Written by
Ezra Pound |
(From the early Anglo-Saxon text)
May I for my own self song's truth reckon,
Journey's jargon, how I in harsh days
Hardship endured oft.
Bitter breast-cares have I abided,
Known on my keel many a care's hold,
And dire sea-surge, and there I oft spent
Narrow nightwatch nigh the ship's head
While she tossed close to cliffs.
Coldly afflicted,
My feet were by frost benumbed.
Chill its chains are; chafing sighs
Hew my heart round and hunger begot
Mere-weary mood.
Lest man know not
That he on dry land loveliest liveth,
List how I, care-wretched, on ice-cold sea,
Weathered the winter, wretched outcast
Deprived of my kinsmen;
Hung with hard ice-flakes, where hail-scur flew,
There I heard naught save the harsh sea
And ice-cold wave, at whiles the swan cries,
Did for my games the gannet's clamour,
Sea-fowls, loudness was for me laughter,
The mews' singing all my mead-drink.
Storms, on the stone-cliffs beaten, fell on the stern
In icy feathers; full oft the eagle screamed
With spray on his pinion.
Not any protector
May make merry man faring needy.
This he little believes, who aye in winsome life
Abides 'mid burghers some heavy business,
Wealthy and wine-flushed, how I weary oft
Must bide above brine.
Neareth nightshade, snoweth from north,
Frost froze the land, hail fell on earth then
Corn of the coldest.
Nathless there knocketh now
The heart's thought that I on high streams
The salt-wavy tumult traverse alone.
Moaneth alway my mind's lust
That I fare forth, that I afar hence
Seek out a foreign fastness.
For this there's no mood-lofty man over earth's midst,
Not though he be given his good, but will have in his youth greed;
Nor his deed to the daring, nor his king to the faithful
But shall have his sorrow for sea-fare
Whatever his lord will.
He hath not heart for harping, nor in ring-having
Nor winsomeness to wife, nor world's delight
Nor any whit else save the wave's slash,
Yet longing comes upon him to fare forth on the water.
Bosque taketh blossom, cometh beauty of berries,
Fields to fairness, land fares brisker,
All this admonisheth man eager of mood,
The heart turns to travel so that he then thinks
On flood-ways to be far departing.
Cuckoo calleth with gloomy crying,
He singeth summerward, bodeth sorrow,
The bitter heart's blood.
Burgher knows not --
He the prosperous man -- what some perform
Where wandering them widest draweth.
So that but now my heart burst from my breast-lock,
My mood 'mid the mere-flood,
Over the whale's acre, would wander wide.
On earth's shelter cometh oft to me,
Eager and ready, the crying lone-flyer,
Whets for the whale-path the heart irresistibly,
O'er tracks of ocean; seeing that anyhow
My lord deems to me this dead life
On loan and on land, I believe not
That any earth-weal eternal standeth
Save there be somewhat calamitous
That, ere a man's tide go, turn it to twain.
Disease or oldness or sword-hate
Beats out the breath from doom-gripped body.
And for this, every earl whatever, for those speaking after --
Laud of the living, boasteth some last word,
That he will work ere he pass onward,
Frame on the fair earth 'gainst foes his malice,
Daring ado, .
.
.
So that all men shall honour him after
And his laud beyond them remain 'mid the English,
Aye, for ever, a lasting life's-blast,
Delight mid the doughty.
Days little durable,
And all arrogance of earthen riches,
There come now no kings nor Cæsars
Nor gold-giving lords like those gone.
Howe'er in mirth most magnified,
Whoe'er lived in life most lordliest,
Drear all this excellence, delights undurable!
Waneth the watch, but the world holdeth.
Tomb hideth trouble.
The blade is layed low.
Earthly glory ageth and seareth.
No man at all going the earth's gait,
But age fares against him, his face paleth,
Grey-haired he groaneth, knows gone companions,
Lordly men are to earth o'ergiven,
Nor may he then the flesh-cover, whose life ceaseth,
Nor eat the sweet nor feel the sorry,
Nor stir hand nor think in mid heart,
And though he strew the grave with gold,
His born brothers, their buried bodies
Be an unlikely treasure hoard.
|
Written by
Rudyard Kipling |
"The Village That Voted the Earth Was Flat"-- A Diversity of Creatures
The Soldier may forget his Sword,
The Sailorman the Sea,
The Mason may forget the Word
And the Priest his Litany:
The Maid may forget both jewel and gem,
And the Bride her wedding-dress--
But the Jew shall forget Jerusalem
Ere we forget the Press!
