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Best Famous Winter's Night Poems

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Written by John Keats | Create an image from this poem

Fancy

EVER let the Fancy roam, 
Pleasure never is at home: 
At a touch sweet Pleasure melteth, 
Like to bubbles when rain pelteth; 
Then let wing¨¨d Fancy wander 5 
Through the thought still spread beyond her: 
Open wide the mind's cage-door, 
She'll dart forth, and cloudward soar. 
O sweet Fancy! let her loose; 
Summer's joys are spoilt by use, 10 
And the enjoying of the Spring 
Fades as does its blossoming; 
Autumn's red-lipp'd fruitage too, 
Blushing through the mist and dew, 
Cloys with tasting: What do then? 15 
Sit thee by the ingle, when 
The sear ****** blazes bright, 
Spirit of a winter's night; 
When the soundless earth is muffled, 
And the cak¨¨d snow is shuffled 20 
From the ploughboy's heavy shoon; 
When the Night doth meet the Noon 
In a dark conspiracy 
To banish Even from her sky. 
Sit thee there, and send abroad, 25 
With a mind self-overawed, 
Fancy, high-commission'd:¡ªsend her! 
She has vassals to attend her: 
She will bring, in spite of frost, 
Beauties that the earth hath lost; 30 
She will bring thee, all together, 
All delights of summer weather; 
All the buds and bells of May, 
From dewy sward or thorny spray; 
All the heap¨¨d Autumn's wealth, 35 
With a still, mysterious stealth: 
She will mix these pleasures up 
Like three fit wines in a cup, 
And thou shalt quaff it:¡ªthou shalt hear 
Distant harvest-carols clear; 40 
Rustle of the reap¨¨d corn; 
Sweet birds antheming the morn: 
And, in the same moment¡ªhark! 
'Tis the early April lark, 
Or the rooks, with busy caw, 45 
Foraging for sticks and straw. 
Thou shalt, at one glance, behold 
The daisy and the marigold; 
White-plumed lilies, and the first 
Hedge-grown primrose that hath burst; 50 
Shaded hyacinth, alway 
Sapphire queen of the mid-May; 
And every leaf, and every flower 
Pearl¨¨d with the self-same shower. 
Thou shalt see the fieldmouse peep 55 
Meagre from its cell¨¨d sleep; 
And the snake all winter-thin 
Cast on sunny bank its skin; 
Freckled nest-eggs thou shalt see 
Hatching in the hawthorn-tree, 60 
When the hen-bird's wing doth rest 
Quiet on her mossy nest; 
Then the hurry and alarm 
When the beehive casts its swarm; 
Acorns ripe down-pattering 65 
While the autumn breezes sing. 

O sweet Fancy! let her loose; 
Every thing is spoilt by use: 
Where 's the cheek that doth not fade, 
Too much gazed at? Where 's the maid 70 
Whose lip mature is ever new? 
Where 's the eye, however blue, 
Doth not weary? Where 's the face 
One would meet in every place? 
Where 's the voice, however soft, 75 
One would hear so very oft? 
At a touch sweet Pleasure melteth 
Like to bubbles when rain pelteth. 
Let, then, wing¨¨d Fancy find 
Thee a mistress to thy mind: 80 
Dulcet-eyed as Ceres' daughter, 
Ere the God of Torment taught her 
How to frown and how to chide; 
With a waist and with a side 
White as Hebe's, when her zone 85 
Slipt its golden clasp, and down 
Fell her kirtle to her feet, 
While she held the goblet sweet, 
And Jove grew languid.¡ªBreak the mesh 
Of the Fancy's silken leash; 90 
Quickly break her prison-string, 
And such joys as these she'll bring.¡ª 
Let the wing¨¨d Fancy roam, 
Pleasure never is at home. 


Written by Victor Hugo | Create an image from this poem

The Marble Faun

 ("Il semblait grelotter.") 
 
