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Best Famous With Full Force Poems

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Written by Robert Browning | Create an image from this poem

Love Among The Ruins

 I

Where the quiet-coloured end of evening smiles
 Miles and miles
On the solitary pastures where our sheep
 Half-asleep
Tinkle homeward thro' the twilight, stray or stop
 As they crop— 
Was the site once of a city great and gay,
 (So they say)
Of our country's very capital, its prince
 Ages since
Held his court in, gathered councils, wielding far
 Peace or war.

II

Now—the country does not even boast a tree,
 As you see,
To distinguish slopes of verdure, certain rills
 From the hills
Intersect and give a name to, (else they run
 Into one)
Where the domed and daring palace shot its spires
 Up like fires
O'er the hundred-gated circuit of a wall
 Bounding all,
Made of marble, men might march on nor be prest,
 Twelve abreast.

III

And such plenty and perfection, see, of grass
 Never was!
Such a carpet as, this summer-time, o'erspreads
 And embeds
Every vestige of the city, guessed alone,
 Stock or stone— 
Where a multitude of men breathed joy and woe
 Long ago;
Lust of glory pricked their hearts up, dread of shame
 Struck them tame;
And that glory and that shame alike, the gold
 Bought and sold.

IV

Now,—the single little turret that remains
 On the plains,
By the caper overrooted, by the gourd
 Overscored,
While the patching houseleek's head of blossom winks
 Through the chinks— 
Marks the basement whence a tower in ancient time
 Sprang sublime,
And a burning ring, all round, the chariots traced
 As they raced,
And the monarch and his minions and his dames
 Viewed the games.

V

And I know, while thus the quiet-coloured eve
 Smiles to leave
To their folding, all our many-tinkling fleece
 In such peace,
And the slopes and rills in undistinguished grey
 Melt away— 
That a girl with eager eyes and yellow hair
 Waits me there
In the turret whence the charioteers caught soul
 For the goal,
When the king looked, where she looks now, breathless, dumb
 Till I come.

VI

But he looked upon the city, every side,
 Far and wide,
All the mountains topped with temples, all the glades'
 Colonnades,
All the causeys, bridges, aqueducts,—and then,
 All the men!
When I do come, she will speak not, she will stand,
 Either hand
On my shoulder, give her eyes the first embrace
 Of my face,
Ere we rush, ere we extinguish sight and speech
 Each on each.

VII

In one year they sent a million fighters forth
 South and north,
And they built their gods a brazen pillar high
 As the sky,
Yet reserved a thousand chariots in full force— 
 Gold, of course.
Oh, heart! oh, blood that freezes, blood that burns!
 Earth's returns
For whole centuries of folly, noise and sin!
 Shut them in,
With their triumphs and their glories and the rest.
 Love is best!


Written by Ellis Parker Butler | Create an image from this poem

Little Ballads Of Timely Warning; II: On Malicious Cruelty To Harmless Creatures

 The cruelty of P. L. Brown—
(He had ten toes as good as mine)
Was known to every one in town,
And, if he never harmed a noun,
He loved to make verbs shriek and whine.

The “To be” family’s just complaints—
(Brown had ten toes as good as mine)
Made Brown cast off the last restraints:
He smashed the “Is nots” into “Ain’ts”
And kicked both mood and tense supine.

Infinitives were Brown’s dislike—
(Brown, as I said, had ten good toes)
And he would pinch and shake and strike
Infinitives, or, with a pike,
Prod them and then laugh at their woes.

At length this Brown more cruel grew—
(Ten toes, all good ones, then had Brown)
And to his woodshed door he drew
A young infinitive and threw
The poor, meek creature roughly down,

And while the poor thing weakly flopped,
Brown (ten good toes he had, the brute!)
Got out his chopping block and dropped
The martyr on it and then propped
His victim firmly with his boot.

He raised his axe! He brandished it!
(Ye gods of grammar, interpose!)
He brought it down full force all fit
The poor infinitive to split—
* * * * *
(Brown after that had but six toes!

 Warning

Infinitives, by this we see.
Should not he split too recklessly.
Written by Philip Levine | Create an image from this poem

Picture Postcard From The Other World

 Since I don't know who will be reading 
this or even if it will be read, I must 
invent someone on the other end 
of eternity, a distant cousin laboring 
under the same faint stars I labored 
all those unnumbered years ago. I make you 
like me in everything I can -- a man 
or woman in middle years who having 
lost whatever faiths he held goes on 
with only the faith that even more 
will be lost. Like me a wanderer, 
someone with a taste for coastal towns 
sparkling in the cold winter sun, boardwalks 
without walkers, perfect beaches shrouded 
in the dense fogs of December, morning cafes 
before the second customer arrives, 
the cats have been fed, and the proprietor 
stops muttering into the cold dishwater. 
I give you the gift of language, my gift 
and no more, so that wherever you go 
words fall around you meaning no more 
than the full force of their making, and you 
translate the clicking of teeth against 
teeth and tongue as morning light spilling 
into the enclosed squares of a white town, 
breath drawn in and held as the ocean 
when no one sees it, the waves still, 
the fishing boats drift in a calm beyond sleep. 
The gift of sleep, too, and the waking 
from it day after day without knowing 
why the small sunlit room with its single bed, 
white counterpane going yellow, and bare floor 
holds itself with such assurance 
while the flaming nebulae of dust 
swirl around you. And the sense not to ask. 
Like me you rise immediately and sit 
on the bed's edge and let whatever dream 
of a childhood home or a rightful place 
you had withdraw into the long shadows 
of the tilted wardrobe and the one chair. 
Before you've even washed your face you 
see it on the bedoilied chiffonier -- there, 
balanced precariously on the orange you bought 
at yesterday's market and saved for now. 
Someone entered soundlessly while you slept 
and left you sleeping and left this postcard 
from me and thought to close the door 
with no more fuss than the moon makes. 
There's your name in black ink in a hand 
as familiar as your own and not 
your own, and the address even you 
didn't know you'd have an hour before 
you got it. When you turn it over, 
there it is, not the photo of a star, 
or the bright sailboats your sister would 
have chosen or the green urban meadows 
my brother painted. What is it? It could be 
another planet just after its birth 
except that at the center the colors 
are earth colors. It could be the cloud 
that formed above the rivers of our blood, 
the one that brought rain to a dry time 
or took wine from a hungry one. It could 
be my way of telling you that I too 
burned and froze by turns and the face I 
came to was more dirt than flame, it 
could be the face I put on everything, 
or it could be my way of saying 
nothing and saying it perfectly.

Book: Reflection on the Important Things