Who once hath stood through the loaded hour
Ere, roaring like the gale,
The Harrild and the Hoe devour
Their league-long paper-bale,
And has lit his pipe in the morning calm
That follows the midnight stress--
He hath sold his heart to the old Black Art
We call the daily Press.
Who once hath dealt in the widest game
That all of a man can play,
No later love, no larger fame
Will lure him long away.
As the war-horse snuffeth the battle afar,
The entered Soul, no less,
He saith: "Ha! Ha!" where the trumpets are
And the thunders of the Press!
Canst thou number the days that we fulfill,
Or the Times that we bring forth?
Canst thou send the lightnings to do thy will,
And cause them reign on earth?
Hast thou given a peacock goodly wings,
To please his foolishness?
Sit down at the heart of men and things,
Companion of the Press!
The Pope may launch his Interdict,
The Union its decree,
But the bubble is blown and the bubble is pricked
By Us and such as We.
Remember the battle and stand aside
While Thrones and Powers confess
That King over all the children of pride
Is the Press--the Press--the Press!
|
Written by
Henry Lawson |
Now the tent poles are rotting, the camp fires are dead,
And the possums may gambol in trees overhead;
I am humping my bluey far out on the land,
And the prints of my bluchers sink deep in the sand:
I am out on the wallaby humping my drum,
And I came by the tracks where the sundowners come.
It is nor'-west and west o'er the ranges and far
To the plains where the cattle and sheep stations are,
With the sky for my roof and the grass for my bunk,
And a calico bag for my damper and junk;
And scarcely a comrade my memory reveals,
Save the spiritless dingo in tow of my heels.
But I think of the honest old light of my home
When the stars hang in clusters like lamps from the dome,
And I think of the hearth where the dark shadows fall,
When my camp fire is built on the widest of all;
But I'm following Fate, for I know she knows best,
I follow, she leads, and it's nor'-west by west.
When my tent is all torn and my blankets are damp,
And the rising flood waters flow fast by the camp,
When the cold water rises in jets from the floor,
I lie in my bunk and I list to the roar,
And I think how to-morrow my footsteps will lag
When I tramp 'neath the weight of a rain-sodden swag.
Though the way of the swagman is mostly up-hill,
There are joys to be found on the wallaby still.
When the day has gone by with its tramp or its toil,
And your camp-fire you light, and your billy you boil,
There is comfort and peace in the bowl of your clay
Or the yarn of a mate who is tramping that way.
But beware of the town -- there is poison for years
In the pleasure you find in the depths of long beers;
For the bushman gets bushed in the streets of a town,
Where he loses his friends when his cheque is knocked down;
He is right till his pockets are empty, and then --
He can hump his old bluey up country again.
|
Written by
Philip Larkin |
The widest prairies have electric fences,
For though old cattle know they must not stray
Young steers are always scenting purer water
Not here but anywhere.
Beyond the wires
Leads them to blunder up against the wires
Whose muscle-shredding violence gives no quarter.
Young steers become old cattle from that day,
Electric limits to their widest senses.
|
Written by
Henry Lawson |
The future was dark and the past was dead
As they gazed on the sea once more –
But a nation was born when the immigrants said
"Good-bye!" as they stepped ashore!
In their loneliness they were parted thus
Because of the work to do,
A wild wide land to be won for us
By hearts and hands so few.
The darkest land 'neath a blue sky's dome,
And the widest waste on earth;
The strangest scenes and the least like home
In the lands of our fathers' birth;
The loneliest land in the wide world then,
And away on the furthest seas,
A land most barren of life for men –
And they won it by twos and threes!
With God, or a dog, to watch, they slept
By the camp-fires' ghastly glow,
Where the scrubs were dark as the blacks that crept
With "nulla" and spear held low;
Death was hidden amongst the trees,
And bare on the glaring sand
They fought and perished by twos and threes –
And that's how they won the land!
It was two that failed by the dry creek bed,
While one reeled on alone –
The dust of Australia's greatest dead
With the dust of the desert blown!
Gaunt cheek-bones cracking the parchment skin
That scorched in the blazing sun,
Black lips that broke in a ghastly grin –
And that's how the land was won!
Starvation and toil on the tracks they went,
And death by the lonely way;
The childbirth under the tilt or tent,
The childbirth under the dray!
The childbirth out in the desolate hut
With a half-wild gin for nurse –
That's how the first were born to bear
The brunt of the first man's curse!