 {XXXVI., December, 1837.} 


 He seemed to shiver, for the wind was keen. 
 'Twas a poor statue underneath a mass 
 Of leafless branches, with a blackened back 
 And a green foot—an isolated Faun 
 In old deserted park, who, bending forward, 
 Half-merged himself in the entangled boughs, 
 Half in his marble settings. He was there, 
 Pensive, and bound to earth; and, as all things 
 Devoid of movement, he was there—forgotten. 
 
 Trees were around him, whipped by icy blasts— 
 Gigantic chestnuts, without leaf or bird, 
 And, like himself, grown old in that same place. 
 Through the dark network of their undergrowth, 
 Pallid his aspect; and the earth was brown. 
 Starless and moonless, a rough winter's night 
 Was letting down her lappets o'er the mist. 
 This—nothing more: old Faun, dull sky, dark wood. 
 
 Poor, helpless marble, how I've pitied it! 
 Less often man—the harder of the two. 
 
 So, then, without a word that might offend 
 His ear deformed—for well the marble hears 
 The voice of thought—I said to him: "You hail 
 From the gay amorous age. O Faun, what saw you 
 When you were happy? Were you of the Court? 
 
 "Speak to me, comely Faun, as you would speak 
 To tree, or zephyr, or untrodden grass. 
 Have you, O Greek, O mocker of old days, 
 Have you not sometimes with that oblique eye 
 Winked at the Farnese Hercules?—Alone, 
 Have you, O Faun, considerately turned 
 From side to side when counsel-seekers came, 
 And now advised as shepherd, now as satyr?— 
 Have you sometimes, upon this very bench, 
 Seen, at mid-day, Vincent de Paul instilling 
 Grace into Gondi?—Have you ever thrown 
 That searching glance on Louis with Fontange, 
 On Anne with Buckingham; and did they not 
 Start, with flushed cheeks, to hear your laugh ring forth 
 From corner of the wood?—Was your advice 
 As to the thyrsis or the ivy asked, 
 When, in grand ballet of fantastic form, 
 God Phoebus, or God Pan, and all his court, 
 Turned the fair head of the proud Montespan, 
 Calling her Amaryllis?—La Fontaine, 
 Flying the courtiers' ears of stone, came he, 
 Tears on his eyelids, to reveal to you 
 The sorrows of his nymphs of Vaux?—What said 
 Boileau to you—to you—O lettered Faun, 
 Who once with Virgil, in the Eclogue, held 
 That charming dialogue?—Say, have you seen 
 Young beauties sporting on the sward?—Have you 
 Been honored with a sight of Molière 
 In dreamy mood?—Has he perchance, at eve, 
 When here the thinker homeward went, has he, 
 Who—seeing souls all naked—could not fear 
 Your nudity, in his inquiring mind, 
 Confronted you with Man?" 
 
 Under the thickly-tangled branches, thus 
 Did I speak to him; he no answer gave. 
 
 I shook my head, and moved myself away; 
 Then, from the copses, and from secret caves 
 Hid in the wood, methought a ghostly voice 
 Came forth and woke an echo in my souls 
 As in the hollow of an amphora. 
 
 "Imprudent poet," thus it seemed to say, 
 "What dost thou here? Leave the forsaken Fauns 
 In peace beneath their trees! Dost thou not know, 
 Poet, that ever it is impious deemed, 
 In desert spots where drowsy shades repose— 
 Though love itself might prompt thee—to shake down 
 The moss that hangs from ruined centuries, 
 And, with the vain noise of throe ill-timed words, 
 To mar the recollections of the dead?" 
 
 Then to the gardens all enwrapped in mist 
 I hurried, dreaming of the vanished days, 
 And still behind me—hieroglyph obscure 
 Of antique alphabet—the lonely Faun 
 Held to his laughter, through the falling night. 
 
 I went my way; but yet—in saddened spirit 
 Pondering on all that had my vision crossed, 
 Leaves of old summers, fair ones of old time— 
 Through all, at distance, would my fancy see, 
 In the woods, statues; shadows in the past! 
 
 WILLIAM YOUNG 


 A LOVE FOR WINGED THINGS. 
 
