Bicycle

 'Twas Mulga Bill, from Eaglehawk, that caught the cycling craze; 
He turned away the good old horse that served him many days; 
He dressed himself in cycling clothes, resplendent to be seen; 
He hurried off to town and bought a shining new machine; 
And as he wheeled it through the door, with air of lordly pride, 
The grinning shop assistant said, "Excuse me, can you ride?" 
"See here, young man," said Mulga Bill, "from Walgett to the sea, 
From Conroy's Gap to Castlereagh, there's none can ride like me.
I'm good all round at everything, as everybody knows, Although I'm not the one to talk - I hate a man that blows.
But riding is my special gift, my chiefest, sole delight; Just ask a wild duck can it swim, a wildcat can it fight.
There's nothing clothed in hair or hide, or built of flesh or steel, There's nothing walks or jumps, or runs, on axle, hoof, or wheel, But what I'll sit, while hide will hold and girths and straps are tight: I'll ride this here two-wheeled concern right straight away at sight.
" 'Twas Mulga Bill, from Eaglehawk, that sought his own abode, That perched above the Dead Man's Creek, beside the mountain road.
He turned the cycle down the hill and mounted for the fray, But ere he'd gone a dozen yards it bolted clean away.
It left the track, and through the trees, just like a silver streak, It whistled down the awful slope towards the Dead Man's Creek.
It shaved a stump by half an inch, it dodged a big white-box: The very wallaroos in fright went scrambling up the rocks, The wombats hiding in their caves dug deeper underground, As Mulga Bill, as white as chalk, sat tight to every bound.
It struck a stone and gave a spring that cleared a fallen tree, It raced beside a precipice as close as close could be; And then as Mulga Bill let out one last despairing shriek It made a leap of twenty feet into the Dead Man's Creek.
'Twas Mulga Bill from Eaglehawk, that slowly swam ashore: He said, "I've had some narrer shaves and lively rides before; I've rode a wild bull round a yard to win a five-pound bet, But this was the most awful ride that I've encountered yet.
I'll give that two-wheeled outlaw best; It's shaken all my nerve To feel it whistle through the air and plunge and buck and swerve.
It's safe at rest in Dead Man's Creek, we'll leave it lying still; A horse's back is good enough henceforth for Mulga Bill.
"
Written by Andrew Barton Paterson | Create an image from this poem

Weary Will

 The strongest creature for his size 
But least equipped for combat 
That dwells beneath Australian skies 
Is Weary Will the Wombat.
He digs his homestead underground, He's neither shrewd nor clever; For kangaroos can leap and bound But wombats dig forever.
The boundary rider's netting fence Excites his irritation; It is to his untutored sense His pet abomination.
And when to pass it he desires, Upon his task he'll centre And dig a hole beneath the wires Through which the dingoes enter.
And when to block the hole they strain With logs and stones and rubble, Bill Wombat digs it out again Without the slightest trouble.
The boundary rider bows to fate, Admits he's made a blunder And rigs a little swinging gate To let Bill Wombat under.
So most contentedly he goes Between his haunt and burrow: He does the only thing he knows, And does it very thorough.