They toiled and they fought through the shame of it –
Through wilderness, flood, and drought;
They worked, in the struggles of early days,
Their sons' salvation out.
The white girl-wife in the hut alone,
The men on the boundless run,
The miseries suffered, unvoiced, unknown –
And that's how the land was won.
No armchair rest for the old folk then –
But, ruined by blight and drought,
They blazed the tracks to the camps again
In the big scrubs further out.
The worn haft, wet with a father's sweat,
Gripped hard by the eldest son,
The boy's back formed to the hump of toil –
And that's how the land was won!
And beyond Up Country, beyond Out Back,
And the rainless belt, they ride,
The currency lad and the ne'er-do-well
And the black sheep, side by side;
In wheeling horizons of endless haze
That disk through the Great North-west,
They ride for ever by twos and by threes –
And that's how they win the rest.
|
Written by
James Whitcomb Riley |
A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.
Wrought was she of a painter's dream,--
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.
I pressed him that he tell to me
This masterpiece's history.
He turned--REturned--and thus beguiled
Me with the tale of Orlie Wilde:--
"We artists live ideally:
We breed our firmest facts of air;
We make our own reality--
We dream a thing and it is so.
The fairest scenes we ever see
Are mirages of memory;
The sweetest thoughts we ever know
We plagiarize from Long Ago:
And as the girl on canvas there
Is marvelously rare and fair,
'Tis only inasmuch as she
Is dumb and may not speak to me!"
He tapped me with his mahlstick--then
The picture,--and went on again:
"Orlie Wilde, the fisher's child--
I see her yet, as fair and mild
As ever nursling summer day
Dreamed on the bosom of the bay:
For I was twenty then, and went
Alone and long-haired--all content
With promises of sounding name
And fantasies of future fame,
And thoughts that now my mind discards
As editor a fledgling bard's.
"At evening once I chanced to go,
With pencil and portfolio,
Adown the street of silver sand
That winds beneath this craggy land,
To make a sketch of some old scurf
Of driftage, nosing through the surf
A splintered mast, with knarl and strand
Of rigging-rope and tattered threads
Of flag and streamer and of sail
That fluttered idly in the gale
Or whipped themselves to sadder shreds.
The while I wrought, half listlessly,
On my dismantled subject, came
A sea-bird, settling on the same
With plaintive moan, as though that he
Had lost his mate upon the sea;
And--with my melancholy trend--
It brought dim dreams half understood--
It wrought upon my morbid mood,--
I thought of my own voyagings
That had no end--that have no end.
--
And, like the sea-bird, I made moan
That I was loveless and alone.
And when at last with weary wings
It went upon its wanderings,
With upturned face I watched its flight
Until this picture met my sight:
A goddess, with a siren's grace,--
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.
"In airy poise she, gazing, stood
A machless form of womanhood,
That brought a thought that if for me
Such eyes had sought across the sea,
I could have swum the widest tide
That ever mariner defied,
And, at the shore, could on have gone
To that high crag she stood upon,
To there entreat and say, 'My Sweet,
Behold thy servant at thy feet.
'
And to my soul I said: 'Above,
There stands the idol of thy love!'
"In this rapt, awed, ecstatic state
I gazed--till lo! I was aware
A fisherman had joined her there--
A weary man, with halting gait,
Who toiled beneath a basket's weight:
Her father, as I guessed, for she
Had run to meet him gleefully
And ta'en his burden to herself,
That perched upon her shoulder's shelf
So lightly that she, tripping, neared
A jutting crag and disappeared;
But she left the echo of a song
That thrills me yet, and will as long
As I have being! .
.
.
.
.
.
"Evenings came
And went,--but each the same--the same:
She watched above, and even so
I stood there watching from below;
Till, grown so bold at last, I sung,--
(What matter now the theme thereof!)--
It brought an answer from her tongue--
Faint as the murmur of a dove,
Yet all the more the song of love.
.
.
.
"I turned and looked upon the bay,
With palm to forehead--eyes a-blur
In the sea's smile--meant but for her!--
I saw the fish-boats far away
In misty distance, lightly drawn
In chalk-dots on the horizon--
Looked back at her, long, wistfully;--
And, pushing off an empty skiff,
I beckoned her to quit the cliff
And yield me her rare company
Upon a little pleasure-cruise.
--
She stood, as loathful to refuse,
To muse for full a moment's time,--
Then answered back in pantomime
'She feared some danger from the sea
Were she discovered thus with me.
'
I motioned then to ask her if
I might not join her on the cliff
And back again, with graceful wave
Of lifted arm, she anwer gave
'She feared some danger from the sea.