 {XXXVII., April 12, 1840.} 


 My love flowed e'er for things with wings. 
 When boy I sought for forest fowl, 
 And caged them in rude rushes' mesh, 
 And fed them with my breakfast roll; 
 So that, though fragile were the door, 
 They rarely fled, and even then 
 Would flutter back at faintest call! 
 
 Man-grown, I charm for men. 


 




Written by Alfred Noyes | Create an image from this poem

The Highwayman

 PART ONE

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
 And the highwayman came riding--
 Riding--riding--
The highwayman came riding, up to the old inndoor.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doeskin;
They fitted with never a wrinkle: his boots were up to the thigh!
 And he rode with a jewelled twinkle,
 His pistol butts a-twinkle
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dard inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred; 
He whistled a tune to the window, and who should be waiting there
 But the landlord's black-eyed daughter,
 Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
 But he loved the landlord's daughter,
 The landlord's red-lipped daughter,
Dumb as a dog he listened, and heard the robber say--

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before morning light;
Yet, if they press me sharply, and harry me through the day,
 Then look for me by moonlight,
 Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
 And he kissed its waves in the moonlight,
 (Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.


PART TWO

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
 A red coat troop came marching--
 marching--marching--
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two fo them knelt at her casement, with muskets at their side!
 There was death at every window;
 And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say--
 Look for me by moonlight;
 Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
 Till, now, on the stroke of midnight,
 Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it; she strove no more for rest!
Up, she stood to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
 For the road lay bare in the moonlight;
 Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain

Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
 The highwayman came riding,
 Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
 Then her finger moved in the moonlight,
 Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him - with her death.

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
 How Bess, the landlord's daughter,
 The landlords black-eyed daughter,
Had watched her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shreiking a curse to the sky,
with the white road smoking behind him, and his rapier brain dished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
 When they shot him down in the highway,
 Down like a dog on the highway,
And he lay his blood on the highway, with a bunch of lace at his throat.

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cluody seas,
When the road is a ribbon of moonlight over the purple moor,
 A highwayman comes riding--
 Riding--riding--
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
 But the landlord's daughter,
 Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
Written by Claude McKay | Create an image from this poem

The Snow Fairy

 I 

Throughout the afternoon I watched them there, 
Snow-fairies falling, falling from the sky, 
Whirling fantastic in the misty air, 
Contending fierce for space supremacy. 
And they flew down a mightier force at night, 
As though in heaven there was revolt and riot, 
And they, frail things had taken panic flight 
Down to the calm earth seeking peace and quiet. 
I went to bed and rose at early dawn 
To see them huddled together in a heap, 
Each merged into the other upon the lawn, 
Worn out by the sharp struggle, fast asleep. 
The sun shone brightly on them half the day, 
By night they stealthily had stol'n away. 


II 

And suddenly my thoughts then turned to you 
Who came to me upon a winter's night, 
When snow-sprites round my attic window flew, 
Your hair disheveled, eyes aglow with light. 
My heart was like the weather when you came, 
The wanton winds were blowing loud and long; 
But you, with joy and passion all aflame, 
You danced and sang a lilting summer song. 
I made room for you in my little bed, 
Took covers from the closet fresh and warm, 
A downful pillow for your scented head, 
And lay down with you resting in my arm. 
You went with Dawn. You left me ere the day, 
The lonely actor of a dreamy play.
Written by James Thomson | Create an image from this poem

A Poem Sacred to the Memory of Sir Isaac Newton

 Shall the great soul of Newton quit this earth, 
To mingle with his stars; and every muse,
Astonish'd into silence, shun the weight
Of honours due to his illustrious name?
But what can man?--Even now the sons of light,
In strains high-warbled to seraphic lyre,
Hail his arrival on the coast of bliss.
Yet am not I deterr'd, though high the theme,
And sung to harps of angels, for with you,
Ethereal flames! ambitious, I aspire
In Nature's general symphony to join. 

And what new wonders can ye show your guest!
Who, while on this dim spot, where mortals toil
Clouded in dust, from motion's simple laws,
Could trace the secret hand of Providence,
Wide-working through this universal frame. 