Written by Henry Lawson | Create an image from this poem

Up The Country

 I am back from up the country -- very sorry that I went -- 
Seeking for the Southern poets' land whereon to pitch my tent; 
I have lost a lot of idols, which were broken on the track, 
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast, But I think the country's rather more inviting round the coast.
Anyway, I'll stay at present at a boarding-house in town, Drinking beer and lemon-squashes, taking baths and cooling down.
`Sunny plains'! Great Scott! -- those burning wastes of barren soil and sand With their everlasting fences stretching out across the land! Desolation where the crow is! Desert where the eagle flies, Paddocks where the luny bullock starts and stares with reddened eyes; Where, in clouds of dust enveloped, roasted bullock-drivers creep Slowly past the sun-dried shepherd dragged behind his crawling sheep.
Stunted peak of granite gleaming, glaring like a molten mass Turned from some infernal furnace on a plain devoid of grass.
Miles and miles of thirsty gutters -- strings of muddy water-holes In the place of `shining rivers' -- `walled by cliffs and forest boles.
' Barren ridges, gullies, ridges! where the ever-madd'ning flies -- Fiercer than the plagues of Egypt -- swarm about your blighted eyes! Bush! where there is no horizon! where the buried bushman sees Nothing -- Nothing! but the sameness of the ragged, stunted trees! Lonely hut where drought's eternal, suffocating atmosphere Where the God-forgotten hatter dreams of city life and beer.
Treacherous tracks that trap the stranger, endless roads that gleam and glare, Dark and evil-looking gullies, hiding secrets here and there! Dull dumb flats and stony rises, where the toiling bullocks bake, And the sinister `gohanna', and the lizard, and the snake.
Land of day and night -- no morning freshness, and no afternoon, When the great white sun in rising bringeth summer heat in June.
Dismal country for the exile, when the shades begin to fall From the sad heart-breaking sunset, to the new-chum worst of all.
Dreary land in rainy weather, with the endless clouds that drift O'er the bushman like a blanket that the Lord will never lift -- Dismal land when it is raining -- growl of floods, and, oh! the woosh Of the rain and wind together on the dark bed of the bush -- Ghastly fires in lonely humpies where the granite rocks are piled In the rain-swept wildernesses that are wildest of the wild.
Land where gaunt and haggard women live alone and work like men, Till their husbands, gone a-droving, will return to them again: Homes of men! if home had ever such a God-forgotten place, Where the wild selector's children fly before a stranger's face.
Home of tragedy applauded by the dingoes' dismal yell, Heaven of the shanty-keeper -- fitting fiend for such a hell -- And the wallaroos and wombats, and, of course, the curlew's call -- And the lone sundowner tramping ever onward through it all! I am back from up the country, up the country where I went Seeking for the Southern poets' land whereon to pitch my tent; I have shattered many idols out along the dusty track, Burnt a lot of fancy verses -- and I'm glad that I am back.
I believe the Southern poets' dream will not be realised Till the plains are irrigated and the land is humanised.
I intend to stay at present, as I said before, in town Drinking beer and lemon-squashes, taking baths and cooling down.
Written by Andrew Barton Paterson | Create an image from this poem

A Mountain Station

 I bought a run a while ago, 
On country rough and ridgy, 
Where wallaroos and wombats grow -- 
The Upper Murrumbidgee.
The grass is rather scant, it's true, But this a fair exchange is, The sheep can see a lovely view By climbing up the ranges.
And She-oak Flat's the station's name, I'm not surprised at that, sirs: The oaks were there before I came, And I supplied the flat, sirs.
A man would wonder how it's done, The stock so soon decreases -- They sometimes tumble off the run And break themselves to pieces.
I've tried to make expenses meet, But wasted all my labours, The sheep the dingoes didn't eat Were stolen by the neighbours.
They stole my pears -- my native pears -- Those thrice-convicted felons, And ravished from me unawares My crop of paddy-melons.
And sometimes under sunny skies, Without an explanation, The Murrumbidgee used to rise And overflow the station.
But this was caused (as now I know) When summer sunshine glowing Had melted all Kiandra's snow And set the river going.
And in the news, perhaps you read: `Stock passings.
Puckawidgee, Fat cattle: Seven hundred head Swept down the Murrumbidgee; Their destination's quite obscure, But, somehow, there's a notion, Unless the river falls, they're sure To reach the Southern Ocean.
' So after that I'll give it best; No more with Fate I'll battle.
I'll let the river take the rest, For those were all my cattle.
And with one comprehensive curse I close my brief narration, And advertise it in my verse -- `For Sale! A Mountain Station.
'
Written by Henry Lawson | Create an image from this poem

The Poets Of The Tomb

 The world has had enough of bards who wish that they were dead, 
'Tis time the people passed a law to knock 'em on the head, 
For 'twould be lovely if their friends could grant the rest they crave -- 
Those bards of `tears' and `vanished hopes', those poets of the grave.
They say that life's an awful thing, and full of care and gloom, They talk of peace and restfulness connected with the tomb.
They say that man is made of dirt, and die, of course, he must; But, all the same, a man is made of pretty solid dust.
There is a thing that they forget, so let it here be writ, That some are made of common mud, and some are made of GRIT; Some try to help the world along while others fret and fume And wish that they were slumbering in the silence of the tomb.
'Twixt mother's arms and coffin-gear a man has work to do! And if he does his very best he mostly worries through, And while there is a wrong to right, and while the world goes round, An honest man alive is worth a million underground.
And yet, as long as sheoaks sigh and wattle-blossoms bloom, The world shall hear the drivel of the poets of the tomb.
And though the graveyard poets long to vanish from the scene, I notice that they mostly wish their resting-place kept green.
Now, were I rotting underground, I do not think I'd care If wombats rooted on the mound or if the cows camped there; And should I have some feelings left when I have gone before, I think a ton of solid stone would hurt my feelings more.
Such wormy songs of mouldy joys can give me no delight; I'll take my chances with the world, I'd rather live and fight.
Though Fortune laughs along my track, or wears her blackest frown, I'll try to do the world some good before I tumble down.
Let's fight for things that ought to be, and try to make 'em boom; We cannot help mankind when we are ashes in the tomb.

Book: Shattered Sighs