'
"Impatient, piqued, impetuous, I
Sprang in the boat, and flung 'Good-by'
From pouted mouth with angry hand,
And madly pulled away from land
With lusty stroke, despite that she
Held out her hands entreatingly:
And when far out, with covert eye
I shoreward glanced, I saw her fly
In reckless haste adown the crag,
Her hair a-flutter like a flag
Of gold that danced across the strand
In little mists of silver sand.
All curious I, pausing, tried
To fancy what it all implied,--
When suddenly I found my feet
Were wet; and, underneath the seat
On which I sat, I heard the sound
Of gurgling waters, and I found
The boat aleak alarmingly.
.
.
.
I turned and looked upon the sea,
Whose every wave seemed mocking me;
I saw the fishers' sails once more--
In dimmer distance than before;
I saw the sea-bird wheeling by,
With foolish wish that _I_ could fly:
I thought of firm earth, home and friends--
I thought of everything that tends
To drive a man to frenzy and
To wholly lose his own command;
I thought of all my waywardness--
Thought of a mother's deep distress;
Of youthful follies yet unpurged--
Sins, as the seas, about me surged--
Thought of the printer's ready pen
To-morrow drowning me again;--
A million things without a name--
I thought of everything but--Fame.
.
.
.
"A memory yet is in my mind,
So keenly clear and sharp-defined,
I picture every phase and line
Of life and death, and neither mine,--
While some fair seraph, golden-haired,
Bends over me,--with white arms bared,
That strongly plait themselves about
My drowning weight and lift me out--
With joy too great for words to state
Or tongue to dare articulate!
"And this seraphic ocean-child
And heroine was Orlie Wilde:
And thus it was I came to hear
Her voice's music in my ear--
Ay, thus it was Fate paved the way
That I walk desolate to-day!" .
.
.
The artist paused and bowed his face
Within his palms a little space,
While reverently on his form
I bent my gaze and marked a storm
That shook his frame as wrathfully
As some typhoon of agony,
And fraught with sobs--the more profound
For that peculiar laughing sound
We hear when strong men weep.
.
.
.
I leant
With warmest sympathy--I bent
To stroke with soothing hand his brow,
He murmuring--"Tis over now!--
And shall I tie the silken thread
Of my frail romance?" "Yes," I said.
--
He faintly smiled; and then, with brow
In kneading palm, as one in dread--
His tasseled cap pushed from his head
" 'Her voice's music,' I repeat,"
He said,--" 'twas sweet--O passing sweet!--
Though she herself, in uttering
Its melody, proved not the thing
Of loveliness my dreams made meet
For me--there, yearning, at her feet--
Prone at her feet--a worshiper,--
For lo! she spake a tongue," moaned he,
"Unknown to me;--unknown to me
As mine to her--as mine to her.
"
|
Written by
Adela Florence Cory Nicolson |
A little breeze blew over the sea,
And it came from far away,
Across the fields of millet and rice,
All warm with sunshine and sweet with spice,
It lifted his curls and kissed him thrice,
As upon the deck he lay.
It said, "Oh, idle upon the sea,
Awake and with sleep have done,
Haul up the widest sail of the prow,
And come with me to the rice fields now,
She longs, oh, how can I tell you how,
To show you your first-born son!"
|
Written by
Elizabeth Barrett Browning |
GO from me.
Yet I feel that I shall stand
Henceforward in thy shadow.
Nevermore
Alone upon the threshold of my door
Of individual life I shall command
The uses of my soul nor lift my hand 5
Serenely in the sunshine as before
Without the sense of that which I forbore¡ª
Thy touch upon the palm.
The widest land
Doom takes to part us leaves thy heart in mine
With pulses that beat double.
What I do 10
And what I dream include thee as the wine
Must taste of its own grapes.
And when I sue
God for myself He hears that name of thine
And sees within my eyes the tears of two.
|
Written by
Elizabeth Barrett Browning |
Go from me.
Yet I feel that I shall stand
Henceforward in thy shadow.
Nevermore
Alone upon the threshold of my door
Of individual life, I shall command
The uses of my soul, nor lift my hand
Serenely in the sunshine as before,
Without the sense of that which I forbore—
Thy touch upon the palm.
The widest land
Doom takes to part us, leaves thy heart in mine
With pulses that beat double.
What I do
And what I dream include thee, as the wine
Must taste of its own grapes.
And when I sue
God for myself, He hears that name of thine,
And sees within my eyes the tears of two.
|