Have ye not listen'd while he bound the suns
And planets to their spheres! th' unequal task
Of humankind till then. Oft had they roll'd
O'er erring man the year, and oft disgrac'd
The pride of schools, before their course was known
Full in its causes and effects to him,
All-piercing sage! who sat not down and dream'd
Romantic schemes, defended by the din
Of specious words, and tyranny of names;
But, bidding his amazing mind attend,
And with heroic patience years on years
Deep-searching, saw at last the system dawn,
And shine, of all his race, on him alone. 

What were his raptures then! how pure! how strong!
And what the triumphs of old Greece and Rome,
By his diminish'd, but the pride of boys
In some small fray victorious! when instead
Of shatter'd parcels of this earth usurp'd
By violence unmanly, and sore deeds
Of cruelty and blood, Nature herself
Stood all subdu'd by him, and open laid
Her every latent glory to his view. 

All intellectual eye, our solar-round
First gazing through, he by the blended power
Of gravitation and projection saw
The whole in silent harmony revolve.
From unassisted vision hid, the moons
To cheer remoter planets numerous pour'd,
By him in all their mingled tracts were seen.
He also fix'd the wandering Queen of Night,
Whether she wanes into a scanty orb,
Or, waxing broad, with her pale shadowy light,
In a soft deluge overflows the sky.
Her every motion clear-discerning, he
Adjusted to the mutual main, and taught
Why now the mighty mass of water swells
Resistless, heaving on the broken rocks,
And the full river turning; till again
The tide revertive, unattracted, leaves
A yellow waste of idle sands behind. 

Then breaking hence, he took his ardent flight
Through the blue infinite; and every star,
Which the clear concave of a winter's night
Pours on the eye, or astronomic tube,
Far-stretching, snatches from the dark abyss,
Or such as farther in successive skies
To fancy shine alone, at his approach
Blaz'd into suns, the living centre each
Of an harmonious system: all combin'd,
And rul'd unerring by that single power,
Which draws the stone projected to the ground. 

O unprofuse magnificence divine!
O wisdom truly perfect! thus to call
From a few causes such a scheme of things,
Effects so various, beautiful, and great,
An universe complete! and O belov'd
Of Heaven! whose well-purg'd penetrative eye,
The mystic veil transpiercing, inly scann'd
The rising, moving, wide-establish'd frame. 

He, first of men, with awful wing pursu'd
The comet through the long elliptic curve,
As round innumerous worlds he wound his way,
Till, to the forehead of our evening sky
Return'd, the blazing wonder glares anew,
And o'er the trembling nations shakes dismay. 

The heavens are all his own, from the wild rule
Of whirling vortices and circling spheres
To their first great simplicity restor'd.
The schools astonish'd stood; but found it vain
To keep at odds with demonstration strong,
And, unawaken'd, dream beneath the blaze
Of truth. At once their pleasing visions fled,
With the gay shadows of the morning mix'd,
When Newton rose, our philosophic sun!
Th' aërial flow of sound was known to him,
From whence it first in wavy circles breaks,
Till the touch'd organ takes the message in.
Nor could the darting beam of speed immense
Escape his swift pursuit and measuring eye.
Ev'n Light itself, which every thing displays,
Shone undiscover'd, till his brighter mind
Untwisted all the shining robe of day;
And, from the whitening undistinguish'd blaze,
Collecting every ray into his kind,
To the charm'd eye educ'd the gorgeous train
Of parent colours. First the flaming red
Sprung vivid forth; the tawny orange next;
And next delicious yellow; by whose side
Fell the kind beams of all-refreshing green.
Then the pure blue, that swells autumnal skies
Ethereal played; and then, of sadder hue,
Emerg'd the deepen'd indigo, as when
The heavy-skirted evening droops with frost;
While the last gleamings of refracted light
Died in the fainting violet away.
These, when the clouds distil the rosy shower,
Shine out distinct adown the wat'ry bow;
While o'er our heads the dewy vision bends
Delightful, melting on the fields beneath.
Myriads of mingling dyes from these result,
And myriads still remain--infinite source
Of beauty, ever flushing, ever new. 

Did ever poet image aught so fair,
Dreaming in whisp'ring groves by the hoarse brook?
Or prophet, to whose rapture heaven descends?
Ev'n now the setting sun and shifting clouds,
Seen, Greenwich, from thy lovely heights, declare
How just, how beauteous the refractive law. 

The noiseless tide of time, all bearing down
To vast eternity's unbounded sea,
Where the green islands of the happy shine,
He stemm'd alone; and, to the source (involv'd
Deep in primeval gloom) ascending, rais'd
His lights at equal distances, to guide
Historian wilder'd on his darksome way. 

But who can number up his labours? who
His high discoveries sing? When but a few
Of the deep-studying race can stretch their minds
To what he knew--in fancy's lighter thought
How shall the muse then grasp the mighty theme? 

What wonder thence that his devotion swell'd
Responsive to his knowledge? For could he,
Whose piercing mental eye diffusive saw
The finish'd university of things
In all its order, magnitude, and parts,
Forbear incessant to adore that Power
Who fills, sustains, and actuates the whole? 

Say, ye who best can tell, ye happy few,
Who saw him in the softest lights of life,
All unwithheld, indulging to his friends
The vast unborrow'd treasures of his mind,
oh, speak the wondrous man! how mild, how calr
How greatly humble, how divinely good,
How firm establish'd on eternal truth;
Fervent in doing well, with every nerve
Still pressing on, forgetful of the past,
And panting for perfection; far above
Those little cares and visionary joys
That so perplex the fond impassion'd heart
Of ever-cheated, ever-trusting man.
This, Conduitt, from thy rural hours we hope;
As through the pleasing shade where nature pours
Her every sweet in studious ease you walk,
The social passions smiling at thy heart
That glows with all the recollected sage. 

And you, ye hopeless gloomy-minded tribe,
You who, unconscious of those nobler flights
That reach impatient at immortal life,
Against the prime endearing privilege
Of being dare contend,--say, can a soul
Of such extensive, deep, tremendous powers,
Enlarging still, be but a finer breath
Of spirits dancing through their tubes awhile,
And then for ever lost in vacant air? 

But hark! methinks I hear a warning voice,
Solemn as when some awful change is come,
Sound through the world--" 'Tis done!--the measure's full;
And I resign my charge."--Ye mouldering stones
That build the towering pyramid, the proud
Triumphal arch, the monument effac'd
By ruthless ruin, and whate'er supports
The worship'd name of hoar antiquity--
Down to the dust! What grandeur can ye boast
While Newton lifts his column to the skies,
Beyond the waste of time. Let no weak drop
Be shed for him. The virgin in her bloom
Cut off, the joyous youth, and darling child--
These are the tombs that claim the tender tear
And elegiac song. But Newton calls
For other notes of gratulation high,
That now he wanders through those endless worlds
He here so well descried, and wondering talks,
And hymns their Author with his glad compeers. 

O Britain's boast! whether with angels thou
Sittest in dread discourse, or fellow-blest,
Who joy to see the honour of their kind;
Or whether, mounted on cherubic wing,
Thy swift career is with the whirling orbs,
Comparing things with things, in rapture lost,
And grateful adoration for that light
So plenteous ray'd into thy mind below
From Light Himself; oh, look with pity down
On humankind, a frail erroneous race!
Exalt the spirit of a downward world!
O'er thy dejected country chief preside,
And be her Genius call'd! her studies raise,
Correct her manners, and inspire her youth;
For, though deprav'd and sunk, she brought thee forth,
And glories in thy name! she points thee out
To all her sons, and bids them eye thy star:
While, in expectance of the second life,
When time shall be no more, thy sacred dust
Sleeps with her kings, and dignifies the scene.


Written by William Topaz McGonagall | Create an image from this poem

An Address to Shakespeare

 Immortal! William Shakespeare, there's none can you excel,
You have drawn out your characters remarkably well,
Which is delightful for to see enacted upon the stage
For instance, the love-sick Romeo, or Othello, in a rage;
His writings are a treasure, which the world cannot repay,
He was the greatest poet of the past or of the present day
Also the greatest dramatist, and is worthy of the name,
I'm afraid the world shall never look upon his like again.
His tragedy of Hamlet is moral and sublime,
And for purity of langucge, nothing can be more fine
For instance, to hear the fair Ophelia making her moan,
At her father's grave, sad and alone....
In his beautiful play, "As You Like If," one passage is very fine,
Just for instance in fhe forest of Arden, the language is sublime,
Where Orlando speaks of his Rosilind, most lovely and divine,
And no other poet I am sure has written anything more fine;
His language is spoken in the Church and by the Advocate at the bar,
Here and there and everywhere throughout the world afar;
His writings abound with gospel truths, moral and sublime,
And I'm sure in my opinion they are surpassing fine;
In his beautiful tragedy of Othello, one passage is very fine,
Just for instance where Cassio looses his lieutenancy
... By drinking too much wine;
And in grief he exclaims, "Oh! that men should put an
Enemy in their mouths to steal away their brains."
In his great tragedy of Richard the III, one passage is very fine
Where the Duchess of York invokes the aid of the Divine
For to protect her innocent babes from the murderer's uplifted hand,
And smite him powerless, and save her babes, I'm sure 'tie really grand.
Immortal! Bard of Avon, your writings are divine,
And will live in the memories of you admirers until the end of time;
Your plays are read in family ciFcles with wonder and delight,
While seated around the fireside on a cold winter's night.
Written by Michael Drayton | Create an image from this poem

Sirena

 NEAR to the silver Trent 
 SIRENA dwelleth; 
She to whom Nature lent 
 All that excelleth; 
By which the Muses late 
 And the neat Graces 
Have for their greater state 
 Taken their places; 
Twisting an anadem 
 Wherewith to crown her, 
As it belong'd to them 
 Most to renown her. 
 On thy bank, 
 In a rank, 
 Let thy swans sing her, 
 And with their music 
 Along let them bring her. 

Tagus and Pactolus 
 Are to thee debtor, 
Nor for their gold to us 
 Are they the better: 
Henceforth of all the rest 
 Be thou the River 
Which, as the daintiest, 
 Puts them down ever. 
For as my precious one 
 O'er thee doth travel, 
She to pearl paragon 
 Turneth thy gravel. 
 On thy bank... 

Our mournful Philomel, 
 That rarest tuner, 
Henceforth in Aperil 
 Shall wake the sooner, 
And to her shall complain 
 From the thick cover, 
Redoubling every strain 
 Over and over: 
For when my Love too long 
 Her chamber keepeth, 
As though it suffer'd wrong, 
 The Morning weepeth. 
 On thy bank... 

Oft have I seen the Sun, 
 To do her honour, 
Fix himself at his noon 
 To look upon her; 
And hath gilt every grove, 
 Every hill near her, 
With his flames from above 
 Striving to cheer her: 
And when she from his sight 
 Hath herself turned, 
He, as it had been night, 
 In clouds hath mourned. 
 On thy bank... 

The verdant meads are seen, 
 When she doth view them, 
In fresh and gallant green 
 Straight to renew them; 
And every little grass 
 Broad itself spreadeth, 
Proud that this bonny lass 
 Upon it treadeth: 
Nor flower is so sweet 
 In this large cincture, 
But it upon her feet 
 Leaveth some tincture. 
 On thy bank... 

The fishes in the flood, 
 When she doth angle, 
For the hook strive a-good 
 Them to entangle; 
And leaping on the land, 
 From the clear water, 
Their scales upon the sand 
 Lavishly scatter; 
Therewith to pave the mould 
 Whereon she passes, 
So herself to behold 
 As in her glasses. 
 On thy bank... 

When she looks out by night, 
 The stars stand gazing, 
Like comets to our sight 
 Fearfully blazing; 
As wond'ring at her eyes 
 With their much brightness, 
Which so amaze the skies, 
 Dimming their lightness. 
The raging tempests are calm 
 When she speaketh, 
Such most delightsome balm 
 From her lips breaketh. 
 On thy bank... 

In all our Brittany 
 There 's not a fairer, 
Nor can you fit any 
 Should you compare her. 
Angels her eyelids keep, 
 All hearts surprising; 
Which look whilst she doth sleep 
 Like the sun's rising: 
She alone of her kind 
 Knoweth true measure, 
And her unmatched mind 
 Is heaven's treasure. 
 On thy bank... 

Fair Dove and Darwen clear, 
 Boast ye your beauties, 
To Trent your mistress here 
 Yet pay your duties: 
My Love was higher born 
 Tow'rds the full fountains, 
Yet she doth moorland scorn 
 And the Peak mountains; 
Nor would she none should dream 
 Where she abideth, 
Humble as is the stream 
 Which by her slideth. 
 On thy bank... 

Yet my pour rustic Muse 
 Nothing can move her, 
Nor the means I can use, 
 Though her true lover: 
Many a long winter's night 
 Have I waked for her, 
Yet this my piteous plight 
 Nothing can stir her. 
All thy sands, silver Trent, 
 Down to the Humber, 
The sighs that I have spent 
 Never can number. 
 On thy bank, 
 In a rank, 
 Let thy swans sing her, 
 And with their music 
 Along let them bring her.
Written by Johann Wolfgang von Goethe | Create an image from this poem

To The Moon

 BUSH and vale thou fill'st again

With thy misty ray,
And my spirit's heavy chain

Castest far away.

Thou dost o'er my fields extend

Thy sweet soothing eye,
Watching like a gentle friend,

O'er my destiny.

Vanish'd days of bliss and woe

Haunt me with their tone,
Joy and grief in turns I know,

As I stray alone.

Stream beloved, flow on! flow on!

Ne'er can I be gay!
Thus have sport and kisses gone,

Truth thus pass'd away.

Once I seem'd the lord to be

Of that prize so fair!
Now, to our deep sorrow, we

Can forget it ne'er.

Murmur, stream, the vale along,

Never cease thy sighs;
Murmur, whisper to my song

Answering melodies!

When thou in the winter's night

Overflow'st in wrath,
Or in spring-time sparklest bright,

As the buds shoot forth.

He who from the world retires,

Void of hate, is blest;
Who a friend's true love inspires,

Leaning on his breast!

That which heedless man ne'er knew,

Or ne'er thought aright,
Roams the bosom's labyrinth through,

Boldly into night.

1789.*
Written by William Topaz McGonagall | Create an image from this poem

An Address to the Rev. George Gilfillan

 All hail to the Rev. George Gilfillan of Dundee,
He is the greatest preacher I did ever hear or see.
He is a man of genius bright,
And in him his congregation does delight,
Because they find him to be honest and plain,
Affable in temper, and seldom known to complain.
He preaches in a plain straightforward way,
The people flock to hear him night and day,
And hundreds from the doors are often turn'd away,
Because he is the greatest preacher of the present day.
He has written the life of Sir Waiter Scott,
And while he lives he will never be forgot,
Nor when he is dead,
Because by his admirers it will be often read;
And fill their minds with wonder and delight,
And wile away the tedious hours on a cold winter's night.
He has also written about the Bards of the Bible,
Which occupied nearly three years in which he was not idle,
Because when he sits down to write he does it with might and main,
And to get an interview with him it would be almost vain,
And in that he is always right,
For the Bible tells us whatever your hands findeth to do,
Do it with all your might.
Rev. George Gilfillan of Dundee, I must conclude my muse,
And to write in praise of thee my pen doss not refuse,
Nor does it give me pain to tell the world fearlessly, that when
You are dead they shall not look upon your like again.
Written by Siegfried Sassoon | Create an image from this poem

Tree and Sky

 Let my soul, a shining tree, 
Silver branches lift towards thee, 
Where on a hallowed winter’s night 
The clear-eyed angels may alight. 

And if there should be tempests in
My spirit, let them surge like din 
Of noble melodies at war; 
With fervour of such blades of triumph as are 
Flashed in white orisons of saints who go 
On shafts of glory to the ecstasies they know.

Book: Radiant Verses: A Journey Through Inspiring Poetry